13 Best Sights in Padua, The Veneto and Friuli–Venezia Giulia

Thousands of faithful make the pilgrimage here each year to pray at the tomb of St. Anthony, while others come to admire works by the 15th-century Florentine master Donatello. His equestrian statue (1453) of the condottiere Erasmo da Narni, known as Gattamelata, in front of the church is one of the great masterpieces of Italian Renaissance sculpture. The huge church, which combines elements of Byzantine, Romanesque, and Gothic styles, was probably begun around 1238, seven years after the death of the Portuguese-born saint. The Cappella del Santo (housing the tomb of the saint) dates from the 16th century.

The emotional intensity and naturalism of the frescoes illustrating the lives of Mary and Jesus in this world-famous chapel broke new ground in Western art. Enrico Scrovegni commissioned these frescoes to atone for the sins of his deceased father, Reginaldo, the usurer condemned to the Seventh Circle of the Inferno in Dante's Divine Comedy. Giotto and his assistants worked on the frescoes from 1303 to 1305, arranging them in tiers to be read from left to right. To preserve the artwork, doors are opened only every 15 minutes.

Usually visited along with the neighboring Cappella degli Scrovegni, this former monastery houses a rich array of exhibits and has wonderful cloister gardens with a mix of ancient architectural fragments and modern sculpture. The Pinacoteca displays works of medieval and modern masters, including some by Tintoretto, Veronese, and Tiepolo. Standouts are the Giotto Crucifix, which once hung in the Cappella degli Scrovegni, and the Portrait of a Young Senator, by Giovanni Bellini (1430–1516).

The Venetian Republic ordered the creation of Padua's botanical garden in 1545 to supply the university with medicinal plants, and it retains its original layout. You can stroll the arboretum—still part of the university—and wander through hothouses and beds of plants that were introduced to Italy in this late-Renaissance garden. A St. Peter's palm, planted in 1585, inspired Goethe to write his 1790 essay, "The Metamorphosis of Plants." The wonderful museum opened here in 2023, contains fascinating botanical collections and multimedia displays that explore the garden's history and evolution of plant use in medicine.

The University of Padua, founded in 1222, centers on this predominantly 16th-century palazzo with an 18th-century facade. It's named after the Osteria del Bo (bo means "ox"), an inn that once stood on the site. It's worth a visit to see the perfectly proportioned anatomy theater (1594), the beautiful Old Courtyard, and a hall with a lectern used by Galileo. You can enter only as part of a guided tour; weekend/public holiday tours allow access to other parts of the university including the gorgeous 1930–40s interiors by Milanese architect-designer Gio Ponti; most guides speak English, but it is worth checking ahead by phone.

A very popular hot-springs spa town about 12 km (7 miles) southwest of Padua, Abano Terme lies at the foot of the Euganean Hills among hand-tilled vineyards. If a bit of pampering sounds better than traipsing through yet another church or castle, indulge yourself with a soak, a massage, or mud treatments, which are especially recommended for joint aches. A good-value weekday pass (€45) is available at Hotel Antiche Terme Ariston Molino Buja for access to their thermal pools ( aristonmolino.it).

During the 16th century the Brenta was transformed into a mainland version of Venice’s Grand Canal with the building of nearly 50 waterside villas. Back then, boating parties viewed them from burchielli—beautiful river barges. Today the Burchiello excursion boat makes full- and half-day tours along the Brenta in season, departing from Padua and Venice; tickets can also be bought at travel agencies. You visit three houses, including the Villas Pisani and Foscari, with a lunchtime break in Oriago (€26 or €30 extra). There is also the option to rent or bring your own bike to explore partly on wheels as part of a trip. Note that most houses are on the left side coming from Venice, or the right from Padua.

This 13th-century church houses substantial fragments of Andrea Mantegna's frescoes (1448–50), which were damaged by Allied bombing in World War II. Despite their fragmentary condition, Mantegna's still beautiful and historically important depictions of the martyrdom of St. James and St. Christopher show the young artist's mastery of extremely complex problems of perspective.

For a fascinating and delightful day excursion out of Padua, take a drive (or a bus ride) to see several medieval towns. Monselice, 23 km (14 miles) south of Padua, has a castle perched on a hilltop that is everything a 13th-century castle should be, both inside and out. It also has the Villa Duodo, designed by Palladio's disciple and collaborator, Scamozzi. Este, 10 km (6 miles) west of Monselice, is another example of a medieval walled city. Farther west, the walls surrounding the town of Montagnana, 50 km (30 miles) southwest of Padua, are some of the best preserved in Italy; they enclose a market square, a 500-year-old cathedral, a Palladian Villa, and a medieval castle.

At this spa town about 13 km (8 miles) southwest of Padua, you can luxuriate in thermal mineral pools. Montegrotto Terme has several hotels whose treatments vary from simple massage and thermal and mud baths to hydrokinetic therapy. Scuba enthusiasts head here for the world's deepest indoor pool, Y-40 Deep Joy. The verdant hills of the nearby Parco dei Colli Euganei provide opportunities for walking, cycling, and other outdoor pursuits. The nearest railway stop, on the Bologna–Padua line, is Terme Euganee–Montegrotto. Taxis are available outside the station.

Also known as Il Salone, the spectacular arcaded reception hall in Padua's original law courts is as notable for its grandeur—it's 85 feet high—as for its colorful setting, surrounded by shops, cafés, and open-air fruit and vegetable markets. Nicolò Miretto and Stefano da Ferrara, working from 1425 to 1440, painted the frescoes after Giotto's plan, which was destroyed by a fire in 1420. The stunning space hosts art shows, and an enormous wooden horse, crafted for a public tournament in 1466, commands pride of place. It is patterned after the famous equestrian statue by Donatello in front of the Basilica di Sant'Antonio, and may, in fact, have been designed by Donatello himself in the last year of his life.

Some fine examples of 15th- and 16th-century buildings line this square. On the west side, the Palazzo del Capitanio (facade constructed 1598–1605) has an impressive Torre dell'Orologio, with an astronomical clock dating from 1344 and a portal made by Falconetto in 1532 in the form of a Roman triumphal arch. The 12th-century Battistero del Duomo (Cathedral Baptistry), with frescoes by Giusto de' Menabuoi (1374–78), is a few steps away.

Extensive grounds with rare trees, ornamental fountains, and garden follies surround this extraordinary palace in Stra, 13 km (8 miles) southeast of Padua. Built in 1721 for the Venetian doge Alvise Pisani, it recalls Versailles more than a Veneto villa. This was one of the last and grandest of many stately residences constructed along the Brenta River from the 16th to 18th centuries by wealthy Venetians. Gianbattista Tiepolo's (1696–1770) spectacular fresco on the ballroom ceiling, The Apotheosis of the Pisani Family (1761), alone is worth the visit. For a relaxing afternoon, explore the gorgeous park and maze.