363 Best Sights in New York City, New York

Just a short five-minute stroll from the ferry terminal, this museum sheds \"light\" on lighthouse history throughout America. It's housed not in a lighthouse, but in the foundry that was once part of an 18-building complex for the U.S. Lighthouse Service's General Depot, the center of all lighthouse operations across the country from 1864 to 1939. Self-guided tours through the small museum reveal miniature scale models of many recognizable American lighthouses, an exhibit on the technology of Fresnel lenses, plus displays about famous lighthouse keepers, who collectively played an important role in American maritime history.

There's no exact formula to get kids excited about math, but the sleek two-floor National Museum of Mathematics (MoMath)—the only cultural institution of its kind in all of North America—comes close to finding the perfect fun-to-math ratio. Kids can ride square-wheel trikes, create human fractal trees, build virtual 3-D geometric shapes (which can be printed out on a 3-D printer for a fee), use lasers to explore cross sections of objects, solve dozens of puzzles, and generally bend their minds. The popular Robot Swarm exhibition allows kids to explore swarm robotics and interact with two dozen small (Roomba-like) glowing robots using simple math rules. Exhibits are best suited to kids aged six and up, but preschoolers can still enjoy many interactive exhibits like the Math Square, a light-up floor programmed with math games, simulations, and patterns.

The museum closes at 2:30 pm the first Wednesday of every month.

The National Museum of Mathematics (aka MoMath) transforms math into hands-on fun for all ages—even if numbers aren’t your thing. Solve mind-bending puzzles, ride a trike with square wheels, make your own color patterns with magnetic tiles, play brain games at interactive stations, and much more. Adults will love it as much as kids, making it a rare museum where everyone can geek out. Don’t miss the stellar gift shop, packed with clever, math-inspired finds.

Massive granite columns rise to a pediment topped by a double row of statues at the marvelous Beaux-Arts Alexander Hamilton U.S. Custom House (1907), which is home to the New York branch of this Smithsonian museum (the other is in Washington, D.C.). Inside, the oval stairwell and rotunda embellished with shipping-theme murals (completed in the 1930s) is well worth a look. The permanent exhibition, Infinity of Nations, is an encyclopedic survey of Native American cultures from across the continent, with the entire museum preserving more than 825,000 art pieces and artifacts dating from ancient to modern times. The venue presents changing exhibitions, videos and films, dance, music, and storytelling programs. There's also an excellent Museum Store serving as NYC's best place to purchase authentic Native American merchandise.

Noted American artist and sculptor Walter De Maria's 1977 avant-garde installation consists, quite simply, of 280,000 pounds of gently sculpted soil filling 3,600 square feet of a second-floor loft maintained by the Dia Art Foundation since 1980. You can't touch or walk on the dirt, nor can you take photos, but looking at it is quite peaceful. De Maria's equally odd and impressive work The Broken Kilometer, an 18.75-ton installation that consists of five columns of a total of 1,000 meter-long brass rods covering the wooden floors of an open loft space, is a few blocks away ( 393 W. Broadway) and is a good complement. The two installations have the same hours. 

At the northwestern edge of Flushing Meadows Corona Park, this museum has more than 400 hands-on exhibits that make science a playground for inquisitive minds of all ages. Learn about the science behind bubbles by playing with them at The Big Bubble Experiment. Immerse yourself in Maker Space, where activities like woodworking, 3-D printing, and building electronics rotate daily. The 3D Movie Theatre, Rocket Park Mini Golf, and Science Playground require extra fees.

An 1898 Upper West Side town house contains this small, eccentric museum dedicated to the work of Russian artist Nicholas Roerich, who immigrated to New York in the 1920s and quickly developed an ardent following. About 200 of his paintings hang here—notably some vast canvases of the Himalayas.

The first Black-owned gallery in New York, Nicola Vassell swung open its doors in May 2021 to great fanfare in the art world. The gallery's focus is on discourse that widens the lens of history and about the future of art with exhibitions by a diverse group of international artists. The space shows a cross-discipline of works using the mediums of film, painting, sculpture, and video installations.

In 1985, the Japanese American sculptor Isamu Noguchi (1904–88) transformed this former industrial plant into a showcase for his modernist and earlier works. A peaceful central garden is surrounded by galleries, showing a comprehensive selection of Noguchi’s sculptures in stone, metals, paper, and ceramics, as well as architectural models, drawings, designs, and photographs. Temporary exhibits rotate, like their 40th anniversary exhibit, along with collaborations with other artists. The museum is about a mile from subway stops, but less than half a mile from the Astoria stop on the NYC Ferry; check the website for complete directions.

This reconstructed Dutch farmhouse dating back to 1699 played a central role in the Battle of Brooklyn, one of the largest battles of the Revolutionary War. In the 1880s, it served as the clubhouse of the early Brooklyn Dodgers baseball team, and today it's a small, family-friendly museum that looks back at the history of the site, from the Lenape tribes to Revolutionary times in Brooklyn, from the 1640s to 1783. Art exhibits, concerts, plays, and other community events take place year-round.

