1176 Best Sights in France

Only two sturdy towers—the Tour Charlemagne and the Tour de l'Horloge (Clock Tower)—remain of the great medieval abbey built over the tomb of St-Martin, the city's 4th-century bishop and patron saint (and credited as the founder of \"modern\" wine making in France). Most of the abbey, which once dominated the heart of Tours, was razed during the French Revolution. Today the site is occupied by the bombastic neo-Byzantine Basilique St-Martin, which was completed in 1924. There's a shrine to St-Martin in the crypt.

This majestic basilica dominates the skyline of Menton. Beyond the beautifully proportioned facade—a 19th-century addition—the richly frescoed nave and chapels contain several works by Genovese artists plus a splendid 17th-century organ. Volunteers man the doors here, so you may have to wait for the church to open (usually from 3 pm to 5 pm) before visiting. The parvis is the site of concerts during the August Menton music festival.

This 11th-century Romanesque-Gothic basilica honors the 5th-century saint who gave his name to the city and baptized Clovis (the first king of France) in 498. The interior seems to stretch into the endless distance, an impression created by its relative murk and lowness. The airy four-story Gothic choir contains some fine stained glass from the 12th century. The holy phial used in the crowning of monarchs was formerly kept alongside the basilica in the Abbaye Royale; today that building houses an interesting museum that highlights the history of the abbey, the Gallo-Roman history of the town, and the military history of the region.

Embracing a range of architectural styles, Basilique St-Sauveur has a Romanesque south front, a Flamboyant Gothic facade, and Renaissance side chapels. The old trees in the Jardin Anglais (English Garden) behind the church provide a nice frame; more spectacular views can be found at the bottom of the garden, which looks down the plummeting Rance Valley to the river below.

Started in 1261 by Pope Urban IV (a native son) and eventually consecrated in 1389, St-Urbain is one of the most remarkable churches in France—a perfect culmination of the Gothic quest to replace stone walls with stained glass. Its narrow porch frames a 13th-century Last Judgment tympanum, whose highly worked elements include a frieze of the dead rising out of their coffins (witness the grimacing skeleton). Look for a carved crayfish on one of the statue's niches (a testament to the local river culture). Inside, a chapel on the south side houses the Vièrge au Raisin (Virgin with Grapes), clutching Jesus with one hand and a bunch of Champagne grapes in the other.

Built in the mid-16th century to defend the port below, this restored stone tower is the most impressive remnant of Genoese architecture in Porto Vecchio. Today, the interior hosts art exhibitions, but the real reason to come is to climb the 60 or so steps to the roof terrace for a 360-degree panoramic vista of the port and the salt marshes and mountains beyond.

From Place d'Armes at the city gate, enter the 13th-century Bastion de l'Étendard, where you can still see the system of weights and levers used to raise the drawbridge. The former garrison, the last remaining part of the original fortress, houses life-size dioramas of the bombardment of the bastion in the 16th-century Franco-Turkish war. Climb the steep steps for an incredible panoramic view of the white-chalk cliffs along the coastline.

The birthplace of Cubism isn't open to the public, but a display in the front window details this unimposing spot's rich history. Montmartre poet Max Jacob coined the name because the original structure here reminded him of the laundry boats that used to float in the Seine, and he joked that the warren of paint-splattered artists' studios needed a good hosing down (wishful thinking, because the building had only one water tap). It was in the Bateau-Lavoir that, early in the 20th century, Pablo Picasso, Georges Braque, and Juan Gris made their first bold stabs at Cubism, and Picasso painted the groundbreaking Les Demoiselles d'Avignon in 1906–07. The experimental works of the artists weren't met with open arms, even in liberal Montmartre. All but the facade was rebuilt after a fire in 1970. Like the original building, though, the current incarnation houses artists and their studios.

This chic and sleek courtyard is home to a Thierry Marx bakery, Pierre Hermé café, and the very popular Certified Coffee where you'll usually find hipsters working on their laptops. There's also a nice collection of restaurants, a wine bar, outdoor seating, and contemporary artwork. Enjoy a gourmet snack or meal and soak in the modern contrast to the 19th-century limestone buildings on the street that hides this quiet haven of gastronomy. Enter from  83 rue du Bac or  14 bd. Raspail, which features a 79-foot-long cardboard and wood forest by artist Eva Jospin.

