France

We’ve compiled the best of the best in France - browse our top choices for the top things to see or do during your stay.

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  • 1. 3e Arrondissement

    Marais Quarter

    In recent years, the 3e arrondissement, known at the "haut Marais," or upper Marais, has morphed into one of the city's hottest neighborhoods. Its charming...

    In recent years, the 3e arrondissement, known at the "haut Marais," or upper Marais, has morphed into one of the city's hottest neighborhoods. Its charming old notions and hardware shops have been replaced by cool cafés, art galleries, and trendy boutiques. To enjoy this alluring quartier like a local, first head to Rue de Bretagne, the main drag. Stop for lunch at one of the food stalls in the Marché des Enfants Rouges (No. 39, open Tuesday through Sunday); it's the oldest covered market in Paris. Next, explore narrow side streets, like Rues Charlot, Debelleyme, and Poitou, lined with art galleries and small boutiques. Stop for a famous chausson aux pommes at Poilâne bakery (38 rue Debelleyme), or treat yourself to a homemade gelato at Pastelli Mary Gelateria (60 rue du Temple) before a visit to one of Paris's most original small museums, the Musée de la Chasse et de la Nature (62 rue des Archives). The park attached to the City Hall (Mairie) of the 3e arrondissement is a fine place to picnic or relax and watch the world go by, complete with a children's playground, a charming duck pond, and lovely greenery. Across the street is the 19th-century cast-iron-and-glass Carreau du Temple, which is now a locally driven arts and sports community center. This is the site of the former Templar Tower, where Louis XIV and Marie-Antoinette were imprisoned before the king's date with the guillotine. (Napoléon later razed it.) For your evening apéritif, make a beeline for the buzzy Café Charlot at 38 rue de Bretagne. If you're in the mood for a cocktail, try the Little Red Door speakeasy at No. 60 rue Charlot.

    Paris, Île-de-France, France
  • 2. Abbaye aux Hommes

    Caen's finest church, of cathedral proportions, is part of the Abbaye aux Hommes, built by William the Conqueror from local Caen stone (which was also...

    Caen's finest church, of cathedral proportions, is part of the Abbaye aux Hommes, built by William the Conqueror from local Caen stone (which was also used for England's Canterbury Cathedral, Westminster Abbey, and the Tower of London). The abbey was begun in Romanesque style in 1066 and expanded in the 18th century; its elegant buildings are now part of City Hall, and some rooms are brightened by the city's fine collection of paintings. Note the magnificent yet spare facade of the abbey church of St-Étienne, enhanced by two 11th-century towers topped by octagonal spires. Inside, what had been William the Conqueror's tomb was destroyed by 16th-century Huguenots during the Wars of Religion. However, the choir still stands; it was the first to be built in Norman Gothic style, and many subsequent choirs were modeled after it. To get the full historical scoop, contact abbey staff in advance of your visit for the availability of special guided tours in English. 

    Esplanade Jean-Marie Louve, Caen, Normandy, 14000, France
    02–31–30–42–81

    Sight Details

    Rate Includes: From €3, Closed weekends Jan.
  • 3. Abbaye de Cluny

    Founded in the 10th century, the Abbaye de Cluny was the largest church in Europe until the 16th century, when St. Peter's Basilica in Rome...

    Founded in the 10th century, the Abbaye de Cluny was the largest church in Europe until the 16th century, when St. Peter's Basilica in Rome was built. Art historians have written themselves into knots tracing the fundamental influence of its architecture in the development of early Gothic style. Cluny's medieval abbots were as powerful as popes; in 1098 Pope Urban II (himself a Cluniac) assured the head of his old abbey that Cluny was the "light of the world." That assertion, of dubious religious validity, did not stand the test of time; after the Revolution the abbey was sold as national property and much of it was used as a stone quarry. Today Cluny stands in ruins, a reminder of the vanity of human grandeur. What remains, however, suggests the size and gorgeous glory of the abbey at its zenith, and piecing it back together in your mind is part of the attraction. In order to get a clear sense of what you're looking at, start at the Porte d'Honneur, the entrance to the abbey from the village, whose classical architecture is reflected in the pilasters and Corinthian columns of the Clocher de l'Eau-Bénite (a majestic bell tower), crowning the only remaining part of the abbey church, the south transept. Between the two is the reconstructed monumental staircase, which led to the portal of the abbey church, and the excavated column bases of the vast narthex. The entire nave is gone. On one side of the transept is a national horse-breeding center (haras) founded in 1806 by Napoléon and constructed with materials from the destroyed abbey; on the other is an elegant pavilion built as new monks' lodgings in the 18th century. The gardens in front of it once contained an ancient lime tree (destroyed by a 1982 storm) named after Abélard, the controversial philosopher who sought shelter here in 1142. Off to the right is the 13th-century farinier (flour store), with its fine oak-and-chestnut roof and collection of exquisite Romanesque capitals from the vanished choir. The Musée d'Art et d'Archéologie, in the Palais Jean de Bourbon, contains Europe's foremost Romanesque lapidary museum. Vestiges of both the abbey and the village constructed around it are conserved here, as well as part of the Bibliothèque des Moines (Monks' Library).