There are several thrills involved in visiting One World Trade Center, the tallest building in the Western Hemisphere, not the least of which are the spectacular views of Manhattan, Brooklyn, and New Jersey. If you time your visit around dusk, you'll get daytime views as well as sunset and sparkling evening lights. The observatory occupies the 100th, 101st, and 102nd floors of One WTC, and the experience includes an exhilarating trip up in the world's fastest elevators, during which a journey through history is projected on the elevator walls. After you step out at the top, there's also a two-minute video of time-lapse images of Lower Manhattan. The ground floor has exhibits and personal stories about the building of the tower. Admission prices rise for \"priority\" entrance and other combo tickets (best bought online with timed entry); the box office, security checkpoint, and observatory entrance are on the West Street side of the tower. With some reservations, you can purchase prix-fixe dining or bar packages for ONE Dine restaurant on the 101st floor, which include observatory tickets.

If you're looking for a good place to start your exploration of the Lower East Side, Orchard Street, from Houston all the way down to Canal Street, is probably the densest conglomeration of restaurants, cafés, boutiques, and art galleries. It's the perfect place to wander, checking out the art, browsing for clothes and knickknacks, stopping for a coffee or a glass of wine, and having a meal. Although no one gallery really stands out—you're best off visiting whatever catches your eye—look out for Perrotin ( 130 Orchard St.) and Krause Gallery ( 149 Orchard St.).

This leading contemporary art gallery—with affiliated outposts in Chelsea, London, and other international locations—focuses on such modern and contemporary artists as Kiki Smith, Garry Winogrand, and David Byrne.

Artist and film director Julian Schnabel lives here. But that's not why it's worth making a point to stand across the street and marvel at this pink structure of wonder. Plopped atop a former horse stable, this 12-floor pink Venetian-style palace rises 170 feet above the low-level skyline of the West Village. The facade is highlighted by Renaissance-style porticos and the name engraved halfway up, Palazzo Chupi—a reference to a popular brand of Spanish lollipop and the pet name for Schnabel's wife. When it was completed in 2008, there were rumors that various celebrities—Bono, Madonna, the Olsen Twins—were going to buy one of the five apartments inside. (The only famous person who actually did buy a place was actor Richard Gere.) The building immediately became a divisive flashpoint for West Villagers: some passionately hated it while others loved it. Over time, the haters have thinned out and now most locals love Palazzo Chupi.

With an exhibition gallery, small cinema, screening room, and a computerized catalog of more than 160,000 television and radio programs, the Paley Center's New York outpost examines the constantly evolving state of media. Temporary exhibits on the first floor showcase anything from game shows to sporting events through photographs, recordings, and artifacts. The center also hosts public seminars, lectures, and screenings that explore the history of broadcasting. The fourth-floor library is the top draw: if you want to see an archived awards show, news program, sitcom, or historic event, simply check into a semiprivate computer terminal, enter your search terms, and enjoy. Possibly the most entertaining part of these TV shows from yesteryear is that the original commercials are still embedded in many of the programs. If ads are your thing, you can watch compilations of classic commercials.

This narrow, gated cul-de-sac off West 10th Street between Greenwich and 6th Avenues has 10 diminutive 1848 row houses. Around the corner on 6th Avenue is a similar dead-end street, Milligan Place, with five small houses completed in 1852. The houses in both quiet enclaves were originally built for waiters who worked at 5th Avenue's high-society Brevoort Hotel, long since demolished. Later Patchin Place residents included writers Theodore Dreiser, E. E. Cummings, Jane Bowles, and Djuna Barnes. Milligan Place became popular among playwrights, including Eugene O'Neill.

SoHo pioneer Paula Cooper moved to Chelsea in 1996 and, after moving her masterpieces around the neighborhood, has finally settled into a stark-white, high-ceilinged space that's perfect for viewing art. There are now two galleries (the other is at  521 West 21st Street) that showcase the works of artists such as Carl Andre, Sam Durant, Hans Haacke, Donald Judd, and Dan Flavin.

The Bronx certainly has a reputation of being relentlessly urban, but there are parks in abundance, including the largest city park across the five boroughs (in terms of land area): Pelham Bay Park, a sprawling landscape of marshland and woods laced with nature trails for both human and horse feet. (There's horseback riding at the Bronx Equestrian Center on Shore Road.) The Bronx's only public beach, the 1.1-mile-long Orchard Beach offers views of Long Island Sound, along with a pavilion and snack bars. The incongruous Bartow-Pell Mansion ( www.bartowpellmansionmuseum.org), built in the Greek Revival style in the 1830s, has exhibits of period furniture and historic Bronx memorabilia, plus manicured gardens and a carriage house. The park also holds two golf courses, miniature golf, sports fields, playgrounds, and miles of paved biking paths.

Williamsburg’s premier reading series takes place year-round at a narrow bar in a converted train car; it's free to the public, has been patronized by Jonathan Ames and Dani Shapiro, and is held every other Thursday evening. There's also a poetry series, the second Friday of every month.

The first museum in the United States dedicated exclusively to posters, this spot was opened in 2019 by a group of poster enthusiasts who saw a gaping hole in the city's museum scene and decided to, ahem, poster over it. The museum hosts a series of moving exhibitions, Past shows have included the work of Czech art nouveau artist Alphonse Mucha and 1970s Blaxploitation movie posters, among other themes. There's free admission every Friday.

This gallery, first opened in the East Village in 1984 and open in TriBeCa since 2013, shows new and established conceptual artists of all ages. Postmasters exhibits both young and established artists working in all media, though it seeks out new forms of creative expression that are reflective of the current time.