23 Best Sights in Quito, Ecuador

The "company" referred to here is the Society of Jesus, the powerful Jesuit order that profoundly influenced religious life in colonial South America. In many cities, Quito included, the local Jesuit church outshone the local cathedral. La Compañía is the most impressive of the capital's 86 churches, with 10 side altars and a high altar plated with gold. The high central nave and the delicacy of its Arab-inspired plasterwork give the church a sumptuous, almost sinfully rich appearance. Indeed, almost half a ton of gold was poured into the ceilings, walls, pulpits, and altars during its 160 years of construction (1605–1765). At the center of the main altar is a statue of the Quiteña saint Mariana de Jesús; her remains are entombed at the foot of the altar. Guided tours in Spanish or English are included in your admission price. If you see nothing else in Quito, don't miss this.

Construction of this neo-Gothic church has been going on for more than a century, but it still isn't completed, and never will be: Local susperstition holds that the world will end when basilica construction is finished. Here the traditional gargoyles found on such structures are representations of Ecuadoran jungle animals. The structure bridges the Old and New cities—literally, figuratively, and stylistically—but falls into neither. Its 115-meter (380-foot) towers are one of Quito's best-known lookout points.

Here's a textbook case on how to do urban renewal: The city has taken one of its most historic streets, cleaned it up, beefed up security, and given grants to owners to refurbish their properties. The result is a two-block pedestrian-only cobblestone street lined with independent galleries, shops, cafés, and a few small bars. Flowers deck out the wrought-iron balconies and flags flutter over strolling Quiteños.

The restored Sucre House, once the residence of Field Marshal Antonio José de Sucre, displays 19th-century furniture and clothing as well as photographs, historical documents, and letters. The house makes an interesting visit if you're a military-history buff.

This museum of pre-Colombian art and artifacts is easy to miss, hidden as it is inside a lovingly-restored 17th-century house. The museum has arranged the pieces thematically, not chronologically, so a walk through the eight galleries is both a history and an art lesson. The museum is small, so you can move through it in less than an hour before or after visiting Iglesia de San Francisco next door. There are two tranquil courtyards here where guests are welcome to relax. The gift shop sells nice Ecuadorian handicrafts alongside some locally-made clothing and bags. The free audio tours are informative and engaging.

The city's cathedral is a repository of art from the Quiteña school, which combined themes of Spanish and indigenous cultures: Jesus preaching in the Andes or the Wise Men mounted on llamas in the Nativity scene. The exceptional sculpting abilities of Manuel Chili Caspicara can be appreciated in the 18th-century tableau The Holy Shroud, which hangs behind the choir, and in the intricate designs of the rococo Chapel of St. Anne, in the right aisle. The building also houses the volcanic rock-hewn tomb of Quito's liberator, Antonio José de Sucre. A guided tour in Spanish or English is included in your admission price. Enter around the corner on Venezuela.

The opening of the New City's Teleferiqo has eclipsed this rounded hill and its stunning views as Quito's most popular lookout point, but El Panecillo wins in convenience and authenticity; it's easy to walk to, you can climb up, and the presentation here is more serene.. At the top stands the monumental cast-aluminum statue of the city's protectress, the Virgin of Quito—a 1976 copy of Bernardo de Legarda's famous 18th-century sculpture Virgin of the Apocalypse of the Immaculate Conception, on display in the Iglesia de San Francisco. There are police on the long flight of stairs up, so it's safe to climb. Due to the elevation, a moderate level of fitness is needed to tackle the stairs, so some visitors may wish to take a taxi and have it wait for you at the top (about $10 round-trip).

Ecuador's most famous contemporary artist, Oswaldo Guayasamín (1919–99), held court at a workshop and beautiful museum in the residential neighborhood of Bellavista, befriending everyone from the Rockefellers to Fidel Castro during his long career. This is the starkly modern vision the artist never lived to see completed: a secular chapel of art dedicated to the history of mankind, housing a collection of his cubist works on the theme of social injustice in Latin American history. Take a guided tour in English or Spanish. It's included in your ticket price and will prove invaluable for understanding what you're seeing. On display here are pre-Colombian ceramics, colonial sculptures, and paintings from his private collection, as well as a permanent exhibit of his own paintings. Original works by Guayasamín, as well as prints, posters, and T-shirts, are sold in the gift shop.

