65 Best Sights in Montreal, Quebec

Located in the waterfront park at the end of the Lachine Canal, on the shores of Lac St-Louis, this early 19th-century stone warehouse has been converted into a museum that commemorates the industry that dominated Canada's early history.

Blanc is an open-air art gallery whose mission is to bring the general public closer to art. Open 24/7, rain, snow, or shine, exhibitions showcase the work of different artists and change regularly. The gallery is open to anyone and there is no admission fee. It's located on rue Ste-Catherine E. between rue Wolfe and rue Atateken.

A few jagged stone walls are all that remain of Montréal's first general hospital. The ruins—which once formed the west wing and the transept of the chapel—have been preserved as a memorial to Canada's first native-born saint, Marguerite d'Youville (1701–71), who took over the hospital in 1747 and ran it until a fire destroyed the building in 1765. Ste-Marguerite's life was no walk in the park, as you'll find out if you visit the Maison de Mère d'Youville next door to the ruins. Marguerite started looking after the city's down-and-outers after the death of her abusive and disreputable husband. Amused that the widow of a whiskey trader should be helping the town drunks, locals took to calling Marguerite and her Soeurs de la Charité (Sisters of Charity) the Soeurs-Grises (Grey Nuns), slang for "tipsy nuns." The Maison has some remarkable reminders of her life, such as the kitchen where she worked, with its enormous fireplace and stone sink. Call ahead for tours of the house.  As of June 2025, the museum is still under renovation but the exterior is pretty.

The extensive five-year restoration and modernization of Montréal's Second Empire–style city hall was completed in 2024, at a price tag of C$211 million dollars. That's almost double the predicted cost, but it was worth it. During renovations of the interior, workers uncovered original moldings and plasterwork that had been hidden under more modern ceilings, as well as original wood and marble floors concealed by carpeting. Windows, doors, all made of wood, in addition to wrought iron grilles, light fixtures, bronzes, and stained glass windows were all restored to their original glory. As for the exterior, workers spent two and half years cleaning and repairing the facade, replacing some cornices and a hundred or so limestone stones, and polishing and replacing some parts of the copper roof. It's a place in which Montrealers can take pride.

The newly renovated city hall is brighter and more energy efficient, eco-friendly and user-friendly. It's also more welcoming and accessible. Visitors can view a permanent exhibition, art works and some areas previously closed to the public. A tour of the museum, including the permanent exhibition, is free.

After a complete C$38.4 million metamorphosis, the Insectarium, reopened in 2022, now houses more than 3,000 plants of 150 different varieties and approximately 175 species of insects—including up to 80 species of butterflies flitting about any one time. The reconfigured spaces, inspired by real insect habitats, feature chambers, nests, vegetation, galleries, and soil. Immersive educational experiences aim to replicate life as seen and felt by an insect. For instance, the ground vibrates and ultraviolet visual effects mimic a bug’s vision. In this way, visitors are encouraged to move around the way an insect would, by, say, having to squeeze through tunnels or hold on to vertical rods meant to imitate blades of grass. With the new Insectarium, the first of its kind in North America, the hope is that this more intimate experience will lead visitors to rethink our relationships with bugs. The revitalized venue also includes exhibits and a children's activities room.

Every year, it seems, this amusement park, at the eastern end of Île Ste-Hélène, adds some new and monstrous way to scare the living daylights (and maybe even your lunch) out of you. Vipère, a free-fly roller coaster, lifts you 107 feet up and subjects you to unexpected drops, vertical free falls, and 360-degree somersaults. Chaos is a single loop that takes you forward, backward, and upside down while sitting face-to-face with other riders. Titan, a giant swaying pendulum will have you—or the kids—soaring and spinning 148 feet above the park, traveling at speeds up to 70 mph. Demon, an extreme, high-speed ride, twists you, twirls you, and turns you upside down, then douses you with water jets. The park also aims to terrify with such stomach-turning champions as Endör, the Goliath, the Vampire, Monstre, and Vol Ultime. For the less daring, there are Ferris wheels, boat rides, and kiddie rides.  The popular International Fireworks Competition is held here on Thursdays and Sundays in late June and July.

