309 Best Sights in USA

One of the most highly regarded small museums in the country, the Farnsworth's collection is largely devoted to works by three generations of the famous Wyeth family, who have spent summers on the Maine Coast for a century. N.C. Wyeth was an accomplished illustrator whose works were featured in many turn-of-the-20th-century adventure books; his son Andrew was one of the country's best-known and -loved painters; and Andrew's son Jamie is an accomplished painter in his own right. Galleries in the main building always display some of Andrew Wyeth's works, such as The Patriot, Witchcraft, and Turkey Pond. Across the street, the Wyeth Center, in a former church, exhibits art by Andrew's father and son. The museum's collection also includes works by such lauded Maine-connected artists as Fitz Henry Lane, George Bellows, Winslow Homer, Edward Hopper, Louise Nevelson, and Rockwell Kent. Changing exhibits are shown in the Jamien Morehouse Wing.

The museum also operates two related properties that are currently closed for renovation: the Farnsworth Homestead, home of the museum's original benefactor, and the Olson House, home of Christina Olson, who was depicted in Andrew Wyeth's famous painting Christina's World.

Central to Old Lyme's artistic reputation is this grand late-Georgian-style mansion, which served as a boardinghouse for members of the Lyme Art Colony in the first decades of the 20th century. When artists such as Willard Metcalf, Clark Voorhees, Childe Hassam, and Henry Ward Ranger flocked to the area to paint its varied landscape, Miss Florence Griswold offered both housing and artistic encouragement. The house has been restored to its 1910 appearance, when the colony was in full flower (clues to the house's layout and décor were gleaned from members' paintings). The museum's 10,000-square-foot Krieble Gallery, on the riverfront, hosts changing exhibitions of American art. Café Flo, on-site, serves lunch on the veranda or have a picnic on the lawn.

Located 4 miles southeast of Helen in the Sautee Nacoochee Center, this museum showcases a 200-year unbroken tradition of folk pottery in northeast Georgia (especially in nearby Mossy Creek and the Gillsville-Lula area). Part of the 5,000-square-foot facility outlines how pottery is made and how it was used for essential household purposes. Exhibits showcase a 200-piece collection donated to the museum, including the whimsical face jugs that have become an emblem of Southern folk art. Pottery-making demonstrations are frequently offered. Call ahead for dates and times.

You're greeted by a giant octopus constructed of recovered plastic trash at this hidden gem in a 1920s beach cottage on the southern cusp of Ocean Boulevard. The museum has a permanent collection of surf-, coastal-, and wildlife-themed works, plus an ever-changing eclectic array of sculptures and paintings that will open your eyes to the art community that thrives on the Grand Strand.

Nashville has a unique and active arts community, and the city's main art museum reflects that. Instead of focusing on a beefy permanent collection like Atlanta's High Museum, The Frist, which opened in 2001, aims to expose the city's inhabitants and visitors to as many different and disparate artists, mediums, and movements as possible, with multiple rotating exhibitions from the masters of antiquity to modernists. Depending on when you're in town, you can catch anything from an extensive focus on a single artist to an exploration of Impressionism. Visitors can dine in The Frist's alfresco café after perusing thought-provoking exhibitions in the 1930s art deco building that once served as a post office. The historic building is a work of art in and of itself, so build in some time to linger or drop by on a Saturday for an architecture tour. 

One of many East Coast artists who visited New Mexico in the first half of the 20th century, Georgia O'Keeffe, today known as the "Mother of American Modernism," returned to live and paint in northern New Mexico for the last half of her life, eventually emerging as the demigoddess of Southwestern art. At this intimate museum dedicated to her work, you'll find how O'Keeffe's innovative view of the landscape is captured in From the Plains, inspired by her memory of the Texas plains, and in Jimson Weed, a study of one of her favorite plants; additional highlights include selections from O'Keeffe's early days as an illustrator, abstract pieces from her time in New York City, and iconic works featuring floating skulls, flowers, and bones. Special exhibitions with O'Keeffe's modernist peers, as well as contemporary artists, are on view throughout the year—many of these are exceptional, and just as interesting as the museum's permanent collection, which numbers some 3,000 works (although not all are on display as the museum is surprisingly small). The museum also manages a visitor center and tours of O'Keeffe's famous home and studio in Abiquiú, about an hour north of Santa Fe.

