Mini Trip National Gallery: Sargent , Vermeer, and Calder
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Mini Trip National Gallery: Sargent , Vermeer, and Calder
National Gallery: Sargent in Spain, Vermeer Secrets, and Calder Fun - November 2022
Well-known and loved Annapolis art teacher, Betty Knupp, took a group of her former students and friends to the National Gallery (“NG”) in Washington, D.C. We left Annapolis at 9:00 and reached the NG at 10:06. This included a stop at the Davidsonville ParknRide off of Route 50.
This schedule provided a nice pace for people with knees:
10:00 to 12:00 Sargent (“JSS”)
12:00 to 12:45 Lunch
12:45 East Building Tower for Calder (“C”)
1:30 Vermeer then free time (“V”)
2:20 Meet bus for home
Because of Covid, there were no earphone options. I also didn't see the more high-end restaurant on the first floor. There was a coffee shop there. The lower level Cascade Cafe remains but there were fewer options. Lots of pizza and sandwiches.
Sargent:
In his many travels, his visits to Spain provide the emphasis of this exhibit. Most people are more familiar with his portraits, but he produced hundreds and hundreds of water colors as well. I first saw watercolors from his trips to the north. His watercolors in Spain were more vivid.
The read in the pomegranites and the dark background were a contrast to the first watercolors, I first saw in the 1990s
![](https://cimg2.ibsrv.net/gimg/www.fodors.com-vbulletin/492x632/jssredflowers_c1262acf70054a5613caf5e08ecc909d5ddb9a69.jpg)
The women at work below was like a photo. Indeed, JSS took photos.
![](https://cimg3.ibsrv.net/gimg/www.fodors.com-vbulletin/650x488/jsswomenwork_4d5d39e6ad7e581ff5afa43340b85dfe8b889129.jpg)
Also shown in the exhibit were the photos JSS both took and purchased and complied into albums. He used these photos as guides in his studio work. His sketches were also amazing and copious. One 21-page album had mosaic floor patterns carefully done on grid paper. You will see echos of his later Boston Public Library murals.
To beat a large group of students, I went to the Casade Cafι (basement area with walkway to East building) at 11:30. Oh, there was a little sales corner right outside the exhibit.
Well-known and loved Annapolis art teacher, Betty Knupp, took a group of her former students and friends to the National Gallery (“NG”) in Washington, D.C. We left Annapolis at 9:00 and reached the NG at 10:06. This included a stop at the Davidsonville ParknRide off of Route 50.
This schedule provided a nice pace for people with knees:
10:00 to 12:00 Sargent (“JSS”)
12:00 to 12:45 Lunch
12:45 East Building Tower for Calder (“C”)
1:30 Vermeer then free time (“V”)
2:20 Meet bus for home
Because of Covid, there were no earphone options. I also didn't see the more high-end restaurant on the first floor. There was a coffee shop there. The lower level Cascade Cafe remains but there were fewer options. Lots of pizza and sandwiches.
Sargent:
In his many travels, his visits to Spain provide the emphasis of this exhibit. Most people are more familiar with his portraits, but he produced hundreds and hundreds of water colors as well. I first saw watercolors from his trips to the north. His watercolors in Spain were more vivid.
The read in the pomegranites and the dark background were a contrast to the first watercolors, I first saw in the 1990s
![](https://cimg2.ibsrv.net/gimg/www.fodors.com-vbulletin/492x632/jssredflowers_c1262acf70054a5613caf5e08ecc909d5ddb9a69.jpg)
The women at work below was like a photo. Indeed, JSS took photos.
![](https://cimg3.ibsrv.net/gimg/www.fodors.com-vbulletin/650x488/jsswomenwork_4d5d39e6ad7e581ff5afa43340b85dfe8b889129.jpg)
Also shown in the exhibit were the photos JSS both took and purchased and complied into albums. He used these photos as guides in his studio work. His sketches were also amazing and copious. One 21-page album had mosaic floor patterns carefully done on grid paper. You will see echos of his later Boston Public Library murals.
To beat a large group of students, I went to the Casade Cafι (basement area with walkway to East building) at 11:30. Oh, there was a little sales corner right outside the exhibit.
Last edited by TDudette; Nov 18th, 2022 at 08:57 AM.
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Looking forward to your reactions, k_marie. If you get a chance and even think about it, would you please take a pix of the blurb accompanying Sargent's "Stable' work? The one where it suggests that he and the artist Sorolla exchanged works???
