58 Best Sights in Mexico City, Mexico

Originally built in the 16th century, the "House of Tiles" only acquired the celebrated facade that lends it its name a century later when the material was likely introduced from the workshop of the Dominican friars in the nearby city of Puebla. The dazzling designs, along with the facade's iron balconies and bronze handrails, the latter imported from China, make it one of the most singular baroque structures in the city. The interior is also worth seeing for its Moorish patio, monumental staircase, and mural by Orozco. The building is currently occupied by Sanborns, a chain store and restaurant; if you have plenty of time (service is slow), this is a good place to stop for a meal—especially breakfast, when older men gather to read their newspapers around the snaking bar. There's also a store with a pharmacy, bakery, candy counter, and an ATM.

Inside this imposing early 20th-century mansion and its connected buildings, artists are nurtured and browsers are welcomed to the three exhibition spaces, a library, a bookstore, a wide range of courses, a café, and a swanky restaurant called Nueve Nueve that serves upmarket contemporary Mexican and international cuisine. All of the spaces surround a beautiful courtyard, and the restaurant—set inside a modern glass-walled addition—offers particularly nice views.

The place where the Aztec emperor Cuauhtémoc was held prisoner by Cortés is often alleged to have been rebuilt in the 18th century from the stones of the conquistador's original house, although historians agree that Cortés himself lived not here but several blocks away by La Conchita Church. Topped by two coyote figures, this long, single-story building on the north side of Plaza Hidalgo houses Coyoacán's municipal government offices and a small tourism visitor center (as well as the local library in the adjacent building). You can wander through the wide arches to see the handsomely tiled courtyard.

The Cultural Center of Spain is an art space, restaurant, and bar in the heart of the neighborhood, just steps away from the Cathedral and the Templo Mayor and with beautiful views of both from its open-air rooftop. It was built in an area that Hernán Cortés himself assigned to his butler, Diego de Soto, though the land changed hands many times and the current building was constructed in the 18th century, well after the years of Cortés. Temporary exhibits housed in the seven exhibition rooms often highlight young artists and showcase current artistic trends. While the exhibitions are worth a look, there are also conferences and workshops held on a nearly daily basis for anyone interested in art and culture. The rooftop bar, which hosts frequent live music events, is one of the neighborhood's better-kept secrets, with a balcony opening directly onto the Cathedral's magnificent dome and buttresses: easily one of the area's best views. Check out the center's website for listings.

This 1681 mansion, which contains both a cultural center and Museo Casa del Risco, is one of the prettiest houses facing the Plaza San Jacinto. The huge 18th-century Risco Fountain—exploding with colorful porcelain tiles, shells, and mosaics—dominates the eastern wall of the enclosed courtyard. Inside, the upper galleries contain a splendid if slightly somber collection of 17th- and 18th-century European baroque and colonial Mexican paintings and furnishings, all donated by the house's last owner, statesman and politician Isidro Fabela, who died in 1964. Fabela also donated books and magazines to a small library behind the museum (by way of a lovely patio) that is open to the public. Events and rotating art exhibits are staged throughout the year.

The tacos at El Farolito are yummy. Try the costras, in which the meat is wrapped in fried cheese before being wrapped in a tortilla. Wash it down with a delicious juice, like the mango or coconut, made fresh in the taquería.

Six themed sections compose this excellent interactive children's discovery museum: My Body, Living Mexico, My Home and Family, My City, the Ideas Laboratory, and the Little Ones Zone, all together comprising more than 200 exhibits. There are also workshops, an IMAX theater (note that tickets are discounted if purchased with museum tickets), a store, and a restaurant. Although exhibits are in Spanish, there are some English-speaking staff on hand.

The facade of this refurbished building from the 1950s has a colonial air, but inside is one of the most contemporary art museums in town, with a mission to explore how art intersects with science and technology. There is a space for contemporary and often experimental art, a display area for video and photographs, and a room where artists whose works are not displayed in other museums and galleries can exhibit. These are not necessarily young artists, but those who have yet to become truly established.

Also referred to as either Mercado Zona Rosa or Mercado Londres, this is the neighborhood's large crafts market. Vendors here can be aggressive, calling you to their stalls with promises of low prices (which you may or may not find). Opposite the market's Londres entrance is Plaza del Angel, a small, upscale shopping mall, the halls of which are crowded by antiques vendors on weekends.

