74 Best Sights in The Central Coast, Vietnam

On display at Danang Museum of Cham Sculpture, founded by the French in 1919, are artifacts from the Kingdom of Champa, which ruled this region for more than 1,000 years. The highly sensual, innovative, and expressive works from Tra Kieu's reign (7th century) and that of My Son (8th–9th centuries), and the abundant sandstone carvings of the god Shiva, testify to the prosperity of the Kingdom of Champa in its glory days. The Cham adopted many elements of Indian art and Sanskrit as their sacred language. Note the Cham Buddha depicted on a throne in an imperial pose, with his feet flat on the ground, in contrast to the traditional image of Buddha seated in the lotus position. The symbol of fertility, Uroja (meaning "woman's breast"), which you will also see throughout the museum, reveals the esteem afforded women in Cham culture.

The central Tra Kieu Altar in the Tra Kieu Room—in the middle gallery, opposite the entrance and across the courtyard—illustrates in relief-sculpture part of the Hindu Ramayana epic story. This is the museum's best-preserved relief. The galleries are arranged into a cohesive itinerary, and a performance and education space is on the second floor. Performances are listed on the website. English-speaking guides can lead you on tours of the museum.

Tour groups flock to the DMZ to walk across the old French bridge, Hien Luong, and wander around the small museum on the north side of the bridge. They also take photos of the flag tower and an odd-looking reunification sculpture, which symbolizes the communication that developed between families divided by the river. Unable to communicate verbally (witness the loudspeakers pocked with bullet holes on display in the museum), they improvised with signals—a white scarf around the head meant someone had been killed and hands crossed behind the back announced that someone had been arrested.

Built at the beginning of the 19th century, the Forbidden Purple City, inside the Imperial City, was almost entirely destroyed during the Vietnam War; now it's slowly being restored to its former glory. The preserved open corridors, which were used to connect the main palaces in the Forbidden Purple City together, are ornately adorned with lavish red and gold paint. Paintings and photographs about Nguyen Dynasty and old Hue are also exhibited in these open corridors. In its glory days the Forbidden Purple City housed members of the Imperial family and the concubines and eunuchs who served them. Anyone else who entered was executed. After the 1968 Tet Offensive, only the Royal Theater on the right-hand side and the intimate and restored Royal Library remained intact.

At the end of the Forbidden Purple City stands the magnificent Kien Trung Palace. Surprisingly, this East-meets-West building is a remake and has been open to visitors of the Imperial City since February 2024 after five years of reconstruction. The opulent palace was built in 1921-1923 and was where the last king of Vietnam, Bao Dai, lived with his wife and children until 1945.

A little way outside of Hoi An, this peaceful beach, located midway between the award-winning Four Seasons The Nam Hai and Le Belhamy resorts, is the best place to head to escape the hawkers and crowds that frequent the more famous Cua Dai Beach. With just a few incredibly good seafood restaurants and a couple of loungers and umbrellas, this regularly cleaned, gently shelving beach offers great swimming conditions, a chilled-out atmosphere, and plenty of space for children to run around safely. Amenities: showers; toilets; food and drink; parking (free). Best for: swimming; walking; solitude; sunset.

For adrenaline-filled road adventures, jungle-clad mountains, hairpin bends, and incredible views, you can't top the 21-km (13-mile) long, ex-military feeder road over the Hai Van Pass. Although cyclists have tried it, it's advisable to take a motorbike (experienced riders only) or driver to take on the winding incline to the pillboxes at the pass's peak, where you can stop for photos. After, you can descend towards the lagoon on the Lang Co side where you can pull up a plastic chair for delicious seafood at one of the stilt restaurants, before returning via the Hai Van Tunnel.

