71 Best Sights in Yucatán and Campeche States, Mexico

Facing the main plaza, the enormous 16th-century former monastery and church of St. Anthony of Padua is perched on—and built from—the remains of a Maya pyramid devoted to Itzamná, god of the heavens. The monastery's ocher-painted church, where Pope John Paul II led prayers in 1993, has a gigantic atrium (supposedly second in size only to the Vatican's) facing a colonnaded facade and rows of 75 white-trimmed arches. The Virgin of the Immaculate Conception, to whom the church is dedicated, is the patron saint of the Yucatán. A statue of Nuestra Señora de Izamal, or Our Lady of Izamal, was brought here from Guatemala in 1562 by Bishop Diego de Landa. Miracles are ascribed to her, and a yearly pilgrimage takes place in her honor. Frescoes of saints at the front of the church, once plastered over, were rediscovered and refurbished in 1996.

The monastery and church are now illuminated in a light-and-sound show of the type common at some archaeological sites. You can catch a Spanish-only narration and the play of lights on the nearly 500-year-old structure at 8:30 every night but Sunday. Diagonally across from the cathedral, the small municipal market is worth a wander. It's the kind of place where if you stop to watch how the merchants prepare food, they may let you in on their cooking secrets.

Five long blocks away from the main plaza is the 16th-century, terra-cotta Ex-Convento e Iglesia San Bernardino, a Franciscan church and former monastery. The church was actually built over Cenote Sis-Há, which provided the monks with a clean water source. You can view the cenote through a grate in the well house, where much of the original stone still remains. If a priest is around, ask him to show you the 16th-century frescoes, protected behind curtains near the altarpiece. The lack of proportion in the human figures shows the initial clumsiness of indigenous artisans in reproducing the Christian saints.

The Jesuits built this fine baroque church in honor of St. Joseph just before they were booted out of the New World in 1767. Its block-long facade and portal are covered with blue-and-yellow Talavera tiles and crowned with seven narrow stone finials—resembling both the roof combs on many Mayan temples and the combs Spanish women once wore in their elaborate hairdos. You can ask the guard (who should be somewhere on the grounds) to let you in. From the outside you can admire Campeche's first lighthouse, built in 1864 and perched atop the right-hand tower.

Near the city's southwest end, Avenida Ruíz Cortínez winds to this hilltop fort with a breathtaking view of the Bay of Campeche. Built between 1779 and 1801 and dedicated to the archangel Michael, the fort was positioned to blast enemy ships with its long-range cannons. As soon as it was completed, pirates stopped attacking the city. In fact, the cannons were fired only once, in 1842, when General Santa Anna used Fuerte de San Miguel to put down a revolt by Yucatecan separatists.

The fort houses the 10-room Museo de la Arqueología Maya. Exhibits include the skeletons of long-ago Maya royals, complete with jewelry and pottery, which are arranged just as they were found in Calakmul tombs. Other archaeological treasures are funeral vessels, wonderfully expressive figurines and whistles from Isla de Jaina, stelae and stucco masks, and an excellent pottery collection. Most information is in Spanish only, but many of the pieces speak for themselves. The gift shop sells replicas of artifacts.

Located in the small town of Conkal, about 9 km (6 miles) southeast of Dzibilchaltún, the Gallery of Sacred Art is is run by the Archdiocese of Yucatán. It's tucked behind a colonial church in one of the peninsula's 20 or so convents that date from the 16th century. The six rooms here showcase sculptures, vestments, paintings, and other objects that shine light on the nearly 500-year-old presence of the Catholic Church in the Yucatán.

Whether or not the Grand Museum of the Mayan World lives up to its lofty name depends on your tastes and expectations, but the institution certainly makes a big architectural splash. The starkly modern building was designed to resemble a giant ceiba tree, sacred to the Maya, and it looms over the northern outskirts of town on the highway to Progreso. (Plan on a MX$150 Uber or DiDi ride from downtown.)

