191 Best Sights in Paris, France

Like the Bois de Boulogne to the west, this much-loved retreat on the city's eastern border was landscaped by Napoléon III. Its roots, however, reach back to the 13th century, when Philippe Auguste created a hunting preserve in the shadow of the royal Château de Vincennes, which once ranked as the largest château in Europe. In 1731 Louis XV created a public park here, and the bois (or woods) now features a Japanese garden, La Grande Pagode (a Buddhist temple containing the largest golden statue of the Buddha in Europe), and the exquisite Parc Floral, with acres of flower gardens, a huge kids' park, and summertime jazz and classical concerts. Horse races at the restored Vincennes Hippodrome de Paris are an event for the whole family, but perhaps not the Espace Naturiste, Paris's first area for nudists, opened in 2017. Rowboats are for rent at a pair of lakes: Lac Daumesnil, which has two islands, and Lac des Minimes, which has three. For the kids, there are pony rides, a miniature train, and numerous play areas. Here, too, you'll find the stunning Palais de la Porte Dorée, home to an immigration museum and tropical aquarium. Through late summer, the Parc Floral hosts two beloved music festivals, the Paris Jazz Festival and the Festival Classique au Vert. Grab a picnic and a blanket and enjoy classical music or jazz in the amphitheater or on the lawn in Paris's prettiest park.

After years of false starts, tycoon François Pinault is now showcasing his billion-dollar trove of contemporary works by bold-faced names such as Mark Rothko and Damien Hirst under the historic iron-and-glass dome of the 19th-century Commerce Exchange, one of the city's most stunning, if underused, buildings. After losing a previous bid to open a museum outside Paris and taking his works to Venice instead, Gucci owner Pinault could only watch as archrival Bernard Arnault opened his Frank Gehry–designed Fondation Louis Vuitton in 2014. Not one to be outdone, Pinault tapped star Japanese architect Tadao Ando to carry out a nearly $140 million redesign of Paris' former grain exchange in 2017. Inside, four levels of exhibition space spiral skyward along a giant concrete cylinder ringed at the top by a walkway offering a bird's-eye view of the galleries below. The sparsity of the collections only contributes to the spaceship-like appeal of the contemporary renovation, with a handful of 19th-century details remaining: double-helix stone staircases, wooden display cases dating to 1889, the engine room on the lower level, and the realist mural adorning the underside of the dome, displaying seasonal panoramas of French traders engaged in commerce with the rest of the world. Paris Mayor Anne Hidalgo, who supplied a 50-year lease, called Pinault's creation an "immense gift" to the city. Free 20-minute tours depart daily from the ground-floor level; on the hour, tours explore the collection, while on the half-hour, they delve into the history and architecture of the building. A children's area allows kids to engage with a tour guide, discovering the collection by way of games and books, while the Halle aux Grains restaurant from Michelin-starred father-and-son team Michel and Sébastien Bras allows you to discover a tasting menu in three, five, or seven courses or an à la carte selection of upscale, contemporary French specialties. Don't miss the 100-foot-tall Medici Column on the back side of the building. It was once the stargazing perch of Marie de Medici's powerful astrologer, Cosimo Ruggieri. Legend has it that on stormy nights, a silhouetted figure can be seen in the metal cage at the top.

This imposing high-walled château, on the northern edge of the Bois de Vincennes, was France's medieval version of Versailles. Built and expanded by various kings between the 12th and 14th centuries, it is now surrounded by a dry moat and dominated by a 170-foot keep, the last of nine original towers. The royal residence eventually became a prison holding, notably, convicts of both sexes—and "the doors did not always remain closed between them," as one tour guide coyly put it. Inmates included the philosopher Diderot and the Marquis de Sade, and the alleged spy Mata Hari was executed in its dry moat bed. Both the château and its cathedral, Sainte-Chapelle—designed in the style of the Paris church of the same name—have been restored to their previous glory. If you speak French, the free 90-minute tour is worthwhile; otherwise, consider spending €3 for the English audioguide. The entrance to the lovely Parc Floral de Paris is just behind the château.