The battle of Hill 937 (Hamburger Hill) raged between the U.S. 101st Airborne Division and the North Vietnamese for 10 long days in May 1969 and marked the beginning of the end for the U.S. involvement in Vietnam. Like many of the old U.S. bases along the DMZ, there's little to mark the atrocities that took place here and you need a permit to enter the area. But with a specialist, military guide (for translation and to keep you on the right path) and equally good level of fitness, the 7-km (4-mile) uphill hike through beautiful Ca Tu hill-tribe villages and jungle paths to the base and the steep 900-meter (3,000-foot) climb to the top are rewarded by views stretching over the Laos border to the west and Quang Tri to the east. The drive from Hue takes two hours; on a DMZ tour Aluoi would normally be one of the last photo stops. Due to the small risk of unexploded ordinance in the area, a guide is recommended. If going it alone, take enough water and keep to the paths.

The military specialist, Mr. Vu at Annam Tours, provides excellent day trips from Hue to Hamburger Hill and can arrange your permit in advance. Apply three days in advance.

These two museums are located in the same complex, a few kilometers outside of the city. Although neither compare with their larger contemporaries, the Ho Chi Minh Museum in Hanoi or the War Remnants Museum in HCMC, a visit here is a great way to learn about the anti-French and anti-American wars and the weaponry utilized, from a purely Vietnamese mindset. The smaller of the two, the Ho Chi Minh Museum has a small replica of Ho Chi Minh's home in Hanoi and three display rooms documenting the life and career of the nation's hero. Information is sparse, but the photo display is worth a look, even if it's just to get a glimpse of a prewar Vietnam. Adjacent is the military museum courtyard where you can amble around a huge collection of aircraft, tanks, cannons, and armored vehicles confiscated from the enemy by the Vietnamese Fifth Division. Inside, 12 showrooms house a collection of photos, weapons, and artifacts representing the struggle and victory of the Vietnamese, including the very slippers Special Task Force member Phan Thi Mua used to smuggle enough dynamite powder to blow up the U.S. Fuel Depot in Danang in 1972.

Visitors age 16 and up are required to buy a ticket at 120,000d to enter Old Town, unless you are simply shopping, though each ticket (despite being printed with the words "valid for 24 hours") is valid for the duration of your stay. The ticket has five tear-off coupons. These are for entrance to your choice of five of the 21 ticket-only sites in Old Town. Eighty percent of the ticket proceeds go directly back into Old Town renovations and paying the guides and families who open their private homes to visitors. There are four ticket offices scattered around the ancient city blocks.

One of the local attractions offered through the Heritage Pass, this 200-year-old house has 30-minute musical performances daily. In the workshop, children and adults can make Hoi An's traditional silk lanterns or paint masks at additional costs. Tickets are available on the corner of Bach Dang and Chau Thuong Van beside the Japanese Covered Bridge.

The hour-long craft workshops run daily (bookable on-site), and are great for kids.

Every month on the 14th day of the lunar calendar, Hoi An closes Old Town to traffic, switches off its lights, and hosts the magical Lantern Festival. Domestic travelers flock to the streets, and temples and pagodas open their doors for ancestor worship. Most people choose to watch the festivities from a restaurant balcony, but to really get the best experience you need to tackle the crowds head on and mingle with the locals at street level. Festivities start at sunset and this is the best time to visit the candlelit pagodas (which are free to enter on full moon) and take in the street entertainment, pop-up poetry reading groups, and live music. As darkness falls, approach the small river boats that line Bach Dang and arrange for a half-hour cruise, ending at An Hoi, where a short stroll on quieter streets lined with restaurants leads you to the glowing night lantern market where you can pick up souvenirs and grab a taxi back to your hotel.

As dusk falls, the area directly opposite the walking bridge connecting the Old Town to An Hoi Peninsula is lit by hundreds of silk lanterns, spilling out from little wooden chalets that wouldn't look out of place at a European Christmas market. In the daytime you can come here to watch the lanterns being crafted from wafts of silk and bamboo, but it's not until night, when the lantern sellers are joined by a whole host of mobile craft, jewelry, and souvenir stalls, that this area really comes alive. The night market has the biggest selection of lanterns in town and you can even design your own. While the stalls in between are not particularly notable, you can pick up cute little trinkets as souvenir for very reasonable prices.

