Figueres is the capital of the comarca (county) of the Alt Empordà, the bustling county seat of this predominantly agricultural region. Local people come from the surrounding area to shop at its many stores and stock up on farm equipment and supplies. Thursday is market day, and farmers gather at the top of La Rambla to do business and gossip, taking refreshments at cafés and discreetly pulling out and pocketing large
rolls of bills, the result of their morning transactions. What brings the tourists to Figueres in droves, however, has little to do with agriculture—unless, of course, you use a broader definition of fertilizer: the jaw-dropping Dalí Museum, one of the most visited museums in Spain.
Artist Salvador Dalí is Figueres's most famous son. With a painterly technique that rivaled that of Jan van Eyck, a flair for publicity so aggressive it would have put P. T. Barnum in the shade, and a penchant for shocking (he loved telling people Barcelona's historic Barri Gòtic should be knocked down), Dalí enters art history as one of the foremost proponents of Surrealism, the movement launched in the 1920s by André Breton. His most lasting image may be the melting watches in his iconic 1931 painting The Persistence of Memory. The artist, who was born in Figueres and died there in 1989, decided to create a museum-monument to himself during the last two decades of his life. Dalí often frequented the Cafeteria Astòria at the top of La Rambla (still the center of social life in Figueres), signing autographs for tourists or just being Dalí: he once walked down the street with a French omelet in his breast pocket instead of a handkerchief.