6 Best Sights in The Veneto and Friuli–Venezia Giulia, Italy

As its elegant decoration suggests, this is the main entrance to ancient Verona—dating, in its present state, from the 1st century. It's at the beginning of the narrow, pedestrianized Corso Porta Borsari, now a smart shopping street leading to Piazza delle Erbe.

Roman remains of the forum, houses, cemetery, and port are surrounded by cypresses here, and the little stream was once an important waterway extending to Grado. Unfortunately, many of the excavations of Roman Aquileia could not be left exposed, because of the extremely high water table under the site, and had to be reburied after archaeological studies had been conducted; nevertheless, what remains aboveground, along with the monuments in the archaeological museum, gives an idea of the grandeur of this ancient city. The area is well signposted.

This stunning structure is simpler and less imposing, but also more graceful, than the triumphal arches in Rome. Built in the 1st century by the architect Lucius Vitruvius Cerdo to celebrate the accomplishments of the patrician Gavia family, it was highly esteemed by several Renaissance architects, including Palladio.

Only Rome's Colosseum and Capua's arena would dwarf this amphitheater, built for gymnastic competitions, choreographed sacrificial rites, and games involving hunts, fights, battles, and wild animals. Although four arches are all that remain of the arena's outer arcade, the main structure is complete and dates from AD 30. In summer, you can join up to 16,000 for spectacular opera productions and pop or rock concerts (extra costs for these events). The opera's the main thing here: when there is no opera performance, you can still enter the interior, but the arena is less impressive inside than the Colosseum or other Roman amphitheaters.

The oldest of Verona's elegant and graceful Roman portals, the Porta dei Leoni (on Via Leoni, just a short walk from Piazza delle Erbe) dates from the 1st century BC, but its original earth-and-brick structure was sheathed in local marble during the early imperial era. It has become the focus of a campaign against violence—there are often flowers and messages by the monument—in memory of the murder of a young Veronese here in 2009.

The ruins of this 1st-century amphitheater, opposite the city's questura (police station), were discovered during 1938 demolition work. Its crumbling and partly grassy steps can be viewed from the street, while its statues are now displayed at the Museo Civico. The space is used for summer plays and concerts.