Many of the neighborhood's most illustrious residents rest here, a stone's throw from where they lived and loved: Charles Baudelaire, Frédéric Bartholdi (who designed the Statue of Liberty), Alfred Dreyfus, and Guy de Maupassant as well as photographer Man Ray, playwright Samuel Beckett, writers Susan Sontag, Marguerite Duras, Jean-Paul Sartre, and Simone de Beauvoir, actress Jean Seberg, and singer-songwriter Serge Gainsbourg. Opened in 1824, the ancient farmland is the second-largest burial ground in Paris and is spread over 47 acres—so if you go late in the day, give yourself plenty of time to get back to the gate before the exits are locked. Note that this is not the largest cemetery in Paris—that honor goes to the Cimetière du Père-Lachaise, in eastern Paris.

Once a train line from the Paris suburbs to Bastille, this redbrick viaduct (often referred to as Le Viaduc des Arts) is now one of the park highlights of the unpretentious 12e arrondissement. The rails have been transformed into a 4½-km (3-mile) walkway lined with trees, bamboo, and flower gardens, offering a bird's-eye view of the stately Haussmannian buildings along Avenue Daumesnil. Below, the voûtes (arcades) have been transformed by the city into artisan boutiques, many focused on decor and design. There are also temporary galleries showcasing art and photography. The Promenade, which gained fame as a setting in the 2004 film Before Sunset, was the inspiration for New York's High Line. It ends at the Bastille. From there, you can continue your walk to the Bois de Vincennes. If you're hungry, grab a bite at L'Arrosoir, a cozy café under the viaduct ( 75 av. Daumesnil).

Since legendary couturier Azzedine Alaïa's death in 2017, his atelier—tucked away on a quiet leafy street—has become a pilgrimage spot for those who revered his exquisite, masterfully tailored couture and ready-to-wear masterpieces. Housed in a soaring glass-roofed building, the foundation mounts brilliant exhibitions dedicated to Alaïa, whose luxurious, form-fitting creations enhanced the silhouettes of generations of fashion icons from Greta Garbo to Naomi Campbell. You’ll also want to peruse the foundation's superb bookstore and the cozy café serving lunch, coffee, and drinks inside or in the leafy courtyard in warm weather.

Henri Cartier-Bresson, the legendary artist-photojournalist and co-creator of the Magnum photo agency, launched this foundation with his wife Martine Franck, a British-Belgian portrait and documentary photographer, and their daughter Melanie. The soaring, light-filled gallery showcases a collection of 50,000 original prints along with an exceptional series of solo exhibitions from notable photographers. The foundation's bookstore itself is a draw for photography buffs.

Rising up out of the Bois de Boulogne like a magnificent ship sporting billowing crystal sails, Frank Gehry’s contemporary-art museum and cultural center is the most captivating addition to the Parisian skyline since the unveiling of the Centre Pompidou in 1977. Commissioned by Bernard Arnault (chairman and CEO of luxury-goods conglomerate LVMH), the museum, which opened in 2014, houses Arnault’s substantial private collection, including pieces by Pierre Huyghe, Gerhard Richter, Thomas Schütte, Ellsworth Kelly, Bertrand Lavier, Taryn Simon, Sarah Morris, and Christian Boltanski, among others. La Fondation Louis Vuitton also hosts extensive temporary exhibitions, like the mesmerizing light installations of Danish-Icelandic artist Olafur Eliasson. Le Frank, the pricey on-site restaurant overseen by Michelin-starred chef Jean-Louis Nomicos, is noted for its sophisticated mix of French and international cuisine. The museum is a 12-minute walk from Les Sablons métro on Line 1; alternatively, you can catch the Fondation shuttle (€2 for a return ticket), which leaves every 10–15 minutes from Avenue de Friedland at Place de l’Étoile.

Following on the heels of the Musée Yves Saint Laurent Paris (and helmed by its former director), this drop-dead gorgeous exhibition space, housed in the same building as the Dior flagship boutique store and restaurant, inaugurated a new direction for Dior, fusing fashion and culture, in 2022. The permanent exhibition showcases groundbreaking designs from all of the house's great designers—from Yves Saint Laurent and Gianfranco Ferré to John Galliano and Maria Grazia Chiuri—and of course iconic pieces from the master himself. This primer on the history of Paris fashion is an absolute must-see for fashion buffs, and afterward, you may be inspired to pop into the Avenue Montaigne boutique for some shopping or a quick pick-me-up at the superchic café.