    Pl. de l'abbaye, Cluny, Bourgogne-Franche-Comté, 71250, France
    03–85–59–15–93-for Abbaye

    Sight Details

    Rate Includes: €8 abbey; €10.50 abbey, museum and Tour des Fromages
  • 4. Abbaye de Fontenay

    The best-preserved of the Cistercian abbeys, the Abbaye de Fontenay was founded in 1118 by St-Bernard. The same Cistercian criteria applied to Fontenay as to...

    The best-preserved of the Cistercian abbeys, the Abbaye de Fontenay was founded in 1118 by St-Bernard. The same Cistercian criteria applied to Fontenay as to Pontigny: no-frills architecture and an isolated site—the spot was especially remote, for it had been decreed that these monasteries could not be established anywhere near "cities, feudal manors, or villages." The monks were required to live a completely self-sufficient existence, with no contact whatsoever with the outside world. By the end of the 12th century the buildings were finished, and the abbey's community grew to some 300 monks. Under the protection of Pope Gregory IX and Hughes IV, duke of Burgundy, the monastery soon controlled huge land holdings, vineyards, and timberlands. It prospered until the 16th century, when religious wars and administrative mayhem hastened its decline. Dissolved during the French Revolution, the abbey was used as a paper factory until 1906. Fortunately, the historic buildings emerged unscathed. The abbey is surrounded by extensive, immaculately tended gardens dotted with the fountains that gave it its name. The church's solemn interior is lightened by windows in the facade and by a double row of three narrow windows, representing the Trinity, in the choir. A staircase in the south transept leads to the wooden-roof dormitory (spare a thought for the bleary-eyed monks, obliged to stagger down for services in the dead of night). The chapter house, flanked by a majestic arcade, and the scriptorium, where monks worked on their manuscripts, lead off from the adjoining cloisters.

    Marmagne, Bourgogne-Franche-Comté, 21500, France
    03–80–92–15–00

    Sight Details

    Rate Includes: €10
  • 5. Abbaye de Montmajour

    This magnificent Romanesque abbey looming over the marshlands north of Arles stands in partial ruin. Begun in the 10th century by a handful of Benedictine...

    This magnificent Romanesque abbey looming over the marshlands north of Arles stands in partial ruin. Begun in the 10th century by a handful of Benedictine monks, the abbey grew according to an ambitious plan of church, crypt, and cloister and, under the management of worldly lay monks in the 17th century, became more sumptuous. When the Catholic church ejected those monks, they sacked the place, and what remained was eventually sold off as scrap. A 19th-century medieval revival spurred a partial restoration, but portions are still in ruins; what remains is a spare and beautiful piece of Romanesque architecture. The cloister rivals that of St-Trophime in Arles for its balance, elegance, and air of mystical peace: Van Gogh, drawn to its isolation, came often to the abbey to reflect, but the strong mistral winds kept him from painting there. The interior, renovated by contemporary architect Rudy Ricciotti, is used for world-class contemporary art exhibitions.

    Route de Fontvieille, Arles, Provence-Alpes-Côte d'Azur, 13200, France
    04–90–54–64–17

    Sight Details

    Rate Includes: €6, Closed Mon. Oct.--Mar.
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  • 6. Abbaye de Sénanque

    If you've fantasized about Provence's famed lavender fields, head to the wild valley some 4 km (2½ miles) north of Gordes (via D177), where this...

