8 Best Sights in Massachusetts, USA

 Two misunderstandings surround this famous monument. First, the Battle of Bunker Hill was actually fought on Breed's Hill, which is where the monument sits today. (The real Bunker Hill is about ½ mile to the north of the monument.) In truth, Bunker was the originally planned locale for the battle, and for that reason its name stuck. Second, although the battle is generally considered a Colonial success, the Americans lost. It was a Pyrrhic victory for the British Redcoats, who sacrificed nearly half of their 2,200 men; American casualties numbered 400 to 600. One thing is true: the Battle of Bunker Hill put the British on notice that they were up against a formidable opponent. According to history books, this is also the location of the famous war cry, "Don't fire until you see the whites of their eyes," uttered by American colonel William Prescott or General Israel Putnam (there's still debate on who gave the actual command). This was a shout-out to an 18th-century Prussian warning to soldiers that lack of ammunition and notorious musket inaccuracy meant every shot needed to count. The Americans did employ a deadly delayed-action strategy on June 17, 1775, and conclusively proved themselves capable of defeating the forces of the British Empire.

Among the dead were the brilliant young American doctor and political activist Joseph Warren, recently commissioned as a major general but fighting as a private, and the British major John Pitcairn, who two months prior had led the Redcoats into Lexington. Pitcairn is believed to be buried in the crypt of Old North Church.

In 1823 the committee formed to construct a monument on the site of the battle chose the form of an Egyptian obelisk. Architect Solomon Willard designed a 221-foot-tall granite obelisk, a tremendous feat of engineering for its day. The Marquis de Lafayette laid the cornerstone of the monument in 1825, but because of a lack of funds, it wasn't dedicated until 1843. Daniel Webster's stirring words at the ceremony commemorating the laying of its cornerstone have gone down in history: "Let it rise! Let it rise, till it meets the sun in his coming. Let the earliest light of the morning gild it, and parting day linger and play upon its summit."

The monument's zenith is reached by a flight of 294 tightly spiraled steps. While the elevator is still under repair, the views from the observatory are worth the effort of the arduous climb if you can. The tower is only open for climbing between 1 and 4 pm. The adjacent museum's artifacts and exhibits tell the story of the battle, while a detailed diorama depicts the action in miniature. This is Freedom Trail stop 16.

Dedicated in 1998, this memorial and a small park were built in remembrance of Ireland's great famine of the mid-19th century. Artist Robert Shure's two sculptures depict an anguished family on the shores of Ireland, and a determined and hopeful Irish family stepping ashore in Boston. An gorta mor, as it's called in Irish, is a tribute to the rich immigrant past of this most Irish of American cities.

A circle of cobblestones in front of the Old State House commemorates the Boston Massacre, which happened about 20 feet away. To recap: It was on the snowy evening of March 5, 1770, that nine British soldiers fired in panic upon a taunting mob of more than 75 colonists who were upset over British occupation and taxation. Five townsmen died. In the legal action that followed, the defense of the accused soldiers was undertaken by John Adams and Josiah Quincy, both of whom vehemently opposed British oppression but were devoted to the principle of a fair trial. All but two of the nine regulars charged were acquitted; the others were branded on the hand for the crime of manslaughter. Paul Revere lost little time in capturing the "massacre" in a dramatic engraving that soon became one of the Revolution's most potent images of propaganda. This is Freedom Trail stop 10.

Two foo lions ward off evil for those who pass through the massive, traditional paifang gate that signals your entrance to Chinatown. It was donated to the Asian residents of Boston by Taiwan, in the early 1980s. You'll likely see red lanterns hanging from it; they signify good luck. The main square around the gate acts as a gathering place for the neighborhood's residents, who meet to socialize or play games. The gate is situated at Beach Street, and it also marks the end of the Greenway.

Said to be the largest freestanding granite statue in the United States, this allegorical monument stands high on an 11-acre hilltop site. Designed by Hammatt Billings of Boston in 1854 and dedicated in 1889, it depicts Faith, surrounded by Liberty, Morality, Justice, Law, and Education, and includes scenes from the Pilgrims' early days in Plymouth.

Located at the north end of Union Park, the Holocaust Memorial is the work of Stanley Saitowitz, whose design was selected through an international competition; the finished memorial was dedicated in 1995. During the day the six 50-foot-high glass-and-steel towers seem at odds with the 18th-century streetscape of Blackstone Square behind it; at night, they glow like ghosts while manufactured steam from grates in the granite base makes for a particularly haunting scene. Recollections by Holocaust survivors are set into the glass-and-granite walls; the upper levels of the towers are etched with 6 million numbers in random sequence, symbolizing the Jewish victims of the Nazi horror.

The first thing you'll see in Provincetown is this grandiose edifice, somewhat out of proportion to the rest of the low-rise town. The monument commemorates the Pilgrims' first landing in the New World and their signing of the Mayflower Compact (the first Colonial rules of self-governance in what would become the United States) before they set off to explore the mainland. Climb the 116 steps and 60 short ramps of the 252-foot-high tower for a panoramic view—dunes on one side, harbor on the other, and the entire bayside of Cape Cod beyond. At the tower's base is a museum of Lower Cape and Provincetown history, with exhibits on whaling, shipwrecks, and scrimshaw. There are also arrowheads, tools, and images of the local Native American Wampanoag tribe, the town’s first fire engine, a re-creation of a 19th-century sea captain’s parlor, a diorama of the Mayflower Compact being signed, and more. Admission includes both the museum and monument.

Dedicated by Nobel laureate Elie Wiesel in 1992, this quiet, contemplative space—an antidote to the relentless marketing of the merry-witches motif—honors those who died because they refused to confess that they were witches. A stone wall is studded with 20 stone benches, each inscribed with a victim's name, and sits next to Salem's oldest burying ground. Many people leave small tokens on the sites to commemorate the victims to this day. Six locust trees were planted to represent the injustice of the trials, as they are the last to bloom and the first to lose their leaves.