1176 Best Sights in France

Europe's only museum devoted to Art Nouveau is in an airy turn-of-the-last-century garden–town house built by Eugène Corbin, an early patron of the École de Nancy. Re-created rooms show off original works by local Art Nouveau glassmakers Emile Gallé, Antonin and Auguste Daum, Amalric Walter, and other artisans. Immerse yourself in the fanciful, highly stylized, curlicue style that crept into interiors and exteriors throughout Nancy in the early 20th century, then became a sensation around the world.

In high season, the lines to see Claude Monet's massive, meditative Water Lilies (Les Nymphéas) can stretch into the pretty Tuileries Gardens, but the paintings are well worth the wait. These works, displayed in two curved galleries designed in 1914 by the master himself, are the highlight of the Orangerie's small but excellent collection, which also features early-20th-century paintings by other Impressionist masters like Renoir, Cézanne, and Matisse. Many hail from the private holdings of high-powered art dealer Paul Guillaume (1891–1934), among them the dealer's portrait by Modigliani entitled Novo Pilota (New Pilot). Temporary exhibitions are typically quirky and well-curated. Originally built in 1852 to shelter orange trees, the long rectangular building, a twin of the Jeu de Paume across the garden, includes a portion of the city's 16th-century wall (you can see remnants on the lower floor). A small café and gift shop are here, too. Timed entrances, easily bookable online, are strongly recommended.

Mark this down as one of Paris's most distinctive—and fascinating—collections around the theme of "humans and nature." The museum, housed in the gorgeous 17th-century Hôtel de Guénégaud, features lavishly appointed rooms stocked with animal- and hunt-theme art and sculpture by the likes of Rubens and Gentileschi, as well as antique weaponry and taxidermy interspersed with contemporary works by artists such as Jeff Koons, Sophie Calle, and Walton Ford. In a tribute to Art Nouveau, the decor incorporates chandeliers and railings curled like antlers. Older kids will appreciate the jaw-dropping Trophy Room's impressive menagerie of beasts, not to mention the huge polar bear stationed outside. There is a lovely multimedia exhibit on the myth of the unicorn, as well as charming interactive displays on antique weaponry and bird calls. Temporary exhibits take place on the first floor, with works scattered throughout the permanent collection. There's also a spacious café.

The newest museum in Nîmes is impossible to miss: first for its location, just opposite the Arènes, and second for its exterior featuring a gleaming, translucent facade meant to evoke a Roman toga. Exhibits inside this luminous edifice showcase the city's Roman past with more than 5,000 artifacts, as well as touch screens, interactive displays, and other state-of-the art features that will delight both adults and kids. Highlights include intact mosaics discovered during recent excavations, a model of a domus (Roman house), and a green roof with panoramic views of the amphitheater and all the city's major sites. The sidewalk café is great for a quick lunch or afternoon drink, and the upstairs La Table du 2—which also has impressive views—is a Michelin-starred brasserie that serves lunch and dinner.

The centerpiece of this early-20th-century building, stunningly refurbished by architect Jean-Michel Wilmotte, is a vast ancient mosaic depicting a marriage ceremony that provides intriguing insights into the lifestyle of Roman aristocrats. Also in the varied collection are seven paintings devoted to Cleopatra by 18th-century Nîmes-born painter Natoire Italian, plus some fine Flemish, Dutch, and French works (notably Rubens's Portrait of a Monk and Giambono's The Mystic Marriage of St. Catherine).

This internationally recognized museum houses one of the most important collections from the Napoleonic era; it's undoubtedly one of the most significant displays in France of ancient Italian masterpieces spanning the 14th to 20th centuries. There are nearly 18,000 items, all part of an astounding inventory that belonged to Napoléon's uncle, Cardinal Fesch. Thanks to his nephew's military conquests, the cardinal was able to amass (steal, some would say) many celebrated old-master paintings, the most famous of which are now in Paris's Louvre. The museum's beautiful vaulted corridors showcase 700 paintings, portraits, still lifes, and sculptures from the First and Second Empire from the French school. Don't miss the gallery with engravings and drawings depicting historic Corsica. The building itself, constructed by the cardinal as the Institute of Arts and Sciences, dates back to 1837.