The museum's amazing collection of Maya artifacts are exhibited in four themed halls: The Mayab, Nature, and Culture; Ancestral Maya; Yesterday's Maya; and Today's Maya. Much of the space is given over to multimedia presentations, including interactive screens that are enormously popular, especially with younger visitors. One all-the-rage panel of screens, for instance, lets you tap in your birth date, convert it to the corresponding date on the Maya calendar, and email yourself your Maya horoscope. Everything here—artifact labeling and multimedia narration—is trilingual (Spanish, English, and Mayan). The adjoining Mayamax theater screens films, and there is an on-site concert hall, too.

Since work began at Hochob in the early 1980s, four temples and palaces have been excavated, including two that have been fully restored. Intricate and perfectly preserved geometric designs, typical of the Chenes style, cover the temple known as Estructura II.

The temple doorway represents the open mouth of Itzamná, the creator god, and above it the eyes bulge and fangs are bared on either side of the base. It takes a bit of imagination to see the structure as a mask, as, at one time, color no doubt originally enhanced the effect. Squinting helps a bit: the figure's "eyes" are said to be squinting as well. But anyone can appreciate the intense geometric relief carvings decorating the facades, including long cascades of Chaac masks along the sides. Evidence of roof combs can be seen atop the building.

Ask the guard to show you the natural and man-made chultunes (cisterns) that extend into the forest. They also indicate that these are Chenes ruins.

Hormiguero is Spanish for "anthill," referring both to the looters' tunnels that honeycombed these ruins when archaeologists discovered them and the number of enormous anthills in the area. The buildings here were constructed roughly between 400 BC and AD 1100 in the Río Bec style, with rounded lateral towers and ornamental stairways, the latter built to give an illusion of height, which they do wonderfully.

Note the intricately carved and well-preserved facade of the site's largest structure, Estructura II. Estructura V is also noteworthy owing to the Chaac masks arranged in a cascade atop a pyramid. Nearby is a perfectly round chultun (water-storage tank), and, seemingly emerging from the earth, the eerily etched designs of a still unexcavated structure.

Just north of Parque Hidalgo is one of Mérida's oldest buildings and the first Jesuit church in the Yucatán. It was built in 1618 from the limestone blocks of a dismantled Maya temple, and faint outlines of ancient carvings are still visible on the west wall. Although the church is a favorite place for society weddings, its interior is not ornate. In former convent rooms at the rear of the building, however, you'll find the Pinoteca Juan Gamboa Guzmán, a small but interesting art collection. The most engaging pieces are the striking bronze sculptures of indigenous Maya crafted by celebrated 20th-century sculptor Enrique Gottdiener Soto. On the second floor are about 20 forgettable oil paintings—mostly of past civic officials.

This evocatively faded red church is typical of Yucatán's colonial sanctuaries. It has been ransacked on more than one occasion, but the Cristo Negro (Black Christ) altarpiece is original. The best view might be from the outside, where you can take in the facade and savor the slow pace of the town as families ride by in carts attached to bicycles and locals mill around in traditional Maya dress.

With its flat, boldly painted facade and bells ensconced under small arches instead of in bell towers, the Church of St. Francis looks more like a Mexican city hall than a Catholic church. Outside the city center in a residential neighborhood, the beautifully restored temple is Campeche's oldest. It marks the spot where some say the first Mass on the North American continent was held in 1517—though the same claim has been made for Veracruz and Cozumel. One of conquistador Hernán Cortés's grandsons was baptized here, and the baptismal font still stands.

Like most Franciscan churches, this one is sober and plain, and its single bell tower is the only ornamentation. The equally sparse interior is brightened a bit by some colorful stained-glass windows, and the carved and inlaid altarpiece serves as a beautiful backdrop for an ebony image of Jesus, the "Black Christ," brought from Italy in about 1575. Although understandably skeptical of Christianity, the indigenous people, who the Spaniards forced into perpetual servitude, eventually came to associate this Black Christ figure with miracles. As legend has it, a ship that refused to carry the holy statue was lost at sea, while the ship that accepted it reached Campeche in record time. To this day, the Feast of San Román—when worshippers carry a black-wood Christ and silver filigree cross through the streets—remains a solemn but colorful affair.

