Tuscany
We’ve compiled the best of the best in Tuscany - browse our top choices for the top things to see or do during your stay.
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We’ve compiled the best of the best in Tuscany - browse our top choices for the top things to see or do during your stay.
Periodic excavations since 1950 have brought to light segments of Arezzo's Roman amphitheater, which was probably built during the early 2nd century AD. The entire perimeter has been exposed, and you can see some of the entrance passages and the structures that supported the amphitheater's central arena. The ticket price includes admission to the Museo Archeologico.
This Romanesque abbey has been owned by internationally acclaimed cookbook author Lorenza de' Medici's family for more than a century and a half (the family isn't related to the Florentine Medici). Wine has been produced here since the abbey was founded by Vallombrosan monks in the 11th century. Today, the family continues the tradition, making wines, cold-pressed olive oil, and various flavored vinegars. Don’t miss the jasmine-draped courtyard and the inner cloister with its antique well.
The dining hall of the towering 11th-century Abbey of Passignano houses a stunningly massive, 21-foot-wide Last Supper (1476) by Domenico and Davide Ghirlandaio, and the monastery's church has a 13th-century sculpture of St. Michael slaying the dragon.
The Duomo's 14th-century Gothic Baptistery was built to prop up the apse of the cathedral. There are frescoes throughout, but the highlight is a large bronze 15th-century baptismal font designed by Jacopo della Quercia. It's adorned with bas-reliefs by various artists, including two by Renaissance masters: the Baptism of Christ by Lorenzo Ghiberti (1378–1455) and the Feast of Herod by Donatello.
This lovely Gothic baptistery, which stands across from the Duomo's facade, is best known for the pulpit carved by Nicola Pisano (circa 1220–84; father of Giovanni Pisano) in 1260. Every half hour, an employee will dramatically close the doors, then intone, thereby demonstrating how remarkable the acoustics are in the place.
According to legend, the cemetery—a walled structure on the western side of the Piazza dei Miracoli—is filled with earth that returning Crusaders brought back from the Holy Land. Contained within are numerous frescoes, notably The Drunkenness of Noah, by Renaissance artist Benozzo Gozzoli (1422–97), and the disturbing Triumph of Death (14th century; artist uncertain), whose subject matter shows what was on people's minds in a century that saw the ravages of the Black Death.
Only a handful of people actually live on the island of Capraia, which is frequented mainly by sailors. It's a rocky and hilly unspoiled national park, with only one sandy beach, Cala della Mortola, on the northern end of the island. the rest of the coast is a succession of cliffs and deep green coves with pretty rock formations. The 2½-hour ferry trip departs from Livorno and docks at the town of Capraia Isola, dominated by the Fortezza di San Giorgio up above. Nearby, an archway leads to an area that was once a prison.
Some 10 km (6 miles) south of La Verna on SR54 is the small hilltop town where Michelangelo Buonarroti, sculptor, painter, architect, and poet, was born on March 6, 1475. During two weekends in mid-October, Caprese Michelangelo's very lively Sagra della Castagna (Chestnut Festival) takes place. Among the many delights that feature in the fair, the freshly made castagnaccia (a typically Tuscan dessert made with chestnut flour, pine nuts, olive oil, and rosemary) is a must-try.
Pontormo's Visitation is in this small village a short drive from Poggio a Caiano. The Franciscan church of San Michele, dedicated in 1211, houses the work. The painting dates 1527–30, and it may well be Pontormo's masterpiece. The luminous colors, flowing drapery, and steady gaze shared between the Virgin and St. Elizabeth are breathtaking. The church's small cloister, shaded by olive trees, is always open, and offers a quiet place to sit.
Giorgio Vasari (1511–74), the region's leading Mannerist artist, architect, and art historian, designed and decorated this house after he bought it in 1540. He ended up not spending much time here, since he and his wife moved to Florence in 1554. Today, the building houses archives on Vasari, as well as works by the artist and his peers. In the first room, which Vasari called the "Triumph of Virtue Room," a richly ornamented wooden ceiling shows Virtue combating Envy and Fortune in a central octagon.
Caterina Benincasa, born here in 1347, had divine visions and received the stigmata, but she is most famous for her words and her argumentative skills. Her letters—many of which are preserved in the Biblioteca Comunale—were dictated because she did not know how to write. She is credited with convincing Pope Gregory XI (1329–78) to return the papacy to Rome after 70 years in Avignon and French domination, ending the Western Schism. Caterina died in Rome in 1380 and was canonized in 1461. In subsequent centuries, the rooms of the house, including her cell and the kitchen, were converted into a series of chapels and oratories and decorated by noteworthy artists with scenes from Caterina's life. In 1939, she was made a patron saint of Italy, along with St. Francis of Assisi. In 1970, she was elevated to Doctor of the Church, the highest possible honor in Christendom. She has been named a patron saint of Europe but, strangely enough, never of her hometown.
Lucca's most famous musical son was born in this house. It includes the piano on which Puccini composed Turandot, as well as scores of important early compositions, letters, costumes and costume sketches, and family portraits.
No one knows the precise location of Leonardo da Vinci's birthplace, but this typical 15th-century Tuscan house is in the general vicinity and probably shares much in common with the house where he was born. It's in Anchiano, 3 km (2 miles) from Vinci, and can be reached easily on foot or by car. It has a primitive interior—it hasn't been gussied up for tourists. Note the printed inventory of Leonardo's library. His tastes in literature were wide-ranging, from the ancients to contemporary (15th-century) authors.
Outside Saturnia, the hot, sulfurous waters cascade over natural limestone shelves at the Cascate del Gorello, affording bathers a sweeping view of the open countryside. The falls are on public land and can be enjoyed 24 hours a day. They get extremely crowded—day and night—during August.
This formidable structure, near Santa Maria delle Carceri, is an impressive sight. The (Sicilian) Holy Roman Emperor Frederick II (1194–1250) built the seat of his authority in Tuscany in this somewhat unlikely spot. Frederick's castles were designed to echo imperial Rome, and the many columns, lions, and porticoes testify to his ambition. This is the only castle he built outside southern Italy (other examples may be found in Sicily and Puglia).
Seven different wine tours are on offer here, including a few that involve some very good food. In the capable hands of the Mazzei family since the 11th century, this gorgeous estate is a perfect place to taste some very fine wines, which pair well with items on the Tuscan menu in the osteria.
It's a pretty drive up winding roads to this 13th-century fortress. Attached is an 18th-century villa; a wineshop serves tastes of the locally produced wine as well as honeys and jams. It's worth visiting the castle, which is possible by guided-tour only (reservations required), to get a sense of how 18th-century aristocrats lived; the tour also includes a visit to the cellar and to the gardens. If that doesn't interest you, proceed directly to the enoteca for a tasting. Apartments clustered near the castle are available for rent.
At this small enoteca on Piazza della Cisterna, you can sample and purchase the fine wines, olive oil, and flavored vinegars made by Castello di Volpaia. Booked in advance, tours in English of the winery and olive press are also available.
This beautiful cathedral, which practically abuts the Museo Nazionale Etrusco, is thought by many to be the among the oldest churches in Tuscany; parts of it date from the mid-6th century. It houses the remains of Santa Mustiola, the patron saint of the city. It has very little artificial light inside, so you can get a pretty good idea of how people experienced this space over the centuries.
Prato's Center for Contemporary Art Luigi Pecci contains works of artists from around the world completed after 1965. The exhibitions constantly change, and often feature debut presentations.
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