Mont-Royal's single body of water, actually a reclaimed bog, is a great place for kids (and parents) to float model boats or rent a rowboat in the summertime (See  www.lemontroyal.qc.ca/en/rowboats-and-outdoor-games for rowboat, mölkky, spikeball, and cornhole game rentals). In winter, the lake's frozen surface attracts whole families of skaters, and nearby there's a groomed slope where kids of all ages can ride inner tubes. The glass-fronted Beaver Lake Pavilion is a pleasant bistro that serves lunch and dinner. Skate, snowshoe, and cross-country-ski rentals are available downstairs.

The canal is all about leisure—biking, rollerblading, strolling along the water, and picnicking—but it wasn't always so. Built in 1825 to get boats and cargo around the treacherous Lachine Rapids, it quickly became a magnet for all sorts of industries. But when the St. Lawrence Seaway opened in 1959, allowing large cargo ships to sail straight from the Atlantic to the Great Lakes without stopping in Montréal, the canal closed to navigation and became an illicit dumping ground for old cars and the bodies of victims of underworld killings. The area around it degenerated into an industrial slum.

A federal agency rescued the site in 1978, planting lawns and trees along the old canal, transforming it into a long, narrow park, or parc linéaire. Some of the abandoned canneries, sugar refineries, and steelworks have since been converted into desirable residential and commercial condominiums. The bicycle path is the first link in the more than 97 km (60 miles) of bike trails that make up the Pôle des Rapides ( 514/364–4490).

Two permanent exhibits at the Lachine Canal Visitor Services Centre, at the western end of the canal, explain its history and construction. The center also has a shop and lookout terrace.

If you need a map of Mont-Royal's extensive hiking trails or want to know about the animals and more than 180 kinds of birds that make their home in the park, the former park keeper's residence is the place to go. It's also a good spot for getting a snack, drink, or souvenir. The pretty little stone house—built in 1858—is the headquarters of Les Amis de la Montagne (The Friends of the Mountain), a non-profit organization that offers various guided walks—including moonlight snowshoe excursions and cross-country ski lessons in winter around the mountain and in nearby areas.  Note that at time of writing, Maison Smith had been closed since December 2024 for an indeterminate period due to renovation work.

Thick stone walls, a steep roof, and mullioned windows mark the Maison St-Gabriel as one of Montréal's rare surviving 17th-century houses. But it's the interior and the furnishings that will sweep you back to the colonial days when St. Marguerite Bourgeoys and the religious order she founded used this house to train les filles du roy (king's daughters) in the niceties of home management. Les filles were young women without family or fortune but plenty of spunk who volunteered to cross the Atlantic in leaky boats to become the wives and mothers of New France. It wasn't an easy life, as the Maison's hard narrow beds, primitive utensils, and drafty rooms attest—but it had its rewards, and the prize at the end was a respectable, settled life. St. Marguerite also had some state-of-the-art domestic equipment—the latest in looms and butter churns, labor-saving spit turners for roasting meat, and an ingenious granite sink with a drainage system that piped water straight out to the garden. Located on the little island of New France and deep in the gentrifying working-class neighborhood of Pointe-St-Charles, Maison St-Gabriel is off the beaten path, but it's well worth a 10-minute taxi ride from Old Montréal.

World War I and the Depression killed early 20th-century plans to turn this industrial center into a model city with broad boulevards, grand public buildings, and fine homes, but just three blocks south of the Olympic site a few fragments of that dream have survived the passage of time.

A magnificent Beaux Arts building, site of the old public market, which has a 20-foot-tall bronze statue of a farm woman, stands at the northern end of tree-lined avenue Morgan. Farmers and butchers have moved into the modern building next door that houses the Marché Maisonneuve, which has become one of the city's major markets, along with Marché Jean-Talon and Marché Atwater. The old market is now a community center and the site of summer shows and concerts.

Monumental staircases and a heroic rooftop sculpture embellish the public baths across the street. The Théâtre Denise Pelletier, at the corner of rues Ste-Catherine Est and Morgan, has a lavish Italianate interior; Fire Station No. 1, at 4300 rue Notre-Dame Est, was inspired by Frank Lloyd Wright's Unity Temple in suburban Chicago; and the sumptuously decorated Église Très-Saint-Nom-de-Jésus, has one of the most powerful organs in North America. The 198-acre Parc Maisonneuve, stretching north of the botanical garden, is a lovely place for a stroll.

