39 Best Sights in Lombardy and the Lakes, Italy

This 2½-acre garden is a place to get lost while navigating stepping stones over lily ponds, climbing rock formations, and walking across wooden bridges. The treasures to be found are nearly 100 different Alpine, subtropical, and Mediterranean plant species and 30 modern art installations by the likes of Roy Lichtenstein, Joan Mirò, and Auguste Rodin. A former vineyard, Heller Garden was first cultivated in 1903 by Austrian dentist and botanist Arthur Hruska, and bought in 1988 by artist Andrè Heller (although he is no longer the owner).

All of this Borromean island is a botanical garden, with a season that stretches from late March to late October due to the climatic protection of the mighty Alps and the tepid waters of Lake Maggiore. The cacti and palm trees here, so far north and so near the border with Switzerland, are a beautiful surprise. Two special times to visit are April, for the camellias, and May, for azaleas and rhododendrons. Also on the island is a 16th-century palazzo, where the Borromeo family still lives for part of the year. 

The largest island within any European lake, Monte Isola allows no cars (except authorized vehicles), making it the perfect place for leisurely walks and bike rides. The main towns are Siviano, with medieval mansions; Peschiera Maraglio, an old fishing village with 16th-century homes and the Church of St. Michele; and Carzano, with the 18th-century San Giovanni Battista church. Walk around the water and stop at the many restaurants and gelaterie, or, for more exercise, trek uphill to admire the views back to the shore. Frequent ferries from Sulzano stop at Peschiera Maraglio, and ferries from Sale Marasino arrive at Carzano; there are less frequent ferries from Iseo and Tavernola Bergamasca.

At this lovely and informative museum dedicated to all things violin, even those not already enamored by the instrument will find something to appreciate. Historic violins made in Cremona by masters, including Stradivari, are presented as works of art; be sure to get the audio guide included with admission to listen to recordings as you stroll. An audio chamber lets you hear a musical performance in "3D audio"—and if you're lucky, there will be a live concert going on at the innovative on-site auditorium, where the seats wrap around the stage and musicians for an immersive experience.

The 500-room palace that dominates the Mantua skyline was built for the Gonzaga family, though much of the art within the castle was sold or stolen as the dynasty waned in power and prestige. A glimpse of past grandeur can still be spotted as you enter the palace, turn immediately left, and walk up a steep hallway, arriving in Camera degli Sposi (literally, the "Wedded Couple's Room") where Duke Ludovico and his wife held court. Reservations are recommended, either by phone or online ( www.ducalemantova.org).

One of the greatest of all Renaissance palaces, built between 1525 and 1535 by Federico II Gonzaga, is the Mannerist masterpiece of artist-architect Giulio Romano. Two highlights are the Camera di Amore e Psiche (Room of Cupid and Psyche), which depicts a wedding set among lounging nymphs, and the gasp-inducing Camera dei Giganti (Room of the Giants) that shows Jupiter expelling the Titans from Mount Olympus. The scale of the latter is overwhelming; the floor-to-ceiling work completely envelops the viewer. Note the etched graffiti from as far back as the 17th century to the left as you enter the room.

The relentlessly picturesque Balbianello may be the most magical house in all of Italy; you probably know it from cameos in the movies Casino Royale and Star Wars Episode II: Attack of the Clones. It sits on its own little promontory, Il Dosso d'Avedo, around the bend from the tiny fishing village of Ossuccio. The villa is composed of loggias, terraces, and palazzini (tiny palaces), all spilling down verdant slopes to the shore, where you'll find an old Franciscan church, a magnificent stone staircase, and a statue of San Carlo Borromeo blessing the waters.

The villa is usually reached from Como and Bellagio by boat, which leaves you at the village of Lenno. From there, marked signs lead you to the villa—it's either accessible by foot via a 25-minute walk or a more challenging 45-minute hike.

Bergamo is home to an art collection that's surprisingly rewarding given its size and remote location. Many of the Venetian masters are represented—Mantegna, Bellini, Carpaccio (circa 1460–1525/26), Tiepolo (1727–1804), Francesco Guardi (1712–93), and Canaletto (1697–1768), as well as Botticelli (1445–1510).