From this spot you can overlook the area's fields and mas (farms), and the modern vacation homes are differentiated from the older properties only by their aqua-blue pools. Belvédère is just downhill from the château; look for the signs.

Tucked away south of the Gare de Lyon in the 12e arrondissement, blocks of stone warehouses that once stored wine are now home to Bercy Village ( 28 rue François Truffaut), a collection of boutiques and eateries that stay open unusually late for Paris. Adjacent to the shops is the tranquil Parc de Bercy, with lawns, ponds, and flower beds crisscrossed by gravel paths, and the Jardin Yitzhak Rabin, a garden named for the late Nobel Peace Prize winner. Nearby, at  51 rue de Bercy, a Cubist building by Frank Gehry houses the Cinémathèque Française, a film buff's paradise, showing classic films, many in English; there are frequent homages to directors and actors, plus a cinema bookshop and museum.

The cobbled streets and picturesque stone pavillons that once housed Paris’s thriving 19th-century wine trade were restored in the 1990s and repurposed as a charming shopping and dining district. Brimming with unique and French chain boutiques and lively cafés, bars, and a multiplex Pathé cinema, this is a great place to spend a few hours strolling, snacking, shopping, and lingering till evening for dinner and a movie, especially since shops and bars stay open late. Check out the website for seasonal activities for kids.

Located within Parc du Château, the Bergerie Nationale (National Sheepfold) is the site of a more serious agricultural venture: the famous Rambouillet Merinos raised here, prized for the quality and yield of their wool, are descendants of sheep imported from Spain by Louis XVI in 1786. A museum alongside tells the tale and evokes shepherd life. Don't miss the wonderful boutique—it features products from the farm, including fromage de brebis (sheep's milk cheese), produce, potted pâtés, jams, honey, and, of course, wool.

Among the precious medieval and Renaissance manuscripts on display at the Bibliothèque Humaniste, founded in 1452 and installed in the former Halle aux Blés, are a 7th-century lectionary and a 12th-century Book of Miracles. There's also a town register from 1521, with the first-ever recorded reference to a Christmas tree.

The National Library of France, across the sleek Simone de Beauvoir footbridge from Bercy Park, is a stark complex comprising four 22-story L-shape buildings representing open books. Commissioned by President Mitterrand, the €1-billion library was said to be the world's most modern when it opened in 1998—a reputation quickly sullied when it was discovered that miles of books and rare documents were baking in the glass towers, unprotected from the sun (movable shutters were eventually installed). Some of the most important printed treasures of France are stored here, though the majority of them are available only to researchers. Visitors can see the impressive 17th-century Globes of Coronelli, a pair of 2-ton orbs made for Louis XIV. There's a sunken center garden with tall trees (open to the public the first weekend in June) ringed by low-ceilinged reading rooms, which are nothing special. A first-floor gallery hosts popular temporary exhibitions. Enter through the easternmost tower.

One glance at these leafy, light-dappled woods, a bit north of Pont-Aven's town center, will make you realize why artists continue to come here. Past some meadows, just outside the Bois d'Amour, you can find Gauguin's inspiration for his famous painting The Yellow Christ—a wooden crucifix in the secluded Chapelle de Trémalo: it's privately owned but usually open from 10 to 5 (until 6 in summer).

There are splendid views of the peaks of the Pyrénées all the way along this promenade, just under a mile long, which extends from the Château to the Palais Beaumont. A free funicular, with its top station in the middle of the boulevard, connects the city center with the railroad station beneath.

Although it's known as the market center for the wines of the Var, Brignoles's largest attraction is still the Abbaye de la Celle, a 12th-century Benedictine abbey that served as a convent until the 17th century and was abandoned until Maria Fournier, owner of the Île de Porquerolles, opened it as a hotel in 1945. It's now the site of celebrated chef Alain Ducasse's culinary hideaway, Hostellerie de l'Abbaye de La Celle. In general, however, the town has staunchly continued to resist change. In fact, the simple Romanesque chapel housing a 14th-century Christ figure—a widely acclaimed masterpiece by an unknown artist—still serves as the parish church.