The reason to visit this museum is to see the beautiful wooden structure that houses the antiques, rather than the displays themselves. Built in 1845, the grand panel house is an architectural wonder, with walls inscribed with Emperor Thieu Tri's poetry and ceilings festooned with beautiful carvings. Inside there are miscellaneous royal knickknacks, such as wooden incense boxes, many inlaid with mother-of-pearl, plus statues, old weapons, and jewelry. Unfortunately, the whole experience is let down by lackluster guides and limited information available.

More than 3,000 artifacts of pottery recovered from the rivers in Hue are exhibited in this private museum. Its mammoth collection has been collected by Dr. Thai Kim Lan and her late brother since the early 1980s. Some of the earthenware items date back thousands of years. The museum, located in a verdant garden by the Perfume River, is a part of the Thai family’s property, which includes traditional panel houses used as the family’s ancestral temple and Dr. Lan’s residence. It’s a special experience to meet this knowledgeable owner and indulge in her beautiful stories about pottery, culture, and the lifestyle of Hue.

Nestled at the foot of Hon Vuon Hill, Huyen Khong Son Thuong is a monastery and the serene home of about 60 Theravada monks. Founded by Ven. Gioi Duc (Silaguna) in 1989, the monastery sits in a beautiful garden with five water lily and lotus ponds and is surrounded by pine trees. Unlike the majority of Buddhist temples in Hue in which designs are influenced by the Nguyen Dynasty’s royal style, its architecture is simpler and is decorated with calligraphy poems that are composed by the monks and written in Vietnamese rather than traditional Chinese characters. Apart from beautiful bonsai trees, hundreds of orchid plants bloom here year round. If you’d like to venture further, take a one-hour hike to the top of Hon Vuon Hill, where you'll get a stunning view of hills, lakes, the iconic Huong River, and Hue’s cityscape expanding into the horizon.

The Imperial City, also known as the Imperial Enclosure, was once a complex of palaces and pavilions where civil and religious ceremonies took place. Inside it was the Forbidden Purple City, where the royal family lived. Now the Imperial City has buried the few remnants of its past glory beneath the sporadic vegetation that has taken over the ruins, but restoration work is in progress and the site still conveys a sense of splendor. There are four gateways into the enclosure: the Gate of Peace (Cua Hoa Binh), the Gate of Humanity (Cua Hien Nhan), the Gate of Virtue (Cua Chuong Duc), and the South Gate (Ngo Mon). You can only get to the Imperial City after you have entered the citadel.

Erected in the 1600s, these are the few remaining tombs of Hoi An's old Japanese community. Although the tombs—tombstones, really—are not nearly as grand as those in Hue, it's worth the trek if only to see the "suburbs" of Hoi An. En route you'll encounter families sitting in their front yards and field workers harvesting rice. Buried in the first tomb along the dirt path clearly visible in the front yard of a family home is a Japanese merchant named Masai. About another 1,500 feet ahead is the most famous of Hoi An's Japanese tombs, the burial place of a Japanese merchant named Yajirobei, who died in 1647. Perched right in the middle of a working rice field, his tomb has an almost supernatural feel. The main tombs are easily accessible by bicycle---just head along Hai Ba Trung Street and go north of Old Town. To find the tombs, keep your eyes peeled for the white-and-yellow signs positioned along the right side of the road. (Cars are not recommended because the tombs are at the end of narrow, rugged paths.)

Continue 5 km (3 miles) to the end of Hai Ba Trung for a refreshing dip and lunch at one of the restaurants on An Bang beach.