This futuristic glass-and-stainless-steel museum—an architectural extravaganza designed by the Austrian firm Coop Himmelblau—attempts an ambitious and sweeping three-part overview of anthropology, ethnology, and the natural sciences. Dramatically set at the confluence of the Saône and Rhône rivers and meant to reflect both sky and water, the building was designed to harmonize with the landscape, and its soaring interior gracefully interacts with an assemblage of pedestrian walkways, boutiques, cafés, and restaurants below. One of Lyon's most engaging and fascinating museums, visitors can spend an hour or an afternoon exploring the superb permanent collection and a range of multifaceted exhibits on subjects as varied as the origins of the universe to the question of an afterlife. The museum bookshop is a pleasure to browse and there are several appealing contemporary in-museum restaurants for lunch, dinner, or a quick snack.

After touring the painterly grounds of Monet's house, you may wish to see some real paintings at the Musée des Impressionnismes. Originally endowed by the late Chicago art patrons Daniel and Judith Terra, it featured a few works by the American Impressionists, including Willard Metcalf, Louis Ritter, Theodore Wendel, and John Leslie Breck, who flocked to Giverny to study at the hand of the master. But in recent years the museum has extended its scope with an exciting array of exhibitions that explore the origins, geographical diversity, and wide-ranging influences of Impressionism—in the process highlighting the importance of Giverny and the Seine Valley in the history of the movement. There's an on-site restaurant and salon de thé (tearoom) with a fine outdoor terrace, as well as a garden "quoting" some of Monet's plant compositions. Farther down the road, you can visit Giverny's landmark Hôtel Baudy, a restaurant that was once the preferred watering hole of many 19th-century artists.

If you've ever imagined your home strewn with haute-couture creations, this place will, perhaps, give you a clearer picture. Christian Dior's childhood abode is now a museum dedicated to the fashion designer; the house would prove to be a source of inspiration throughout his career, as he recalled \"the nostalgia of stormy nights, of the foghorn, of the Norman drizzle.\" A number of his garments are on display, and special exhibitions focus on themes like Dior creations worn by movie stars on- and off-screen. The beautiful \"artist's\" garden, created by Dior's mother Madeleine, overlooks the sea.

Don't miss this quirky museum, which has some 1,200 corkscrews—the oldest dating from the 17th century—collected from all over the world. There are also some interesting historical displays on various wine-related subjects.

This museum—a branch of the Musée Guimet since 1943—is one of Paris’s best-kept secrets, a thrilling collection of Japanese and Chinese objects d’art. The stately rooms remain largely as they were when Clémence d’Ennery, a former actress and wife of an eminent Parisian playwright, amassed these treasures in her elegant Belle Époque mansion in the late 19th and early 20th centuries. Though open to the public since 1908, it remains largely off the radar, since, until now, the museum has accepted extremely limited visitors by appointment only. Whether you’re a fan of Asian art or not, it’s well worth a trip to tony Avenue Foch to view the more than 7,000 objects on display, including hundreds of delightful netsuke figurines, sculptures, lacquerware, ceramics, inlaid furniture, and porcelains. Items are arranged in carved wooden cases among marble columns and gilded neoclassical woodwork. Purchase your ticket for the guided tour (in French and only on Fridays and Saturdays) in advance on the Musée Guimet website.

Once the École de Dessin (Art School) that granted Cézanne a second-place prize in 1856, the former priory of the Église St-Jean-de-Malte now showcases eight of Cézanne's paintings, as well as a nice collection of his watercolors and drawings. Also hanging in the galleries are 300 works by Bonnard, Picasso, Klee, Rubens, David, and Giacometti.

The ornate synagogue in Cavaillon, now a museum, belonged to one of the four communities protected for five centuries under the Avignon popes and is set in the heart of the town’s Jewish ghetto, which, from medieval times until the 18th century, was closed every evening. Though the ground-floor rooms (including a bread bakery and ritual bath) were built in the 15th century with stone from the onsite quarry, the rococo-style sanctuary upstairs dates from an 18th-century restoration. The colorful and gilded interiors belie the Jewish population's difficult and severely circumscribed existence. The museum offers six to eight guided tours per day in high season (two in English) by reservation only. Cavaillon is 15 km (9 miles) west of Ménerbes.

