235 Best Sights in Sicily, Italy

Capo d’Orlando has a long strip of beachfront to explore, stretching out in both directions along the coast. The lungomare is the town's main strip, with plenty to entertain tourists in the high season, including restaurants, bars, nightclubs, and kiosks where you can buy anything needed for a day on the beach. The promenade is especially popular in the cooler post-sunset hours, when locals and tourists alike enjoy a passeggiata, bike ride, or jog. At the eastern end near the lighthouse, the path ends, but you can carefully walk by the road as far as San Gregorio, famed for the 1960s smash hit "Sapore di Sale," and its eponymous gelateria. Farther on is the sleek but soulless marina, which opened in 2017 and is lined with some interesting vessels, a motel, and a handful of uninspiring shops and eateries.

Below the main city of Taormina is Mazzarò (reached via a cable car called the funivia), where summertime beachgoers jostle for space on a pebble beach against the scenic backdrop of the aptly named Isola Bella. The first section of beach is reserved for expensive resorts but the far end, next to Isola Bella, has a large free area. The tiny "beautiful island" of Isola Bella was once the private residence of Florence Trevelyan and now houses a small exhibition. This and the surrounding grottoes and nature reserve can be visited by walking or paddling across a narrow strip of sand. 

Located high above Mistretta are the ruins of this Arab-Norman castle. At over 3,000 feet above sea level, the location offers some spectacular views out to the coast and the highest peaks of the mountains from Santa Croce down to Santo Stefano di Camastra. The remaining structure of the castle gives you an idea of its original dimensions, which were built to defend the city and look out all along the coast. The castle was also connected to an extended walled perimeter that encircled the original town.

The exterior of this church may seem a bit run-down, but take a step to see the intricate details and explosions of excessive ornamentation. The old monastery dates back to 1450 and is a testament to the wealth derived from the lands and agricultural wealth of Polizzi Generosa. The church is filled with elaborate stonework and intriguing canvases, most strikingly San Benedetto in trono fra i Santi Mauro e Placido by Giuseppe Salerno (1573--1633). Of particular note is the exquisite floral ironwork in the upper choir, a 15th-century statue of Santa Margherita replete with dragon's tail by Domenico Gagini, and a well-preserved and vibrant majolica tile floor.

First built in 1299, these cloisters and their courtyard, up the hill above the Valle dei Templi near the modern city, are open to the public. However, most visitors only stop by the adjacent abbey for a treat and tour of the church, so be sure to ring the doorbell and try the chewy almond cookies. On special occasions, there may be kus-kus dolce—a sweet dessert dish made from pistachios, almonds, and chocolate—made from a recipe that the Cistercian nuns learned from Tunisian servants back in the 13th century. For the full abbey experience, visitors can choose to stay at the monastery guesthouse, which offers seven single rooms and four double rooms.

The town's beach is a 2-km (1-mile) stretch of sand, unusually clean for its proximity to the city. You can choose between public areas or private lidos where you can rent sun loungers and a parasol and gain access to washing facilities with hot showers and changing rooms (expect to pay €15–€20 for an entire day, though afternoon rates may be reduced). The private beaches are also noticeably tidier and are patrolled by lifeguards. All the beaches get very busy on weekends but you should always be able to find space. Amenities: food and drink; lifeguards; showers; water sports. Best for:  swimming; walking.

A sense of Marsala's past as a Carthaginian stronghold is captured by the well-preserved Punic warship displayed in this museum, along with some of the amphorae and other artifacts recovered from the wreck. The vessel, which was probably sunk during the great sea battle that ended the First Punic War in 241 BC, was dredged up from the mud near the Egadi Islands in the 1970s. There's also a good display of maritime and archaeological finds, as well as some Roman ruins with mosaics just beyond the museum's doors. A combined ticket allows you to take in the rather sparse archaeological area behind the museum, too.

The impressive collection of Siracusa's splendid if scruffy archaeological museum is organized by region and time period around a central atrium and ranges from Neolithic pottery to fine Greek statues and vases. Compare the Landolina Venus—a headless goddess of love who rises out of the sea in measured modesty (a 1st-century-AD Roman copy of the Greek original)—with the much earlier (300 BC) elegant Greek statue of Hercules in Section C. Of a completely different style is a marvelous fanged Gorgon, its tongue sticking out, that once adorned the cornice of the Temple of Athena to ward off evildoers. It's a massive collection so be prepared to be fatigued at some point while walking around the disheveled space-station-esque modernist (1961) complex. 