On the south side of the town's main plaza stands the large Iglesia de San Servacio, sometimes spelled "San Gervasio." Although many refer to it as a catedral, it is not the seat of the diocese—that's in Mérida. Its limestone exterior is impressive, but the interior is rather plain. The church makes a stunning anchor for the plaza when illuminated at night.

The elaborately carved main altarpiece and matching side altars here were restored inch by inch, and this long, narrow house of worship now adds more than ever to historic Calle 59's old-fashioned beauty. Built in 1565, it was originally called Iglesia de San Francisco for St. Francis. In addition to a statue of Francis, humbler-looking saints peer out from smaller niches.

A ceremonial center of almost Grecian beauty, Kabah was once linked to Uxmal by a sacbé, or raised paved road, at the end of which looms a great independent arch—now across the highway from the main ruins. The 151-foot-long Palacio de los Mascarones (Palace of the Masks) boasts a three-dimensional mosaic of 250 masks. On the central plaza, you can see ground-level wells called chultunes, which were used to store precious rainwater.

The Kinich Kakmó pyramid was the largest pre-Hispanic construction in the Yucatán and is the third-largest pyramid in Mexico, after the Pyramid of the Sun at Teotihuacan and the Cholula Pyramid near Puebla. It's all that remains of the royal Maya city that flourished here between AD 250 and 600. Dedicated to a Maya sun god, the massive structure is more remarkable for its size than for any remaining decoration.

Although it has a palace and a small pyramid, the most photographed building at Labná is a striking monumental corbeled arch. With its elaborate latticework and a small chamber on each side, it provided a grand entrance into a sacred precinct for anyone arriving on the road to and from Uxmal. It is believed that Labná was used mainly by royalty and the military elite.

A broad sidewalk, more than 4 km (2½ miles) long, runs the length of Campeche's waterfront boulevard, from northeast of the Debliz hotel to the Justo Sierra Méndez monument at downtown's southwestern edge. With its landscaping, sculptures, rest areas, and fountains lighted up at night in neon colors, the promenade attracts walkers, joggers, and cyclists. (Note the separate paths for each.) On weekend nights, students turn the malecón into a party zone, and families with young children fill the parks on both sides of the promenade after 7 or 8 pm, staying out surprisingly late to enjoy the cooler evening temperatures.

Built in the early 20th century by one of the Yucatán's wealthiest plantation owners, Fernando Carvajal Estrada, this eclectic mansion is a reminder of the city's heyday, when Campeche was the peninsula's only port. Local legend insists that the art nouveau staircase with Carrara marble steps and iron balustrade, built and delivered in one piece from Italy, was too big and had to be shipped back and redone. These days the mansion is filled with government offices—you'll have to stretch your imagination a bit to picture how it once was.

Mayapán, which has an architectural style reminiscent of Uxmal, flourished during the Post-Classic period, making it one of the peninsula's last major Maya city-states. Though it was destroyed in 1450, presumably by war, the city is thought to have once been as big as Chichén Itzá, with a population of 12,000 or more at its peak. Of the site's more than 4,000 mounds, only a half-dozen have been excavated, including the palaces of Maya royalty and the temple of the benign god Kukulcán, where stucco sculptures and murals in vivid reds and oranges have been uncovered.

The site is 42 km (26 miles) northeast of Ticul and 43 km (27 miles) south of Mérida. Be sure you head toward the Mayapán ruins (just south of Telchaquillo) and not the town of Mayapán, since they are far apart.

Located next to the cathedral, the building that houses this museum has served in the past as a seminary, an art school, and even a military barracks. It now showcases the works of contemporary Yucatecan artists and hosts a variety of temporary exhibits featuring leading Mexican and international contemporary artists. It's free to visit; just sign the guestbook.