Located in the west wing of the Palais de Chaillot and one of five national museums dedicated to all things nautical (other locations are in Brest, Port-Louis, Rochefort, and Toulon), the Paris branch is the country’s foremost treasure trove of art and artifacts documenting maritime development pertinent to France over the centuries. The sparkling new design includes impressive special effects, interactive features, and games for adults and kids. Exhibits highlight a notable collection of models of vessels, from 17th-century flagships to modern warships. Kids can climb a step to get a closer look at a model aircraft carrier or a nuclear submarine cut in half to expose their decks. The main gallery displays several figureheads recovered from sunken ships, including a giant Henry IV, miraculously saved from a shipwreck in 1854 during the Crimean War. An enormous representation of Napoléon, in his favored guise as a Roman emperor, was taken from the prow of the frigate Iéna in 1846. There is also a sinister-looking metal diving suit from 1882 and the menu from a 1935 voyage of the SS Normandie cruise ship. The café-restaurant offers snacks and warm meals along with views of the Eiffel Tower, and the shop stocks original sea-themed artworks, chic clothing, and toys. Free English audioguides are available.

Pau's regal past is commemorated at its Musée National du Château de Pau, begun in the 14th century by Gaston Phoebus, the flamboyant count of Béarn. The building was transformed into a Renaissance palace in the 16th century by Marguerite d'Angoulême, sister of François I. A woman of diverse gifts, she wrote pastorals, many performed in the château's sumptuous gardens. Her bawdy Heptameron—written at age 60—furnishes as much sly merriment today as it did when read by her doting kingly brother. Marguerite's grandson, the future king of France Henri IV, was born in the château in 1553. Exhibits connected to Henri's life and times are displayed regularly, along with portraits of the most significant of his alleged 57 lovers and mistresses. His cradle, a giant turtle shell, is on exhibit in his bedroom, one of the sumptuous, tapestry-lined royal apartments.

The story of the Camondo family is steeped in tragedy, but you'd never know it by the interiors of this superb museum, as beautiful as the day patriarch Moïse de Camondo last closed its sculpted doors. Born in Istanbul to a successful Jewish banking family, Camondo built his showpiece mansion in 1911 in the style of the Petit Trianon at Versailles and stocked it with some of the most exquisite furniture, wainscoting, artworks, and bibelots of the mid- to late 18th century. Despite his vast wealth and purported charm, his wife left him five years into their marriage. Then his son, Nissim, was killed in World War I. Upon Moïse's death in 1935, the house and its contents were left to the state as a museum named for his lost son. A few years after Moïse's death, daughter Béatrice, her husband, and two children were deported from France and murdered at Auschwitz. No heirs remained, and the Camondo name died out. Today, the house is an impeccable tribute to Moïse's largesse and his passion for French decorative arts. Besides the mansion's grand spaces, such as various living rooms, a visit includes some of the family's private apartments, the kitchen, scullery, and the servants' dining room. There's also a chic contemporary café with a lovely terrace in the adjoining former garage.  Please note that the museum closed for renovations in August 2024 and is scheduled to reopen in February 2026.

Rising high over the water, this museum is set in the stunning medieval Château Grimaldi. As rulers of Monaco, the Grimaldi family lived here until the revolution; this fine old castle, however, was little more than a monument until its curator offered use of its chambers to Picasso in 1946, when that extraordinary genius was enjoying a period of intense creative energy. The result was a bounty of exhilarating paintings, ceramics, and lithographs inspired by the sea and by Greek mythology—all very Mediterranean. The château, which became the museum in 1966, houses some 245 works by the artist (but not all are on display), as well as pieces by Miró, Calder, and Léger. The first floor displays more than 100 paintings by Russian-born artist Nicolas de Staël. Download the Picasso Antibes app before your visit.

The château on the hill above town is reached from the ticket office via escalator or 131 steps. Once a prison, the castle now contains the Musée Pyrénéen, a provincial museum devoted to the popular customs, arts, and history of the Pyrénées. There are splendid views over the rooftops of Lourdes and the sanctuary area.

Sculptor Auguste Rodin (1840–1917) briefly made his home and studio in the Hôtel Biron, a magnificent 18th-century mansion that now houses this museum dedicated to his work. He died rich and famous, but many of the works that earned him a place in art history were originally greeted with contempt by the general public, which was unprepared for his powerful brand of sexuality and raw physicality.

