The Best Sight in Venice, Italy

Background Illustration for Sights

It's called La Serenissima, "the most serene," a reference to the majesty, wisdom, and impressive power of this city that was for centuries the leader in trade between Europe and the Orient, and a major source of European culture. Built on and around a cluster of tiny islands in a lagoon by a people who saw the sea as a defense and ally, Venice is unlike any other city.

No matter how often you've seen Venice in photos and films, the city is more dreamlike than you could ever imagine. The key landmarks, the Basilica di San Marco and the Palazzo Ducale, are hardly what we normally think of as Italian: fascinatingly idiosyncratic, they are exotic mixes of Byzantine, Romanesque, Gothic, and Renaissance styles. Shimmering sunlight and silvery mist soften every perspective here; it’s easy to understand how the city became renowned in the Renaissance for its artists' use of color. The city is full of secrets, inexpressibly romantic, and, in both art and everyday life, given over to an unabashed celebration of the material world.

You'll see Venetians going about their daily affairs in vaporetti (water buses), aboard the traghetti (gondola ferries) that carry them across the Grand Canal, in the campi (squares), and along the calli (narrow streets). They are skilled—and remarkably tolerant—in dealing with the hordes of tourists from all over the world, attracted by the city's fame and splendor.

Venice proper is divided into six sestieri, or districts (the word sestiere means, appropriately, "sixth"): Cannaregio, Castello, Dorsoduro, San Marco, San Polo, and Santa Croce. More-sedate outer islands float around them—San Giorgio Maggiore and the Giudecca just to the south, beyond them the Lido, the barrier island; to the north, Murano, Burano, and Torcello.

Torre dell'Orologio

San Marco
Tower of St. Marks
© Halie Cousineau/ Fodors Travel

This enameled clock, completed in 1499, was most likely designed by Venetian Renaissance architect Mauro Codussi. Twin giant figures with tarnished bronze bodies strike the hour each day, while three wise men with an angel walk out and bow to the Virgin Mary on Epiphany (January 6) and during Ascension Week (40 days after Easter). An inscription on the tower reads "Horas non numero nisi serenas" ("I only count happy hours"). Originally, the clock tower had a much lighter, more graceful appearance, and was freestanding. The four lateral bays were added in the early 16th century, while the upper stories and balustrades were completed in 1755. The clock itself was neglected until the 19th century, but after years of painstaking labor, it was reassembled and is fully operational. Guided tours, which start at the Museo Correr's ticket office, are held in English numerous times a week (for adults and children age six and older); book in advance online or by phone.

Piazza San Marco, Venice, 30124, Italy
84-8082000-tickets (within Italy)
Sight Details
€14 for 1-hr tour, includes admission to Museo Correr, Museo Archeologico, and Biblioteca Nazionale Marciana. €11 with Museums of San Marco Pass or Museum Pass

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