13 Best Sights in Chiang Mai, Thailand

About 2 km (1 mile) west of Lamphun's center is Wat Chamthewi, often called the "topless chedi" because the gold that once covered the spire was pillaged sometime during its history. Work began on the monastery in AD 755, and despite a modern viharn added to the side of the complex, it retains an ancient weathered look. Suwan Chang Kot, to the right of the entrance, is the most famous of the two chedis, built by King Mahantayot to hold the remains of his mother, the legendary Queen Chamthewi. The five-tier sandstone chedi is square; on each tier are Buddha images that get progressively smaller. All are in the 9th-century Dvaravati style, though many have obviously been restored. The other chedi was probably built in the 10th century, though most of what you see today is the doings of King Phaya Sapphasit, who reigned during the 12th century. You'll probably want to take a samlor down the narrow residential street to the complex. This is not an area where samlors generally cruise, so ask the driver to wait for you.

In 1411, King Saen Muang Ma ordered his workers to build a chedi "as high as a dove could fly." He died before the structure was finished, as did the next king. During the reign of the following king, an earthquake knocked down about a third of the 282-foot spire, and it's now a superb ruin. The parklike grounds contain assembly halls, chapels, a 30-foot-long reclining Buddha, and the ancient city pillar. The main assembly hall, a vast, pillared building guarded by two nagas (mythical snakes believed to control the irrigation waters in rice fields) was restored in 2008.

Chiang Mai's principal monastery was extensively renovated in 2020. In the western section of the Old City, the beautifully decorated wat contains the Phra Singh Buddha, with a serene and benevolent expression enhanced by the light filtering in through the tall windows. Also of note are the temple's facades of splendidly carved wood, the elegant teak beams and posts, and the masonry. Don't be surprised if a student monk approaches you to practice his English.

As in so many chapters of Thai history, an elephant is closely involved in the legend surrounding the foundation of the late-14th-century Wat Phra That, northern Thailand's most revered temple and one of only a few enjoying royal patronage. The elephant was dispatched from Chiang Mai carrying religious relics from Wat Suan Dok. Instead of ambling off into the open countryside, it stubbornly climbed up Doi Suthep. When the elephant came to rest at the 3,542-foot summit, the decision was made to establish a temple to contain the relics at that site. Over the centuries the temple compound grew into the glittering assembly of chedis, bots, viharns, and frescoed cloisters you see today. The vast terrace, usually smothered with flowers, commands a breathtaking view of Chiang Mai. Constructing the temple was quite a feat—until 1935 there was no paved road to the temple. Workers and pilgrims alike had to slog through thick jungle. The road was the result of a large-scale community project: individual villages throughout the Chiang Mai region contributed the labor, each laying 1,300-foot sections.

Getting here and around: In Chiang Mai, you can find songthaews at Chang Phuak Gate, the Central Department Store (Huay Kaew Road), and outside Wat Phra Singh to take you on the 30-minute drive to this temple. When you arrive, you are faced with an arduous but exhilarating climb up a broad 304-step staircase. Flanking it are 16th-century tiled balustrades that take the customary form of nagas, the mythical snakes believed to control irrigation waters. A funicular railway provides a much easier way to the top, but the true pilgrim's path is up the majestic steps.

The temple complex of the 11th-century Wat Phra That Hariphunchai is dazzling. Through gates guarded by ornamental lions lies a three-tier, sloping-roof viharn, a replica of the original that burned down in 1915. Inside, note the large Chiang Saen–style bronze image of the Buddha and the carved thammas (Buddhism's universal principals) to the left of the altar. As you leave the viharn, you pass what is reputedly the largest bronze gong in the world, cast in 1860. The 165-foot Suwana chedi, covered in copper and topped by a golden spire, dates from 847. A century later King Athitayarat, the 32nd ruler of Hariphunchai, added a nine-tier umbrella, gilded with 14 pounds of gold. At the back of the compound—where you can find a shortcut to the center of town—there's another viharn with a standing Buddha, a sala housing four Buddha footprints, and the old museum.

