65 Best Sights in Montreal, Quebec

Few churches in North America are as wow-inducing as Notre-Dame. Everything about the Gothic Revival–style church, which opened in 1829, seems designed to make you gasp—from the 228-foot twin towers out front to the tens of thousands of 24-karat gold stars that stud the soaring blue ceiling.

Nothing in a city renowned for churches matches Notre-Dame for sheer grandeur—or noisemaking capacity: its 12-ton brass bell is the largest in North America, and its 7,000-pipe Casavant organ can make the walls tremble. The pulpit is a work of art in itself, with an intricately curving staircase and fierce figures of Ezekiel and Jeremiah crouching at its base. The whole place is so overwhelming it's easy to miss such lesser features as the stained-glass windows from Limoges and the side altars dedicated to St. Marguerite d'Youville, Canada's first native-born saint; St. Marguerite Bourgeoys, Canada's first schoolteacher; and a group of Sulpician priests martyred in Paris during the French Revolution.

For a peek at the magnificent baptistery, decorated with frescoes by Ozias Leduc, you'll have to tiptoe through the glassed-off prayer room in the northwest corner of the church. Every year dozens of brides—including Céline Dion, in 1994—march up the aisle of Chapelle Notre-Dame-du-Sacré-Coeur (Our Lady of the Sacred Heart Chapel), behind the main altar, to exchange vows with their grooms before a huge modern bronze sculpture that you either love or hate.

Notre-Dame is an active house of worship, so dress accordingly. The chapel can't be viewed weekdays during the 12:15 pm mass, and is often closed Saturday for weddings. Don't miss the 45-minute multimedia spectacle, Aura, which celebrates the basilica's exquisite features through light and sound. See website for schedule ( www.aurabasiliquemontreal.com/en).  The basilica has been under major restoration since 2020 and is not expected to be complete until 2040. Be prepared to see scaffolding at the very least.

Creating one of the world's great botanical gardens in a city with a winter as harsh as Montréal's was no mean feat, and the result is that no matter how brutal it gets in January there's one corner of the city where it's always summer. With 181 acres of plantings in summer and 10 greenhouses open all year, Montréal's Jardin Botanique is the second-largest attraction of its kind in the world (after England's Kew Gardens). It grows more than 26,000 species of plants, and among its 30 thematic gardens are a rose garden, an alpine garden, and—a favorite with the kids—a poisonous-plant garden.

You can attend traditional tea ceremonies in the Japanese Garden, which has one of the best bonsai collections in the West, or wander among the native birches and maples of the Jardin des Premières-Nations (First Nations Garden). The Jardin de Chine (Chinese Garden), with its pagoda and waterfall, will transport you to the Ming dynasty. In the fall, all three cultural gardens host magical mixes of light, color, plant life, and sculpture during the annual Gardens of Light spectacle.

A modern glass edifice built on the site of Montréal's first European settlement, the PAC impresses. The museum presents new local and international temporary exhibitions each year, but the real reason to visit the city's most ambitious archaeological museum is to take the elevator ride down to the 17th century.

It's dark down there, and just a little creepy thanks to the 350-year-old tombstones teetering in the gloom, but it's worth the trip. This is a serious archaeological dig that takes you to the very foundations of the city. A more lighthearted exhibit explores life and love in multicultural Montréal. For a spectacular view of the Old Port, the St. Lawrence River, and the Islands, ride the elevator to the top of the tower, or stop for lunch in the museum's glass-fronted bistro. In summer there are re-creations of period fairs and festivals on the grounds near the museum.

The Fort Ville-Marie pavilion showcases the remains of the forts and artifacts from the first Montrealers. The 360-foot underground William collector sewer, North America's first collector sewer built in the 1830s and considered a masterpiece of civil engineering at the time, connects the original museum space with the new pavilion and features a sound-and-light show projected onto the walls of the collector sewer.

Not surprisingly, Canada's oldest museum--and one of its most important institutions for the arts--has one of the finest collections of Canadian art anywhere. The works of such luminaries as Paul Kane, the Group of Seven, Paul-Émile Borduas, and Marc-Aurèle Fortin are displayed here in the Bourgie Pavilion, a space built onto the back of the neoclassical Erskine and American United Church, one of the city's most historic Protestant churches. The nave has been preserved as a meeting place and exhibition hall and also displays the church's 18 Tiffany stained-glass windows, the biggest collection of Tiffany's work outside the United States. The rest of the museum's permanent collection, which includes works by everyone from Rembrandt to Renoir, is housed in its four other pavilions: the neoclassical Hornstein Pavilion; the modernist 1970s Stewart Pavilion; the glittering, glass-fronted Desmarais Pavilion; and the cantilevered glass and aluminum Hornstein Pavilion for Peace, which looks like an illuminated paper lantern at night. All of the pavilions are linked by tunnels. Admission is half-price from 5 to 9 pm Wednesday.