Housed in a beautiful beaux arts building with a soaring stained-glass cupola, this museum boasts a collection of 10,000 works, principally American with a local connection. An $11.5 million renovation expanded on-site studios, rotating exhibition spaces, and visiting artist programs. Permanent displays include a massive stick sculpture by Patrick Dougherty that visitors can step inside and life-size oil paintings from the 18th century. Different objects from the museum's permanent collection are on view in The Charleston Story, offering a nice summary of the region's history. Leave time to sit for a spell in the tranquil Lenhardt Garden behind the building.

Seasonal shows at this gallery known for progressive, contemporary art have included exhibitions by Shepard Fairey and Jasper Johns. Managed by the College of Charleston, the space is known for groundbreaking work, like the Saltworks show featuring Japanese-artist Motoi Yamamoto creating a massive salt sculpture over six weeks. Exhibitions are free and rotate every three months.

This is Harvard University's oldest museum, and in late 2014, it became the combined collections of the Busch-Reisinger, Fogg, and Arthur M. Sackler Museums. All three were united under one glorious, mostly glass roof, under the umbrella name Harvard Art Museums. Housed in a facility designed by award-winning architect Renzo Piano, the 204,000-square-foot museum is spread over seven levels, allowing more of Harvard’s 250,000-piece art collection, featuring European and American art from the Middle Ages to the present day, to be seen in one place. Highlights include American and European paintings, sculptures, and decorative arts from the Fogg Museum; Asian art, Buddhist cave-temple sculptures, and Chinese bronzes from the Arthur M. Sackler collection; and works by German expressionists, materials related to the Bauhaus, and postwar contemporary art from German-speaking Europe from the Busch-Reisinger Museum.

Thanks to a new initiative in 2023, you can explore the three museums for free. In addition to the gallery spaces, there's a 300-seat theater, Jenny's Cafe, a museum shop, and the Calderwood Courtyard, plus conservation and research labs.

Just two blocks from Taos Plaza, the Harwood Museum of Art is an essential destination for all art lovers. The beautifully renovated Pueblo Revival-style adobe compound has served as a center for the arts and culture in New Mexico for more than 100 years and once housed the town’s library. With nine galleries and a collection of more than 6,500 objects, the Harwood exhibits works that range from colonial Hispanic artists and the Taos Society of Artists to post-World War II modernists and cutting-edge contemporary artists. The Harwood is also home to the world-famous Agnes Martin Gallery and an impressive collection by renowned santero (religious icon artist) Patrociño Barela, not to mention robust educational programming with outstanding films, lectures, and concerts in its state-of-the-art auditorium.

Pioneer settlers Dwight and Maie Heard built a Spanish colonial–style building on their property to house their collection of Southwestern art. Today the staggering collection includes such exhibits as a Navajo hogan dwelling and rooms filled with art, pottery, jewelry, kachinas, and textiles. The Heard also actively supports contemporary Native American artists and displays their work. Annual events include the World Championship Hoop Dance Contest in February and the Indian Fair & Market in March. Children enjoy the interactive art-making exhibits. The museum also has an incredible gift shop with authentic, high-quality goods purchased directly from Native American artists.

This museum's permanent collection includes 19th- and 20th-century American works, including many by African American artists. It also has some stellar examples of contemporary and outsider art—don't miss the works by the self-taught artist Rev. Howard Finster. The building itself is a work of art; the American Institute of Architects listed the sleek structure, designed by Richard Meier, among the 10 best works of American architecture of the 1980s. An expansion designed by Renzo Piano doubled the museum's size to 312,000 square feet with three new aluminum-paneled buildings. The roof features a system of 1,000 "light scoops" that filter light into the skyway galleries. The High often partners with other major museums, including the Louvre and New York's Museum of Modern Art.

The museum holds an impressive permanent collection that includes the third-largest assembly of Hiroshige's ukiyo-e Japanese prints in the country (donated by author James Michener); Italian Renaissance paintings; American and European art by Monet, Van Gogh, and Whistler, among many others; and a newer gallery of Hawaiian art. Originally built around the collection of a Honolulu matron who donated much of her estate to the museum, it is housed in a maze of courtyards, cloistered walkways, and quiet, low-ceiling spaces. The newer Luce Pavilion complex, nicely incorporated into the more traditional architecture of the museum, has a traveling-exhibit gallery, an excellent café, and a gift shop. The Doris Duke Theatre screens art films. This is also the jumping-off point for tours of Doris Duke's striking estate, which is now the Shangri La Museum of Islamic Art, Culture, and Design. If you wish to visit Shangri La, you should reserve tickets well in advance.