    If you've fantasized about Provence's famed lavender fields, head to the wild valley some 4 km (2½ miles) north of Gordes (via D177), where this photogenic 12th-century Romanesque abbey seemingly floats above a redolent sea of lavender (in full bloom late June through August). Begun in 1150 and completed at the dawn of the 13th century, the church and adjoining cloister are without decoration but still touch the soul with their chaste beauty. Along with the abbeys of Le Thornet and Silvacane, this is one of a trio of "Three Sisters" built by the Cistercian Order in this area. Next door, the enormous vaulted dormitory contains an exhibition on Abbaye de Sénanque's construction, and the refectory shelters a display on the history of Cistercian abbeys. The few remaining monks here now preside over a cultural center presenting concerts and exhibitions. The bookshop has a huge collection of books about Provence (lots in English).

    Gordes, Provence-Alpes-Côte d'Azur, 84220, France
    04–90–72–05–72

    Sight Details

    Rate Includes: €8
  • 7. Abbaye du Mont-St-Michel

    A magnetic beacon to millions of travelers each year, this "wonder of the Western World"—a 264-foot mound of rock topped by a history-shrouded abbey—remains the...

    A magnetic beacon to millions of travelers each year, this "wonder of the Western World"—a 264-foot mound of rock topped by a history-shrouded abbey—remains the crowning glory of medieval France. Wrought by nature and centuries of tireless human toil, the sea-surrounded mass of granite adorned with the soul-lifting silhouette of the Abbaye du Mont-St-Michel may well be your most lasting image of Normandy. The abbey is perched on a 264-foot-high rock a few hundred yards off the coast: it's surrounded by water during the year's highest tides and by desolate sand flats the rest of the time. Be warned: tides in the bay are dangerously unpredictable. The sea can rise up to 45 feet at high tide and rushes in at incredible speed—more than a few ill-prepared tourists over the years have drowned. Also, be warned that there are patches of dangerous quicksand. Legend has it that the Archangel Michael appeared in 709 to Aubert, Bishop of Avranches, inspiring him to build an oratory on what was then called Mont Tombe. The rock and its shrine were soon the objects of pilgrimages. The original church was completed in 1144, but additional buildings were added in the 13th century to accommodate monks as well as the hordes of pilgrims who flocked here even during the Hundred Years' War, when the region was in English hands. During the period when much of western France was subjected to English rule, the abbey remained a symbol, both physical and emotional, of French independence. Because of its legendary origins and the sheer exploit of its centuries-long construction, the abbey became known as the "Merveille de l'Occident" (Wonder of the Western World). Year-round, free 75 minute-long guided tours in English and French (frequency depending on season) can take you through the impressive Romanesque and Gothic abbey and the spectacular Église Abbatiale, the abbey church, which crowns the rock, as well as the Merveille, a 13th-century, three-story collection of rooms and passageways. The tourism office also offers a list of local experts available for tours on its website. La Merveille was built by King Philippe Auguste around and on top of the monastery; on its second floor is the Mont's grandest chamber, the Salle des Chevaliers. Another longer tour, which also includes the celebrated Escalier de Dentelle (Lace Staircase), and the pre-Roman, exquisitely evocative Notre-Dame-sous-Terre has a higher ticket price and is only given in French. Invest in at least one tour while you are here—some of them get you on top of or into things you can't see alone. If you choose to proceed independently, stop halfway up Grande-Rue at the medieval parish church of St-Pierre to admire the richly carved side chapel with its dramatic statue of St-Michael slaying the dragon. Give yourself at least half a day here, and follow your nose. The mount is full of nooks, crannies, little gardens, and echoing views from the ramparts. It's worth lingering to see the Mont spectacularly illuminated, nightly from dusk to midnight.

    Le Mont-Saint-Michel, Normandy, 50170, France
    02–33–89–80–00

    Sight Details

    Rate Includes: From €9
  • 8. Abbaye Royale de Fontevraud

    Founded in 1101, the Abbaye Royale de Fontevraud (Royal Abbey) had separate churches and living quarters for nuns, monks, lepers, "repentant" female sinners, and the...

