122 Best Sights in San Francisco, California

The city's system of vintage electric trolleys, the F-line, gives the cable cars a run for their money as a beloved mode of transportation. The beautifully restored streetcars—some dating from the 19th century—run from the Castro District down Market Street to the Embarcadero, then north to Fisherman's Wharf. Each car is unique, restored to the colors of its city of origin, from Cincinnati and Philadelphia to Mexico City and Minneapolis. Pay with a Clipper card or purchase tickets on board; exact change is required.

The hotel's dazzling opening was delayed a year by the 1906 quake, but since then, the marble palace has hosted presidents, royalty, movie stars, and local nabobs. Things have changed since its early days, however: on the eve of World War I, you could get a room for as low as $2 per night, meals included. Nowadays, prices go into the five digits, which buys a night in the eight-room, contemporary art–filled penthouse suite.

Swing through the opulent lobby on your way to tea (served weekend afternoons) at the Laurel Court restaurant; peek through the foyer's floor-to-ceiling windows for a glimpse of the hotel's garden and beehives, where the honey served with tea is produced. Don't miss an evening cocktail in the kitschy Tonga Room, complete with tiki huts and a floating bandstand. Snap a picture with the 8-foot-tall bronze Tony Bennett statue outside the lobby. This site was selected as the statue's home to commemorate the singer's 90th birthday because his first performance of "I Left My Heart in San Francisco" was in the hotel's Venetian Room. Bennett did leave his heart in San Francisco in a way---the heart sculpture he painted, which depicts the Golden Gate Bridge, is on permanent display in the Fairmont's lobby.

Originally a depot for the shipment of supplies to the Pacific during World War II, the fort was converted into a cultural center in 1977 and is now home to the vegetarian restaurant Greens and shops, galleries, and performance spaces.

The Museo Italo Americano ( Bldg. C  415/673–2200  museoitaloamericano.org  Closed Mon.) is a small gallery that hosts one exhibit at a time, worth a glance if you're already at Fort Mason.

Dwarfed today by the Golden Gate Bridge, this brick fortress constructed between 1853 and 1861 was designed to protect San Francisco from a Civil War sea attack that never materialized. It was also used as a coastal-defense fortification post during World War II, when soldiers stood watch here. This National Historic Site is now a sprawling museum of military memorabilia. The building, which surrounds a lonely, windswept courtyard, has a gloomy air and is suitably atmospheric. It's usually chilly, too, so bring a jacket. The top floor affords a unique angle on the bay.

Take care when walking along the front side of the building, as it's slippery and the waves can have a dizzying effect.

The popular guided candlelight tours, available only in winter, book up in advance, so plan ahead. Twice a day on days that the site is open (Fridays and weekends), rangers provide short orientations to the site's history. And, a few days a year, the site holds a Living History Day complete with Civil War reenactments, including a look at the music and medicine of that 1800s era.

Most of the redbrick buildings in this complex were once part of the Ghirardelli factory, which the prominent chocolate company purchased in 1893. Tourists visit to pick up the famous chocolate and indulge in ice cream sundaes at this dessert paradise, though you can purchase the chocolates all over town and save yourself a trip to what is essentially a glamorized mall food court (Ghirardelli's factory is now in the East Bay). But it's still a must-visit destination for chocolate lovers. Placards throughout the square describe the factory's history, and the giant Ghirardelli sign above the square, erected in 1923, remains one of the city's visual icons.

Once you're tired of chocolate, there are a few notable restaurants within the square. Palette Tea House serves some of the city's most artistic dim sum, Square Pie Guys has the Bay Area's gold standard for Detroit-style square pizza, Barrio offers enjoyable tacos and margaritas, excellent wines are poured by Cultivar Wines at their tasting room/wine bar, and there's a great beer garden setting at the San Francisco Brewing Co.

This small, two-gallery museum, the first of its kind in the United States, presents multimedia exhibits from its vast holdings covering San Francisco's queer history. In the main gallery, you might hear the audiotape Harvey Milk made for the community in the event of his assassination; explore artifacts from "Gayborhoods," lost landmarks of the city's gay past; or flip through a memory book with pictures and thoughts on some of the more than 20,000 San Franciscans lost to AIDS. Though perhaps not for everyone (those offended by sex toys and photos of lustily frolicking naked people may, well, be offended), the museum offers an inside look at these communities so integral to the fabric of San Francisco life.

For a rockin' gospel concert and an inclusive, feel-good vibe, head to Glide, where engaging pastors lead a hand-clapping, shout-it-out, get-on-your-feet Sunday "celebration." The radically inclusive crowd—gay and straight, all colors of the rainbow, religious and not—is large and enthusiastic. You might recognize the church from the Will Smith film The Pursuit of Happiness.