Île Ste-Hélène and Île Notre-Dame now constitute a single park named, fittingly enough, for Jean Drapeau (1916–99), the visionary (and spendthrift) mayor who built the métro and brought the city both the 1967 World's Fair and the 1976 Olympics. The park includes La Ronde (a major amusement park), acres of flower gardens, an aquatic complex, a beach with filtered water, the Formula 1 Grand Prix Circuit Gilles Villeneuve, performance spaces, and the Casino de Montréal. There's history here, too, at the Old Fort, which was built by the British to protect the country from a possible invasion by the United States. In winter, you can skate on the old Olympic rowing basin or slide down iced trails on an inner tube.

If your taste runs to the chic and fashionable, then there is simply no better street than avenue Bernard, west of avenue Querbes, for people-watching. Its wide sidewalks and shady trees make it ideal for the kind of outdoor cafés and restaurants that attract the bright and the beautiful. And, in summer, the avenue is pedestrianized between avenues Wiseman and Bloomfield, with people walking freely and outdoor patios spilling out into the street.

The seat of the Anglican (Episcopalian) bishop of Montréal offers downtown shoppers and strollers a respite from the hustle and bustle of rue Ste-Catherine. Built in 1859, the cathedral is modeled on Snettisham Parish Church in Norfolk, England, with some distinctly Canadian touches. The steeple, for example, is made with aluminum plates molded to simulate stone, and inside, the Gothic arches are crowned with carvings of the types of foliage growing on Mont-Royal when the church was built. The stained-glass windows behind the main altar, installed in the early 1920s as a memorial to the dead of World War I, show scenes from the life of Christ. On the wall just above and to the left of the pulpit is the Coventry Cross; it's made of nails taken from the ruins of Britain's Coventry Cathedral, destroyed by German bombing in 1940.The church building is a National Historic Site of Canada.  Free Saturday group tours can be arranged by calling the office.

If you find yourself humming "Getting to Know You" as you explore Mont-Royal Cemetery's 165 acres, blame it on the graveyard's most famous permanent guest, Anna Leonowens (1834–1915). She was the real-life model for the heroine of the Rodgers and Hammerstein musical The King and I. The cemetery—established in 1852 by the Anglican, Presbyterian, Unitarian, and Baptist churches—is laid out like a terraced garden, with footpaths that meander between crab-apple trees and past Japanese lilacs. Birders and nature photographers love to come to this cemetery for the 150 or so species of birds found here, including chestnut-sided warblers, ruby-throated hummingbirds, bluebirds, cedar waxwings, nuthatches, yellow warblers, woodpeckers, goldfinches, and more. And keep an eye out for the resident groundhogs and raccoons!

Visible from up to 50 miles away on a clear day, the 98-foot-high steel cross at the top of Mont-Royal has been a city landmark since it was erected in 1924, largely with money raised through the efforts of 85,000 high-school students. Once upon a time, it took four hours and the labor of three to replace the 249 electric bulbs used to light the cross; today, the iconic cross is illuminated via a high-tech remote-control LED system.

Built in 1847, this is one of the purest examples of the Gothic Revival style in Canada, with a high vaulted ceiling glowing with green and gold mosaics. The tall, slender columns are actually pine logs lashed together and decorated to look like marble, so that if you stand in one of the back corners and look toward the altar you really do feel as if you're peering at the sacred through a grove of trees. St. Pat's—as most of its parishioners call it—is to Montréal's anglophone Catholics what the Basilique Notre-Dame-de-Montréal is to their French-speaking brethren—the mother church and a monument to faith and courage. One of the joys of visiting the place is that you'll probably be the only tourist there, so you'll have plenty of time to check out the old pulpit and the huge lamp decorated with six angels two meters (six feet) tall hanging over the main altar. And if you're named after some relatively obscure saint like Scholastica or Aeden of Fleury, you can search for your namesake's portrait among the 170 painted panels on the walls of the nave. For a solemn experience, visit on the third Sunday of the month (September through June), when the mass is sung completely in Latin.

Each year some 2 million people from all over North America and beyond visit St. Joseph's Oratory. The most devout Catholics climb the 99 steps to its front door on their knees. It is the world's largest and most popular shrine dedicated to the earthly father of Jesus (Canada's patron saint), and it's all the work of a man named Brother André Besette (1845–1937).