    Founded in 1101, the Abbaye Royale de Fontevraud (Royal Abbey) had separate churches and living quarters for nuns, monks, lepers, "repentant" female sinners, and the sick. Between 1115 and the French Revolution in 1789, a succession of 39 abbesses—among them a granddaughter of William the Conqueror—directed operations. The great 12th-century Église Abbatiale (Abbey Church) contains the tombs of Henry II of England, his wife Eleanor of Aquitaine, and their son, Richard Cœur de Lion (the Lionheart). Although their bones were scattered during the Revolution, their effigies still lie en couchant in the middle of the echoey nave. Napoléon turned the abbey church into a prison, and so it remained until 1963, when historical restoration work began. The Salle Capitulaire (Chapter House), adjacent to the church, with its collection of 16th-century religious wall paintings (prominent abbesses served as models), is unmistakably Renaissance; the paving stones bear the salamander emblem of François I. Next to the long refectory is the famously octagonal Cuisine (Kitchen), topped by 20 scaly stone chimneys led by the Tour d'Evrault.

    Pl. des Plantagenêts, Fontevraud-l'Abbaye, Pays de la Loire, 49590, France
    02–41–51–73–52

    Sight Details

    Rate Includes: €11
  • 9. Abbaye St-Martin du Canigou

    Visitors tackling a steep, mile-long climb from the parking area, come to make a pilgrimage—esthetic or spiritual—to this celebrated medieval abbey. It's one of the...

    Visitors tackling a steep, mile-long climb from the parking area, come to make a pilgrimage—esthetic or spiritual—to this celebrated medieval abbey. It's one of the most photographed in Europe thanks to its sky-kissing location atop a triangular promontory at an altitude of nearly 3,600 feet. St-Martin du Canigou's breathtaking mountain setting was due, in part, to an effort to escape the threat of marauding Saracens from the Middle East. Constructed in 1009 by Count Guifré of Cerdagne, then damaged by an earthquake in 1428 and abandoned in 1783, the abbey was diligently (perhaps too diligently) restored by the Bishop of Perpignan early in the 20th century. The oldest parts are the cloisters and the two churches, of which the lower church, dedicated to Notre-Dame-sous-Terre, is the most ancient. Rising above is a stocky, fortified bell tower. Masses are sung daily—Easter Mass is especially joyous and moving—but the Abbey can only be visited by guided tour, offered five times daily; reservations are not needed unless traveling as a group of 15 or more.

    Casteil, Vernet-les-Bains, Occitania, 66820, France
    04–68–05–50–03

    Sight Details

    Rate Includes: €6, Closed Jan., and Mon. Oct.–May
  • 10. Aiguille du Midi

    This 12,619-foot granite peak is topped with a needle-like observation tower, terrace, and restaurants. The world's highest cable car soars 12,000 feet up, almost to...

    This 12,619-foot granite peak is topped with a needle-like observation tower, terrace, and restaurants. The world's highest cable car soars 12,000 feet up, almost to the top (an elevator completes the journey to the summit), providing positively staggering views of 15,700-foot Mont Blanc, Europe's loftiest peak. Be prepared for a lengthy wait, both going up and coming down—and wear warm clothing.

    100 pl. de l'aiguille du Midi, Chamonix-Mont-Blanc, Auvergne-Rhône-Alpes, 74400, France

    Sight Details

    Rate Includes: Cable car €67 round-trip
  • 11. Arc de Triomphe

    Champs-Élysées

    Inspired by Rome's Arch of Titus, this colossal, 164-foot triumphal arch was ordered by Napoléon—who liked to consider himself the heir to Roman emperors—to celebrate...

