3 Best Sights in Glasgow, Scotland

Opposite Glasgow University's main gate, this gallery houses William Hunter's (1718–83) collection of paintings. You'll also find prints, drawings, and sculptures by Tintoretto, Rembrandt, and Auguste Rodin, as well as a major collection of paintings by James McNeill Whistler, who had a great affection for the city that bought one of his earliest paintings. Also in the gallery is a replica of Charles Rennie Mackintosh's town house. Between 1906 and 1914, famed architect Mackintosh and his wife Margaret Macdonald lived at 78 Southpark Avenue, just one street away from where their house has been faithfully rebuilt as part of the gallery. Its stunning rooms contain Mackintosh's art nouveau chairs, tables, beds, and cupboards. The upstairs sitting room, with its famous desk, echoes the Japanese motifs so popular with his generation. Free guided tours are available.

Worthy of its world-class reputation, the Kelvingrove Art Gallery and Museum attracts local families as well as international visitors. This combination of cathedral and castle was designed in the Renaissance style and built between 1891 and 1901. The stunning red-sandstone edifice is an appropriate home for works by Botticelli, Rembrandt, Monet, and others, not to mention the collection of arms and armor. The Glasgow Room houses extraordinary works by local artists. Whether the subject is Scottish culture, design, or storytelling, every room entices you to look deeper; labels are thought-provoking and sometimes witty. You could spend a weekend here, but in a pinch three hours would do one level justice—there are three. Leave time to visit the gift shop and the attractive basement restaurant. Daily free recitals on the magnificent organ (usually at 1) are well worth the trip.

One of Glasgow's boldest, most innovative galleries occupies the neoclassical former Royal Exchange building. The modern art, craft, and design collections include works by Scottish conceptual artists such as David Mach, and also paintings and sculptures from around the world, including Papua New Guinea, Ethiopia, and Mexico. Each floor of the gallery reflects one of the elements—air, fire, earth, and water—which creates some unexpected juxtapositions and also allows for various interactive exhibits. In the basement is a café, a tourist information center, and an extensive library. The building, designed by David Hamilton (1768–1843) and finished in 1829, was first a meeting place for merchants and traders; later it became Stirling's Library. It also incorporates the mansion built in 1780 by William Cunninghame, one of the city's wealthiest tobacco lords. Standing proudly in front of the gallery is the now-iconic Duke of Wellington statue, rarely seen without a traffic cone (or two) on his head, a playful reflection of the Glaswegian sense of humor.