8 Best Sights in Franconia and the German Danube, Germany

Perhaps the most famous Christmas Market in Germany, the Nürnberg Christkindlesmarkt sits on the town's cobblestone main square beneath the wonderful Frauenkirche. Renowned for its food, particularly Nürnberger Bratwurstchen, tasty little pork and marjoram sausages, and Lebkuchen, gingerbread made with cinnamon and honey, the market is also famed for its little figures made out of prunes called Nürnberger Zwetschgenmännla (Nuremberg Prune People).

The cathedral rises majestically on the highest point of the earliest-settled part of the city. A baptismal church stood here in the 6th century, and 200 years later, when Passau became a bishop's seat, the first basilica was built. It was dedicated to St. Stephan and became the original mother church of St. Stephan's Cathedral in Vienna. A fire reduced the medieval basilica to ruins in 1662; it was then rebuilt by Italian master architect Carlo Lurago. What you see today is the largest baroque basilica north of the Alps, complete with an octagonal dome and flanking towers. Little in its marble- and stucco-encrusted interior reminds you of Germany, and much proclaims the exuberance of Rome. Beneath the dome is the largest church organ assembly in the world. Built between 1924 and 1928 and enlarged in 1979–80, it claims no fewer than 17,774 pipes and 233 stops. The church also houses the most powerful bell chimes in southern Germany.

You could spend a lifetime exploring the largest and greatest ethnological museum in Germany. This vast museum showcases the country's cultural and scientific achievements, ethnic background, and history. Housed in a former Carthusian monastery, complete with cloisters and monastic outbuilding, the complex effectively melds the ancient with modern extensions, giving the impression that Germany is moving forward by examining its past. The exhibition begins outside, with the tall, sleek pillars of the Strasse der Menschenrechte (Street of Human Rights), designed by Israeli artist Dani Karavan. Thirty columns are inscribed with the articles from the Universal Declaration of Human Rights. There are few aspects of German culture, from the Stone Age to the 19th century, that are not covered by the museum, and quantity and quality are evenly matched. One highlight is the superb collection of Renaissance German paintings (with Dürer, Cranach, and Altdorfer well represented). Others may prefer the exquisite medieval ecclesiastical exhibits—manuscripts, altarpieces, statuary, stained glass, jewel-encrusted reliquaries—the collections of arms and armor, the scientific instruments, or the toys.

The city's main attraction is a grand yet playful collection of buildings standing just inside the city walls; it was once the residence of the Holy Roman Emperor. It is difficult to imagine that in 1945 almost the entire structure was reduced to rubble. The complex comprises three separate groups of buildings. The oldest, dating from around 1050, is the Burggrafenburg (Castellan's Castle), with a craggy old pentagonal tower and the bailiff's house. It stands in the center of the complex. To the east is the Kaiserstallung (Imperial Stables), built in the 15th century as a granary and is now a youth hostel. The real interest of this vast complex of ancient buildings, however, centers on the westernmost part of the fortress, which begins at the Sinwell Turm (Sinwell Tower). The Kaiserburg Museum is here, a subsidiary of the Germanisches Nationalmuseum that displays ancient armors and has exhibits relating to horsemanship in the imperial era and to the history of the fortress. This section of the castle also has a wonderful Romanesque Doppelkappelle (Double Chapel). The upper part—richer, larger, and more ornate than the lower chapel—was where the emperor and his family worshipped. Also, visit the Rittersaal (Knights' Hall) and the Kaisersaal (Throne Room). Since this section of the fortress survived the war, the heavy oak beams, painted ceilings, and sparse interiors have changed little since they were built in the 15th century.

This impressive medieval bridge resting on massive stone pontoons is Regensburg's most celebrated sight. It was completed in 1146 and was rightfully considered a miraculous piece of engineering at the time. As the only crossing point over the Danube for miles, it effectively cemented Regensburg's control over trade. The significance of the little statue on the bridge is a mystery, but the figure seems to be a witness to the legendary rivalry between the master builders of the bridge and those of the Dom.

This fortress, one of the largest and most impressive in the country, is Coburg's main attraction. The brooding bulk of the castle guards the town atop a 1,484-foot hill. Construction began around 1055, but with progressive rebuilding and remodeling today's predominantly late Gothic–early Renaissance edifice bears little resemblance to the original crude fortress. One part of the castle harbors the Kunstsammlungen, a grand set of collections including art, with works by Dürer, Cranach, and Hans Holbein, among others; sculpture from the school of the great Tilman Riemenschneider (1460–1531); furniture and textiles; magnificent weapons, armor, and tournament garb spanning four centuries (in the so-called Herzoginbau, or Duchess's Building); carriages and ornate sleighs; and more. The room where Martin Luther lived for six months in 1530 while he observed the goings-on of the Augsburg Diet has an especially dignified atmosphere. The Jagdintarsien-Zimmer (Hunting Marquetry Room), an elaborately decorated room that dates back to the early 17th century, has some of the finest woodwork in southern Germany. Finally, there's the Carl-Eduard-Bau (Carl-Eduard Building), which contains a valuable antique glass collection, mostly from the baroque age.

In Bad Staffelstein, on the east side of the Main north of Bamberg, is a tall, elegant, yellow-sandstone edifice whose interior represents one of the great examples of rococo decoration. The church was built by Balthasar Neumann (architect of the Residenz at Würzburg) between 1743 and 1772 to commemorate a vision of Christ and 14 saints—vierzehn Heiligen—that appeared to a shepherd in 1445. The interior, known as "God's Ballroom," is supported by 14 columns. In the middle of the church is the Gnadenaltar (Mercy Altar) featuring the 14 saints. Thanks to clever play with light, light colors, and fanciful gold-and-blue trimmings, the dizzying interior seems to be in perpetual motion. Guided tours of the church are given on request; a donation is expected. On Saturday afternoon and all day Sunday the road leading to the church is closed and you have to walk the last half mile.