The eco-minded may appreciate the sustainable makeover given to this relaxed beach club, which swapped its former concrete frame for natural materials like wood and plant mesh and embraced solar energy. Both it and its restaurant are down a bamboo-lined path and hidden behind lush vegetation. Sun beds cost €50, cabanas are €120, and beach towels are €10. At €28, even the kids menu staple of chicken nuggets gets the St. Trop pricing treatment here. Amenities: food and drink; showers; toilets. Best for: swimming.

The cachot, a tiny room where, in extreme poverty, Bernadette and her family took refuge in 1856, can be visited.

This prestigious national equestrian academy trains France’s future riding stars. Unique in Europe, the Cadre Noir de Saumur has 400 horses, extensive stables, five Olympic-size riding rings, and miles of specially laid tracks. Try for a morning tour, which gives you a chance to admire the horses in training. A gala equestrian performance is put on for enthusiastic crowds during special weekends in April, May, July, September, and October; reservations are a must.

On your way from the overpriced parking garages, you'll pass a Provençal scene played out with cinematic flair yet still authentic: the perpetual game of pétanque outside the Café de la Place. A sun-weathered pack of men (and it is overwhelmingly men) in caps, cardigans, and workers' blues—occasionally joined by a passing professional with tie and rolled-up sleeves—gathers under the massive plane trees and stands serene, silent, and intent to toss metal balls across the dusty square. Until his death, Yves Montand made regular appearances here, participating in this ultimate southern scenario. Note that although the café is the perfect place to people-watch, don't expect much in terms of food and service.

Touring the Calanques, whose fjordlike finger-coves probe the rocky coastline, is a must. Either take a sightseeing cruise in a boat that dips into each Calanque in turn (tickets, sold at the eastern end of the port, are €21–€33, depending on how many Calanques you see) or hike across the cliff tops, clambering down the steep sides to these barely accessible retreats. One boat trip lets you swim in the turquoise waters under Cap Canaille, but that must be booked at the kiosk in the morning (four to five departures per day from June to September).

Although of the Calanques closest to Cassis, Port Miou is the least attractive—it was a pierre de Cassis (Cassis stone) quarry until 1982 when the Calanques became protected sites—it now has an active leisure and fishing port. Calanque Port Pin is prettier, with wind-twisted pines growing at angles from white-rock cliffs. But with its tiny beach and jagged cliffs looming overhead, covered with gnarled pine and scrub and its rock spur known to climbers as the "finger of God," Calanque En Vau, reachable via a challenging two-hour hike both there and back (or your own private boat), is a small piece of paradise.

One of the finest of L'Isle's mansions, the 18th-century Hôtel de Campredon has been restored and reinvented as a modern-art gallery, mounting three temporary exhibitions per year.

Head south on the D16 to the D2816 around the cape for a tremendous view across the Bay of Toulon.

Just north of the Esplanade des Quinconces (a sprawling square), this two-story museum is imaginatively housed in a converted 19th-century spice warehouse—the Entrepôt Lainé. Many exhibitions here showcase cutting-edge artists from France and all over the world.

To learn about the heartwarming liqueur made in Angers since 1849, head to the Carré Cointreau on the east side of the city. Guided tours of the distillery start with an introductory film, move past \"Cointreau-versial\" advertising posters, through the bottling plant and alembic room with its gleaming copper-pot stills, and end with a tasting. Bus No. 6 from the Angers train station gets you here in 17 minutes.

Directly opposite the Maison Carrée and looking a bit like an airport terminal, the glass-fronted Carrée d'Art was designed by British architect Sir Norman Foster. It literally reflects the Maison Carrée's creamy symmetry and figuratively answers it with a featherlight deconstructed colonnade. In addition to a library and archives, the sleek, modern structure houses the Musée d'Art Contemporain (Contemporary Art Museum), with a permanent collection of works that date from 1960 and onward and fall into three categories: French painting and sculpture; English, American, and German works; and Mediterranean styles. There are often temporary exhibits of new work, too. Atop the museum, enjoy spectacular city views over lunch at the Ciel de Nîmes. The restaurant, which closes at 6 pm, is also an excellent spot for afternoon tea or a drink.