OK, I'm going to skip Calder and go to Vermeer:
This exhibit is in a very small room at the end of the furniture and more of the Dutch painters. Indeed, the room is so small, we were only allowed to go in 6 at a time. Look at NG online to fine out about its virtual line the day you go. During the pandemic, the curators removed their Vermeer's and did some extremely modern looks at the layers of paints. They discovered some interesting things....I won't give it away but please read the captions carefully. I didn't know that V had 11 children.
Over to the East Wing.
ps...In the Sargent section about the pomegranate, it should read "red" not 'read' in the first water colors I ever saw.
OK, I'm going to skip Calder and go to Vermeer:
This exhibit is in a very small room at the end of the furniture and more of the Dutch painters. Indeed, the room is so small, we were only allowed to go in 6 at a time. Look at NG online to fine out about its virtual line the day you go. During the pandemic, the curators removed their Vermeer's and did some extremely modern looks at the layers of paints. They discovered some interesting things....I won't give it away but please read the captions carefully. I didn't know that V had 11 children.
Over to the East Wing.
ps...In the Sargent section about the pomegranate, it should read "red" not 'read' in the first water colors I ever saw.
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Calder
Between JSS and V, Betty took us to the East wing to first see the re-installed Calder mobile in the lobby. We then took a left to the elevator and went to the tower. Here we loved seeing Calder's mobiles, stabiles, models, and paintings. We all enjoyed his whimsical "animals":
The udders on the cow dangle!
![](https://cimg4.ibsrv.net/gimg/www.fodors.com-vbulletin/653x309/calderfun_1ce7a7c39ce1e46b1ee98e4471a6842d2f9fc878.jpg)
The snake in foreground menaces.
![](https://cimg5.ibsrv.net/gimg/www.fodors.com-vbulletin/320x631/morecalder_adfa488c5c337797d7fe3d47af558bf1a0fd6cda.jpg)
We then moved outside very quickly to the Terrace where I only stayed warm enough to see this larger than life-sized chicken:
It was too large for my telephone so this is a very quick collage....obviously colors and sizes not matched up.
![](https://cimg3.ibsrv.net/gimg/www.fodors.com-vbulletin/463x634/roostercollage_4c418f47398b25f8d183db5b0900b76582203b99.jpg)
This was a really nice guided tour. IIIRC, there were no docents available yesterday....not sure if this is a temporary situation. Although one could exit from the West wing and cross over to the East, one couldn't re-enter that West wing door. Again, Betty thought it was a staffing issue.
Purses and back packs were searched.
If you are fortunate enough to visit, please share what you learned about the logistics...one day isn't enough to say for certain.
Between JSS and V, Betty took us to the East wing to first see the re-installed Calder mobile in the lobby. We then took a left to the elevator and went to the tower. Here we loved seeing Calder's mobiles, stabiles, models, and paintings. We all enjoyed his whimsical "animals":
The udders on the cow dangle!
![](https://cimg4.ibsrv.net/gimg/www.fodors.com-vbulletin/653x309/calderfun_1ce7a7c39ce1e46b1ee98e4471a6842d2f9fc878.jpg)
The snake in foreground menaces.
![](https://cimg5.ibsrv.net/gimg/www.fodors.com-vbulletin/320x631/morecalder_adfa488c5c337797d7fe3d47af558bf1a0fd6cda.jpg)
We then moved outside very quickly to the Terrace where I only stayed warm enough to see this larger than life-sized chicken:
It was too large for my telephone so this is a very quick collage....obviously colors and sizes not matched up.
![](https://cimg3.ibsrv.net/gimg/www.fodors.com-vbulletin/463x634/roostercollage_4c418f47398b25f8d183db5b0900b76582203b99.jpg)
This was a really nice guided tour. IIIRC, there were no docents available yesterday....not sure if this is a temporary situation. Although one could exit from the West wing and cross over to the East, one couldn't re-enter that West wing door. Again, Betty thought it was a staffing issue.
Purses and back packs were searched.
If you are fortunate enough to visit, please share what you learned about the logistics...one day isn't enough to say for certain.
#5
Were you attempting to go between buildings using the below street level passageway? I would expect you could walk in either direction.
Thanks for the Calder info. I hadnt thought to include him this time. Looks like a good destination after lunch in the cafe. (Yes. Last visit I noticed the choices were disappointing compared with prior years.)
Ill watch for the Sorello blurb and get a photo.
interesting that only six visitors are allowed entry to the Vermeer exhibit at one time. My continuing criticism of timed-entry special exhibits is the seeming lack of limits on the numbers of visitors. For this exhibit Ill want the time and space to absorb and understand.