You can't buy fruits and vegetables in the Marché Bonsecours anymore, but you can view an exhibit; shop for local fashions, crafts, and souvenirs in the row of upscale boutiques that fill its main hall; lunch in one of the cafés or restaurants; or grab a craft beer. But the marché is best admired from the outside. Built in the 1840s as the city's main market, it is possibly the most beautifully proportioned neoclassical building in Montréal, with its six cast-iron Doric columns and two rows of meticulously even sash windows, all topped with a silvery dome. Perhaps the marché was too elegant to be just a farmers' market.

David Ross McCord (1844–1930) was a wealthy pack rat with a passion for anything that had to do with Montréal or Canadian history. His collection of paintings, costumes, toys, tools, drawings, and housewares provides a glimpse of what city life was like for all classes in the 19th century. If you're interested in the lifestyles of the elite, however, you'll love the photographs that William Notman (1826–91) took of the rich at play. One series portrays members of the posh Montréal Athletic Association posing in snowshoes on the slopes of Mont-Royal, all decked out in Hudson Bay coats and woolen hats. Each of the hundreds of portraits was shot individually in a studio and then painstakingly mounted on a picture of the snowy mountain to give the impression of a winter outing. The McCord Stewart Museum's mission is to showcase life in Montréal, past and present. There are guided tours (call for schedule), a reading room, a documentation center, a gift shop, a bookstore, and a café. 

Merchant and fur trader James McGill would probably be horrified to know that the university that he helped found in 1828 has developed an international reputation as one of North America's top party schools. McGill also happens to be one of the two or three best universities in Canada, and certainly one of the prettiest. Its campus is an island of grass and trees in a sea of traffic and skyscrapers. The statue of James McGill himself was removed in Summer 2021 after several bouts of vandalism aimed at the representation of the deceased slave owner. Take the time to stroll up the drive that leads from the Greek Revival Roddick Gates to the austere neoclassical Arts Building and meander over to the splendid Romanesque Redpath Hall building. McGill's first dedicated library is now a grand 300-seat concert hall ( www.mcgill.ca/music/about-us/halls/redpath-hall), though the newer library building next door still bears the generous benefactor's name. If you have an hour or so, drop into the temple-like Redpath Museum of Natural History ( www.mcgill.ca/redpath) to browse its eclectic collection of dinosaur bones, old coins, African art, and shrunken heads.

If you have a taste for pastoral landscapes and formal portraits, you might want to stick with the Musée des Beaux-Arts, but for a walk on the wild side of art, head to the Musée d'art contemporain (MAC) and see what you can make of the jagged splashes of color that cover the canvases of the "Automatistes," as Québec's rebellious artists of the 1930s styled themselves. The works of the Automatistes form the core of this museum's collection of 5,000 pieces. The museum often has weekend programs and art workshops, some of which are geared toward children, and almost all are free. And for a little romance and music with your art, try the Vendredis Nocturnes (Nocturnal Fridays) with live music, bar service, and guided tours of the exhibits ( macm.org/en/activities/les-nocturnes-du-mac).  At the moment, MAC is housed in Place Ville-Marie (Métro McGill or Bonaventure) while a new building is under construction. The museum expects to unveil its new home in 2028.

The nuns of the Religieuses Hospitalières de St-Joseph ran Montréal's Hôpital Hôtel-Dieu for more than 300 years, until the province and the Université de Montréal took it over in the 1970s. The first sisters—girls of good families caught up in the religious fervor of the age—came to New France with Jeanne Mance in the mid-1600s to look after the poor, the sick, and the dying. The order's museum—tucked away in a corner of the hospital the nuns built but no longer run—captures the spirit of that age with a series of meticulously bilingual exhibits. Just reading the excerpts from the letters and diaries of those young women helps you to understand the zeal that drove them to abandon the comforts of home for the hardships of the colonies. The museum also traces the history of medicine and nursing in Montréal.   From May to October, tours of the "secret" monastery gardens are available for C$17. Most tours are in French, but some are offered in English on select dates. 