Most of Rodin's best-known sculptures are in the gardens. The front one is dominated by The Gates of Hell (circa 1880), which illustrates stories from Dante's Divine Comedy. Rodin worked on the sculpture for more than 30 years, and it served as a "sketch pad" for many of his later works: you can see miniature versions of The Kiss (bottom right), The Thinker (top center), and The Three Shades (top center). The museum also showcases long-neglected models, plasters, and paintings, which offer insight into Rodin’s creative process. Pieces by other artists from his personal collection are on display as well—including paintings by van Gogh, Renoir, and Monet. A room is devoted to works by Camille Claudel (1864–1943), his student and longtime lover, herself a widely acclaimed sculptor. An English audio guide (€6.50) is available for the permanent collection and for temporary exhibitions.  Tickets can be purchased online for priority access. If you wish to linger, L'Augustine café serves meals and snacks indoors or outdoors under the garden's linden trees. The fine museum boutique sells quality gifts and objects d'art, such as reproductions of some of the master's most famous sculptures made from the original molds.

Established in Stendhal's grandfather's house, this museum is a fascinating testament to the eminent author. It's one of three local landmarks where his legacy can be explored—the others being his birthplace and the Bibliothèque Municipale, which houses his manuscripts. The English-language \"Stendhal Itinerary,\" offered by the Grenoble Chamber of Commerce, recaps all the major sights associated with him.

In a garden designed by the renowned André Le Nôtre, creator of the \"green geometries\" at Versailles, the landmark Palais de la Berbie (Berbie Palace), between the cathedral and the Pont Vieux (Old Bridge), is the setting for this exceptional museum. Built in 1265 as a residence for Albi's archbishops, the fortresslike structure was transformed in 1922 into a museum to honor Albi's most celebrated son, Belle Époque painter Henri de Toulouse-Lautrec (1864–1901). Toulouse-Lautrec left Albi for Paris in 1882 and soon became famous for his colorful, tumultuous evocations of the lifestyle of bohemian glamour found in and around Montmartre. Son of a wealthy and aristocratic family (Lautrec is a village not far from Toulouse), the young Henri suffered from a genetic bone deficiency and broke both legs as a child, which stunted his growth. But it was the artist's fascination with the decadent side of life that led him to an early grave at the age of 37. The museum's collection of artworks—more than a thousand, representing the world's largest Toulouse-Lautrec corpus—has been deftly organized into theme rooms, including galleries devoted to some of his greatest portraits and scenes from Paris's maisons closées (brothels), with paintings stylishly hung amid the palace's brick ogival arches. There are other masterworks here, including paintings by Georges de la Tour and Francesco Guardi.

The cultural highlight of Colmar is the Musée d'Unterlinden; once a Dominican convent and a hotbed of Rhenish mysticism, the building's star attraction is one of the greatest altarpieces of the 16th century, the Retable d'Issenheim (1512–16), by Matthias Grünewald, which is displayed in the convent's Gothic chapel. Originally painted for the convent at Issenheim, 22 km (14 miles) south of Colmar, the multipanel work is either the last gasp of medievalism or a breathtaking preview of modernism and all its neuroses. Replete with raw realism (note the chamber pots, boil-covered bellies, and dirty linen), Grünewald's altarpiece was believed to have miraculous healing powers over ergotism. Widespread in the Middle Ages, this malady was caused by ingesting fungus-ridden grains, and its victims—many of whom were being nursed at the Issenheim convent—experienced delusional, nearly hallucinogenic fantasies.

Arms and armor are among the treasures in the enchanting 13th-century cloister. Upstairs are fine regional furnishings and a collection of Rhine Valley paintings from the Renaissance, among them Martin Schongauer's opulent 1470 altarpiece painted for Jean d'Orlier. A copper-roofed wing has three floors dedicated to modern and contemporary art (including the Guernica tapestry by Jacqueline de La Baume-Dürbach), as well as temporary exhibition space.