The Modern Art Museum's permanent collection has many important examples of 20th-century Mexican art, including works by Mexican school painters like Frida Kahlo—her Las dos Fridas is possibly the most famous work in the collection—Diego Rivera, José Clemente Orozco, David Alfaro Siqueiros, and Olga Costa. There are also pieces by surrealists Remedios Varo and Leonora Carrington.

A devoted collector of pre-Hispanic art, Diego Rivera built his own museum to house the more than 45,000 artifacts he collected over his lifetime—which, sadly, came to an end several years before this impressive volcanic-rock building with a design inspired by ancient Mexican pyramids was completed in 1964. The third-floor studio, with its massive wall of windows, displays sketches for some of Rivera's most celebrated murals. Be sure to make your way to the rooftop, which affords sweeping city and mountain views, especially if it's a clear day. During the weeks surrounding Día de Muertos, you can view a remarkable altar in honor of Rivera himself. Although located in the larger delegación of Coyoacán, the museum is in the neighborhood of San Pablo Tepetlapa, about a 15-minute Uber ride south of Coyoacán's historic center; it's also a short walk from the Nezahualpilli light rail station.

Housed in the 16th-century Hospital de San Juan de Dios, this museum houses thousands of works collected by Franz Mayer, who emigrated from his native Germany to Mexico in 1905 and went on to become an important stockbroker. The permanent collection includes 16th- and 17th-century antiques, such as wooden chests inlaid with ivory, tortoiseshell, and ebony; tapestries, paintings, and lacquerware; rococo clocks, glassware, and architectural ornamentation; and an unusually large assortment of Talavera (blue-and-white) ceramics. The museum also has more than 700 editions of Cervantes's Don Quixote. The old hospital building is faithfully restored, with pieces of the original frescoes peeking through. You can also enjoy a great number of temporary exhibitions, often focused on modern applied arts. Tours in English are available with one week's notice by emailing [email protected] (MX$20 per person).

Found within the refurbished Santa Inés convent, this inviting museum displays international modern art as well as work by Mexico's enfant terrible, José Luis Cuevas, one of the country's best-known modern artists (1934–2017). The highlight is the sensational La Giganta (The Giantess), Cuevas's eight-ton bronze sculpture in the central patio. It represents male-female duality and pays homage to Charles Baudelaire's poem of the same name. Up-and-coming Latin American artists appear in temporary exhibitions throughout the year.

Founded by an heir to the Jumex juice fortune, this contemporary art museum is located just across the way from the Museo Soumaya, and though the subdued travertine building that houses it is not as eye-popping as Carlos Slim's shiny silver cloud next door, the exhibition design of the Jumex is arguably superior. Shows draw from the museum's 2,700-strong collection, which includes boldfaced names like Jeff Koons, Damien Hirst, and Andy Warhol, as well as temporary exhibitions of work by international contemporary artists. There's also an on-site café and store.

This museum with a big gift shop (or shop with a small museum) and café features small expositions of contemporary Mexican design. The goals of the museum are to provide a space for design, to assist local designers, and to offer a location in which designers can make money from their craft. Exhibitions, open only through guided tours in Spanish every half hour from 10 am to 8 pm, are shown in a back room made of brick, where you can see the old archways from Cortés's patio, which was built, in part, on top of Moctezuma's pyramid. The shop is open to the public.

The collections of the National Art Museum occupy one of the Centro's most impressive neoclassical buildings, designed by Italian architect Silvio Contri in the early 20th century. The works in the permanent collection, organized in galleries around a gracious open patio and grand central staircase, span nearly every school of Mexican art, with a concentration on work produced between 1810 and 1950. José María Velasco's Vista del Valle de México desde el Cerro de Santa Isabel (View of the Valley of Mexico from the Hill of Santa Isabel) is on display; the collection also includes artists such as Diego Rivera and Ramón Cano Manilla. Keep an eye out for temporary exhibitions of works by Mexican and international masters. Guided tours in English are available for free if you book ahead (email [email protected] to do so).

A huge arbol de la vida (tree of life) sculpture stands in the courtyard of this museum devoted to popular culture and regional arts and crafts and located just a few steps from Plaza Hidalgo. Its exhibitions and events are nicely varied, including children's workshops, traditional music concerts, and dance performances. On certain weekends the courtyard becomes a small crafts-and-sweets market with some worthwhile exhibitors from throughout the country displaying their wares. The museum shop stocks art books and high-quality crafts.

