For its third Las Vegas production, Cirque du Soleil deliberately turned away from the family market to indulge in an erotic, near-naked exploration of sexuality. The end product also followed the lead of Baz Luhrmann's movie Moulin Rouge by fusing Cirque acrobatics with European cabaret and English music-hall tradition. After a rocky debut, new artistic directors continued to tweak the choreography and connecting material. It seems Zumanity has finally hit the right balance of comedy, omnisexual titillation, and the familiar Cirque brand of acrobatics.
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