The sculptor Ossip Zadkine spent nearly four decades living in this bucolic retreat near the Jardin du Luxembourg, creating graceful, elongated figures known for their clean lines and simplified features. Zadkine, a Russian-Jewish émigré, moved to Paris in 1910 and fell into a circle of avant-garde artists. His early works, influenced by African, Greek, and Roman art, later took a Cubist turn, no doubt under the influence of his friend, the founder of the Cubist movement, Pablo Picasso. This tiny museum displays a substantial portion of the 400 sculptures and 300 drawings bequeathed to the city by his wife, artist Valentine Prax. There are busts in bronze and stone reflecting the range of Zadkine's style, and an airy back room filled with lithe female nudes in polished wood. The charming, leafy garden contains a dozen statues nestled in the trees, including The Destroyed City, a memorial to the Dutch city of Rotterdam, destroyed by the Germans in 1940.

Crowning the city is one of France's most gorgeous castles, the medieval Musée-Château d'Annecy. High on a hill opposite the Palais and bristling with stolid towers, the complex is landmarked by the Tour Perrière, which dominates the lake, and the Tour St-Paul, Tour St-Pierre, and Tour de la Reine (the oldest, dating to the 12th century), which overlook the town. All provide storybook views over the town and countryside. Dwellings of several eras line the castle courtyard, one of which contains a small museum on Annecy history and how it was shaped by the Nemeurs and Savoie dynasties.

In keeping with the Vieux Port's substantially spiffed-up image, the Marseille regional transportation service now offers efficient public ferry service, with hourly departures from the eastern side to Pointe Rouge (8 am–7 pm), L'Estaque (8:30 am–7:30 pm), and Les Goudes (8:50 am–7:50 pm). The nominal ticket charge (€5, available only on board) is well worth it for the fun and convenience of crossing the port by boat.

You won't be disappointed by the rugged terrain and windswept sand of Omaha Beach, 16 km (10 miles) northwest of Bayeux. Here you can find the Monument du Débarquement (Monument to the Normandy Landings) and the Musée-Mémorial d'Omaha Beach, a large shedlike structure packed with tanks, dioramas, and archival photographs that stand silent witness to \"Bloody Omaha.\" Nearby, in Vierville-sur-Mer, is the U.S. National Guard Monument. Throughout June 6, Allied forces battled a hailstorm of German bullets and bombs, but by the end of the day they had taken the Omaha Beach sector—suffering grievous losses in the process. In Colleville-sur-Mer, overlooking Omaha Beach, is the hilltop American Cemetery and Memorial, designed by landscape architect Markley Stevenson; you can look out to sea across the landing beach from a platform on its north side.

Designed by architect Carlos Ott and inaugurated in 1989, this mammoth ultramodern facility long ago took over the role of Paris's main opera house from the Opéra Garnier (although both operate under the same Opéra de Paris umbrella). The fabulous acoustics of the steeply sloping, stylish auditorium have earned more plaudits than the modern facade. Like the building, performances tend to be on the avant-garde side. Tickets for Opéra de Paris productions run €15–€230 and generally go on sale at the box office a month before shows, earlier by phone and online. Once the doors open, "standing places" can be purchased for €10 from vending machines in the lobby, but you'll need coins or a credit card (no bills) and patience to snag one, as the lines are long. The opera season usually runs September through July; the box office is open Monday through Saturday 11:30–6:30 and one hour before curtain call. If you just want to look around inside, you can also buy tickets for a 90-minute guided tour (in French only) for €20.

When fire destroyed Lille's opera house in 1903, a new, grander edifice began to rise after more than 10 years of construction. Unfortunately, the outbreak of World War I set everything several steps back; after the war, more renovation was required, but the theater eventually opened in 1923. As impressive as the Belle Époque facade is on the outside, it's the sumptuous grande salle on the inside that truly dazzles, with its gilding, marble, chandeliers, and massive dome. The space suffers no dearth of activity today; the stage teams with operas, concerts, and dance performances.

Home to four major cultural centers, this honey-colored Art Deco structure on Place du Trocadéro was built in the 1930s to replace a Moorish-style building constructed for the 1878 World's Fair. Its esplanade is also a top draw for camera-toting visitors intent on snapping the perfect shot of the Eiffel Tower. Facing the building from the Place du Trocadéro, to the left are the Cité de l'Architecture et du Patrimoine—billed as the world's largest architectural museum—and the Theâtre National de Chaillot, one of the city's major dance and performance venues, which occasionally stages plays in English. The twin building to the right contains the Musée de l’Homme, a thoroughly modern anthropology museum, and the marvelous Musée National de la Marine, reopened in 2023 after a six-year restoration. Sculptures and fountains adorn the garden leading to the Seine.