10 Best Sights in Ravenna, Emilia–Romagna

The octagonal church of San Vitale was built in AD 547, after the Byzantines conquered the city, and its interior shows a strong Byzantine influence. The area behind the altar contains the most famous works, depicting Emperor Justinian and his retinue on one wall, and his wife, Empress Theodora, with her retinue, on the opposite one. Notice how the mosaics seamlessly wrap around the columns and curved arches on the upper sides of the altar area. School groups can sometimes swamp the site from March through mid-June.

The little tomb and the great church stand side by side, but the tomb predates the Basilica di San Vitale by at least 100 years: these two adjacent sights are decorated with the best-known, most elaborate mosaics in Ravenna. Galla Placidia was the sister of the Roman emperor Honorius, who moved the imperial capital to Ravenna in AD 402. This mid-5th-century mausoleum is her memorial.

The simple redbrick exterior only serves to enhance by contrast the richness of the interior mosaics, in deep midnight blue and glittering gold. The tiny central dome is decorated with symbols of Christ, the evangelists, and striking gold stars. Eight of the Apostles are represented in groups of two on the four inner walls of the dome; the other four appear singly on the walls of the two transepts. There are three sarcophagi in the tomb, none of which are believed to actually contain the remains of Galla Placidia.  Visit early or late in the day to avoid the school groups that can sometimes swamp the Mausoleo from March through mid-June.

Next door to Ravenna's 18th-century cathedral, this baptistery has one of the town's most important mosaics. It dates from the beginning of the 5th century AD, with work continuing through the century. In keeping with the building's role, the great mosaic in the dome shows the baptism of Christ, and beneath are the Apostles. The lowest register of mosaics contains Christian symbols, the Throne of God, and the Cross. Note the naked figure kneeling next to Christ—he is the personification of the River Jordan.

In Classe, a short distance outside Ravenna, this museum dazzlingly illustrates the history of Ravenna and its environs from the pre-Roman era to the Lombard conquest in AD 751. The museum occupies a refurbished sugar refinery, and with the help of multimedia presentations and panels in Italian and English, it chronicles the Roman, Ostrogoth, and Byzantine periods. Displays include bronze statuettes, stone sculptures, glassware, and mosaic fragments. A separate room summarizes the building's more recent history. It's an easy walk from Sant'Apollinare in Classe.  To get here from Ravenna, take Bus No. 4 from the station or the local train to Classe, or use the cycle path from the city center.

This archaeological site with lovely mosaics was uncovered in 1993 during digging for an underground parking garage near the 18th-century church of Santa Eufemia. Ten feet below ground level lie the remains of a Byzantine palace dating from the 5th and 6th centuries AD. Its beautiful and well-preserved network of floor mosaics displays elaborately designed patterns, creating the effect of luxurious carpets.

Housed in the magnificent former monastery and abbey of Santa Maria in Porto, this municipal art collection with origins in the Napoleonic era has a core of 300 paintings and sculptures, with sections dedicated to late Middle Ages-early Renaissance pious works and the 16th and 17th century, to the Novecento and contemporary works. Seek out the archaic-looking, myth-inspired equine terra-cotta sculpture L’Assediato (1999) by Paladino that seems to span the ages. The collection is well displayed and artfully lighted, especially the vibrant contemporary mosaic section, plus there's the RavennaMosaico biennial among the changing shows.

Next to the Church of San Vitale and housed in a former Benedictine monastery, the museum contains artifacts from ancient Rome, Byzantine fabrics and carvings, and pieces of early Christian art. Curiosities include remains of the city's gate Porta Aurea (AD 44) and 14th-century "Giotto School" frescoes by Pietro da Rimini.

This church about 5 km (3 miles) southeast of Ravenna is landlocked now, but when it was built, it stood in the center of the busy shipping port known to the ancient Romans as Classis. The arch above and the area around the high altar are rich with mosaics. Those on the arch, older than the ones behind it, are considered superior. They show Christ in Judgment and the 12 lambs of Christianity leaving the cities of Jerusalem and Bethlehem. In the apse is the figure of Sant'Apollinare himself, a bishop of Ravenna, and above him is a magnificent Transfiguration against blazing green grass, animals in odd perspective, and flowers.

The mosaics displayed in this church date from the early 6th century, making them slightly older than those in San Vitale. Since the left side of the church was reserved for women, it's only fitting that the mosaics on that wall depict 22 virgins offering crowns to the Virgin Mary. On the right wall, 26 men carry the crowns of martyrdom; they approach Christ, surrounded by angels.

Exiled from his native Florence, the author of The Divine Comedy died here in 1321, and Dante's tomb and bones (which over the centuries were secretly stashed in various spots nearby) lies in a small neoclassical building by the church of St. Francis. Nearby a Dante Circuit consists of the immersive, multimedia Museo Dante and more meditative Casa Dante with Dantean artifacts from the Biblioteca Classense and the Uffizi. The Florentines have long been trying to reclaim their famous son, but the Ravennans argue that since Florence did not welcome Dante in life, it does not deserve him in death. Perhaps as penance, every September the Florentine government sends olive oil that's used to fuel the light hanging in the chapel's center.