Nestled in a secluded valley below the Guayasamín museums, the village of Guápulo is a preserved pocket of colonial architecture only 2 km (1 miles) from Quito's New City. Early September brings Guápulo's annual festival, which features food, drink, and marching bands. To reach Guápulo, walk downhill via the steep staircase directly behind the Hotel Quito, east of the city at Avenida Gonzáles Suárez 2500. To return, make the uphill trek, or take a taxi for about $4.

The settlement, with narrow cobblestone lanes lined with two-story white houses trimmed in blue, grew up around its impressive 17th-century church, the Santuario de Guápulo. The Guápulo Sanctuary contains pieces by some of Quito's most exceptional sculptors and painters; the paintings in the central nave are the work of Miguel de Santiago, and the side altar and pulpit—completed in 1716 and considered masterpieces of colonial art—were carved by Juan Bautista Menacho.

The Church of Mercy's beautiful, light-filled interior contains a brilliant statue of the Virgin of Mercy above the main altar. It was sculpted to honor Mary, who supposedly intervened to save Quito from a series of 18th-century earthquakes and volcanic eruptions. The church's 153-foot tower houses the city's largest bell. The adjoining convent, shown by appointment only, features a rich collection of colonial paintings and sculptures.

In 1809 Ecuador's declaration of independence was signed in the Church of St. Augustine, and many of the soldiers who fought the Spanish crown are buried here. The gilded crucifix on the main altar offers an impressive example of a style of art called the Quiteña school. The altar displays paintings by Miguel de Santiago about the life of St. Augustine, while more depictions of the saint crowd the side aisles.

Established by Franciscan monks in 1536 and said to be the first church built in the Americas, the Church of San Francisco was named for the patron saint of the city. The twin towers, destroyed by an eruption of Volcán Pichincha in 1582, were rebuilt at half their original size in 1893, contributing to the facade's uninspiring appearance. Inside, however, you will find the first New World example of an interior entirely covered with gilded and painted wood. Stationed at the main altar is Bernardo de Legarda's famed 18th-century sculpture Virgin of the Apocalypse of the Immaculate Conception. The monastery, at the north end of the complex, now houses a museum of colonial religious art. You can arrange for an English-speaking guide with 24 hours' notice.

The interior of the colonial Church of Santo Domingo may not be as impressive as the Old City's other churches, but it does feature an eye-catching clock and some interesting statues, including the Virgen del Rosario. The adjacent Dominican monastery also holds a small museum of religious art. South of the Plaza Santo Domingo, narrow cobblestone streets lead down to Calle Ronda, one of Quito's first streets.

The Church of the Shrine is noted for its beautiful facade in carefully sculpted stone, large gilded altar, and colorful interior, which includes an 18th-century mural of eight archangels covering the cupola. The site is undergoing a massive renovation at this writing, but do stop in even if the scaffolding is still up during your visit.

In the colonial section of Quito is the Museum of Maria Augusta Urrutia, which a grieving widow kept exactly as it had been when her husband was alive. Don't miss the collection of fine French porcelain, beautiful silver dinnerware, and Ecuadoran art from colonial times to the present. Of note are the works of Ecuadoran painter Victor Mideros.

The Museum of Colonial Art, housed in a restored 17th-century colonial mansion, includes colonial furniture and 16th- to 18th-century sculpture and paintings by Miguel de Santiago and various other members of the School of Quito. The amusing Vices and Virtues of the European Countries is a series of 12 allegorical 18th-century paintings by colonial masters Samaniego and Rodríguez.

Follow the life of the city from indigenous trading post and northern Inca capital to conflict with conquistadors up to the 19th-century. In the former San Juan de Dias Hospital, the city museum's grounds also include a chapel, two courtyards, and a small cafe. Located close to several major Old City attractions, it's a nice historical overview for travelers with limited time.

