8 Best Sights in Tuscany, Italy

The Romanesque Duomo, the Cattedrale di San Zeno, dates from as early as the 5th century. It houses a magnificent silver altar dedicated to St. James. The two half-figures on the left are by Filippo Brunelleschi (1377–1446), the first Renaissance architect and the designer of Florence's magnificent Duomo cupola.

Lest you think that Tuscany produced only Renaissance artists, the Fondazione Marino Marini presents many works from its namesake modern native Pistoian (1901–80). Sculpture, etchings, paintings, engravings, and mixed media have all been installed in the elegantly renovated 14th-century Convento del Tau. Note that this museum has experienced temporary closures, so check on its status before visiting.

A 20-minute drive out of town brings you to the Giardino Zoologico, a small zoo laid out to accommodate the wiles of both animals and children.

The Palazzo del Comune, begun around 1295, houses the Museo Civico, containing works by local artists from the 13th to 19th century. The courtyard (which is free) houses an equestrian sculpture by native son Marino Marini: it takes awhile to figure it out, and it's worth taking the time to do so.

At the end of the 11th century, the bishop of Pistoia began construction on this palace. One thousand years later, it houses several collections. The Museo della Cattedrale di San Zeno contains spectacular items from Pistoia's cathedral, including ornate pieces in gold, rings with jewels the size of small eggs, and solemn, powerful statuary. The Museo Tattile lets you touch various local buildings built to scale. The Percorso Archeologico contains Roman, medieval, and Etruscan archaeological finds uncovered during a 1970s renovation. Its treasures are showcased with simple elegance in a warren of corridors and caves below and austere rooms above. Note that a guide accompanies you while you wander the complex, and wandering days and times are limited.

Founded in the 13th century, this still-functioning hospital has a facade with a superb early-16th-century exterior terra-cotta frieze. It was begun by Giovanni della Robbia (1469–1529) and completed by the workshop of Santi and Benedetto Buglioni between 1526 and 1528. Don't miss the 17th-century graffiti on the columns outside.

An architectural gem in green-and-white marble, the medieval church of San Giovanni Fuorcivitas holds a Visitation by Luca della Robbia (1400–82), a painting attributed to Taddeo Gaddi, and a holy-water font that may have been made by Fra Guglielmo around 1270.

In the 12th-century church of Sant'Andrea, the fine pulpit by Giovanni Pisano (circa 1250–1314) depicts scenes from the life of Christ in a series of high-relief, richly sculpted marble panels.