Dartmouth's excellent art museum owns Picasso's Guitar on a Table, silver by Paul Revere, a set of Assyrian reliefs from the 9th century BC, along with other noteworthy examples of African, Peruvian, Oceanic, Asian, European, and American art. The range of contemporary works—including pieces by John Sloan, William Glackens, Mark Rothko, Fernand Léger, and Joan Miró—is particularly notable. Rivaling the collection is the museum's architecture: a series of austere, copper-roof, redbrick buildings arranged around a courtyard. The museum galleries received an ambitious renovation and expansion in 2019 that added five new galleries and a striking new entrance designed by the husband-and-wife architectural team of Tod Williams and Billie Tsien (known for the Barnes Foundation in Philadelphia and New York's downtown Whitney Museum).

One of the finest art museums in the northeastern United States, the Hyde Collection encompasses some 2,800 pieces including paintings and works on paper by artists such as Josef Albers, Sandro Botticelli, Georges Braque, Alexander Calder, Paul Cézanne, William Merritt Chase, Leonardo da Vinci, Edgar Degas, Thomas Eakins, El Greco, Childe Hassam, Winslow Homer, Wassily Kandinsky, Pablo Picasso, Rembrandt, and Pierre-Auguste Renoir. Antiques, fine period furniture, and decorative arts are also displayed, as are temporary exhibits. Audio Tours are available.

Sitting just a block from the Plaza, this fascinating museum is part of the esteemed Institute of American Indian Arts (IAIA) and contains the largest collection—some 7,500 works—of contemporary Native American art in the United States. The paintings, photography, sculptures, prints, and traditional crafts were created by past and present students and teachers. In the 1960s and 1970s, it blossomed into the nation's premier center for Native American arts and its alumni represent almost 600 tribes around the country. The museum continues to showcase the cultural and artistic vibrancy of Indigenous people, helping to expand what is still an often limited public perception of what "Indian" art is and can be. Be sure to step out back to the beautiful sculpture garden. Artist Fritz Scholder taught here, as did sculptor Allan Houser. Among their disciples were the painter T. C. Cannon and celebrated local sculptor and painter Dan Namingha.

It's hard to say what's more cutting-edge: the Institute of Contemporary Art/Boston's cantilevered building or the works that reside within. The events calendar is studded with changing, thematic exhibitions by the contemporary art world's brightest talents. Visitors will also see some curated pieces from the ICA's permanent collection, including some by Robert Mapplethorpe, Yayoi Kusama, and Louise Bourgeois. Live programming, from film festivals to talks to outdoor concerts, take place regularly. Don't miss the ICA Store on the ground level, where you can pick up an inventive trinket of your own.

A spirited society woman, Isabella Stewart came in 1860 from New York to marry John Lowell Gardner, one of Boston's leading citizens. "Mrs. Jack" promptly set about becoming the most un-Bostonian of the Proper Bostonians. She built a Venetian palazzo to hold her collected art. Her will stipulated that the building remain exactly as she left it—paintings, furniture, down to the smallest object in a hall cabinet—and so it has remained.

Gardner's palazzo includes such masterpieces as Titian's Europa, Giotto's Presentation of Christ in the Temple, and John Singer Sargent's El Jaleo. Eight balconies adorn the majestic Venetian courtyard, and themed rooms include Raphael, Spanish Cloister, Gothic, Chinese Loggia, and a magnificent Tapestry Room for concerts, where Gardner entertained Henry James and Edith Wharton.

On March 18, 1990, the Gardner was the target of a sensational art heist. Thieves disguised as police officers stole 12 works, including Vermeer's The Concert. None of the art has been recovered. Because Mrs. Gardner's will prohibited substituting other works for any stolen art, empty expanses of wall identify spots where the paintings once hung. The heist is the subject of a 2021 Netflix documentary, This is a Robbery.

The modern Renzo Piano–designed addition houses a music hall, exhibit space, and conservation labs.