The San Carlos collection occupies a handsome, 18th-century palace built by Manuel de Tolsá in the final years of Mexico's colonial period. Centered on an unusual oval courtyard, the neoclassical mansion became a cigarette factory in the mid-19th century, lending the colonia its current name of Tabacalera. In 1968, the building became a museum, housing a collection of some 2,000 works of European art, primarily paintings and prints, with a few examples of sculpture and decorative arts ranging in styles. The Museo San Carlos is also the only museum in Mexico to offer tactile tours for the blind on weekends.

Built between 1779 and 1785, this baroque palace—note the imposing door and its carved-stone trimmings—was originally a residence for the Counts of Moncada and the Marquises of Jaral de Berrio, a title created only five years earlier. The palace takes its name from Agustín de Iturbide, who stayed here for a short time in 1822. One of the military heroes of the independence movement, the misguided Iturbide proclaimed himself emperor of Mexico once the country finally achieved freedom from Spain. He was staying in the palace when he became emperor, a position he held for less than a year before being driven into exile. In the two centuries since, the house has been a school, a café, and a hotel. In 1964, the Palacio Iturbide became the property of Banamex, which oversaw its restoration and eventually reopened the space in 2004 as a cultural center, showing major exhibitions in the grand central atrium.

The Plaza Loreto branch of the famed art museum in Polanco contains several huge exhibition rooms set inside the upper level of a colonial-era warehouse building that now houses shops and restaurants. It's a bit south of the heart of San Ángel, and not necessarily worth a trip all on its own, but the rotating exhibits can sometimes be quite interesting, and admission is free.

Within its modernist shell, the sleek Rufino Tamayo Contemporary Art Museum contains paintings by noted Mexican artist Rufino Tamayo as well as temporary exhibitions of international contemporary art. The selections from Tamayo's personal collection, which he donated to the Mexican people, form the basis for the museum's permanent collection and demonstrate his unerring eye for great art; he owned works by Picasso, Joan Miró, René Magritte, Francis Bacon, and Henry Moore. Guided tours (MX$140) in English are available if booked in advance.

National Syndicate of Guides and Tourism Employees (Ezequiel Montes 79, Col. Tabacalera, Mexico City, Quintana Roo, 06000. 55/5535–5247.)

Mexico City's main post office building, designed by Italian architect Adamo Boari and Mexican engineer Gonzalo Garita, is a fine example of Renaissance Revival architecture. Constructed of cream-color sandstone from Teayo, Puebla, and Carrara, Italy, it epitomizes the grand Eurocentric architecture common in Mexico during the Porfiriato—the long dictatorship of Porfirio Díaz (1876–1911). For many, it's one of Mexico's most splendid buildings. Though the Palacio's on-site museum is currently closed for renovations, tours in Spanish are available at 6 pm on the last Wednesday of every month. Tours in English can be arranged over the phone with two days advance notice.

Paseo por Coyoacán (Aguayo 3D1, Col. Coyoacán, Mexico City, Quintana Roo, 04100. 55/5484–4500. tranviadecoyoacan.com.mx.)

On the site of Mexico's first convent (1524), this church has served as a barracks, a hotel, a circus, a theater, and a Methodist temple. The main sanctuary's elaborate baroque facade is set past an iron gate and down a pretty flight of steps from street level. Inside, the Templo is one of the best places in the Centro to get a sense of the seismic shifts that continue to unsettle Mexico City. Stand at the back of the nave and note the chandeliers, which appear frozen mid-swing: an effect of gravity combined with the incline of the aisle, which has sunken unevenly over the centuries. The church next store, in a French neo-Gothic style, was added later.

Turibus (55/5141–1360. www.turibus.com.mx.)

In the early 16th century, Mexico City's zoo in Chapultepec housed a small private collection of animals belonging to Moctezuma II; it became quasi-public when he allowed favored subjects to visit it. The current zoo opened in the 1920s, and has the usual suspects, as well as some superstar pandas. A gift from China, the original pair—Pepe and Ying Ying—produced the world's first panda cub born in captivity (much to competitive China's chagrin). Chapultepec is also home to a couple of California condors plus hippopotamus, giraffes, and kangaroos. The zoo includes the Moctezuma Aviary and is surrounded by a miniature train depot, botanical gardens, and two small lakes. You'll find the entrance on Paseo de la Reforma, across from the Museo Nacional de Antropología.