The archaeological site of Oxkintok (osh-kin-tok)—44 km (27 miles) northeast of Uxmal near the town of Maxcanú—was an important Maya capital that dominated the region from about AD 300 to 1100. Little was known about it until excavations began here in 1987. Structures that have been excavated so far include two tall pyramids and a palace with stone statues of several ancient rulers. Archaeologists debate the meaning of the name: Some say the site's name means "three days of flame"; others interpret it as "three days of hardship." To get here from Uxmal, follow Carretera 261 north to Muna and then take Carretera 184 northeast.

The most compelling of the mansions on Paseo de Montejo, this stately residence was built for General Francisco Cantón between 1909 and 1911. Designed by Enrique Deserti, who also drew up the plans for the Teatro Peón Contreras, the building has a grandiose air that seems more characteristic of a mausoleum than a home: there's marble everywhere, as well as Doric and Ionic columns and other Italianate Beaux-Arts flourishes. It now houses the Museo Regional de Antropología de Yucatán which focuses mostly on Maya history, art, and culture and sometimes other aspects of Yucatecan life. The exhibitions are generally excellent although signage is often only in Spanish, or Spanish and Mayan.

This dramatic museum in the heart of the historic center, designed in a collaboration between four leading architecture firms, opened in 2019 and is devoted to the history of Mexican music. Dozens of listening stations enable you to hear everything from classical compositions and traditional rancheras to current pop and rock songs. The museum also hosts concerts, featuring music from a variety of genres. 

Visit the seat of state government on the north side of Plaza Grande. You can see Fernando Castro Pacheco's murals of the bloody history of the conquest of the peninsula, painted in bold colors and influenced by the Mexican muralists José Clemente Orozco and David Alfaro Siqueiros. On the main balcony (visible from outside on the plaza) stands a reproduction of the Bell of Dolores Hidalgo, on which Mexican independence rang out on the night of September 15, 1810, in the Guanajuato town of Dolores Hidalgo. On the anniversary of the event, the governor rings the bell and leads the crowds below in the Grito (battle cry), a ritual performed in town squares across the country.

A half block north of the main plaza is this small, cozy park, officially known as Plaza Cepeda Peraza. Historic mansions, now reincarnated as hotels and sidewalk cafés (including a Starbucks), line its southern and eastern sides, and at night the area comes alive with marimba bands and street vendors. On Sunday, the streets are closed to vehicular traffic, and there's free live music performed throughout the day.

Though small by Mexican standards, this central park is picturesque with a beautiful view of Catedral de la Inmaculada Concepción. Half of the old-fashioned kiosk in the park's center contains a branch of the municipal tourist office. The other half houses a pleasant café-bar, where you can sit and watch residents out for a stroll and listen to the itinerant musicians who often show up to play traditional ballads in the evenings.

The simple market in Parque Santa Ana, just to the west of Paseo Montejo and north of Calle 47, is a popular breakfast spot, where locals happily start their days with regional dishes and fresh juices at plastic tables. The tamales are good, and the tortas de cochinita (pork sandwiches flavored with a few drops of sour-orange chile sauce) are heavenly. Most vendors close at 1:30 pm, but some reopen to sell snacks from 7 pm until late in the evening.

This park at Calles 60 and 55 is lined with popular, if a bit touristy, restaurants and draws crowds with its Thursday-night music and dance performances (shows start at 9, but come early if you want to sit close to the performers). On Sunday, couples also come to dance to a live band and dine on food from carts set up in the plaza. The Iglesia de Santa Lucía opposite the park dates from 1575 and was built as a place of worship for the Maya, who weren't allowed to worship at just any Mérida church.

Mérida's top children's attraction features pleasant wooded paths, playgrounds, inexpensive amusement-park rides, an inline skating rink, a small lake you can row on, and a little train that circles the property. It also includes cages that house more than 300 native animals, including exotic ones like lions and tigers (a modern zoo this is not, and you might not approve of those cages). At the exit, you’ll find snack bars and vendors; there are on-site picnic areas, too. The French Renaissance–style arch commemorates the 100th anniversary (in 1910) of Mexican independence.