This archaeology museum is the oldest public museum in Sicily, with a small but excellent collection, including a marvelously reconstructed Doric frieze from the Greek temple at Selinunte, which reveals the high level of artistic culture attained by the Greeks in Sicily some 2,500 years ago. There are also lion's head water spouts from 480 BC, as well as other excavated pieces from around Sicily, including Taormina and Agrigento, which make up part of an informative exhibition on the broader history of the island. After admiring the artifacts, wander through the two plant-filled courtyards, and be sure to check the website for special culture nights, when the museum is open late to host musical performances.

For lovers of ceramics, this local museum is the best place to learn about the ancient art that has been practiced here since the Greeks colonized Sicily. It has a fantastic, if rather eccentrically curated, collection of ceramics from throughout this history as well as original pieces from local artisans. The museum is housed in the sadly decaying Palazzo Trabia, an aristocratic palace acquired by the local government and converted especially to house these extensive ceramic exhibitions.

Housed in a restored palace that originally belonged to the Chiaramonte, one of the most powerful noble families in Sicily, this museum's architecture is a wonderful testimony to Sicily's complex history, an appealing fusion of Romanesque, Byzantine, Norman, Gothic, and Spanish. Highlights are the Gothic chapterhouse and the old defensive tower; the holes in the faded Byzantine frescoes of saints were created by American soldiers billeted here during World War II, who needed pegs to hang their kits on. Best of all, the ethnographic collection is on the top floor. Formed entirely of bits and pieces donated by locals at the end of the 20th century, it offers fascinating and often funny insights into everyday life, with exhibits ranging from recipe books to an ammunition belt modified for school exams so that cheat notes could be rolled up and stored in the bullet pockets.  The museum is located at a high point in the city on a street inaccessible to cars, so that it may be challenging for those with mobility issues. 

This interesting museum is housed in a beautifully restored palace that belonged to the Mastrogiovanni Tasca family. It displays an array of local artifacts that testify to the long and complex history of Mistretta and Sicily. Among these is a collection of various archaeological finds from the area on the ground floor, including items from the Roman period up until the Middle Ages. The local historical library's collection of rare and ancient books is located on the mezzanine level and includes volumes recovered from the town's Franciscan convents. The building also hosts the local historical archives. In the halls of the main floor, a series of local religious paintings recovered from the Capuchin convent includes one attributed to the Flemish master Matthias Stom.

Housed in the 16th-century former convent of Sant'Agostino, the small but intriguing Papyrus Museum uses informative exhibits and videos to demonstrate how papyri are prepared from reeds and then painted—an ancient tradition in the city. Siracusa, it seems, has the only climate outside the Nile Valley in which the papyrus plant—from which the word "paper" comes—thrives.

This local museum is dedicated to several significant historical periods, with the collection divided into three parts. The first and second floors focus on travel and local folk traditions, with many objects and artifacts derived from the personal collection of a local aristocrat who devoted his life to traveling the world. There is also a selection of local folk art and traditions, including Sicilian marionettes and decorative Sicilian carts from the 19th century. The other sections are dedicated to the period of Italian unification in the late 1800s.The building housing the collection is also noteworthy, featuring a historic bell tower and clock dating back to the 1800s; you can climb up and see the intricate clockwork, hear the donging bells, and even see the oil can and tools used to keep it running smoothly the local town council.

Caltagirone was declared a UNESCO World Heritage site for its ceramics as well as for its numerous Baroque churches. Although the museum offers little information in English about the beautiful items displayed in its many glass cases, you can still see one of Sicily's most extensive ceramics collections, ranging from Neolithic finds to red-figure pottery from 5th-century-BC Athens and 18th-century terra-cotta Nativity figures.

A 20-minute drive from Caltabellota, the sleepy village of Burgio is home to this cultural treasure, a former convent that is now a museum dedicated to the region's ceramics. It perches on a picturesque hilltop overlooking the village, as well as the surrounding orange and olive groves, and Caltabellotta in the distance. Inside, you can explore the fascinating history of the local pottery and its distinctive colors, with some examples dating back to the 1600s. Ask for a guide at the reception to get the most out of your visit. A bonus is that the museum is open on Sunday, when some of the other smaller villages in the area seem to come to a standstill. 