Thanks for the Calder info. I hadnt thought to include him this time. Looks like a good destination after lunch in the cafe. (Yes. Last visit I noticed the choices were disappointing compared with prior years.)
Ill watch for the Sorello blurb and get a photo.
interesting that only six visitors are allowed entry to the Vermeer exhibit at one time. My continuing criticism of timed-entry special exhibits is the seeming lack of limits on the numbers of visitors. For this exhibit Ill want the time and space to absorb and understand.
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"Were you attempting to go between buildings using the below street level passageway? I would expect you could walk in either direction."
..Sorry if I wasn't clear, k_marie, we did use the underground passage. It was the one West wing outside door that did did not allow re-entry. Also, with your back to the main East wing entrance, the elevator to the tower is to the left!
Looking forward to your reactions also, Fra!
Looking forward to your reactions also, Fra!
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Thanks, Paqngo. I would love to return.
I forgot to add that the engineer grandson of the artist Matisse fabricated lighter weight sections of the big Calder mobile. Betty also said the Calder died before the East wing opened so he didn't see it installed.
I forgot to add that the engineer grandson of the artist Matisse fabricated lighter weight sections of the big Calder mobile. Betty also said the Calder died before the East wing opened so he didn't see it installed.
#11
Word is that there will be a new Calder museum and gardens on the Parkway in Philadelphia, opening in 2024.
Id like to see a Calder display where the mobiles are moving a bit. How about a presentation with an oh-so-gentle breeze?
https://www.phillyvoice.com/new-museum-alexander-calder-gardens-benjamin-franklin-parkway-philadelphia
Id like to see a Calder display where the mobiles are moving a bit. How about a presentation with an oh-so-gentle breeze?
https://www.phillyvoice.com/new-museum-alexander-calder-gardens-benjamin-franklin-parkway-philadelphia
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A Calder museum will be a nice addition to that area, k_marie. Do you think the mobile in front of the Philly museum will get moved? Betty suggested that our group run around a bit to cause a breeze!
#16
Our busy two days in Washington DC included time at the NGA for the Vermeer and JSS exhibits.
We stayed at the Grand Hyatt (where I found a very good rate and we were very happy with our corner room on the 12th floor) and I discovered that the P6 bus would take us to within a block of the West Building. We arrived at 9:58 so we were among the first to enter the building and we were allowed immediate entry into the Vermeer exhibit. I carried a small crossbody bag and was not asked to show it for security. My husband had an empty tote bag we had intended for our coats but we were pleased to find that the coat check was available.
As TDudette did not disclose, one Vermeer in the NGA collection was studied in the past few years with modern imaging technology and determined not to be a Vermeer. The exhibit was very focused and, thankfully, timed attendance was actually limited so that the viewers could have the time and space to really take it in. Essential captions printed on the walls and all! (Are audio guides another Covid casualty?)
Then, on to JSS. This exhibit was extensive, thematically presenting his work from the visits he made in Spain. To be honest, I am not the student of Sargent that TDudette is. While I approached the exhibit with enthusiasm, I reached my saturation point before the end. Loved the unexpected Sierra Nevada and the architectural studies, especially Alambra: Patio de los Leones. Its so interesting to think that this is the artist of Gassed and Madame X (not in this exhibit). And, yes, we did see the reference to his exchanges with Sorello.
Sorry. I do not know how to resize the works I copied and pasted from other sources.
![](https://cimg6.ibsrv.net/gimg/www.fodors.com-vbulletin/140x88/ac73c220_a2fb_43de_b4ef_31f30ae40da2_8ad82e98b143a62204884fb6389f2f80dcc5fb48.jpeg)
Sierra Nevada
![](https://cimg1.ibsrv.net/gimg/www.fodors.com-vbulletin/140x92/e5180737_5fe9_43f3_8d19_0955a8130f8b_88b4d50dd23dd909d5a33cba1ab45f3b9daf2301.jpeg)
Alhambra: Patio de los Leones
![](https://cimg3.ibsrv.net/gimg/www.fodors.com-vbulletin/2000x2000/e3252c58_96f8_440d_b007_1c9f73090228_c05dfc6a102a1dfebdebccea5c77114cdd2e4cf3.jpeg)
![](https://cimg2.ibsrv.net/gimg/www.fodors.com-vbulletin/2000x2000/9af9a438_205c_437f_82a1_617b5a6a7267_8f8e822e16d734a3c11eb27b73708d1ef551c597.jpeg)
![](https://cimg4.ibsrv.net/gimg/www.fodors.com-vbulletin/1200x449/364b19ff_f01f_4566_bb8a_48ff54186c18_7ab9c0632a832540c0b261c39d61ef042b7a5eda.jpeg)
Gassed
![](https://cimg5.ibsrv.net/gimg/www.fodors.com-vbulletin/232x130/554b96b3_d1f3_4c24_992e_224cc9365a8c_3c1597c0dd77ceda33bdc8676f7f08024017d28f.jpeg)
Madame X
We stayed at the Grand Hyatt (where I found a very good rate and we were very happy with our corner room on the 12th floor) and I discovered that the P6 bus would take us to within a block of the West Building. We arrived at 9:58 so we were among the first to enter the building and we were allowed immediate entry into the Vermeer exhibit. I carried a small crossbody bag and was not asked to show it for security. My husband had an empty tote bag we had intended for our coats but we were pleased to find that the coat check was available.