When all the other fire hydrants went dry during the fire that followed the 1906 earthquake, this one kept pumping. Noe Valley and the Mission District were thus spared the devastation wrought elsewhere in the city, which explains the large number of pre-quake homes here. Every year on April 18th (the anniversary of the quake), folks gather here to share stories about the disaster, and the famous hydrant gets a fresh coat of gold paint.

Follow your nose down Ross Alley to this tiny but fragrant cookie factory, an institution churning out treats for more than 60 years. Two workers sit at circular motorized griddles and wait for dollops of batter to drop onto a tiny metal plate, which rotates into an oven. A few moments later, out comes a cookie that's pliable and ready for folding. It's easy to peek in for a moment, and hard to leave without getting a few free samples and then buying a bagful of fortune cookies for snacks and wisdom later. You can even write your own fortunes.

Originally called Calle de la Fundación, Grant Avenue is the oldest street in the city, but it's got plenty of young blood. Dusty bars such as The Saloon mix with independent boutiques, odd curio shops, and curated gourmet stores. While the street runs from Union Square through Chinatown, North Beach, and beyond, the fun stuff in this neighborhood is jammed into the four blocks from Columbus Avenue north to Filbert Street.

On the outside, this is just one more well-kept Victorian on a street that's full of them, but true fans of the Dead may find some inspiration looking at this legendary structure. The three-story house (closed to the public) is tastefully painted in sedate mauves, tans, and teals—no bright tie-dye colors here.

A small display of photographs on the bottom floor of this elaborate, gray 1886 Queen Anne house makes clear that despite its lofty stature and striking, round third-story tower, the 11,500-square-foot house was modest compared with some of the giants that fell victim to the 1906 earthquake and fire. San Francisco Heritage, a foundation to preserve San Francisco's architectural history, operates the home, whose carefully kept rooms provide a glimpse into late-19th-century life through period furniture, authentic details (like the antique dishes in the kitchen built-in), and photos of the Haas family, who occupied the house for three generations until 1972. You can download free maps of two nearby walking tours highlighting the neighborhood's historic architecture on the house's website.  You can admire hundreds of gorgeous San Francisco Victorians from the outside, but this is the only one that's open to the public, and it's worth a visit.

On October 6, 1967, hippies took over the intersection of Haight and Ashbury streets to proclaim the "Death of Hip." If they thought hip was dead then, they'd find absolute confirmation of it today—the only tie-dye in sight on the famed corner is a Ben & Jerry's storefront.

An 18-foot-long rainbow flag flies above this plaza named for the man who electrified the city in 1977 by being elected to its Board of Supervisors as an openly gay candidate. In the early 1970s, Milk's camera store on Castro Street became the center for his campaign to open San Francisco's social and political life to gays and lesbians.

Milk hadn't served a full year of his term before he and Mayor George Moscone were shot to death in November 1978 at City Hall. The murderer was a conservative ex-supervisor named Dan White, who had resigned his post and then became enraged when Moscone wouldn't reinstate him. Milk and White had often been at odds on the board. The gay community became infuriated when the "Twinkie defense"—that junk food had led to diminished mental capacity—resulted in only a manslaughter verdict for White. During the so-called White Night Riot of May 21, 1979, gays and their allies stormed City Hall, torching its lobby.

Milk, who had feared assassination, left behind a tape recording in which he urged the community to continue his work. His legacy is the high visibility of gay people throughout city government; a bust of him was unveiled at City Hall in 2008, and the 2008 film Milk gives insight into his life. Keep your visiting expectations in check: this is more of a historical site than an Instagrammable spot.

Built on the ashes of railroad tycoon Mark Hopkins's grand estate, this 19-story hotel built in 1926 displays a combination of French château and Spanish Renaissance architecture, with noteworthy terra-cotta detailing. Over the decades it has hosted statesmen, royalty, and Hollywood celebrities. The 11-room penthouse was turned into a glass-wall cocktail lounge in 1939: the Top of the Mark is remembered fondly by thousands of World War II veterans who jammed the lounge before leaving for overseas duty. Wives and sweethearts watching the ships depart gave the room's northwest nook its name—Weepers' Corner.  With its 360-degree views, the lounge is a wonderful spot for a grand brunch or a nighttime drink.

Downtown malls may be struggling, but the Japan Center is thriving. Cool and curious trinkets, noodle houses and sushi joints, a destination bookstore, and a peek at Japanese culture high and low await at this 5-acre complex designed in 1968 by noted American architect Minoru Yamasaki. The Japan Center includes the shop- and restaurant-filled Kintetsu Mall and Kinokuniya Building; the excellent Kabuki Springs & Spa; the Hotel Kabuki; and the AMC Kabuki cinema.