By worldly standards Brother André didn't have much going for him, but he had a deep devotion to St. Joseph and an iron will. In 1870 he joined the Holy Cross religious order and was assigned to work as a doorkeeper at the college the order operated just north of Mont-Royal. In 1904 he began building a chapel on the mountainside across the road to honor his favorite saint, and the rest is history. Thanks to reports of miraculous cures attributed to St. Joseph's intercession, donations started to pour in, and Brother André was able to start work replacing his modest shrine with something more substantial. The result, which wasn't completed until after his death, is one of the most triumphal pieces of church architecture in North America.

The oratory and its gardens dominate Mont-Royal's northwestern slope. Its copper dome—one of the largest in the world—can be seen from miles away. The interior of the main church is equally grand, although it's also quite austere. The best time to visit it is on Sunday for the 11 am solemn mass, when the sanctuary is brightly lit and the sweet voices of Les Petits Chanteurs du Mont-Royal—the city's best boys' choir—fill the nave with music.

The crypt is shabbier than its big brother upstairs but more welcoming. In a long, narrow room behind the crypt, 10,000 votive candles glitter before a dozen carved murals extolling the virtues of St. Joseph; the walls are hung with crutches discarded by those said to have been cured. Just beyond is the simple tomb of Brother André, who was canonized a saint in 2010. His preserved heart is displayed in a glass case in one of several galleries between the crypt and the main church.

High on the mountain, east of the main church, is a garden commemorating the Passion of Christ, with life-size representations of the 14 stations of the cross. On the west side of the church is Brother André's original chapel, with pressed-tin ceilings and plaster saints that is, in many ways, more moving than the church that overshadows it.

As of February 2025, visitors enter the oratory from the parking lot via a new, ultra-modern four-story reception pavilion boasting a boutique, meeting rooms, and a glass-walled cafeteria with views of the city. The new building, most of it hidden underground, links the welcome center to the the religious site via escalators and elevators.

Housed in a repurposed shipyard boasting 80,000 square feet of exhibition space, Arsenal Art Contemporain dedicates itself to the support, promotion, and development of contemporary art and has been credited with helping revitalize the old industrial area of Griffintown. The largest private art center in Canada, it was originally founded in Montréal in 2011 but also has locations in Toronto and New York City.

Once the city hall of the former municipality of Maisonneuve before it was annexed by the City of Montréal, the Beaux-Arts building became the home of the public library for the Montréal borough of Mercier-Hochelaga-Maisonneuve in 1981. The growth of the borough and the changing needs of the community prompted a C$42.6 million restoration and expansion project begun in 2020. The heritage building's stone facade, stained glass windows and skylight, mosaic floors, grand central staircase, among other architectural features worth preserving, were all meticulously restored to their former glory. With the addition of two light-filled glass wings, which adjoin either side of the main stone building, the library's surface area was tripled. The result of the project, completed in 2023, is nothing short of magnificent, and well worth a visit.

Nothing captures the exuberance of Expo '67 better than the geodesic dome designed by Buckminster Fuller (1895–1983) as the U.S. Pavilion. It's only a skeleton now—the polymer panels that protected the U.S. exhibits from the elements were burned out in a fire long ago—but it's still an eye-catching sight, like something plucked from a science-fiction movie.

Science of a nonfictional kind, however, is explored in the special environmental center the federal government built in the middle of the dome. It focuses on the challenges of preserving the Great Lakes and St. Lawrence River system, but it has lively and interactive exhibits on climate change, sustainable energy, and air pollution. Kids and others can use games and interactive displays arranged around a large model of the waterway to explore how shipping, tourism, water supplies, and hydroelectric power are affected.  The Biosphère forms part of Espace pour la Vie, which is based in Hochelaga-Maisonneuve and endeavors to bring together art, science, and citizen action.

A walk here is a walk through Montréal's multicultural history. The shops, restaurants, synagogues, and churches that line the 10-block stretch north of rue Sherbrooke reflect the various waves of immigrants that have called it home. Keep your eyes open and you'll see see Jewish delis, Hungarian charcuterie shops, Greek restaurants and bakeries, Portuguese rotisseries, Italian cafés, Vietnamese sandwich shops, Spanish tapas bars, and Peruvian eateries. You'll also spot some of the city's trendiest restaurants, cafés, and galleries, as well as the dernier cri in skateboard fashion. The first immigrants to move into the area in the 1880s were Jews escaping pogroms in Eastern Europe. It was they who called the street "the Main," as in Main Street—a moniker that endures to this day. Even francophone Montrealers often call it "La Main."