One of the biggest battles of the war—and one of the most significant American losses—took place on January 21, 1968, at Khe Sanh, the site of a U.S. Army base 145 km (90 miles) northwest of Hue. General William Westmoreland, the commander of U.S. forces in Vietnam from 1965 to 1968, became convinced in late 1967 that the North Vietnamese were massing troops in the area in preparation for a campaign to seize South Vietnam's northernmost provinces. Relying on an analogy with the French defeat at Dien Bien Phu, he reinforced Khe Sanh with thousands of Marines and ordered the dropping of more than 75,000 tons of explosives on the surrounding area. The North Vietnamese suffered horrendous casualties—estimates are that as many as 10,000 North Vietnamese soldiers and hundreds of U.S. Marines lost their lives. Although the debate continues, many military experts believe that the battle at Khe Sanh was merely a feint designed to pull American forces away from the population centers of South Vietnam in preparation for a massive assault by the North Vietnamese in the Tet Offensive of early 1968. Although there is only a small museum commemorating the battle at Khe Sanh, a visit to the base provides a sense of how isolated and besieged the U.S. Marines must have felt as they were bombarded from the surrounding mountains. In the museum, which opens whenever tours come through the area, there are a number of interesting pictures of the battle and a book for visitors' comments that reflects the continuing debate about the American presence in Vietnam.

A convenient stopover on the trip from Hue to Danang, Lang Co is an idyllic hamlet on a peninsula jutting out into the East Sea. Lang Co Beach is a good place to have lunch and spend the day. For an additional couple of nights of beach indulgence, head toward Banyan Tree Lang Co or its budget-friendly little sister, Angsana Lang Co, which is about 20 km (12.4 miles) away from Lang Co Township. Take the turn off Highway 1 at the sign for the Lang Co Beach Resort; this will lead you to the long, sandy beach. Amenities: food and drink. Best for: sunsets; walks; swimming.

Established in the memory of artist Le Ba Dang, who was born in nearby province Quang Tri and became successful in Paris, Lebadang Memory Space is one of the country’s best art museums. The main building of this private contemporary space, located on 4 acres near Thien An Hill, is modeled after one of the artist's paper works. The museum showcases Le Ba Dang's varied talents, from painting to sculpture to paper-cutting and printing.

After entering through Ong Chon Gate, the main entrance of the Marble Mountains, you'll see the Linh Ung Pagoda, a Buddhist shrine inside a cave, filled with a large collection of Buddha statues. Built in 1825, this sacred structure also features small lotus ponds, bonsai plants, and intricate tilework. It bears many of the same motifs found in the UNESCO-listed tombs in Hue.

Tourists come to these five historic mountains to see ancient pagodas, Buddhist sanctuaries, sacred caves, spectacular views of the eastern beaches, and villages where artisans carve marble sculptures. Each of the primarily limestone formations are named after the five elements—kim (metal), moc (wood), hoa (fire), thuy (water), and tho (earth). At Thuy Son Mountain, you can explore several 17th-century pagodas and caves by climbing 156 steps from the base—or take a glass elevator that eliminates a third of the steps in the initial climb, transporting you straight to the foot of Linh Ung Pagoda. Bring plenty of water and take your time, as the steps can be slippery after it rains. It is common to be hassled by locals in Non Nuoc Village who live solely on the production of their stone statues, jewelry, and artwork. Entrance to the Marble Mountains costs 40,000d plus the optional one-way elevator ride.

This small museum—housed in just one large room—provides a small insight into Hoi An's history and culture. On display are ancient bowls, cups, and other ceramics, many of them archaeological artifacts dating back to the Cham. A collection of traditional Chinese objects includes pagoda bells and the "watchful eyes" placed above doorways for protection. Information is scant, so you are likely to leave underwhelmed and none the wiser, but the old black-and-white photos of 20th-century Hoi An make for an interesting comparison to the town today. The connecting door to the back of Quang Ong Temple provides a more interesting view.

The ancient Diep Dong Nguyen House has been converted into a small museum dedicated to the history of ceramics in Hoi An. The collection includes ancient wares, some of them recovered from shipwrecks in the surrounding waters, and a large assortment of household objects, such as bowls and vases. Possibly the most interesting thing you'll find here are the maps that date back as far as the 13th century, detailing the various marine trade routes. There are also detailed architectural drawings of the restored town houses, which provide helpful explanations of the different architectural influences throughout the Old Town.