Considered the grande dame of Paris's 19th-century passages couverts—the world's first shopping malls—this graceful arcade evokes an age of gaslights and horse-drawn carriages. Parisians once came to passages like this one to tread tiled floors instead of muddy streets; to see and be seen browsing boutiques under the glass-and-iron roofs. Today, the Galerie Vivienne still attracts unique retailers selling clothing, accessories, and housewares. La Marelle (No. 25) stocks secondhand designer labels, and wine merchant Legrand Filles et Fils ( 1 rue de la Banque) is the place for an upscale tasting. The Place des Victoires, a few steps away, is one of Paris's most picturesque squares. In the center is a statue of an outsized Louis XIV (1643–1715), the Sun King, who appears almost as large as his horse.

The stunning Byzantine glass coupole (dome) of the city's most famous department store is not to be missed. Amble to the center of the main store, amid the perfumes and cosmetics, and look up. If you're not shopping, visit the (free) first-floor Galerie des Galeries, an art gallery devoted to fashion, applied arts, and design; or have lunch at one of the many restaurants, including Créatures rooftop bar and restaurant in the main store, with its panoramic city views. Chic Café Coutume, on the third level under the main building's famous coupole, serves craft coffee and delicious snacks. If you prefer a Champagne brunch, stop in at the Wine Gate, with 100 wines to taste with gourmet bites and views of the coupole up close. The top floor of the main store is a good place to pick up interesting Parisian souvenirs. Across the street in Galeries Maison, the gourmet food hall has one of the city's best selections of delicacies and several restaurants, including Top Chef Pierre Sang's Korean delights and elegant La Maison de la Truffe lunch bar. Don't miss Duclot La Cave on Galeries Maison/Gourmet's first floor, where 2,500 bottles of wine from France and around the world are on display—you can sample dozens of them at the semicircular wine bar.

With its curved-glass roof and sinuous Belle Époque ornamentation, you can't miss the Grand Palais, whether you're approaching from the Seine or the Champs-Élysées. This larger structure forms an elegant duo with the Petit Palais across Avenue Winston Churchill. Both buildings, adorned with colorful mosaics and elegant sculpted friezes, were built for the 1900 World's Fair and, like the Eiffel Tower, were not intended to be permanent. After more than 120 years of wear-and-tear, the graceful stone, glass, and cast-iron structure finally closed for a four-year restoration. Though some Olympic events were held here in summer 2024, the structure fully reopened in spring 2025, gleaming and ready for an exciting schedule of art shows and annual events, including Saut Hermès international horse-jumping competition; the Art Paris contemporary art fair; Taste of Paris, featuring culinary creations from France's leading chefs; Grand Palais des Glaces, when the immense nave transforms into an ice skating rink with music and lights; and an exciting program of international art shows.

This splendid museum is the closest you'll get to Versailles in Paris. It took more than 200 skilled artisans and nearly $160 million to achieve what is hands down Paris’s most ravishing museum to date, allowing the public a glimpse behind the elegant facade of a masterpiece of French 18th-century interior design for the first time in 250 years. No detail was overlooked in the restoration: wallpaper and curtains were painted or sewed by hand using the original 18th-century techniques; the woodwork was painstakingly stripped, restored, and gilded by master craftspeople; and decorative features were created in Paris’s most rarified workshops. 

The mansion is one of two twin structures built in 1758 for Louis XV to mark a new square created in his honor (now Place de la Concorde). Both buildings sat unused before the eastern facade—now the Hôtel de Crillon—was auctioned off to the Duc d’Aumont. The western edifice became the Garde-Meuble de la Couronne, the institution in charge of selecting, maintaining, and storing the king’s furniture. In 1789, it became the headquarters for the navy ministry, which remained in the building for 226 years. The decrees ending slavery and the slave trade in France were signed here in 1794. Visitors can learn about the building's history through state-of-the-art interactive displays in the grand ballroom and loggia, a sprawling balcony facing Place de la Concorde with impressive views of the Assemblée Nationale and the Eiffel Tower. You can take a guided visit (in English) or grab a state-of-the-art headset; well worth it to discover the museum's fascinating history.