Charming Salvatore Amorelli, known affectionarly as Totò, has been crafting pipes since 1982, and his evocative, tobacco-perfumed workshop-museum, which is hidden away within a historic courtyard lined with beautifully gnarled pieces of wood, is a joy to visit. As you enter his workshop, smiling Salvatore will take you through the fascinating history of the pipe, the different types of wood and techniques he uses, with displays of pipes laid out on tables. Totò's pipes are sculptural works of art, enjoyed by people from around world, including Bill Clinton, who has a sax-shaped number. Visitors may drop by any day but Sunday, but it's better to call ahead to make an appointment (long lunches are sacred here, of course).

A former Benedictine monastery near Piazza Repubblica is now the home of the Complesso Monumentale di San Pietro, a series of exhibition and conference rooms that include a collection of items relating to Giuseppe Garibaldi, the flamboyant hero of Italy's 19th-century war of independence. The resistance leader's name is ubiquitous in Marsala, for it was here that he disembarked his army of one thousand "red shirts" to battle against the Bourbons, a struggle that eventually led to a unified and independent Italy. Two rooms—including the monastery's former refectory—display guns, swords, busts, paintings, photographs, and uniforms from the campaign, including examples of the famous red shirts worn by Garibaldi's fiercely loyal followers. A box in the center of the room holds the guerrilla general's own pistol.

Other parts of the museum complex hold archaeological fragments from Roman hypogea and necropolis in the area as well as traditional masks and costumes worn in Marsala's Easter Thursday procession. The wide central courtyard is the venue for concerts and open-air movies in the summer.

This collection of more than 4,000 masterpieces showcasing the traditional Opera dei Pupi (puppet show), both Sicilian and otherwise, will delight visitors of all ages with their glittering armor and fierce expressions. The free audio guide to the colorful displays is only available in Italian, but the well-designed exhibits include video clips of the puppets in action, which requires no translation. There are also regular live performances in the museum's theater (Monday 11 am and Tuesday–Saturday 5 pm), which center on the chivalric legends of troubadours of bygone times. The museum can be hard to find: look for the small alley just off Piazzetta Antonio Pasqualino 5.

This museum displays the private collection of Baron Enrico Pirajno di Mandralisca, a member of a local aristocratic family. Throughout his life, Mandralisca collected antiques, artwork, fossils, ancient ceramics, and various other geological and natural history objects to form this extensive collection. His library and other items were eventually donated to the town and became this museum. The most significant piece of art here has to be the Portrait of an Unknown Man by Antonello da Messina. Sometimes called the "Sicilian Mona Lisa," the portrait of a mysteriously smirking man is one of the early Renaissance artist's masterpieces.

This civic museum is housed in a spectacular golden stone palace, typical of Gangi's architectural style. The friendly, informative staff may point out the symbolism among the 96 colorful paintings depicting Gangi's landscape and life by honorary cittadino Gianbecchina (1909--2001), a maestro of "Lyrical Realism." The upper floors hold various objects excavated from local archaeological sites as well as eclectic items related to local history, including a fascinating, if unsettling, array of firearms from around the world.

One of Italy’s most celebrated Renaissance painters, Caravaggio spent a good deal of time in Sicily toward the end of his life, while on the run after committing a murder in Rome. The artwork he left behind includes two on display at this regional museum. The scandal-prone artist is best known for his religious works, which utilize dramatic shadows and heavenly lighting. The two here are the highlight of the collection, though there are also some interesting archaeological pieces salvaged from shipwrecks and several works by Antonello da Messina.

Trapani's foremost museum collection is located in a former Carmelite monastery that was attached to the important religious site of Santuario dell’Annunziata. The art sections take in some excellent examples of medieval and Renaissance art, including statuary by Antonello Gagini and a painting by Titian. Among the archaeological exhibits is a selection of low-key finds from Mozia and Selinunte. There's also a guillotine from 1800, and a good collection of memorabilia from Garibaldi's Sicilian campaign against the Bourbons in 1860.

