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Ponte Sant'Angelo Review
Angels designed by baroque master Bernini line the most beautiful of central Rome's 20-odd bridges. Bernini himself carved only two of the angels (those with the scroll and the crown of thorns), both of which were moved to the church of Sant'Andrea delle Fratte shortly afterward due to the wishes of the Bernini family. Though copies, the angels on the bridge today convey forcefully the grace and characteristic sense of movement—a key element of baroque sculpture—of Bernini's best work. Originally built in AD 133–134, the Ponte Elio, as it was originally called, was a bridge over the Tiber to Hadrian's Mausoleum. Pope Gregory changed the bridge's name after he had a vision of an angel sheathing its sword to signal the ending of the plague of 590. In medieval times, continuing its sacral function, the bridge became an important element in funneling pilgrims toward St. Peter's. As such, in 1667 Pope Clement IX commissioned Bernini to design 10 angels bearing the symbols of the Passion, turning the bridge into a sort of Via Crucis.
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