The museum also houses the exquisite Al Thani collection, featuring objects and artwork spanning 6,000 years and myriad civilizations, as well as an outpost of the Cordon Bleu cooking school ( www.cordonbleu.edu/paris-hoteldelamarine). The waiting room retains lovely details of the historic mansion while classrooms are equipped with top-of-the-line culinary equipment. At stations designed for two students, participants in these hands-on ateliers glean the secrets of French cuisine from professional chefs; while classes are taught in French, expert interpreters are always present to ensure English-speakers reap the full benefits. Classes start at €33 for a one-hour demonstration, but spring for the €110 two-hour Capitaine or €165 three-hour Amiral for the fullest experience.

Another great pleasure of your visit is lunch, teatime, or a cocktail at the romantic Café Lapérouse (offshoot of the historic Paris restaurant) or Mimosa, across the courtyard, helmed by chef Jean-François Piège, one of the city's star chefs. Both restaurants offer sumptuous interiors and outdoor dining in the interior courtyard or under the pillars overlooking Place de la Concorde.

Opened in 1640 and once known as the Jardin du Roi (King's Garden), this sprawling patch of greenery is a neighborhood gem. It's home to several gardens and various museums, all housed in 19th-century buildings that blend glass with ornate ironwork. The botanical and rose gardens are impressive, and plant lovers won't want to miss the towering greenhouses (serres in French)—they are filled with one of the world's most extensive collections of tropical and desert flora. If you have kids, take them to the excellent Grande Galerie de l'Évolution or one of the other natural history museums here: the Galerie de Paléontologie, replete with dinosaur and other skeletons, and the recently renovated Galerie de Minéralogie. If the kids prefer fauna, visit the Ménagerie, a small zoo founded in 1794 whose animals once fed Parisians during the 1870 Prussian siege. The star attractions are Nénette, the grande-dame orangutan from Borneo, and her swinging friends in the monkey and ape house. If you need a break, there are three kiosk cafés in the Jardin.

Le Centquatre (meaning "104") takes its name from its address in a rough-around-the-edges corner of the 19e arrondissement, near Parc de la Villette. The former site of the city morgue, this soaring art hub is home to an offbeat collection of performance venues, shops, and studios (artists of all genres compete for free studio space, and sometimes you can get a peek of them at work). Contemporary art exhibits, some of which charge a small admission, are presented here, as are all manner of concerts, dance performances, performance art, films, and other events, many of them interactive. On-site you'll also find a restaurant, a café, a bookstore, a vintage shop, and a play area for children. There's much to see and do here for the whole family, so check the website before you visit to confirm what's on.

The catacombs are a fascinating haunt for anyone with morbid interests. A visit starts with a descent through dark, clammy passages that bring you to Paris's principal ossuary, which also once served as a hideout maze for the French Resistance. Bones from the defunct Cimetière des Innocents were the first to arrive in 1786, when decomposing bodies started seeping into the cellars of the market at Les Halles, drawing swarms of ravenous rats. The legions of bones were dumped here over the course of several decades are arranged by parish and by type—rows of skulls, packs of tibias, and piles of spinal disks, often rather artfully arranged. Among the nameless 6 million or so are the bones of Madame de Pompadour (1721–64), laid to rest with the riffraff after a lifetime spent as the mistress of Louis XV. One of the most interesting aspects of the catacombs is one you probably won't see: so-called cataphiles, or urban explorers, mostly art students, have found alternate entrances into the 300 km (186 miles) of tunnels and come to make art, party, and purportedly raise hell. Advance reservations are required (tickets are not refundable) and the line is always long to get in, as only 200 people can enter at a time. It's not recommended for claustrophobes or young children. Note that the exit and gift shop are at  21 bis av. Rene Coty, about a half-mile from the entrance.

Much of the credit for the city's ascendancy as a hub of international photography goes to Maison Européenne de la Photographie (MEP). Set in a landmark 17th-century mansion with a contemporary addition, MEP hosts up to four simultaneous exhibitions, which change about every three months, along with theme visits, workshops, and programs for kids. Shows feature an international crop of photographers and video artists. Works by superstar Annie Leibovitz or the late designer-photographer Karl Lagerfeld may overlap with a collection of self-portraits by an up-and-coming artist, and there are also regular retrospectives of photos by Doisneau, Cartier-Bresson, Man Ray, and other classics from MEP's vast private collection. The center has an excellent library, bookstore, and a café that spills out into the courtyard in warm months. Programs are available in English, and English-language tours are sometimes offered.