    Inspired by Rome's Arch of Titus, this colossal, 164-foot triumphal arch was ordered by Napoléon—who liked to consider himself the heir to Roman emperors—to celebrate his military successes. Unfortunately, Napoléon's strategic and architectural visions were not entirely on the same plane, and the Arc de Triomphe proved something of an embarrassment. Although the emperor wanted the monument completed in time for an 1810 parade in honor of his new bride, Marie-Louise, it was still only a few feet high, and a dummy arch of painted canvas was strung up to save face. Empires come and go, but Napoléon's had been gone for more than 20 years before the Arc was finally finished in 1836. A small museum halfway up recounts its history. The Arc de Triomphe is notable for magnificent sculptures by François Rude, including the Departure of the Volunteers in 1792, better known as La Marseillaise, to the right of the arch when viewed from the Champs-Élysées. Names of Napoléon's generals are inscribed on the stone facades—the underlined names identify the hallowed figures who fell in battle. The traffic circle around the Arc is named for Charles de Gaulle, but it's known to Parisians as L'Étoile, or "the Star"—a reference to the streets that fan out from it. Climb the stairs to the top of the arch and you can see the star effect of the 12 radiating avenues and the vista down the Champs-Élysées toward Place de la Concorde and the distant Musée du Louvre. Paris mayor Anne Hildago's ambitious plans to "green" the city include a total makeover for the Place d'Étoile to make visiting the Arc de Triomphe a safer and more pleasant experience. By 2024, traffic will be limited in favor of enlarged pedestrian areas and a wide expanse of trees extending all the way down the Champs-Élysées.  France's Unknown Soldier is buried beneath the arch, and a commemorative flame is rekindled every evening at 6:30. That's the most atmospheric time to visit, but, to beat the crowds, come early in the morning or buy your ticket online. Be wary of the traffic circle that surrounds the arch. It's infamous for accidents—including one several years ago that involved the French transport minister. Always use the underground passage from the northeast corner of the Avenue des Champs-Élysées.

    Pl. Charles-de-Gaulle, Paris, Île-de-France, 75008, France
    01–55–37–73–77

    Sight Details

    Rate Includes: €13, Last admission 45 mins before closing
    View Tours and Activities
  • 12. Arènes

    The best-preserved Roman amphitheater in the world is a miniature of the Colosseum in Rome (note the small carvings of Romulus and Remus, the wrestling...

    The best-preserved Roman amphitheater in the world is a miniature of the Colosseum in Rome (note the small carvings of Romulus and Remus, the wrestling gladiators, on the exterior and the intricate bulls' heads etched into the stone over the entrance on the north side). More than 435 feet long and 330 feet wide, it had a seating capacity of 24,000 in its day. Bloody gladiator battles, criminals being thrown to animals, and theatrical wild-boar chases drew crowds to its bleachers. Nowadays the corrida transforms the arena (and all of Nîmes) into a sangria-flushed homage to Spain. Concerts are held here year-round, thanks to a high-tech glass-and-steel structure that covers the arena for winter use.

    Bd. des Arènes, Nîmes, Occitania, 30189, France
    04–66–21–82–56

    Sight Details

    Rate Includes: €10
  • 13. Arènes

    Rivaled only by the even better-preserved version in Nîmes, the arena dominating old Arles was built in the 1st century AD to seat 21,000 people,...

    Rivaled only by the even better-preserved version in Nîmes, the arena dominating old Arles was built in the 1st century AD to seat 21,000 people, with large tunnels through which wild beasts were forced to run into the center. Before being plundered in the Middle Ages, the structure had three stories of 60 arcades each; the four medieval towers are testimony to a transformation from classical sports arena to feudal fortification. Complete restoration of the arena began in 1825. Today it's primarily a venue for the traditional spectacle of the corridas, which take place annually during the féria pascale, or Easter festival. The less bloodthirsty local variant Course Carmarguaise (in which the bull is not killed) also takes place here. Festivities start with the Fête des Gardians on May 1, when the Queen of Arles is crowned, and culminate in early July with the award of the Cocarde d'Or (Golden Rosette) to the most successful raseteur. Tickets are usually available, but be sure to book ahead.

    24 bis, Rond Point des Arènes, Arles, Provence-Alpes-Côte d'Azur, 13200, France
    04–90–18–41–20-for arena info

    Sight Details

    Rate Includes: €9, includes admission to Théâtre Antique
  • 14. Atelier des Lumières

    Père Lachaise

    An abandoned iron foundry in the hip 11e arrondissement is the soaring backdrop for Culturespace's newest feast for the eyes and the senses, where visitors...

    An abandoned iron foundry in the hip 11e arrondissement is the soaring backdrop for Culturespace's newest feast for the eyes and the senses, where visitors are invited to actually step into the midst of some of the great masterpieces of 19th- and 20th-century painting (many found in famous Parisian museums). More than 100 video projectors cast vivid scenes of gorgeously colored artwork on the walls, ceilings, and floors, accompanied by a dynamic soundtrack for total immersion into a 30-minute explosion of color and sound.

    38–40 rue St-Maur, Paris, Île-de-France, 75011, France
    01–80–98–46–00

    Sight Details

    Rate Includes: €16
  • 15. Au Printemps

    Grands Boulevards

    Encompassing a trio of upscale department stores (Printemps Mode, Printemps Beauté-Maison-Enfant, and Printemps Homme), this vast, venerable retailer has been luring shoppers since 1865 and...

