The Best Sight in Venice, Italy

Background Illustration for Sights

It's called La Serenissima, "the most serene," a reference to the majesty, wisdom, and impressive power of this city that was for centuries the leader in trade between Europe and the Orient, and a major source of European culture. Built on and around a cluster of tiny islands in a lagoon by a people who saw the sea as a defense and ally, Venice is unlike any other city.

No matter how often you've seen Venice in photos and films, the city is more dreamlike than you could ever imagine. The key landmarks, the Basilica di San Marco and the Palazzo Ducale, are hardly what we normally think of as Italian: fascinatingly idiosyncratic, they are exotic mixes of Byzantine, Romanesque, Gothic, and Renaissance styles. Shimmering sunlight and silvery mist soften every perspective here; it’s easy to understand how the city became renowned in the Renaissance for its artists' use of color. The city is full of secrets, inexpressibly romantic, and, in both art and everyday life, given over to an unabashed celebration of the material world.

You'll see Venetians going about their daily affairs in vaporetti (water buses), aboard the traghetti (gondola ferries) that carry them across the Grand Canal, in the campi (squares), and along the calli (narrow streets). They are skilled—and remarkably tolerant—in dealing with the hordes of tourists from all over the world, attracted by the city's fame and splendor.

Venice proper is divided into six sestieri, or districts (the word sestiere means, appropriately, "sixth"): Cannaregio, Castello, Dorsoduro, San Marco, San Polo, and Santa Croce. More-sedate outer islands float around them—San Giorgio Maggiore and the Giudecca just to the south, beyond them the Lido, the barrier island; to the north, Murano, Burano, and Torcello.

Arsenale

Castello
Arsenal
© Halie Cousineau/ Fodors Travel

Visible from the street, the Porta Magna (1460), an impressive Renaissance gateway designed by Antonio Gambello, was the first classical structure to be built in Venice. It is guarded by four lions—war booty of Francesco Morosini, who took the Peloponnese from the Turks in 1687. The Arsenale is said to have been founded in 1104 on twin islands. The immense facility that evolved—it was the largest industrial complex in Europe built prior to the Industrial Revolution—was given the old Venetian dialect name arzanà, borrowed from the Arabic darsina'a, meaning "workshop." At the height of its activity, in the early 16th century, it employed as many as 16,000 arsenalotti, workers who were among the most respected shipbuilders in the world. The Arsenale developed a type of pre–Industrial Revolution assembly line, which allowed it to build ships with astounding speed and efficiency. The Arsenale's efficiency was confirmed time and again—whether building 100 ships in 60 days to battle the Turks in Cyprus (1597) or completing one perfectly armed warship, start to finish, while King Henry III of France attended a banquet.

Campo de la Tana 2169, Venice, 30122, Italy

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