This picturesque market on the city's northern boundary still lures crowds on Friday from 8 am to noon, weekends from 10 am to 6 pm, and Monday from 11 am to 5 pm, but its once-unbeatable prices are now a relic. Packed with antiques booths and brocante stalls, the century-old, miles-long labyrinth has been undergoing a mild renaissance lately: its 15 covered "marchés" now house all manner of artisans and creators as well as buzzworthy shops and galleries (some of which keep weekend-only hours). Destination cafés and eateries—including the popular La Chopes des Puces, where Django Reinhardt used to jam, and the chic MOB Hotel—also attract a hip Paris contingent. Arrive early to pick up the best loot, then linger over a meal or apéro. Be warned, though: if there's one place in Paris where you need to know how to bargain, this is it. If you're arriving by métro, walk under the overpass and take the first left at the Rue de Rosiers to reach the center of the market. Note that stands selling dodgy odds and ends (think designer knockoffs and questionable gadgets) set up around the overpass. These blocks are crowded and gritty; be careful with your valuables here and throughout the marché.

Place d'Aligre has two of Paris's best markets: the lively outdoor Marché d'Aligre and the covered Marché Beauvau. Open every day but Monday, both are great places to pick up picnic essentials, which you can enjoy nearby in the small park at Square Trousseau or on the Promenade Plantée. The picturesque outdoor market has dozens of boisterous vendors, their stands laden with fresh fruits and vegetables, flower bouquets, and regional products such as jam, honey, and dried sausage. Many vendors are happy to give you a taste of whatever they're selling. The covered Marché Beauvau stocks everything from cheeses and olive oil to brewed-in-Paris craft beer. Sunday morning, when the accompanying flea market is in full swing, is the liveliest time to visit. Stop for a plate of fresh oysters, charcuterie, and a glass of rouge (even on Sunday morning) at one of the city's quirkiest wine bars, Le Baron Rouge ( 1 rue Théophile Roussel), or one of the many chic cafés in the neighborhood.

The first installation in this compelling memorial and museum is the deeply moving Wall of Names, tall plinths honoring the 76,000 French Jews deported from France to Nazi concentration camps, of whom only 2,500 survived. Opened in 2005, the center has an archive on the victims, a library, and a gallery hosting temporary exhibitions. The permanent collection includes riveting artifacts and photographs from the camps, along with video testimony from survivors. The children's memorial is particularly poignant and not for the faint of heart—scores of backlit photographs show the faces of many of the 11,000 murdered French children. The crypt, a giant black marble Star of David, contains ashes recovered from the camps and the Warsaw ghetto. You can see the orderly drawers containing small files on Jews kept by the French police. (France officially acknowledged the Vichy government's role only in 1995.) The history of anti-Semitic persecution in the world is revisited, as well as the rebounding state of Jewry today. There is a free guided tour in English the second Sunday of every month at 3.

When this world-famous cabaret opened in 1889, aristocrats, professionals, and the working classes alike all flocked to ogle the scandalous performers (the cancan was considerably kinkier in Toulouse-Lautrec's day, when girls kicked off their knickers). There's not much to see from the outside except for tourist buses and sex shops; if you want to catch a show inside, ticket prices start at €120 (although same-day tickets can be as low as €95). Souvenir seekers should check out the Moulin Rouge gift shop (around the corner at  11 rue Lepic), which sells official merchandise, from jewelry to sculptures, by reputable French makers.

This excellent museum traces the tempestuous backstory of French and European Jews through art and history. Housed in the refined 17th-century Hôtel St-Aignan, exhibits have good explanatory texts in English, but the free English audio guide adds another layer of insight; guided tours in English are also available on request (€4 extra). Highlights include 13th-century tombstones excavated in Paris; a wooden model of a destroyed Eastern European synagogue; a roomful of early paintings by Marc Chagall; and Christian Boltanski's stark two-part tribute to Shoah (Holocaust) victims in the form of plaques on an outer wall naming the (mainly Jewish) inhabitants of the Hôtel St-Aignan in 1939, and canvas hangings with the personal data of the 13 residents who were deported and died in concentration camps. The museum also mounts excellent temporary exhibitions, like the recent "Chagall, Modigliani, Soutine: Paris as a School, 1940." The rear-facing windows offer a view of the Jardin Anne Frank. To visit the garden, use the entrance on Impasse Berthaud, off Rue Beaubourg, just north of Rue Rambuteau.