    Encompassing a trio of upscale department stores (Printemps Mode, Printemps Beauté-Maison-Enfant, and Printemps Homme), this vast, venerable retailer has been luring shoppers since 1865 and has lately upped its glamour quotient with a series of elegant storewide restorations. Besides the clothes, shoes, housewares, and everything else, there are appealing dining options here. Two floors of the main building (Printemps Homme) have been completely renovated and are now home to Printemps du Goût, a celebration of French cuisine. If you are a do-it-yourselfer, you can find the best of French foodstuffs on the seventh floor. But if you want to eat in style while taking in spectacular views, either from inside via floor-to-ceiling windows or outside on the wraparound terrace, continue on to the eighth floor, where noted chefs and food artisans—including master cheese-maker Laurent Dubois, chef pâtissier Nina Métayer, and artisanal baker Gontran Cherrier—oversee a gourmet cornucopia. You can also opt for a leisurely shopping break at La Brasserie Printemps, under the famous stained-glass cupola, or the magnificent terrace of restaurant Perruche, with 360-degree views over Paris. Shoppers will be pleased to know that Paris's grand department stores are now open Sunday.

    64 bd. Haussmann, Paris, Île-de-France, 75009, France
    01–42–82–50–00
  • 16. Auguste Perret Model Apartment

    A fascinating relic of post–World War II Le Havre, the Auguste Perret Model Apartment is a testament to the city's postwar destruction—and to the determination...

    A fascinating relic of post–World War II Le Havre, the Auguste Perret Model Apartment is a testament to the city's postwar destruction—and to the determination of architects and city planners to create new homes for displaced residents. Sign up for a guided tour at the city's well-appointed Maison du Patrimoine; while the tour is in French, even nonspeakers will find plenty to admire in the collection of midcentury furniture and utility-minded ceramics and artwork. The apartment makes an interesting counterpoint to Perret's nearby masterpiece, the Église St-Joseph.

    181 rue de Paris, Le Havre, Normandy, 76600, France
    02–35–22–31–22

    Sight Details

    Rate Includes: €5, Closed Mon., Tues., and Thurs. Oct.–Mar.
  • 17. Basilique de St-Denis

    Built between 1136 and 1286, St-Denis Basilica is one of the most important Gothic churches in France. It was here, under dynamic prelate Abbé Suger,...

    Built between 1136 and 1286, St-Denis Basilica is one of the most important Gothic churches in France. It was here, under dynamic prelate Abbé Suger, that Gothic architecture (typified by pointed arches and rib vaults) was said to have made its first appearance. The kings of France soon chose St-Denis as their final resting place, and their richly sculpted tombs—along with what remains of Suger's church—can be seen in the choir area at the east end. The basilica was battered during the Revolution; afterward, however, Louis XVIII reestablished it as the royal burial site by moving the remains of Louis XVI and Marie-Antoinette here to join centuries' worth of monarchial bones. The vast 13th-century nave is a brilliant example of structural logic; its columns, capitals, and vault are a model of architectural harmony. The facade, retaining the rounded arches of the Romanesque that preceded the Gothic period, is set off by a small rose window, reputedly the oldest in France. Check out the extensive archaeological finds, such as a Merovingian queen's grave goods. Guided tours in English are available (see website for times); if you'd rather explore on your own, audioguides are available for €3, as is a free English-language information leaflet.

    1 rue de la Légion d'Honneur, St-Denis, Île-de-France, 93200, France
    01–48–09–83–54

    Sight Details

    Rate Includes: €9.50
  • 18. Basilique du Sacré-Coeur

    Montmartre

    It's hard not to feel as though you're ascending to heaven when you visit Sacred Heart Basilica, the white castle in the sky, perched atop...