The Kinokuniya Bookstore, in the Kinokuniya Building, has an extensive selection of Japanese-language books, manga, English-language translations, books on Japanese topics, and fun gifts. Afterwards, enjoy a crepe with green tea gelato, red bean paste, and matcha from Sophie's Crepes. Just outside, on the bridge connecting the buildings, check out Asakichi and its tiny incense shop for wind chimes and teakettles. Continue into the Kintetsu Mall for a taiyaki (fish-shape) cone at Uji Time.

Between the West Mall and the East Mall are the 5-tier, 100-foot-tall Peace Pagoda and the Peace Plaza, where seasonal festivals are held. The pagoda, which draws on the 1,200-year-old tradition of miniature round pagodas dedicated to eternal peace, was designed in the late 1960s by Yoshirō Taniguchi to convey the "friendship and goodwill" of the Japanese people to the people of the United States.

This ornate temple to the god of honesty and trust sets a somber, spiritual tone right away with a sign warning visitors not to touch anything. Chinese stores and restaurants often display his image because he's thought to bring good luck in business. Chinese immigrants established the temple in 1851; its congregation moved to this building in 1977. Take the elevator up to the fourth floor, where incense fills the air. You can show respect by placing a dollar or two in the donation box and by leaving your phone stowed. Amid the statuary, flowers, and richly colored altars (red wards off evil spirits and signifies virility, green symbolizes longevity, and gold connotes majesty), a couple of plaques announce that "Mrs. Harry S. Truman came to this temple in June 1948 for a prediction on the outcome of the election . . . this fortune came true."  The temple's balcony has a good view of Chinatown.

Founded in 1888 and impressively renovated, the country's first public children's playground has wave-shaped climbing walls, old-fashioned cement slides, and a 20-plus-foot rope-climbing structure that kids love and parents fear. Thankfully, one holdover from the park's early days is the beautiful, handcrafted 1912 Herschell-Spillman carousel. The lovely stone Sharon Building, next to the playground, offers art classes for youngsters. Bring a picnic or pick up grub nearby on 9th Avenue and you could spend the entire day here. Be aware that the playground, which has separate areas for toddlers and bigger kids, is unenclosed and sightlines can be obstructed.

Clusters of trees dot this four-block-square oasis for sunbathers and dog-and-Frisbee teams. On the south side of the park, squat but elegant 2151 Sacramento Street, a private condominium, is the site of a home occupied by Sir Arthur Conan Doyle in the late 19th century. Coats of arms blaze in the front stained-glass windows. Across from the park's eastern edge is another eye-catching historic home: the Queen Anne (and distinctly yellow) C. A. Belden House at 2004 Gough Street.

The park's northern border is anchored by the stately Spreckels Mansion, built originally for sugar heir Adolph B. Spreckels and his wife, Alma. It is now the 55-room home of celebrated romance novelist Danielle Steel. Giant, immaculately trimmed hedges hide most of the mansion from public view—and have been quite the topic of debate among locals for many years. The park itself is a lovely neighborhood space where Pacific Heights residents laze in the sun or exercise their pedigreed canines while gazing at downtown's skyline or the Bay and Marin County hills in the distance to the north.

On the west side of the 1800 block of Laguna Street, these oft-photographed private houses cost between $2,000 and $2,600 when they were built in the 1870s. Nowadays, you'd need to add three zeros to those prices; an entire house might sell for upward of $5 million. No bright colors here, though—most of the paint jobs are in soft beiges or pastels.

Bay Area filmmaker George Lucas's 23-acre Letterman Digital Arts Center, a digital studio campus along the eastern edge of the land, is exquisitely landscaped and largely open to the public. If you have kids in tow or are a Star Wars fan yourself, make the pilgrimage to the Yoda Fountain between two of the arts-center buildings, then take your picture with the life-size Darth Vader statue in the lobby, open to the public on weekdays.

Saucy Gold Rush–era actress, singer, and dancer Lotta Crabtree so excited the city's miners that they were known to shower her with gold nuggets and silver dollars after her performances. This peculiar, rather clunky gold-colored fountain adorned with regal lions was her way of saying thanks to her fans. Given to the city in 1875, the fountain became a meeting place for survivors after the 1906 earthquake; each April 18, the anniversary of the quake, San Franciscans gather here. An image of redheaded Lotta herself, in a very pink, rather risqué dress, appears in one of the Anton Refregier murals in Rincon Center.

Get ready for a workout—and a spectacularly rewarding view at the top—when tackling the 332 steps at the eastern edge of the Presidio. There will likely be no shortage of exercise seekers bounding up the steps, but feel free to conquer the climb slowly. The trimmed hedge landscaping is worthy of its own visit, but the views of the Presidio forests and the bay are the reason these steps are a top attraction. The opulent mansions surrounding them are equally stunning.

