The Getty Center
With its curving walls and isolated hilltop perch, the Getty Center resembles a pristine fortified city of its own. You may have been lured there by the beautiful views of Los Angeles—on a clear day stretching all the way to the Pacific Ocean—but the amazing architecture, uncommon gardens, and fascinating art collections will be more than enough to capture and hold your attention. When the sun is out, the complex's rough-cut travertine marble skin seems to soak up the light.
Getting to the center involves a bit of anticipatory lead-up. At the base of the hill lies the underground parking structure. From there you either walk or take a smooth, computer-driven tram up the steep slope, checking out the Bel Air estates across the humming 405 freeway. The six pavilions that house the museum surround a central courtyard and are bridged by walkways. From the courtyard, plazas, and walkways, you can survey the city from the San Gabriel Mountains to the ocean.
In a ravine separating the museum and the Getty Research Institute, conceptual artist Robert Irwin created the playful Central Garden in stark contrast to Richard Meier's mathematical architectural geometry. The garden's design is what Hollywood feuds are made of: Meier couldn't control Irwin's vision, and the two men sniped at each other during construction, with Irwin stirring the pot with every loose twist his garden path took. The result is a refreshing garden walk whose focal point is an azalea maze (some insist the Mickey Mouse shape is on purpose) in a reflecting pool.
Inside the pavilions are the galleries for the permanent collections of European paintings, drawings, sculpture, illuminated manuscripts, and decorative arts, as well as world-class temporary exhibitions and photographs gathered internationally. The Getty's collection of French furniture and decorative arts, especially from the early years of Louis XIV (1643–1715) to the end of the reign of Louis XVI (1774–92), is renowned for its quality and condition; you can even see a pair of completely reconstructed salons. In the paintings galleries, a computerized system of louvered skylights allows natural light to filter in, creating a closer approximation of the conditions in which the artists painted. Notable among the paintings are Rembrandt's The Abduction of Europa, Van Gogh's Irises, Monet's Wheatstacks, Snow Effects, and Morning, and James Ensor's Christ's Entry into Brussels.
If you want to start with a quick overview, pick up the brochure in the entrance hall that guides you to collection highlights. There's also an instructive audio tour with commentaries by art historians and other experts. The Getty also presents lectures, films, concerts, art workshops, and special programs for kids, families, and all-around culture lovers. The complex includes an upscale restaurant and downstairs cafeteria with panoramic window views. There are also outdoor coffee carts.
On-site parking is subject to availability and can fill up by midday on holidays and in the summer, so try to come early in the day or after lunch.
A tram takes you from the street-level entrance to the top of the hill. Public buses (Metro Rapid Line 734) also serve the center and link to the Expo Rail extension.