The Central Bank Museum, Quito's most modern museum, features an astonishing collection of pre-Colombian archaeology and Inca artifacts. Brightly lighted cases containing sculptures from different regions of Ecuador stand next to large-scale dioramas detailing the minutiae of pre-Colombian life. The first floor includes an unparalleled collection of gold artifacts; journey upstairs to an excellent exhibit of colonial paintings and sculptures. Up one flight more you'll find an impressive collection of modern Ecuadoran paintings.

One of Quito's largest parks, El Ejido is popular for its extensive playgrounds and courts for ecuavoli (three-person volleyball). Theater groups regularly hold impromptu performances here, and there are often open-air art exhibitions on Saturday. You can also usually find a handicraft market in progress on weekends. As pleasant as it is by day, Parque El Ejido should be avoided once the sun goes down.

The elongated triangle of La Alameda Park lies between the Old and New cities, near the Asamblea Legislativa, a large, modern building that houses the nation's congress. This is a pleasant, shady park where pedal and row boats can be hired and Quiteños enjoy cycling and jogging. At the center of the park stands the handsome, yellow El Observatorio, the oldest astronomical observatory in South America, though it's rendered useless by the bright city lights. Within is a small, free museum showcasing vintage astronomy equipment. A monument to Simón Bolívar dominates the southern apex of the triangle.

Locals always refer to the city's main square, shaded by palms and pines, as the Plaza Grande. The portico gracing the plaza's northern end, once the archbishop's palace, now holds a variety of stores and businesses, including several souvenir and sweets shops. The main branch of Quito Turismo, the city's top-notch tourist office, flanks the east side of the plaza. The white, 19th-century neoclassical Palacio de Carondelet—sometimes referred to as Palacio de Gobierno (Government Palace)—occupies the west side. Admission is free and worth it for the views of the plaza alone; you'll need to bring your passport or a copy of it to get a timed entry ticket from the booth on the lefthand side. You'll then join a 30-minute group tour at the appointed time, and your guide will hold on to your passport until the end of the tour. Tours are in Spanish but some of the friendly guides speak English, too.

Quito's flashiest attraction whisks you from the foothills of Volcán Pichincha to its height (4,050 meters [13,300 feet]) courtesy of a fleet of six-passenger gondola cars. Ascending the 1,100 meters (3,620 feet) to the top is accomplished in just 10 minutes. (Lines are long but move quickly; your $8.50 admission [double what Ecuadorans pay] gives you access to an express queue.) At the base you'll find a complex containing a shopping center and an amusement park called Vulqano Park. At the top is a small snack shop as well as a first-aid station with oxygen in case you develop problems with the high altitude. The volcano's summit lies another 215 meters (700 feet) higher; when the sky is clear, the views are breathtaking (literally), but you'll need to be fit and in hiking shoes to take this on. Note that while safety up here has improved, a few robberies have been reported on the trail to the top. The cable-car trip is worth it, but retain a healthy respect for the altitude.

Don't head up here unless you've already become acclimatized to the altitude by having been in the highlands for a few days continuously---and even then, take it easy at the top.

Be sure to bring a jacket: it can get cold and windy. The vistas are stupendous, although mornings can be foggy and obscure your view. We recommend an afternoon or evening visit.

Outdoor cafés are a scarce commodity in the Old City. But Tianguez, a small restaurant/artisan shop makes a pleasant place to while away an afternoon with a gourmet coffee drink—made with fair-trade product—while you write a few cards to the folks back home and watch the passing parade on Plaza San Francisco. A tiny indoor dining area with wooden tables serves effectively on those days when it's too chilly for the green tables and umbrellas on the outdoor patio. Tianguez takes its name from the Quichua word for market (the plaza was a vast outdoor market during Inca times). Tianguez is open daily during the day and Wednesday–Sunday evenings until 11:30 pm, one of the few places to spend an evening in the Old City.