 This contemporary building is one of a kind among the characteristic 18th- and 19th-century architecture of historic Savannah. The modern art extension of the adjacent Telfair Academy museum, the Jepson was designed by renowned architect Moshe Safdie. Within the marble-and-glass edifice are rotating exhibits, on loan and from the permanent collection, ranging from European masters to contemporary locals. There's also an outdoor sculpture terrace and an interactive, kid-friendly area on the third level.

Housed in a circa-1908 French Gothic, chateau-style mansion that was once home to German-Jewish immigrant and businessman Felix Warburg, the Jewish Museum holds a collection of nearly 30,000 pieces of art and ceremonial objects that explore Jewish identity and culture for more than 4,000 years. The wide-ranging artifacts include almost 1,050 Hanukkah lamps, the world's largest collection; a 3rd-4th century Roman burial plaque, and a plaster model of George Segal's Holocaust sculpture, while works by artists such as Camille Pissarro, Deborah Kass, Lee Krasner, and Kehinde Wiley have appeared. It's suggested that visitors purchase timed admission tickets in advance. For hungry museumgoers, there's a new restaurant on-site: Lox at the Jewish Museum (closed weekends). Traditional Eastern European dishes are served; the Lox Five Ways entrée is a showstopper. The museum's gift shop carries Judaica, ceremonial objects, and suggested gifts, but it's closed on Saturday.

A wonderfully eclectic mix of artworks, including the largest assemblage of Rodin works outside France; posters, glasswork, and ephemera related to the modern-dance pioneer Loïe Fuller; an impressive cache of Native American artifacts; furniture and art that belonged to another Hill companion, Queen Marie of Romania; an art nouveau glass collection; and a large collection of mostly Victorian-era European and American landscape paintings: they're all housed within the walls of a grandiose mansion built rather improbably in the middle of nowhere by Sam Hill, the man who spearheaded the development of a scenic highway through the Columbia Gorge. The main Beaux Arts building dates to 1914, and a daring, beautifully executed, LEED-certified modern wing extends from the back, with a terraced slope overlooking the Columbia River—it contains the museum café, a lovely spot for lunch. The extensive, harmoniously landscaped grounds include a sculpture garden and pathways along the Gorge rim.

The first modern art museum in Texas, the McNay was once the magnificent home of artist, collector, and oil heiress Marion Koogler McNay, who bequeathed her 24-room Spanish Colonial Revival–style mansion and its 25 landscaped acres to the city of San Antonio. It currently houses an art collection of works by Paul Gauguin, Paul Cézanne, Henri Matisse, Pablo Picasso, Vincent van Gogh, and more, for a total of about 22,000 works. The museum also houses the Tobin Collection of Theatre Arts. Robert Tobin was a San Antonio philanthropist who assembled a world-renowned 12,000-item collection chronicling theater history. Custom tours are available for a variety of group sizes, ages, and interests.

One of the few museums in the United States devoted to folk art has intimate galleries, some with lovely lakefront views. Look for the nation's most extensive permanent collection of Earl Cunningham paintings, as well as works by many other self-taught artists. There's a wonderful video about Cunningham and his "curio shop" in St. Augustine, Florida. Temporary exhibitions have included the works of Wyeth, Cassatt, and Michael Eastman. 

At the museum shop you can purchase folk-art books, toys, and unusual gifts. The Marilyn L. Mennello Sculpture Garden is always open to the public. Oversized outdoor sculptures include works by Alice Aycock and Barbara Sorensen, shown alongside the 350-year-old live oak tree called “The Mayor.” The Mennello is also the site of the free annual Orlando Indie-Folkfest held the last weekend of October.

More than 7,000 pieces of spectacular Native American and Hispanic art, many of them from the private collection of the late Standard Oil heiress Millicent Rogers, are on display here. Among the pieces are baskets, blankets, rugs, kachina dolls, carvings, tinwork, paintings, rare religious artifacts, and, most significantly, jewelry (Rogers, a fashion icon in her day, had a deep appreciation for the turquoise-and-silver artistry of Native American jewelers). Other important works include the pottery and ceramics of Maria Martinez and other potters from San Ildefonso Pueblo (north of Santa Fe). Docents conduct guided tours by appointment, and the museum hosts lectures, films, workshops, and demonstrations. The two-room gift shop has exceptional jewelry, rugs, books, and pottery.