One of the most venerated temples in the north, Wat Phra That Lampang Luang is also one of the most striking. Surrounded by stout laterite defense walls, this temple near the village of Ko Khang has the appearance of a fortress, exactly what it was when the legendary Queen Chamthewi founded her capital here in the 8th century. The Burmese captured it two-and-a-half centuries ago but were ejected by the forces of a Lampang prince—a bullet hole marks the spot where he killed the Burmese commander. The sandy temple compound has much to hold your interest, including a tiny chapel with a hole in the door that creates an amazing inverted photographic image of the wat's central gold-covered chedi. The temple's ancient viharn has a beautifully carved wooden facade; note the intricate decorations around the porticoes. A museum has excellent wood carvings, but its treasure is a small emerald Buddha, which some claim was carved from the same stone as its counterpart in Bangkok.

One of the most unusual temples in Chiang Mai, Wat Umong dates from 1296 and is set in a forest near Chiang Mai University—this style of temple is usually far from urban areas and hard to access. According to local lore, a monk named Jam liked to go wandering in the forest. This irritated King Ku Na, who often wanted to consult with the sage. So he could seek advice at any time, the king built this wat for the monk in 1380. Along with the temple, tunnels were carved out and decorated with paintings, fragments of which may still be seen. Beyond the chedi is a pond filled with hungry carp. If you come early enough in the morning you might see people on mediation retreats clad in white doing their walking meditation around the vast property. Throughout the grounds the trees are hung with snippets of Buddhist wisdom such as "Time unused is the longest time."

Within the Old City is a small temple with the same name. For the larger Wat Umong, tell your driver you're going to Wat Umong Thera Jan.

Although rarely visited, this small temple is well worth the journey. Its little chedi contains holy relics, but its real beauty lies in the serenity of the grounds. Outside the Old City near the Mae Ping River, it has fewer than 20 monks in residence.

Wat Photharam Maha Viharn is more commonly known as Wat Ched Yot, or Seven-Spired Monastery. Built in 1455, it's a copy of the Mahabodhi temple in Bodh Gaya, India, where the Buddha is said to have achieved enlightenment. The seven intricately carved spires represent the seven weeks that he subsequently spent there. The sides of the chedi have striking bas-relief sculptures of celestial figures, most of them in poor repair but one bearing a face of hauntingly contemporary beauty. The temple is just off the highway that circles Chiang Mai, but its green lawns and shady corners are strangely still and peaceful.

Chiang Mai's oldest monastery, dating from 1296, is typical of northern Thai architecture. It has massive teak pillars inside the bot, and two important images of the Buddha sit in the small building to the right of the main viharn (assembly hall). The Buddha images are supposedly on view only on Sunday, but sometimes the door is unlocked.

Near the banks of the Wang River, this temple is dominated by its tall chedi, built on a rectangular base and topped with a rounded spire. More interesting, however, are the Burmese-style shrine and adjacent Thai-style sala. The 18th-century shrine has a multi-tier roof. The interior walls are carved and inlaid with colored stones; the ornately engraved ceiling is painted with enamel. The sala, with the traditional three-tier roof and carved-wood pediments, houses a Sukhothai-style reclining Buddha. Legend has it that the sala was once home to the Emerald Buddha, which now resides in Bangkok. In 1436, when King Sam Fang Kaem was transporting the statue from Chiang Rai to Chiang Mai, his elephant reached Lampang and refused to go farther. The Emerald Buddha is said to have remained here for the next 32 years, until the succeeding king managed to get it to Chiang Mai.

Workers from Myanmar were employed in the region's rapidly expanding logging business, and these immigrants left their mark on the city's architecture. Especially well preserved is Wat Srichum, a 19th-century Burmese temple. Pay particular attention to the viharn, as the eaves are covered with beautiful carvings. Inside you can find gold-and-black lacquered pillars supporting a carved-wood ceiling. To the right is a bronze Buddha cast in the Burmese style. Red-and-gold panels on the walls depict temple scenes.

One of Chiang Mai's largest temples, Wat Suan Dok is said to have been built on the site where bones of Lord Buddha were found. Some of these relics are believed to be inside the chedi; others were transported to Wat Phra That Doi Suthep. At the back of the viharn is the bot housing Phra Chao Kao, a superb bronze Buddha figure cast in 1504. Chiang Mai aristocrats are buried in stupas in the graveyard.