17 Best Sights in Sicily, Italy

Housed, perhaps appropriately, in an ex-orphanage in the center of Corleone, the Centro Internazionale di Documentazione sulla Mafia e del Movimento Antimafia, or C.I.D.M.A., chronicles the dark history of the criminal organization that has been identified with Sicily for much of the 20th century and beyond. Most of the story is told through a moving exhibition of black-and-white photographs, almost all taken by Letizia Battaglia, who bravely made it her life's work to record the Mafia's activities in Sicily, in particular the arrests of Mafia operatives and the deaths of their victims. One room holds the vast collection of files used in the Maxi-Trial of Mafia suspects that took place between 1986 and 1992 and led to the murders of the judges Giovanni Falcone and Paolo Borsellino, who are also remembered here. There is space given to the pentito (informant) Tomasso Buscetta, whose testimony resulted in a slew of arrests, but whose entire family was wiped out by vengeful hitmen. It's a sad and sobering experience to hear about such atrocities, and a visit to the center is best undertaken with a guide, without whose explanations you would miss much essential information. Call ahead to book a guided tour (available in English), and to confirm opening times.

Though it's located across the strait from Messina in Reggio Calabria, this fantastic museum, set over four floors, is well worth a visit, especially for the Riace Bronzes, a pair of impressive, naked warrior statues that were cast about 460 BC and found in the sea in 1972. You'll also find incredible examples of art from the Paleolithic and Mesolithic periods (including cave art), insights into the daily life and funeral rites of the Hellenistic age, and imposing temple decorations such as the life-size terra-cotta horseman supported by a sphinx. There is plenty of information in English, but in high season entry is by timed ticket only. To get there, take a 30-minute hydrofoil from the Messina port ( €7 round-trip  libertylines.it).

This vast, multibuilding museum is terrific, with an intelligently arranged collection of prehistoric finds—some dating as far back as 5000 BC—from various sites in the archipelago, as well as Greek and Roman artifacts, including an outstanding collection of Greek theatrical masks, and even interesting information on volcanoes. Basic descriptions about the exhibits are provided in both English and Italian: panels in each room and captions in the showcases. That said, there is so much to see, and the museum is worth at least a few hours of your time.

Ancient Akragas (the Greek name for Agrigento) was synonymous with decadence and excess, a lifestyle perfectly summed up by the philosopher Plato who remarked that its people "built as if they are going to live forever, and eat as if they will never eat again." This museum is testimony to the fact that the people of Akragas had the means to buy the very best, from the high quality of the red-figured Greek banqueting ware to scenes on some of the magnificent kraters (used for mixing wine and water) that evoke life at an ancient dinner party in vivid detail. Look out as well for the double-walled wine jar, with space between its two walls for snow to chill the wine.  Save time by buying your tickets in advance online.

Joseph Whitaker's former home on Mozia island now holds the Museo Whitaker, displaying a good selection of the finds excavated on the island. As you enter, you'll see useful aerial photographs and models showing the island now and as it might have looked under Carthaginian rule. Most of the exhibits consist of steles, pottery, painted vases, and a scattering of spearheads and jewelry, but the centerpiece is the so-called youth of Motya, an elegantly sinuous life-size statue of a poised young man, one hand resting on his hip, exuding a powerful air of self-assurance. The statue is also known as the "charioteer,"  though there is no evidence that this was his role.

Outside the museum, walk in any direction to take in the dispersed archaeological site. You can't go wrong tracing the perimeter of the island, which will bring you to the Tophet (shrine and burial ground) on the northern shore, and the Cappiddazzu sanctuary, close to where the youth of Mozia was unearthed. There is little above thigh height until you come to such imposing structures as the north gate, the city's main entrance that stood at the end of a causeway (now submerged) that formerly linked it to the Sicilian mainland; the eastern tower; and the remains of the sturdy Carthaginian city walls. There are panels and charts throughout, providing explanations and background on what you're seeing.

Allow at least three hours for a thorough exploration of the museum and island, or longer if you want to bring a picnic lunch or pick up a snack at the café. Sunhats are strongly recommended.

Established in 1873, this museum located directly in front of the Duomo is perfect for lovers of ancient Greek and Roman art. It houses an impressive collection of artifacts recovered from the archaeological area of Himera, including old coins, statues, and many other objects from daily life. The gallery also houses the works of Sicilian artists from the 16th and 17th centuries, some Flemish works, and even a Byzantine triptych. It is an astoundingly random collection that's a testament to the passionate dedication Sicily has always had when it comes to artists and pieces of art. 

This fascinating museum consists of three sections, one dedicated to geology and another to archaeology, and one to documentary photography. It's a testament to Petralia Sottana's long and fascinating human and geological history. The rocks and fossils in the locally gathered collection date back to 200 million years ago and showcase the geographical evolution of the area. The museum's archaeological collection shows a vast array of prehistoric vases, numerous ancient Greek ceramics, and items from the Bronze Age. A moving collection of photographs documents Madonie life and landscape, beginning with the work of the Palermitano Enzo Sellerio, whose 1973 show began a series of exhibitions, culminating in a 2021 group show. 

The entrepreneur Ignazio Florio played a leading part in the regeneration of Favignana's tuna fisheries in the 19th century, a tale told in his company's former fishery, a huge complex located on the outskirts of Favignana town, now converted into a museum. Hour-long guided tours take you through the fascinating history and gruesome methods of bluefin tuna fishing, including the ritualistic and bloody culmination of the fishing process, La Mattanza, or "The Killing." These traditional methods died out with the growth of modern industrial practices and overfishing. Tours must be booked a least a day in advance. There's also a separate section focusing on the Battle of Egadi (241 BC), which saw the defeat of the Carthaginians by a Roman fleet and their subsequent expulsion from Sicily.