This small town—one of the most popular summer resorts on the lake—is 32 km (20 miles) north of Sirmione along Lake Garda's eastern shore, at the wider end. It's most famous for its red wine, which is light, dry, and often slightly sparkling; the Festa dell'Uva e del Vino (Grape and Wine Festival), held here in early October, is a great excuse to indulge in the local product. Bardolino has two handsome Romanesque churches, both near the center: San Severo, from the 11th century, and San Zeno, from the 9th.

The massive 13th-century Torre Civica (Civic Tower), known as the Campanone, offers a great view of the two cities. Climb the stairs or take an elevator to the top of the tower, where the bells ring every half hour and then 100 times each night at 10 to commemorate the closure of the city gates during Venetian rule.

Bergamo's Duomo and Battistero are the most substantial buildings in Piazza Duomo. But the most impressive structure is the Cappella Colleoni, which boasts a kaleidoscope of marble decoration and golden accents.

Serious Mantegna aficionados will want to visit the house the artist designed and built around an intriguing circular courtyard. The exterior is interesting for its unusual design, and the interior, with its hidden frescoes, can be seen during occasional art exhibitions. Hours and prices vary depending on the exhibition.

Dominating the town is a 12th-century castle built by Verona's dynastic Della Scala family. It now contains a small museum of natural history.

As hereditary rulers of Verona for more than a century before they lost control of the city in 1402, the Della Scala counted Garda among their possessions. It was they who built this lakeside redoubt, along with almost all the other castles on the lake. You can go inside to take in a lake view from the tower, or you can swim at the nearby beach.

Modern sculptures adorn the grounds of this respected Franciacorta winery (one of the largest in the region). Enjoyable two-hour-long tours conclude with a tasting; information about tour availability can be requested online.

The splendid 15th-century Renaissance-Gothic Duomo was begun in 1396. The facade was added in 1455, and the transepts were completed in the mid-18th century. The dome was designed by Filippo Juvarra (1678–1736), chief architect of many of the sumptuous palaces of the royal house of Savoy. The facade has statues of two of Como's most famous sons, Pliny the Elder and Pliny the Younger, whose writings are among the most important documents from antiquity. Inside, the works of art include Luini's Holy Conversation, a fresco cycle by Morazzone, and the Marriage of the Virgin Mary by Ferrari.

Cremona's Romanesque Duomo was consecrated in 1190. It's an impressive structure in a breathtaking piazza, and certainly one of the most beautiful churches in Italy. Here you can find the Story of the Virgin Mary and the Passion of Christ, the central fresco of an extraordinary cycle commissioned in 1514 and featuring the work of local artists, including Boccaccio Boccaccino, Giovanni Francesco Bembo, and Altobello Melone.

For amazing views, take the funivia, a cable car that takes you to heights from which you can see seven lakes: Maggiore, Orta, Mergozzo, Varese, Camabbio, Monate, and Biandronno. Situated between Lakes Maggiore and Orta, it offers tourists 360-degree views of the Po Plain right across to the distant Alpine peaks. At the top, nature- and adventure-lovers can rent mountain bikes and ride on properly marked paths, while others can just relax at a local restaurant.

Locals will almost certainly tell you that these romantic lakeside ruins were once the site of the villa of Catullus (87–54 BC), one of the greatest pleasure-seeking poets of all time. Modern-day archaeology, however, does not concur, and there is some consensus that this was the site of two villas of slightly different periods, dating from about the 1st century AD. But never mind—the view through the cypresses and olive trees is lovely, and even if Catullus didn't have a villa here, he is closely associated with the area and undoubtedly did have a villa nearby. The ruins are at the top of the isthmus and are poorly signposted: walk through the historic center and past the various villas to the top of the spit; the entrance is on the right. A small museum offers a brief overview of the ruins (on the far wall).

