Fodor's Expert Review San Zaccaria

Castello Religious Building/Site/Shrine Fodor's Choice
San Zaccaria, Castello, Venice, Italy.

More a museum than a church, San Zaccaria has a striking Renaissance facade, with central and upper portions representing some of Mauro Codussi's best work. The lower portion of the facade and the interior were designed by Antonio Gambello. The original structure of the church was 14th-century Gothic, with its facade completed in 1515, some years after Codussi's death in 1504, and it retains the proportions of the rest of the essentially Gothic structure. Inside is one of the great treasures of Venice, Giovanni Bellini's celebrated altarpiece, La Sacra Conversazione, easily recognizable in the left nave. Completed in 1505, when the artist was 75, it shows Bellini's ability to incorporate the aesthetics of the High Renaissance into his work. It bears a closer resemblance to the contemporary works of Leonardo (it dates from approximately the same time as the Mona Lisa) than it does to much of Bellini's early work. The Cappella di San Tarasio displays frescoes by Tuscan Renaissance... READ MORE

More a museum than a church, San Zaccaria has a striking Renaissance facade, with central and upper portions representing some of Mauro Codussi's best work. The lower portion of the facade and the interior were designed by Antonio Gambello. The original structure of the church was 14th-century Gothic, with its facade completed in 1515, some years after Codussi's death in 1504, and it retains the proportions of the rest of the essentially Gothic structure. Inside is one of the great treasures of Venice, Giovanni Bellini's celebrated altarpiece, La Sacra Conversazione, easily recognizable in the left nave. Completed in 1505, when the artist was 75, it shows Bellini's ability to incorporate the aesthetics of the High Renaissance into his work. It bears a closer resemblance to the contemporary works of Leonardo (it dates from approximately the same time as the Mona Lisa) than it does to much of Bellini's early work. The Cappella di San Tarasio displays frescoes by Tuscan Renaissance artists Andrea del Castagno (1423–57) and Francesco da Faenza (circa 1400–51). Castagno's frescoes (1442) are considered the earliest examples of Renaissance painting in Venice. The three outstanding Gothic polyptychs attributed to Antonio Vivarini earned it the nickname "Golden Chapel."

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Religious Building/Site/Shrine Fodor's Choice

Quick Facts

4693 Castello
Venice, Veneto  30122, Italy

041-5221257

Sight Details:
Rate Includes: Church free, chapels and crypt €1.50

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