A sense of Marsala's past as a Carthaginian stronghold is captured by the well-preserved Punic warship displayed in this museum, along with some of the amphorae and other artifacts recovered from the wreck. The vessel, which was probably sunk during the great sea battle that ended the First Punic War in 241 BC, was dredged up from the mud near the Egadi Islands in the 1970s. There's also a good display of maritime and archaeological finds, as well as some Roman ruins with mosaics just beyond the museum's doors. A combined ticket allows you to take in the rather sparse archaeological area behind the museum, too.

The impressive collection of Siracusa's splendid if scruffy archaeological museum is organized by region and time period around a central atrium and ranges from Neolithic pottery to fine Greek statues and vases. Compare the Landolina Venus—a headless goddess of love who rises out of the sea in measured modesty (a 1st-century-AD Roman copy of the Greek original)—with the much earlier (300 BC) elegant Greek statue of Hercules in Section C. Of a completely different style is a marvelous fanged Gorgon, its tongue sticking out, that once adorned the cornice of the Temple of Athena to ward off evildoers. It's a massive collection so be prepared to be fatigued at some point while walking around the disheveled space-station-esque modernist (1961) complex. 

This archaeology museum is the oldest public museum in Sicily, with a small but excellent collection, including a marvelously reconstructed Doric frieze from the Greek temple at Selinunte, which reveals the high level of artistic culture attained by the Greeks in Sicily some 2,500 years ago. There are also lion's head water spouts from 480 BC, as well as other excavated pieces from around Sicily, including Taormina and Agrigento, which make up part of an informative exhibition on the broader history of the island. After admiring the artifacts, wander through the two plant-filled courtyards, and be sure to check the website for special culture nights, when the museum is open late to host musical performances.

Housed in a restored palace that originally belonged to the Chiaramonte, one of the most powerful noble families in Sicily, this museum's architecture is a wonderful testimony to Sicily's complex history, an appealing fusion of Romanesque, Byzantine, Norman, Gothic, and Spanish. Highlights are the Gothic chapterhouse and the old defensive tower; the holes in the faded Byzantine frescoes of saints were created by American soldiers billeted here during World War II, who needed pegs to hang their kits on. Best of all, the ethnographic collection is on the top floor. Formed entirely of bits and pieces donated by locals at the end of the 20th century, it offers fascinating and often funny insights into everyday life, with exhibits ranging from recipe books to an ammunition belt modified for school exams so that cheat notes could be rolled up and stored in the bullet pockets.  The museum is located at a high point in the city on a street inaccessible to cars, so that it may be challenging for those with mobility issues. 

This interesting museum is housed in a beautifully restored palace that belonged to the Mastrogiovanni Tasca family. It displays an array of local artifacts that testify to the long and complex history of Mistretta and Sicily. Among these is a collection of various archaeological finds from the area on the ground floor, including items from the Roman period up until the Middle Ages. The local historical library's collection of rare and ancient books is located on the mezzanine level and includes volumes recovered from the town's Franciscan convents. The building also hosts the local historical archives. In the halls of the main floor, a series of local religious paintings recovered from the Capuchin convent includes one attributed to the Flemish master Matthias Stom.

This local museum is dedicated to several significant historical periods, with the collection divided into three parts. The first and second floors focus on travel and local folk traditions, with many objects and artifacts derived from the personal collection of a local aristocrat who devoted his life to traveling the world. There is also a selection of local folk art and traditions, including Sicilian marionettes and decorative Sicilian carts from the 19th century. The other sections are dedicated to the period of Italian unification in the late 1800s.The building housing the collection is also noteworthy, featuring a historic bell tower and clock dating back to the 1800s; you can climb up and see the intricate clockwork, hear the donging bells, and even see the oil can and tools used to keep it running smoothly the local town council.

A former Benedictine monastery near Piazza Repubblica is now the home of the Complesso Monumentale di San Pietro, a series of exhibition and conference rooms that include a collection of items relating to Giuseppe Garibaldi, the flamboyant hero of Italy's 19th-century war of independence. The resistance leader's name is ubiquitous in Marsala, for it was here that he disembarked his army of one thousand "red shirts" to battle against the Bourbons, a struggle that eventually led to a unified and independent Italy. Two rooms—including the monastery's former refectory—display guns, swords, busts, paintings, photographs, and uniforms from the campaign, including examples of the famous red shirts worn by Garibaldi's fiercely loyal followers. A box in the center of the room holds the guerrilla general's own pistol.

Other parts of the museum complex hold archaeological fragments from Roman hypogea and necropolis in the area as well as traditional masks and costumes worn in Marsala's Easter Thursday procession. The wide central courtyard is the venue for concerts and open-air movies in the summer.

This civic museum is housed in a spectacular golden stone palace, typical of Gangi's architectural style. The friendly, informative staff may point out the symbolism among the 96 colorful paintings depicting Gangi's landscape and life by honorary cittadino Gianbecchina (1909--2001), a maestro of "Lyrical Realism." The upper floors hold various objects excavated from local archaeological sites as well as eclectic items related to local history, including a fascinating, if unsettling, array of firearms from around the world.

Arranged in a series of rooms around the cobbled courtyard of the 18th-century Palazzo Fici, this museum in the old center opened in 2024 to showcase the Marsala wine for which the town is famous. It also chronicles the development of wine production in the region generally, from its Phoenician beginnings to the present, in the process providing a good summary of the history of the town itself. It's worth pausing in the first rooms to view the subtitled videos, before moving on to rooms that cover the terrain and manufacture of Marsala wine, focusing on the first British exporters—Woodhouse, Ingham, and Whitaker—and the Italian wine dynasties that succeeded them, notably the Florios.