Each of these urns within the Imperial Enclosure, weighing approximately 5,000 pounds and cast in 1835--1937, is dedicated to a ruler of the Nguyen dynasty. The central urn, the most elaborately decorated of the nine, features Emperor Gia Long, the founder of this dynasty. Nature motifs cover the urns, including the sun and moon, rivers and mountains, and one or two bullet pocks. Every urn has a name transcribed in traditional Chinese characters.

Just 14 km (9 miles) from either Danang or Hoi An lies Non Nuoc beach, a stunning stretch of white sandy beach overlooking the Son Tra Peninsula to the north and the stately Marble Mountains to the west. Once a popular fishing beach, the area has now become the private playground of some of the finest beach resorts in the area, leaving the surrounding pockets of beach land fenced off for future development. The stretch is home to international standard golf clubs and luxury villas and you can see why it's such a sought-after area—the deserted white sand beaches seem to go on forever and the sea is clean and perfect for swimming during the long dry season that runs from April to September. Amenities: food and drink; lifeguards; showers; toilets; water sports. Best for: solitude; sunrise; sunset; surfing; swimming; walking.

Up until the discovery of Son Doong, the beautiful Phong Nha Cave was the national park's most famous treasure. It’s the park's easiest cave to navigate and there really is no need to visit it with a guide. Buy tickets from the tourism center in the village and hop on a boat from the small pier nearby. The boat takes you on a picturesque journey along the Son River right into the giant river cave where you disembark to explore 1,500 meters inside. Here you'll view the most splendid formations, stalagmites, and stalactites, enchantingly lit in a rainbow of colors. The boat to the cave costs about 360,000d, but this can be split among passengers (maximum of 10 passengers). Don't forget to tip your rower.

Founded in 1653 by the Chinese community, this impressive temple is dedicated to Quan Van Truong, a revered general of the Chinese Han dynasty. The temple is divided into four parts: the front hall, the left and right sections, and the main sanctuary. The entrance leads through a large garden to the temple, where the main altar is, along with a gilt-and-papier-mâché statue of the general standing between two life-size, jolly-looking horses. Quan Cong lends itself to contemplation and meditation, and you get a real sense of that in the rear courtyard, gazing up at the unicorns and dragons perching on the colorful ceramic tiled roof or watching the small school of fish that happily dart around in the pond out front. The carp, symbolic of patience in Chinese mythology, is displayed throughout. Every year, on June 24 of the lunar calendar, Hoi An organizes a ceremony for Quan Cong, and pilgrims, especially merchants, come to the temple to make offerings.

One of Hoi An's ancient family homes, Quang Thang was built about 300 years ago by the current owners' Chinese ancestors. This house has some beautiful wood carvings featuring peacocks and flowers on the walls of the rooms that surround the mossy courtyard. These were sculpted by the craftsmen from the Kim Bong carpentry village, who are renowned for their intricate craftsmanship of the Hue garden houses. It's a beautiful and very well-preserved example of a trader's house, popular with large tour groups.

If Quang Thang House is busy, wait it out with a coffee at Lantern Town restaurant across the road.

Learn the secrets of Vietnamese cuisine at this cooking school located beside Thu Bon River. Half- and full-day cooking classes are available and include a market tour, boat transportation, and either lunch or dinner. Courses cost 550,000d–1,300,000d and commence at Hai Café in Old Town, where they also run evening cooking classes daily (111 Tran Phu Street).

Take your bathing suit and grab a hammock by the pool; complimentary access is offered to all diners and students.

Once an important observation point for the U.S Marines, the Rockpile (a 755-foot karst formation know in Vietnamese as Thon Khe Tri) was used for tracking the north Vietnamese army crossing in to the south and directing U.S military fire at their suspected positions. Other than the Rockpile, nothing remains in memorial to the site, but it's worth a stop for the scenery alone if you are traveling onwards to the Khe San Combat base.