9 Best Sights in Champagne Country, France

Constructed between 1150 and 1230, the Cathédrale Notre-Dame is a superb example of early Gothic architecture. The light interior gives the impression of order and immense length, and the first flourishing of Gothic design is reflected in the harmony of the four-tier nave: from the bottom up, observe the wide arcades, the double windows of the tribune, the squat windows of the triforium, and, finally, the upper windows of the clerestory. Medieval stained glass includes the rose window dedicated to the liberal arts in the left transept, and the windows in the flat east end, an unusual feature for France although common in England. The majestic towers can be explored during guided visits; these depart from the tourist office, which occupies a 12th-century hospital on the cathedral square. Audio guides can be rented for €5, although they don't include the towers.

By far the largest church in France, the Cathédrale Notre-Dame d'Amiens could enclose Paris's Notre-Dame twice. It may lack the stained glass of Chartres or the sculpture of Reims, but for architectural harmony, engineering proficiency, and sheer size, it's incomparable. The soaring, asymmetrical facade has a notable Flamboyant Gothic rose window and is brought to life on summer evenings when a sophisticated 45-minute light show re-creates its original color scheme. Inside, there's no stylistic disunity to mar the perspective, creating an overwhelming sensation of pure space. Construction took place between 1220 and 1264, a remarkably short period in cathedral-building terms. One of the highlights of a visit here is hidden from the eye, at least until you lift up some of the 110 choir-stall seats and admire the humorous, skillful misericord seat carvings executed between 1508 and 1518 (access with guide only). Audio guides can be rented from the tourist office.

Recently restored for its 800th birthday, this magnificent Gothic cathedral provided the setting for the coronations of French kings. The great historical saga began with Clovis, king of the Franks, who was baptized in an early structure on this site at the end of the 5th century; Joan of Arc led her recalcitrant Dauphin here to be crowned King Charles VII; Charles X's coronation, in 1825, was the last. The east-end windows have stained glass by Marc Chagall and Imi Knoebel. Admire the vista toward the west end, with an interplay of narrow pointed arches. The glory of Reims's cathedral is its facade: it's so skillfully proportioned that initially you have little idea of its monumental size. Above the north (left) door hovers the Laughing Angel, a delightful statue whose famous smile threatens to melt into an acid-rain scowl now that pollution has succeeded war as the ravager of the building's fabric. With the exception of the 15th-century towers, most of the original building went up in the 100 years after 1211. You can climb to the top of the towers and peek inside the breathtaking timber-and-concrete roof (reconstructed in the 1920s with Rockefeller money) for €8. A stroll around the outside reinforces the impression of harmony, discipline, and decorative richness. The east end presents an idyllic sight across well-tended lawns.

Soaring above the town center is the tallest cathedral in France: the Cathédrale St-Pierre. You may have an attack of vertigo just gazing up at its vaults, 153 feet above the ground. Despite its grandeur, the cathedral has a shaky past. The choir collapsed in 1284, shortly after completion, and was rebuilt with extra pillars. This engineering fiasco, paid for by the riches of Beauvais's wool industry, proved so costly that the transept was not attempted until the 16th century. It was worth the wait: an outstanding example of Flamboyant Gothic, with ornate rose windows flanked by pinnacles and turrets. However, a megalomaniacal 450-foot spire erected at the same time came crashing down after just four years, and Beauvais's dream of having the largest church in Christendom vanished forever. Now the cathedral is starting to lean, and cracks have appeared in the choir vaults because of shifting water levels in the soil. No such problems bedevil the Basse Oeuvre (lower edifice; closed to the public), which juts out impertinently where the nave should have been; it has been there for 1,000 years. Fittingly donated to the cathedral by the canon Étienne Musique, the oldest surviving chiming clock in the world—a 1302 model with a 15th-century painted wooden face and most of its original clockwork—is built into the wall of the cathedral. Perhaps Auguste Vérité drew his inspiration from this humbler timepiece when, in 1868, he made a gift to his hometown of the gilded, templelike astrological clock (€5; displays at 10:30, 11:30, 2:30, 3:30, and 4:30 with additional displays at 12:30 and 1:30 from April to September), which features animated religious figurines representing the Last Judgment.

Tiny L'Épine is dominated by its twin-tower church, the Flamboyant Gothic Basilique de Notre-Dame de l'Épine. Decorated with a multitude of leering gargoyles, the facade is a magnificent creation of intricate patterns and spires. The interior, conversely, exudes elegance and restraint; note the sculptures depicting the Entombment of Christ and the stone rood screen, carved in the late 15th century.

This 11th-century Romanesque-Gothic basilica honors the 5th-century saint who gave his name to the city and baptized Clovis (the first king of France) in 498. The interior seems to stretch into the endless distance, an impression created by its relative murk and lowness. The airy four-story Gothic choir contains some fine stained glass from the 12th century. The holy phial used in the crowning of monarchs was formerly kept alongside the basilica in the Abbaye Royale; today that building houses an interesting museum that highlights the history of the abbey, the Gallo-Roman history of the town, and the military history of the region.

Rodin famously declared that "there are no hours in this cathedral, but rather eternity." The Gothic interior, with its pure lines and restrained ornamentation, creates a more harmonious impression than the asymmetrical, one-tower facade. The most remarkable feature, however, is the rounded four-story southern transept, an element more frequently found in the German Rhineland than in France. Rubens's Adoration of the Shepherds hangs on the other side of the transept. Guided tours of the cathedral and towers take place on Sunday afternoons.

The 13th-century Cathédrale St-Étienne is a harmonious structure with large nave windows and tidy flying buttresses; the exterior effect is marred only by the bulky 17th-century Baroque west front.

With its twin spires, Romanesque nave, and early Gothic choir and vaults, the church of Notre-Dame-en-Vaux is one of the most imposing in Champagne. The small museum beside the excavated cloister contains outstanding medieval statuary.