The usual entrance to the museum is in the Villa Pepoli public garden; when this is closed enter from Via Madonna, behind the garden.

Begun in 1906, the Targa Florio car race weaved its way through the picturesque towns and villages of the Madonie Mountains every year until it was stopped in 1977 for safety reasons; today the same route is driven as part of the annual Italian Rally Championship. Collesano has been an important stage of the race since its inception, and today the city is home to a museum dedicated to the history of the car race. In a detailed exhibition, you can learn of its origins and participants, including some of the most famous drivers that Italy has ever produced. It's an excellent museum for those who love racing and cars.

Arranged in a series of rooms around the cobbled courtyard of the 18th-century Palazzo Fici, this museum in the old center opened in 2024 to showcase the Marsala wine for which the town is famous. It also chronicles the development of wine production in the region generally, from its Phoenician beginnings to the present, in the process providing a good summary of the history of the town itself. It's worth pausing in the first rooms to view the subtitled videos, before moving on to rooms that cover the terrain and manufacture of Marsala wine, focusing on the first British exporters—Woodhouse, Ingham, and Whitaker—and the Italian wine dynasties that succeeded them, notably the Florios.

The Castello di Milazzo is home to this museum founded by Sicilian marine biologist Carmelo Isgro who recovered the remains of a sperm whale that died after it was caught in an illegal fishing net off the Aeolian Islands. Isgro reconstructed the whale's skeleton, and it became the central figure of the museum along with other exhibits that highlight the relationship between man and the sea and how it can be improved. While the museum is free, you still have to book your ticket online at least 24 hours in advance.

Throughout Savoca you'll see works by steel artist Nino Ucchino, such as the now-iconic sculpture of Francis Ford Coppola behind his camera and an amusing talking donkey. You can visit his studio, perched on the hillside on the road into town, to see the master at work or buy some of his creations. He's there in his studio most afternoons, but it's best to call ahead to be sure he's available.

A walk through Caltanissetta's historic center offers a glimpse into its noble past. Start your walk at Piazza Garibaldi and follow Corso Vittorio Emanuele, where you'll find the elegant Teatro Regina Margherita, which is worth visiting if a concert or opera is playing during your stay. Continuing along Corso Vittorio Emanuele, you'll encounter the Church of Santa Croce, built on the site of a 16th-century Benedictine monastery. This partially pedestrianized wide avenue offers a pleasant stroll with many shops, bars, and restaurants. 

Despite its grand facade and airy interior, the church of San Domenico itself holds little interest for anyone who isn’t excited by the tombs of Sicilian notables, but the eponymous oratory, located behind the church, constitutes one of Palermo’s great unsung treasures. The private chapel is generously adorned with sumptuous, creamy white stuccos, exquisitely crafted by Giacomo Serpotta (1656­­–1732) and depicting figures representing Patience, Obedience, Humility, Liberty, Justice, and more. Unusually, these allegorical figures take the form of elegant society ladies—something which would never have been possible in a public place of worship like a church. A QR code shown at the ticket office will allow you to download an app that provides background information on what you're looking at, such as the numerous symbols incorporated into each of the sculptures, including the gold-colored lizard on Fortitude’s column, a puny reference to the artist himself, whose name resembles the Sicilian dialect word for “lizard.” Around the allegorical figures cavort a host of playful putti (cherubs), some of them playing musical instruments, while the 1628 painting above the altarpiece, Madonna and Saints, is the work of Anthony van Dyck.

Hidden behind high walls and accessed through a courtyard, the oratory—or private chapel—of Saint Cita boasts one of the finest collections of the graceful white stuccos for which their creator, Giacomo Serpotta (1656–1732), is famous. The centerpiece is an amazingly elaborate rendering of the Battle of Lepanto, at which the Ottoman Turkish fleet was defeated by combined Christian forces in 1571. The walls are inset with a series of Biblical scenes from the life of Jesus. To leaven the solemnity of such scenes, however, Serpotta has introduced some of his most fetching portrayals of the ordinary people of Palermo, from street urchins to wizened old men and sophisticated ladies, while an army of mischievous putti (cherubs) interweaves among them. Fans of Serpotta can find more of his works in the Oratorio di San Lorenzo in nearby Via Immacolatella.