You have to be at least 18 to visit Montréal's government-owned casino, but you don't have to be a gambler. The casino is currently home to four bars, a summer restaurant/bar, and three restaurants, ranging from casual deli style to gourmet. You can even come just to look at the architecture—the main building was the French pavilion at Expo '67. But if you do want to risk the family fortune, there are more than 3,000 slot machines, a keno lounge, a high-stakes gaming area, and 120 tables for playing blackjack, baccarat, roulette, craps, and various types of poker. There is also music, including cabaret.

The best reason to visit this cathedral is that it's a quarter-scale replica of St. Peter's Basilica in Rome—complete with a magnificent reproduction of Bernini's ornate baldachin (canopy) over the main altar and an ornately coffered ceiling. When Bishop Ignace Bourget (1799–1885) decided to build his cathedral in the heart of the city's Protestant-dominated commercial quarter, many fellow Catholics thought he was crazy. But the bishop was determined to assert the Church's authority—and its loyalty to Rome—in the British-ruled city. Bourget didn't live to see the cathedral dedicated in 1894, but his tomb holds a place of honor among those of his successors in the burial chapel on the east side of the nave.

The Montréal Canadiens haven't won the Stanley Cup since 1993, though they came very close in June 2021, ultimately losing the finals against Tampa Bay. Most of the team's fans can't remember the golden 1960s and '70s, when Les Glorieux virtually owned the trophy. The superstitious blame the team's fallen fortunes on its 1996 move from the hallowed Forum to the brown-brick Centre Bell arena. Still, Montréal is a hockey-mad city and the Habs, as locals call the team, are still demigods here, and there are even university courses based on this superstar team. (When it celebrated its 100th season in 2009–10, the city changed the name of the strip of rue de la Gauchetière in front of the Centre Bell to avenue des Canadiens-de-Montréal.) Centre Bell is also a venue for blockbuster acts like Coldplay, Drake, Trevor Noah, and Cirque du Soleil.

You—or more likely, your kids—can design an energy-efficient bike, create a television news report, explore the impact that manufacturing one T-shirt has on the environment, find out what it's like to ride a unicycle 20 feet above the ground, create an animated film, or just watch an IMAX movie on a giant screen at Montréal's interactive science center. Games, puzzles, and hands-on experiments make it an ideal place for rainy days or even fair ones. The center has a cafe/bistro serving coffee, pastries and light meals and a lunch room where visitors can eat food they brought with them, though there are no microwaves.

Currently housed in three heritage buildings, all within minutes of each other, this nonprofit organization aims to showcase compelling contemporary art from around the world. The foundation presents two to three major exhibitions a year in addition to a series of public events, special collaborative projects, and a forward-thinking education program. A free app takes you through the exhibits, and podcasts provide a fascinating look at the artists themselves. Check the website or call before you visit as the Fondation PHI closes regularly for installations. PHI is to have a new space in 2028, called PHI Contemporain, consolidating the PHI Foundation and the PHI Centre under one roof.

No trip to Montréal is complete without a visit to the terrace in front of the Chalet du Mont-Royal. It's not the only place to get an overview of the city, the river, and the countryside beyond, but it's the most spectacular. On clear days you can see not only the Downtown skyscrapers, but also Mont-Royal's sister mountains—Monts St-Bruno, St-Hilaire, and St-Grégoire. These isolated peaks, called the Montérégies, or Mountains of the King, rise up from the flat countryside. Be sure to take a look inside the chalet, especially at the murals depicting scenes from Canadian history.

Mariners have been popping into Notre-Dame-de-Bon-Secours for centuries to kneel before a little 17th-century statue of the Virgin Mary and pray for a safe passage—or give thanks for one. Often, they've expressed their gratitude by leaving votive lamps in the shape of small ships, many of which still hang from the barrel-vaulted ceiling. This is why most Montrealers call the chapel the Église des Matelots (the Sailors' Church), and why some people still stop by to say a prayer and light a candle before leaving on a long trip.

These days, the statue of Our Lady of Perpetual Help guards the remains of St. Marguerite Bourgeoys, who had the original chapel built in 1657 and is entombed in the side altar next to the east wall of the chapel. The current chapel dates from 1771; a renovation project in 1998 revealed some beautiful 18th-century murals that had been hidden under layers of paint.

The 69-step climb to the top of the steeple is worth the effort for the glorious view of the angels overlooking the harbor as is the steep climb down to the archaeological excavations under the chapel for a glimpse into the history of the chapel and the neighborhood. The dig is accessible through the adjacent Musée Marguerite Bourgeoys, which also has exhibits on the life of St. Marguerite and the daily lives of the colonists she served.