The towering mural that seems to enclose the Women's Building, a community space supporting women and community organizations, celebrates women around the world who work for peace. Created by 7 main artists and almost 100 helpers in 1994, this 5-story-tall artwork is one of the city's don't-miss murals.

Known as Morton Street in the raffish Barbary Coast era, this former red-light district reported at least one murder a week during the late 19th century, though things cooled down after the 1906 fire. These days Maiden Lane is a chic, designer-boutique-lined pedestrian mall. Wrought-iron gates close the street to traffic most days between 11 and 5, when the lane becomes an alfresco hot spot dotted with umbrella-shaded tables. It's also popular with photographers and Instagrammers for its quaint-chic aesthetic. At  140 Maiden Lane is the only Frank Lloyd Wright building in San Francisco, fronted by a large brick archway. The curving ramp and skylights of the interior, which houses exclusive Italian menswear boutique Isaia, are said to have been his model for the Guggenheim Museum in New York.

The street, which bisects the city at an angle, has consistently challenged San Francisco's architects. One of the most intriguing responses sits diagonally across Market Street from the Palace Hotel: the tower of the Hobart Building (No. 582) combines a flat facade and oval sides and is considered one of Willis Polk's best works. East on Market Street is Charles Havens's triangular Flatiron Building (Nos. 540–548), another classic solution. At Bush Street, the Mechanics Monument, in recognition of the Donahue brothers who industrialized the city, holds its own against the skyscrapers that tower over the intersection. This homage to waterfront mechanics, which survived the 1906 earthquake (a famous photograph shows Market Street in ruins around the sculpture), was designed by Douglas Tilden, a noted California sculptor. The plaque in the sidewalk next to the monument marks the spot as the location of the San Francisco Bay shoreline in 1848. Telltale nautical details, such as anchors, ropes, and shells, adorn the gracefully detailed Matson Building (No. 215), built in the 1920s for the shipping line Matson Navigation.

It's pretty atypical for an apartment building to be featured as an actual tourist sight—but, then again, very few buildings are as notable, in terms of modern architecture, as the emerging East Cut neighborhood's MIRA, opened in 2020 and designed by the innovative Studio Gang. The 40 stories of its exterior seem to wrap around each other with a mix of waves and curves, like a giant twist tie. It's fascinating to see and almost seems like a visual allusion. Meanwhile at ground level on Folsom Street, there is a notable wine bar (Mili) and coffee shop (Saint Frank) at the base of the building.

Two churches stand side by side here: a newer multidomed basilica and the small adobe Mission San Francisco de Asís, the latter being the city's oldest standing structure along with the Presidio Officers' Club. Completed in 1791, it's the sixth of the 21 California missions founded by Franciscan friars in the 18th and early 19th centuries. Its ceiling depicts original Ohlone Indian basket designs, executed in vegetable dyes. The tiny chapel includes frescoes and a hand-painted wooden altar.

There's a hidden treasure here: a 20-by-22-foot mural with images including a dagger-pierced Sacred Heart of Jesus, painted with natural dyes by Native Americans in 1791, was found in 2004 behind the altar. Interesting fact: Mission San Francisco de Asís was founded on June 29, 1776, five days before the Declaration of Independence was signed.

The small museum in the mission complex covers its founding and history, and the pretty cemetery—which appears in Alfred Hitchcock's film Vertigo—contains the graves of mid-19th-century European immigrants. The remains of an estimated 5,000 Native Americans who died at the mission lie in unmarked graves.

A newly built micro neighborhood within the greater Mission Bay neighborhood, this 28-acre waterfront development across McCovey Cove from Oracle Park is a public-private development between the Giants, the Port of San Francisco, and Tishman Speyer (a real-estate corporation). Its crowning glory, China Basin Park, was unveiled in 2024 and features a beach-like area with Adirondack chairs and a Willie McCovey statue, plus plenty of green space for dogs and humans to enjoy. The ballpark and skyline views throughout the park are sensational.

Further inland within the small set of high-rise buildings, the credit card company Visa now has its global headquarters. Several popular San Francisco restaurants, including Trick Dog, Flour + Water Pizzeria, and Che Fico, are expected to open-dining concepts in the "neighborhood" in 2025.

Right at home in this once-industrial neighborhood now bursting with creative energy, this small museum mounts temporary art and design exhibitions, rather than keeping a permanent collection. The focus might be rugs, metalwork, furniture, or jewelry, though it might also be sustainable architecture, the connection of scent and objects, or very on-trend subjects like robots. The beautifully curated shop is perfect for unique souvenirs and imagination-spurring items for the home office.