As TDudette did not disclose, one Vermeer in the NGA collection was studied in the past few years with modern imaging technology and determined not to be a Vermeer. The exhibit was very focused and, thankfully, timed attendance was actually limited so that the viewers could have the time and space to really take it in. Essential captions printed on the walls and all! (Are audio guides another Covid casualty?)
Then, on to JSS. This exhibit was extensive, thematically presenting his work from the visits he made in Spain. To be honest, I am not the student of Sargent that TDudette is. While I approached the exhibit with enthusiasm, I reached my saturation point before the end. Loved the unexpected Sierra Nevada and the architectural studies, especially Alambra: Patio de los Leones. Its so interesting to think that this is the artist of Gassed and Madame X (not in this exhibit). And, yes, we did see the reference to his exchanges with Sorello.
Sorry. I do not know how to resize the works I copied and pasted from other sources.
![](https://cimg6.ibsrv.net/gimg/www.fodors.com-vbulletin/140x88/ac73c220_a2fb_43de_b4ef_31f30ae40da2_8ad82e98b143a62204884fb6389f2f80dcc5fb48.jpeg)
Sierra Nevada
![](https://cimg1.ibsrv.net/gimg/www.fodors.com-vbulletin/140x92/e5180737_5fe9_43f3_8d19_0955a8130f8b_88b4d50dd23dd909d5a33cba1ab45f3b9daf2301.jpeg)
Alhambra: Patio de los Leones
![](https://cimg3.ibsrv.net/gimg/www.fodors.com-vbulletin/2000x2000/e3252c58_96f8_440d_b007_1c9f73090228_c05dfc6a102a1dfebdebccea5c77114cdd2e4cf3.jpeg)
![](https://cimg2.ibsrv.net/gimg/www.fodors.com-vbulletin/2000x2000/9af9a438_205c_437f_82a1_617b5a6a7267_8f8e822e16d734a3c11eb27b73708d1ef551c597.jpeg)
![](https://cimg4.ibsrv.net/gimg/www.fodors.com-vbulletin/1200x449/364b19ff_f01f_4566_bb8a_48ff54186c18_7ab9c0632a832540c0b261c39d61ef042b7a5eda.jpeg)
Gassed
![](https://cimg5.ibsrv.net/gimg/www.fodors.com-vbulletin/232x130/554b96b3_d1f3_4c24_992e_224cc9365a8c_3c1597c0dd77ceda33bdc8676f7f08024017d28f.jpeg)
Madame X
#17
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Tdud, thanks for this!
I had ro cancel DC next week due to husband's unexpected surgery. Sargent and Vermont exhibits were pretty much my entire Must Do list.
I love what you've done with the blue rooster.
I had ro cancel DC next week due to husband's unexpected surgery. Sargent and Vermont exhibits were pretty much my entire Must Do list.
I love what you've done with the blue rooster.
#18
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Oh no, stokebailey, every wish for your husband to be ok. I followed Sargent's "Gassed" to Nashville; maybe his Spain exhibit will move around. The Vermeer may just stay in DC since the study was made on the DH's three copies. Hang in there.
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Oh, yippees, k_marie. I told you that I didn't want to spoil the Vermeer surprise, eh? However, with 11 children, I'm going to suggest Vermeer was called upon to "watch some of these brats" and handed over a brush! 😁🎨
Thanks so much for the pix. I wish they had said which work Sorolla gave to JSS.
ETA...thanks for the bus info.
Thanks so much for the pix. I wish they had said which work Sorolla gave to JSS.
ETA...thanks for the bus info.
#20
I see that the JSS exhibit will be at the Legion of Honor Museum in San Francisco February 11 - May 12, 2023.
https://www.famsf.org/press-room/joh...s-legion-honor
https://www.famsf.org/press-room/joh...s-legion-honor