In high season, the lines to see Claude Monet's massive, meditative Water Lilies (Les Nymphéas) can stretch into the pretty Tuileries Gardens, but the paintings are well worth the wait. These works, displayed in two curved galleries designed in 1914 by the master himself, are the highlight of the Orangerie's small but excellent collection, which also features early-20th-century paintings by other Impressionist masters like Renoir, Cézanne, and Matisse. Many hail from the private holdings of high-powered art dealer Paul Guillaume (1891–1934), among them the dealer's portrait by Modigliani entitled Novo Pilota (New Pilot). Temporary exhibitions are typically quirky and well-curated. Originally built in 1852 to shelter orange trees, the long rectangular building, a twin of the Jeu de Paume across the garden, includes a portion of the city's 16th-century wall (you can see remnants on the lower floor). A small café and gift shop are here, too. Timed entrances, easily bookable online, are strongly recommended.

Mark this down as one of Paris's most distinctive—and fascinating—collections around the theme of "humans and nature." The museum, housed in the gorgeous 17th-century Hôtel de Guénégaud, features lavishly appointed rooms stocked with animal- and hunt-theme art and sculpture by the likes of Rubens and Gentileschi, as well as antique weaponry and taxidermy interspersed with contemporary works by artists such as Jeff Koons, Sophie Calle, and Walton Ford. In a tribute to Art Nouveau, the decor incorporates chandeliers and railings curled like antlers. Older kids will appreciate the jaw-dropping Trophy Room's impressive menagerie of beasts, not to mention the huge polar bear stationed outside. There is a lovely multimedia exhibit on the myth of the unicorn, as well as charming interactive displays on antique weaponry and bird calls. Temporary exhibits take place on the first floor, with works scattered throughout the permanent collection. There's also a spacious café.

This museum—a branch of the Musée Guimet since 1943—is one of Paris’s best-kept secrets, a thrilling collection of Japanese and Chinese objects d’art. The stately rooms remain largely as they were when Clémence d’Ennery, a former actress and wife of an eminent Parisian playwright, amassed these treasures in her elegant Belle Époque mansion in the late 19th and early 20th centuries. Though open to the public since 1908, it remains largely off the radar, since, until now, the museum has accepted extremely limited visitors by appointment only. Whether you’re a fan of Asian art or not, it’s well worth a trip to tony Avenue Foch to view the more than 7,000 objects on display, including hundreds of delightful netsuke figurines, sculptures, lacquerware, ceramics, inlaid furniture, and porcelains. Items are arranged in carved wooden cases among marble columns and gilded neoclassical woodwork. Purchase your ticket for the guided tour (in French and only on Fridays and Saturdays) in advance on the Musée Guimet website.

Located in the west wing of the Palais de Chaillot and one of five national museums dedicated to all things nautical (other locations are in Brest, Port-Louis, Rochefort, and Toulon), the Paris branch is the country’s foremost treasure trove of art and artifacts documenting maritime development pertinent to France over the centuries. The sparkling new design includes impressive special effects, interactive features, and games for adults and kids. Exhibits highlight a notable collection of models of vessels, from 17th-century flagships to modern warships. Kids can climb a step to get a closer look at a model aircraft carrier or a nuclear submarine cut in half to expose their decks. The main gallery displays several figureheads recovered from sunken ships, including a giant Henry IV, miraculously saved from a shipwreck in 1854 during the Crimean War. An enormous representation of Napoléon, in his favored guise as a Roman emperor, was taken from the prow of the frigate Iéna in 1846. There is also a sinister-looking metal diving suit from 1882 and the menu from a 1935 voyage of the SS Normandie cruise ship. The café-restaurant offers snacks and warm meals along with views of the Eiffel Tower, and the shop stocks original sea-themed artworks, chic clothing, and toys. Free English audioguides are available.

