9 Best Sights in Prague, Czech Republic

If you've had your fill of Romanesque, Gothic, and baroque, this church offers a startlingly modernist alternative. Designed in 1927 by Slovenian architect Jože Plečnik—the same architect who updated Prague Castle and who almost single-handedly designed the modern city of Ljubljana—the art deco edifice of this church resembles a luxury ocean liner more than a place of worship, topped by a tower with an enormous glazed clock. The effect was purposeful, as during the 1920s and 1930s the avant-garde imitated mammoth objects of modern technology. The interior decor is equally striking, particularly the altar, overlooked by a 10-foot-high gilded figure of Christ, flanked by six Czech patron saints. It's hard to miss the structure, which looms as you exit the Metro.

While the front door (with a view of the interior) is open 9 to 5 every day, entrance is allowed only 45 minutes before and after mass.

Located at the eastern edge of Karlín, this giant metallic female figure is the latest creation from Prague's master of modern sculpture David Černý, perhaps best known for the faceless babies climbing Žižkov TV Tower. Standing more than 24 meters high and weighing 35 tons, the figure is hugging—or seemingly holding up—the side of a modern apartment block. Take a stroll around to see other Černý artworks in a similar style, including giant arms and legs "propping up" elements of the building. For a uniquely strange experience, come at midnight to see Lilit's head rotate 180 degrees.

This incredibly moving monument to the seven Czech and Slovak parachutists who assassinated the Nazi "Butcher of Prague," Reinhard Heydrich, in 1942, tells their astonishing story—the movie Anthropoid is based on what took place—and takes visitors into the crypt where they made their last, doomed stand against the occupying authorities, underneath the Church of Sts. Cyril and Methodius.

Arguably Prague's prettiest park, Havlíček Gardens is best known for its Italian-style grotto and its rows of verdant vineyards. But it also manages to pack in plenty of other attractions, from placid lakes to cascading fountains, and expansive green lawns to narrow woodland trails. It also has two excellent drinking and dining options: the charming garden café Pavilon Grébovka, which serves sweet and savory breakfasts, tasty lunches, and all-day snacks (there's also a grill in summer); and the hilltop gazebo wine bar Viniční Altán, which offers stunning views of the surrounding area. Getting to the park involves a short walk, either from tram stop Krymská (five minutes) or Metro stop Náměstí Míru (10 minutes).

This beautiful church is home to Prague's most famous religious artifact, the Pražské Jezulátko (Infant Jesus of Prague). Originally brought to Prague from Spain in the 16th century, the wax doll holds a reputation for bestowing miracles on many who have prayed for its help. A measure of its widespread attraction is reflected in the prayer books on the kneelers in front of the statue, which have prayers of intercession in 20 different languages. The Bambino, as he's known locally, has an enormous and incredibly ornate wardrobe, some of which is on display in a museum upstairs. Nuns from a nearby convent change the outfit on the statue regularly. Don't miss the souvenir shop (accessible via a doorway to the right of the main altar), where the Bambino's custodians flex their marketing skills.

It's hard to miss this church—a striking constructivist work of art that, at 164 feet high, dominates the Vršovice skyline. Built in 1930 to commemorate 1,000 years since the death of St. Wenceslas, the building's most striking feature is its skyscraping white clock tower, topped by a 23-foot-high gold cross. It's worth a visit to see the exterior alone (and the lovely surrounding park), but for a peek inside, doors are usually open between 8 and 1 on Sunday for services. There are also occasional morning and evening services during the week; check the website in advance for more information.

In this, the newest of the city's half-dozen Jewish burial grounds, you can find the modest tombstone of Franz Kafka, which seems grossly inadequate to Kafka's fame but oddly in proportion to his own modest sense of self. The cemetery is usually open, although guards sometimes inexplicably seal off the grounds. Men may be required to wear a yarmulke (you can buy one here if you need to). Turn right at the main cemetery gate and follow the wall for about 100 yards. Kafka's thin white tombstone lies at the front of section 21. City maps may label the cemetery "Židovské hřbitovy."

The main entrance to Prague Castle from Hradčanské náměstí is certain to impress any first-time visitor. Going through the wrought-iron gate, guarded at ground level by uniformed Czech soldiers and from above by the ferocious Battling Titans (a copy of Ignaz Platzer's original 18th-century work), you enter this courtyard, built on the site of old moats and gates that once separated the castle from the surrounding buildings and thus protected the vulnerable western flank. The courtyard is one of the more recent additions to the castle, designed by Maria Theresa's court architect, Nicolò Pacassi, in the 1760s. Today it forms part of the presidential office complex. Pacassi's reconstruction was intended to unify the eclectic collection of buildings that made up the castle, but the effect of his work is somewhat flat.

At its eastern end of the courtyard is Matyášova brána (Matthias Gate). Built in 1614, this stone gate once stood alone in front of the moats and bridges that surrounded the castle. Under the Habsburgs, the gate survived by being grafted as a relief onto the palace building. As you go through it, notice the ceremonial white-marble entrance halls on either side that lead up to the Czech president's reception rooms (which are only rarely open to the public).

Try to arrive on the hour to witness the changing of the guard; the fanfare peaks at noon with a special flag ceremony in the First Courtyard.

The contrast between the cool, dark interior of St. Vitus Cathedral and the pastel-shaded Pacassi façades of the Third Courtyard is startling. Noted Slovenian architect Josip Plečnik created the courtyard's clean lines in the 1930s, but the modern look is a deception. Plečnik's paving was intended to cover an underground world of house foundations, streets, and walls from the 9th through 12th centuries and was rediscovered when the cathedral was completed; you can see a few archways through a grating in a wall of the cathedral. Plečnik added a few features to catch the eye, including a granite obelisk to commemorate the fallen of World War I, a black-marble pedestal for the Gothic statue of St. George (a copy of the National Gallery's original statue), and a tucked-away entrance to his Bull Staircase leading down to the south garden. This courtyard also provides the best view of St. Vitus Cathedral's Last Judgment mosaic, as well as access to its South Tower viewpoint.