Artist and architect Napoléon Bourassa called his work here l'oeuvre de mes amours, or a labor of love—and it shows. He designed the little Byzantine-style building himself and set about decorating it with the exuberance of an eight-year-old making a Mother's Day card. He covered the walls with murals and encrusted the altar and pillars with gilt and ornamental carving. It's not Montréal's biggest monument to the Virgin Mary, but it's the most unabashedly sentimental.

The adjoining homes of a pair of shoe manufacturers, brothers Oscar and Marius Dufresne, provide a glimpse into the lives of Montréal's francophone bourgeoisie in the early 20th century. The brothers built their Beaux Arts palace in 1916 along the lines of the Petit-Trianon in Paris, and lived in it with their families—Oscar in the eastern half and Marius in the western half.

Worth searching out are the domestic scenes on the walls of the Petit Salon, where Oscar's wife entertained friends. Her brother-in-law relaxed with his friends in a smoking room decked out like a Turkish lounge. During the house's incarnation as a boys' school in the 1950s, the Eudist priests who ran it covered the room's frieze of nymphs and satyrs with a modest curtain that their charges lifted at every opportunity.

These days, kids and families are encouraged to play "Flair et Luminaires," a detective game activity in which participants are given clues to solve five mysteries within the château. Guided tours in English are available on Sat. and Sun.

If you look up at the cupola behind the main altar of Little Italy's most famous church, you'll spot Montréal's most infamous piece of ecclesiastical portraiture. Yes, indeed, that lantern-jaw fellow on horseback who looks so pleased with himself is Benito Mussolini, the dictator who led Italy into World War II—on the wrong side. The mural, by Guido Nincheri (1885–1973), was completed long before the war and commemorates the signing of the Lateran Pact with Pope Pius XI, one of Il Duce's few lasting achievements. The controversy shouldn't distract you from the beauties of the rest of the richly decorated church.

Montréal's largest Presbyterian church—sometimes affectionately called the A&P—is worth a visit, if only to see the glorious stained-glass window of the risen Christ that dominates the sanctuary behind the white-stone communion table. It's a memorial to members of the Royal Highland Regiment of Canada (the Black Watch) who were killed in World War I.

At 343 acres, Canada's largest cemetery is not much smaller than the neighboring Parc du Mont-Royal, and, as long as you just count the living, it's usually a lot less crowded. You don't have to be morbid to wander the graveyard's 55 km (34 miles) of tree-shaded paths and roadways past the tombs of hundreds of prominent artists, poets, intellectuals, politicians, and clerics. Among them is Calixa Lavallée (1842–91), who wrote "O Canada," the country's national anthem.  The cemetery offers some guided tours in summer. Phone ahead for details.

A bit off the beaten tourist path, the oldest church on the island, the Church of the Visitation of the Blessed Virgin Mary, is found in Montréal North. It's not a must-see, but it is worth the trek if you have time and don't mind a little walking through some rather ordinary neighborhoods. The church had its stone walls raised in the 1750s, and the beautifully proportioned Palladian front was added in 1850. Ornamentation  lasted from 1764 until 1837, with stunning results. The altar and the pulpit are as elaborate as wedding cakes but still delicate. The church's most notable treasure is a rendering of the Visitation attributed to Pierre Mignard, a painter at the 17th-century court of Louis XIV. Parkland surrounds the church, and the nearby Îles de la Visitation (reachable by footbridge) make for a very good walk.

The Church of St. Peter the Apostle, built in the Gothic Revival style between 1851 and 1853, is home to the Chapel of Hope, a symbol of unconditional love. Dedicated to the victims of AIDS, it is the only chapel in the world to pay tribute to those who suffered and died from the fatal illness.

You can rattle around Canada's largest railroad museum in a vintage tram specially built for Montréal sightseeing tours in the 1950s, when the city still had a streetcar system. The museum has more than 120 train cars and locomotives, but if you're a steam buff, you won't want to miss CPR 5935, the largest steam locomotive built in Canada, and CNR 4100, the most powerful in the British Empire when it was built in 1924. To see how the rich and powerful traveled, take a look at Sir William Van Horne's luxurious private car. Of special interest to the kids will be the car that served as a mobile classroom. The museum is south of the city in the town of St-Constant. On weekdays Expo runs commuter trains from the Gare Lucien-l'Allier, next to the Centre Bell, to Candiac/St. Constant. Trains depart at 9:35 am and return at 1:27 pm.