The story of the Camondo family is steeped in tragedy, but you'd never know it by the interiors of this superb museum, as beautiful as the day patriarch Moïse de Camondo last closed its sculpted doors. Born in Istanbul to a successful Jewish banking family, Camondo built his showpiece mansion in 1911 in the style of the Petit Trianon at Versailles and stocked it with some of the most exquisite furniture, wainscoting, artworks, and bibelots of the mid- to late 18th century. Despite his vast wealth and purported charm, his wife left him five years into their marriage. Then his son, Nissim, was killed in World War I. Upon Moïse's death in 1935, the house and its contents were left to the state as a museum named for his lost son. A few years after Moïse's death, daughter Béatrice, her husband, and two children were deported from France and murdered at Auschwitz. No heirs remained, and the Camondo name died out. Today, the house is an impeccable tribute to Moïse's largesse and his passion for French decorative arts. Besides the mansion's grand spaces, such as various living rooms, a visit includes some of the family's private apartments, the kitchen, scullery, and the servants' dining room. There's also a chic contemporary café with a lovely terrace in the adjoining former garage.  Please note that the museum closed for renovations in August 2024 and is scheduled to reopen in February 2026.

Sculptor Auguste Rodin (1840–1917) briefly made his home and studio in the Hôtel Biron, a magnificent 18th-century mansion that now houses this museum dedicated to his work. He died rich and famous, but many of the works that earned him a place in art history were originally greeted with contempt by the general public, which was unprepared for his powerful brand of sexuality and raw physicality.

Most of Rodin's best-known sculptures are in the gardens. The front one is dominated by The Gates of Hell (circa 1880), which illustrates stories from Dante's Divine Comedy. Rodin worked on the sculpture for more than 30 years, and it served as a "sketch pad" for many of his later works: you can see miniature versions of The Kiss (bottom right), The Thinker (top center), and The Three Shades (top center). The museum also showcases long-neglected models, plasters, and paintings, which offer insight into Rodin’s creative process. Pieces by other artists from his personal collection are on display as well—including paintings by van Gogh, Renoir, and Monet. A room is devoted to works by Camille Claudel (1864–1943), his student and longtime lover, herself a widely acclaimed sculptor. An English audio guide (€6.50) is available for the permanent collection and for temporary exhibitions.  Tickets can be purchased online for priority access. If you wish to linger, L'Augustine café serves meals and snacks indoors or outdoors under the garden's linden trees. The fine museum boutique sells quality gifts and objects d'art, such as reproductions of some of the master's most famous sculptures made from the original molds.

The sculptor Ossip Zadkine spent nearly four decades living in this bucolic retreat near the Jardin du Luxembourg, creating graceful, elongated figures known for their clean lines and simplified features. Zadkine, a Russian-Jewish émigré, moved to Paris in 1910 and fell into a circle of avant-garde artists. His early works, influenced by African, Greek, and Roman art, later took a Cubist turn, no doubt under the influence of his friend, the founder of the Cubist movement, Pablo Picasso. This tiny museum displays a substantial portion of the 400 sculptures and 300 drawings bequeathed to the city by his wife, artist Valentine Prax. There are busts in bronze and stone reflecting the range of Zadkine's style, and an airy back room filled with lithe female nudes in polished wood. The charming, leafy garden contains a dozen statues nestled in the trees, including The Destroyed City, a memorial to the Dutch city of Rotterdam, destroyed by the Germans in 1940.

Designed by architect Carlos Ott and inaugurated in 1989, this mammoth ultramodern facility long ago took over the role of Paris's main opera house from the Opéra Garnier (although both operate under the same Opéra de Paris umbrella). The fabulous acoustics of the steeply sloping, stylish auditorium have earned more plaudits than the modern facade. Like the building, performances tend to be on the avant-garde side. Tickets for Opéra de Paris productions run €15–€230 and generally go on sale at the box office a month before shows, earlier by phone and online. Once the doors open, "standing places" can be purchased for €10 from vending machines in the lobby, but you'll need coins or a credit card (no bills) and patience to snag one, as the lines are long. The opera season usually runs September through July; the box office is open Monday through Saturday 11:30–6:30 and one hour before curtain call. If you just want to look around inside, you can also buy tickets for a 90-minute guided tour (in French only) for €20.