    It's hard not to feel as though you're ascending to heaven when you visit Sacred Heart Basilica, the white castle in the sky, perched atop Montmartre. The French government commissioned it in 1873 to symbolize the return of self-confidence after the devastating years of the Commune and Franco-Prussian War, and architect Paul Abadie employed elements from Romanesque and Byzantine styles when designing it—a mélange many critics dismissed as gaudy. Construction lasted until World War I, and the church was finally consecrated in 1919. Many people now come to Sacré-Coeur to admire the superlative view from the top of its 271-foot-high dome. But if you opt to skip the climb up the spiral staircase, the view from the front steps is still ample compensation for the trip.Inside, expect another visual treat—namely the massive golden mosaic set high above the choir. Created in 1922 by Luc-Olivier Merson, Christ in Majesty depicts Christ with a golden heart and outstretched arms, surrounded by various figures, including the Virgin Mary and Joan of Arc. It remains one of the largest mosaics of its kind. In the basilica's 262-foot-high campanile hangs La Savoyarde, one of the world's heaviest bells, weighing about 19 tons.The best time to visit Sacré-Coeur is early morning or early evening, and preferably not on a Sunday, when the crowds are thick. If you're coming to worship, there are daily Masses. To avoid the steps, take the funicular, which costs one métro ticket each way.

    Pl. du Parvis-du-Sacré-Coeur, Paris, Île-de-France, 75018, France
    01–53–41–89–00

    Sight Details

    Rate Includes: Basilica free, dome €7
    View Tours and Activities
  • 19. Basilique St-Sernin

    Toulouse's most famous landmark and the world's largest Romanesque church once belonged to a Benedictine abbey, built in the 11th century to house pilgrims on...

    Toulouse's most famous landmark and the world's largest Romanesque church once belonged to a Benedictine abbey, built in the 11th century to house pilgrims on their way to Santiago de Compostela in Spain. Inside, the aesthetic high point is the magnificent central apse, begun in 1080, glittering with gilded ceiling frescoes, which date to the 19th century. When illuminated at night, St-Sernin's five-tier octagonal tower glows red against the sky. Not all the tiers are the same: the first three, with their rounded windows, are Romanesque; the upper two, with pointed Gothic windows, were added around 1300. The ancient crypt contains the relics and reliquaries of 128 saints, but the most famous item on view is a thorn that legend says is from the Crown of Thorns.

    Pl. St-Sernin, Toulouse, Occitania, 31000, France
    05–61–21–80–45

    Sight Details

    Rate Includes: Free, Closed during Sun. Mass
  • 20. Basilique Ste-Madeleine

    In the 11th and 12th centuries, the celebrated Basilique Ste-Madeleine was one of the focal points of Christendom. Pilgrims poured in to see the relics...

    In the 11th and 12th centuries, the celebrated Basilique Ste-Madeleine was one of the focal points of Christendom. Pilgrims poured in to see the relics of St-Mary Magdalene (in the crypt) before setting off on the great trek to the shrine of St-James at Santiago de Compostela, in northwest Spain. Several pivotal church declarations of the Middle Ages were made from here, including St-Bernard's preaching of the Second Crusade (which attracted a huge French following) and Thomas à Becket's excommunication of English king Henry II. By the mid-13th century the authenticity of St- Mary's relics was in doubt; others had been discovered in Provence. The basilica's decline continued until the French Revolution, when the basilica and adjoining monastery buildings were sold by the state. Only the basilica, cloister, and dormitory escaped demolition, and were falling into ruin when ace restorer Viollet-le-Duc, sent by his mentor Prosper Merimée, rode to the rescue in 1840 (he also restored the cathedrals of Laon and Amiens and Paris's Notre-Dame). Today the UNESCO-listed basilica has recaptured much of its glory and is considered to be one of France's most prestigious Romanesque showcases. The exterior tympanum was redone by Viollet-le-Duc (have a look at the eroded original as you exit the cloister), but the narthex (circa 1150) is a Romanesque masterpiece. Note the interwoven zodiac signs and depictions of seasonal crafts along its rim, similar to those at both Troyes and Autun. The pilgrims' route around the building is indicated by the majestic flowers, which metamorphose into full-blown blooms, over the left-hand entrance on the right; an annual procession is still held on July 22. The basilica's exterior is best seen from the leafy terrace to the right of the facade. Opposite, a vast, verdant panorama encompasses vines, lush valleys, and rolling hills. In the foreground is the Flamboyant Gothic spire of St-Père-sous-Vézelay, a tiny village 3 km (2 miles) away.

    Pl. de la Basilique, Vézelay, Bourgogne-Franche-Comté, 89450, France
    03–86–33–39–50

    Sight Details

    Rate Includes: Guided tour by donation (phone for reservations)

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