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There's something uniquely Quebecois about the kind of entertainment referred to as a spectacle. It's more than just a performance, usually involving some kind of multimedia projection, light show, and, if outdoors, fireworks. It's no wonder, then, that the ultimate spectacle, Cirque du Soleil, was founded in Montréal in the ’80s. And it's also hardly surprising that North America's largest French-speaking metropolis should be the continent's capital of French theater.
Montréal is the home of nearly a dozen professional companies and several important theater schools, but there's also a lively English-language theater scene and one of the few remaining Yiddish theaters in North America.
In 2012, the city completed the Quartier des Spectacles, a 70-acre theater district in Downtown with stages for outdoor performances and nearly 80 venues for dance, music, theater, and art.
For a city its size, Montréal offers a remarkable number of opportunities for fans of classical music to get their fill, from operas and symphonies to string quartets.
As for dance, there are several modern dance companies of note, including Montréal Danse and Québec's premier ballet company Les Grands Ballets Canadiens.
More than just a performance space for contemporary dance, this center actively works in the dance community to encourage creativity and experimentation. Hosting acclaimed artists and companies from around the world, the company is also affiliated with the Université du Québec à Montréal dance faculty.
Margie Gillis, one of Canada's most exciting and innovative soloists, works with her own company and guest artists to stage performances at Place des Arts, Agora de la Danse, and other area venues.
Lavish sets and dazzlingly sensual choreography have helped make Montréal Danse one of Canada's most popular contemporary repertory companies. It has a busy touring schedule, but also regularly performs at Place des Arts, Agora de la Danse, and the Théâtre de Verdure.
For more than 40 years, Tangente has hosted weekly performances of contemporary and experimental dance between September and May on various Montréal stages (there are currently three venues in the city). It also acts as an archive for contemporary dance and experimental performance art, with more than 2,000 files focusing on major international dance schools and festivals, companies, and choreographers. Tangente encourages national and international exchanges between dance companies and artists.