Claude de Ramezay, the city's 11th governor, was probably daydreaming of home when he built his Montréal residence, now one of the UNESCO-listed "1001 Historic Sites You Must See Before You Die." Its thick stone walls, dormer windows, and steeply pitched roof make it look like a little bit of 18th-century Normandy dropped into the middle of North America—although the round, squat tower is a 19th-century addition. The extravagant mahogany paneling in the Salon de Nantes was installed when Louis XV was still king of France. The British used the château as headquarters after their conquest in 1760, and so did the American commanders Richard Montgomery and Benedict Arnold. Benjamin Franklin, who came north in a failed attempt to persuade the locals to join the American Revolution, stayed here during that winter adventure.

Most of the château's exhibits are a little staid—guns, uniforms, and documents on the main floor and tableaux depicting colonial life in the cellars—but they include some unexpected little eccentricities that make it worth the visit. Head outside, through the back door, and you'll enter gardens of 18th-century tranquility.

If you're driving or cycling across Mont-Royal, be sure to stop for a few moments at its eastern lookout for a view of the Stade Olympique and the east end of the city. Tourists enjoy the location as it's a great photo spot.

Montréal's favorite waterfront park is your ideal gateway to the St. Lawrence River. Rent a pedal boat, take a ferry to Île Ste-Hélène, sign up for a dinner cruise, or, if you're really adventurous, ride a raft or a jet boat through the turbulent Lachine Rapids. If you're determined to stay ashore, however, there's still plenty to do, including riding the Grande Roue, the tallest Ferris wheel in Canada; soaking in the rays at the Clock Tower Beach (you can't swim, though); and enjoying street performances, sound-and-light shows, or art displays and exhibitions.

Visiting warships from the Canadian navy and other countries often dock here and open their decks to the public. You can rent a bicycle or a pair of in-line skates at one of the shops along rue de la Commune and explore the waterfront at your leisure. In winter, rent a pair of skates and glide around the outdoor rink. You can also, quite literally, lose the kids in Shed 16's Labyrinthe, a maze of alleys, surprises, and obstacles built inside an old waterfront warehouse. With the rope and aerial courses aboard life-size replicas of pirate and royal ships, kids will also go crazy for the Voiles en Voiles adventure park.

You could say that Parc Lafontaine is a microcosm of Montréal: the eastern half is French, with paths, gardens, and lawns laid out in geometric shapes; the western half is English, with meandering paths and irregularly shaped ponds that follow the natural contours of the land. In summer, you can take advantage of bowling greens, tennis courts, an open-air theater, (Théâtre de Verdure), and two artificial lakes with paddle boats. The Théâtre de Verdure puts on free musical, dance, theater, and circus arts performances, as well as films. In winter, one lake becomes a large skating rink. The park is named for Sir Louis-Hippolyte Lafontaine (1807–64), a pioneer of responsible government in Canada.

If you're looking for peace and quiet, the narrow strip of grass and trees on Place d'Youville (the former name) just east of Place Royale is an appropriate place to find it. It was here, after all, that the French signed a major peace treaty with dozens of Indigenous nations in 1702. It was also here that the first French colonists to settle in Montréal landed their four boats on May 17, 1642. An obelisk records the settlers' names.

Montréal's primary performing arts complex has been hosting performances since 1963. The glass-walled Maison Symphonique 2,000-seat concert hall is the permanent home of the Montréal Symphony Orchestra; with state-of-the-art acoustics and only 75 feet between the end of the stage and the last row, it's an intimate place for concerts. The Salle Wilfrid Pelletier performance space is used by three resident companies: the Opéra de Montréal, Les Grands Ballets Canadiens, and the popular Jean Duceppe theater company. The venue's four other performance spaces host dance, theater, and festival events. Place des Arts is also the centerpiece of the city's Quartier des Spectacles, a square kilometer dedicated to arts and culture, with performance halls, dance studios, broadcasting facilities, and recording studios. The huge plaza, or esplanade, in front of the complex is a favorite gathering place for locals and visitors—especially during the Jazz Festival and Just for Laughs, when it's packed with free concerts, entertainment, and kid-friendly activities. Even if you don't have tickets to something, you can walk around the quartier during festival season (pretty much all summer) to take in a variety of shows and concerts for free.