The name "Mingei" comes from the Japanese words min, meaning "all people," and gei, meaning "art." Thus the museum's name describes what's found under its roof: "art of all people." The Mingei's colorful and creative exhibits of folk art feature toys, pottery, textiles, costumes, jewelry, and curios from around the globe. Traveling and permanent exhibits in the sleek, high-ceilinged museum include everything from American quilts with geometric designs to the latest in Japanese tea bowls. The gift shop carries items related to major exhibitions as well as artwork from various cultures worldwide, such as Zulu baskets, Turkish ceramics, and Mexican objects. A major renovation unveiled in late 2021 includes a large public commons space and courtyard featuring one of the park's most exciting dining options, Artifact at Mingei.

With five stories and 145,000 square feet of space, this is a must-see for art lovers. Expect rotating special exhibits as well as permanent collections of American and contemporary work, plus craft and design. Be sure not to miss the museum's dramatic atrium, which houses a 60-foot-tall glass curtain that offers views of the surrounding cityscape.

Use your ticket stub for free entrance to the Mint Museum Randolph (good for two days). Admission is free at both Mint Museums on Wednesday 5–9 pm.

This loftlike, five-story, Downtown building, the former headquarters of the Western Union Telegraph Company, packs a big art-wallop into just 14,000 square feet. Owned and managed by the University of North Florida, this museum has five galleries, where a permanent collection of 20th-century art shares space with traveling exhibitions, a theater, and a funky gift shop. Film series, theater performances, and workshops are conducted throughout the year, and the Art Walk, typically held on the first Wednesday evening of each month, is free to all. Guided tours are available on Saturday afternoon for an additional fee of $10.

A refined and dazzling private collection of American and international pieces by mid-20th-century modernist artists features the work of George Nakashima, Wendell Castle, and the more radical Memphis Group, as well as pieces collected by musician David Bowie. The museum shares resources and a gift shop with the 1921 restaurant across the street, so special dining and exhibition events are held throughout the year.

What this small three-gallery museum in the Fashion Institute of Technology (FIT) lacks in size and effects it more than makes up for in substance and style. You might not find interactive mannequins, elaborate displays, or overcrowded galleries at the self-declared "most fashionable museum in New York City," but you will find carefully curated, fun, and interesting exhibits. The Fashion and Textile History Gallery, on the main floor, provides context with a rotating selection of historically and artistically significant objects from the museum’s permanent collection of more than 50,000 garments and accessories (exhibits change every six months). The real draws, though, are the special exhibitions in the lower-level gallery. Gallery FIT, also on the main floor, is dedicated to student and faculty exhibitions.

Driving along Coast Boulevard, it is hard to miss the mass of watercraft jutting out from the rear of the Museum of Contemporary Art San Diego (MCASD) La Jolla location. Pleasure Point by Nancy Rubins is just one example of the mingling of art and locale at this spectacular oceanfront setting.

The oldest section of La Jolla's branch of San Diego's contemporary art museum was originally a residence, designed by Irving Gill for philanthropist Ellen Browning Scripps in 1916. In the mid-1990s the compound was updated and expanded by architect Robert Venturi, who respected Gill's original geometric structure and clean mission-style lines while adding his own distinctive touches. An expansion in 2020 quadrupled existing gallery space. The result is a striking contemporary building that looks as though it's always been here.

The light-filled Axline Court serves as the museum's entrance and does triple duty as reception area, exhibition hall, and forum for special events, including The Gala each September, attended by the town's most fashionable folk. Inside, the museum's artwork gets major competition from the setting: you can look out from the top of a grand stairway onto a landscaped garden that contains permanent sculpture exhibits as well as rare 100-year-old California plant specimens and, beyond that, to the Pacific Ocean.

Artists from San Diego and Tijuana figure prominently in the museum's permanent collection of post-1950s art, but the museum also includes examples of every major art movement through the present—works by Andy Warhol, Robert Rauschenberg, Frank Stella, and Joseph Cornell, to name a few. The museum also gets major visiting shows. Head to the museum's shop for unique cards and gifts. The street-facing plaza at the museum café is a great spot to relax and recharge.

Free tours are offered at 2 on Sunday.