The estate of the larger-than-life Gabriele D'Annunzio (1863–1938)—one of Italy's major modern poets, and later war hero and supporter of Mussolini—is filled with the trappings of his conquests in art, love, and war. His eccentric house crammed with quirky memorabilia can only be seen during a 35-minute guided tour (available in English), and the extensive gardens are definitely worth a stroll, particularly to see the curious full-size warship's prow. There's also an imposing mausoleum, made of white marble, along with three museums showcasing personal items from D'Annunzio's exploits, including one devoted to his cars.

The most famous of the three Isole Borromee (Borromean Islands), is named after Isabella, whose husband, Carlo III Borromeo (1538–84), built the palace and terraced gardens here for her as a wedding present. Before Count Carlo began his project, the island was rocky and almost devoid of vegetation; the soil for the garden had to be transported from the mainland. For a splendid view of the lake, wander up the 10 terraces of Teatro Massimo. In the gardens, white peacocks roam among the scented shrubs. Visit Palazzo Borromeo to see the rooms where famous guests—including Napoléon and Mussolini—stayed in 18th-century splendor.

Stop for lunch at the smallest Borromean island, also known as Isola Superiore. It's less than 100 yards wide and only about ½ km (¼ mile) long. It's an ideal place to visit before, after, or in between touring the other two islands. Of the 10 or so restaurants on this island the two worth visiting are Il Verbano ( 0323/31226) and Belvedere ( 0323/32292). The island with little lanes strung with fishing nets and dotted with shrines to the Madonna is a crowded place filled with souvenir stands and shops in high season.

The futuristic funivia (cable car), which zips visitors to the top of Monte Baldo (7,276 feet), is unique because it rotates. After a 10-minute ride, you're high in Veneto where you can take a stroll and enjoy spectacular views of the lake. Ride the cable car down or bring along a mountain bike (or even a hang glider) for the descent. In the winter, there's skiing, snowboarding, and snowshoeing.

From silkworm litters to textile finishing machinery to temporary exhibitions, this small but complete collection preserves the history of a manufacturing region that continues to supply a large proportion of Europe's silk. The friendly staffers will give you an overview of the museum; they are also happy to provide brochures and information about local retail shops. Follow the textile school's driveway around to the low-rise concrete building on the left, and take the shallow ramp down to the entrance.

As you wander around the palms and semitropical shrubs, don't be surprised if you're followed by a peacock or even an ostrich: they're part of the zoological garden and are allowed to roam almost at will. From the top of the hill on which the villa stands you can see the gentle hills of the Lombardy shore of Lake Maggiore and, nearer and to the left, the jewel-like Isole Borromee. In addition to a bar and restaurant, the grounds also have picnic spots and there is a farm that's popular with children.

The Duomo, tower, baptistery, and Palazzo Communale (city hall) surround this distinctive and harmonious square: the combination of old brick, rose- and cream-color marble, terra-cotta, and old copper roofs brings Romanesque, Gothic, and Renaissance together with unusual success.

This lakeside piazza, the heart of Riva del Garda, is surrounded by medieval palazzi. Standing there and looking out over the lake, you can understand why Riva del Garda has become a windsurfing destination: air currents ensure good breezes on even the most sultry midsummer days.

Legendary violin maker Antonio Stradivari lived, worked, and died near the verdant square at Piazza Roma 1 (not open to the public). According to local lore, Stradivari kept each instrument in his bedroom for a month before varnishing it, imparting part of his soul before sealing and sending it out into the world. In the center of the park is a copy of Stradivari's tombstone, while the original is in the Violin Museum.

At the heart of Como's medieval quarter, the city's first cathedral is well worth a peek. The apse walls and ceiling are completely frescoed, as are the ceilings above the altar.

If you head into Como's industrial quarter, you will come upon this church, a gem of Romanesque architecture begun by Benedictine monks in 1013 and consecrated by Pope Urban II in 1095. Inside, the five aisles converge on a presbytery with a semicircular apse decorated with a cycle of 14th-century frescoes by Lombard artists heavily influenced by the Sienese school. To see them, turn right as you enter. In the nave, the cubical capitals are the earliest example of this style in Italy.