The cobbled square at the heart of Old Montréal is part carnival, part flower market, and part sheer fun. You can pause here to have your portrait painted, buy an ice cream, or watch the street performers. If you have more time, try to get a table at one of the sidewalk cafés, order a beer or a glass of wine, and watch the passing parade. During the holiday season you can order a mulled wine or hot cider in the market and warm up by one of the wood-burning stoves from your perch on an Adirondack chair. At the top of the slope, you'll notice a monument to Lord Nelson. It honors Nelson's victory over Napoléon Bonaparte's French navy at Trafalgar and is a source of anger for some modern-day Québec nationalists. The campaign to raise money for the 1809 monument was led by Sulpician priests, who were engaged in delicate land negotiations with the British government at the time and were eager to show what good subjects they were.

The oldest public square in Montréal, dating to the 17th century, was a market during the French regime and later became a Victorian garden.

The cross-shaped 1962 office tower of Place Ville Marie was Montréal's first modern skyscraper. The mall complex underneath it was the first link in the Underground City. The wide expanse of the building's plaza, just upstairs from the mall, makes a good place to relax with coffee or a snack. Benches, picnic tables, potted greenery, and fine views of Mont-Royal make it popular with walkers, tourists, and office workers. While there you'll surely want to try out the gastro food pavilion, Le Cathcart Restaurants et Biergarten ( lecathcart.com/en). For more opportunities to wine and dine while also enjoying great views of the city, the building's 44th, 45th and 46th floors are home to high altitude restaurants/bars and a rooftop terrace: Rose Orange ( placevillemarie.com/en/restaurants/roseorange) on the 44th floor; Sora45 ( placevillemarie.com/en/restaurants/sora45), on, you guessed it, the 45th floor; and Hiatus ( placevillemarie.com/en/restaurants/hiatus-restaurant) on the 46th.

When Montréal was under attack, citizens and soldiers would rally at Place-d'Armes, but these days the only rallying is done by tourists, lunching office workers, and flocks of voracious pigeons. The pigeons are particularly fond of the triumphant statue of Montréal's founder, Paul de Chomedey, with his lance upraised, perched above the fountain in the middle of the cobblestoned square. Tunnels beneath the square protected the colonists from the winter weather and provided an escape route; unfortunately, they are too small and dangerous to visit.

In 2013, Montréal got a new, ultramodern, C$48 million planetarium, one of only a handful of planetariums worldwide to have two circular theaters—one for astronomy exhibits and the other a high-tech multimedia venue. Part of the Espace pour la Vie complex, this state-of-the-art facility delivers a futuristic experience unlike any other. The permanent exhibit lets the whole family have fun exploring life on Earth and (perhaps) in the universe through interactive and hands-on stations. Hours vary seasonally, so check online before heading out.

On sunny summer days you can join the folks who gather in these two green squares, located across from each other on boulevard René Lévesque in the center of the city, to eat lunch under the trees and perhaps listen to an open-air concert. Dorchester Square features a Victorian-style fountain designed to appear cut in half and two arched footbridges. Even the vespasienne, the public toilets built in the 1930s as make-work projects just after the Depression, was restored and turned into a little summer café with outdoor tables.

This large, leafy square is an oasis in the middle of Montréal's urban jungle of noise, traffic jams, and chronic road works. Entering the square, which is surrounded by colorful and ornate Second Empire–style graystone homes, feels a little like entering a children's picture book, especially in winter, when the ground and the houses are blanketed with snow and the white stuff muffles all sound. In summer, locals spread out on the grass by the fountain or take a bistro table at the little gray kiosk (a public toilet, once upon a time) café that serves coffee, sandwiches, salads, ice cream, and other cold refreshments—it even offers a book exchange. And for an unexpected bonus, some of the lanes to the side and rear of the square's beautiful houses have been lovingly "greened up" with street art and vegetation, thanks to a lot of hard work and effort on the part of the residents.

Although Square Victoria officially lies within the Quartier International, or International District, Montrealers consider it a part of Old Montréal. The square nicely blends its French and English heritage with an 1872 statue of Queen Victoria on one side and an authentic Parisian métro entrance and a flower market on the other. Both are framed by a two-block stretch of trees, benches, and fountains that makes the square a pleasant place to relax and admire the handsome 1920s office buildings on the east side. The Art Nouveau métro entrance, incidentally, was a gift from the French capital's transit commission.