Sicily

We’ve compiled the best of the best in Sicily - browse our top choices for the top things to see or do during your stay.

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  • 21. Filicudi WildLife Conservation

    This nonprofit is dedicated to research and conservation of Aeolian sea life, particularly dolphins, sperm whales, and sea turtles. You can join one of their naturalistic excursions to go snorkeling with a marine biologist, go out on a boat at dawn to watch for cetaceans and turtles, or have a guided visit to the Sea Turtles First Aid Center. If you'd like to become more involved, you can join a one-week research camp on dolphins and turtles as a volunteer.  

    Filicudi Porto, Sicily, Italy
    320-8624917

    Sight Details

    Rate Includes: From €40
  • 22. Gran Cratere

    The path to the island's main crater, the Gran Cratere, starts just south of Porto di Levante, and the entire climb takes about an hour. While the ascent itself is easy(ish), the path is a slippery mix of sand and stones, so wear good sturdy shoes. Just be aware that it's a fully exposed climb, with no shade trees anywhere on the path, just smatterings of yellow-blossomed gorse bushes, so plan to go early or late in the day to avoid the full beatdown of the sun. But the climb is truly worth it: the rim of this crater is the only place in the Aeolians where you can see the whole archipelago in one glance. 

    Gran Cratere, Vulcano, Sicily, Italy
  • 23. Greek Temple Ruins

    Selinunte was one of the most important colonies of ancient Greece, recently discovered to have been home to the largest industrial quarter found in any ancient European city. Founded in the 7th century BC, the city became the rich and prosperous rival of Segesta, making its money on trade and manufacturing ceramics. When in 409 BC Segesta turned to the Carthaginians for help in vanquishing their rival, the Carthaginians sent an army to destroy Selinunte. The temples were demolished, the city was razed, and 16,000 of Selinunte's inhabitants were slaughtered. Archaeologists recently discovered pots with the remains of food inside, proof that some were in the middle of eating when the attackers arrived. The remains of Selinunte are in many ways unchanged from the day of its sacking—burn marks still scar the Greek columns, and much of the site still lies in rubble at its exact position of collapse. The original complex held seven temples scattered over two sites separated by a harbor. Of the seven, only one—reconstructed in 1958—is whole. This is a large archaeological site, so you might make use of the private navetta (shuttle) to save a bit of walking. Alternatively, if you have a car, you can visit the first temples close to the ticket office on foot and then drive westward to the farther site. Be prepared to show your ticket at various stages.

    SS115, Marinella Selinunte, Sicily, 91022, Italy
    0923-1990030

    Sight Details

    Rate Includes: €8
  • 24. Himera Archeological Area and Museum

    Not far from Termini is the hamlet of Buonfornello, a precious archaeological site that includes the remains of the ancient city of Himera, founded by Greek settlers in 648 BC. Hannibal later destroyed ancient Himera in 409 BC, and the surviving population moved to the nearby thermal springs, which later became Termini Imerese. The outdoor archaeological area houses the ruins of many Roman temples and buildings. The more precious items recovered from the excavations are housed in the on-site museum. These include artifacts like bronze and ceramic vases and intricate artworks made with other precious metals.

    Buonfornello, Palermo, Sicily, 90018, Italy
    091-8140128

    Sight Details

    Rate Includes: €4, Closed Mon.
  • 25. Kasbah

    The twisted maze of narrow streets and tiny courtyards at the core of Mazara’s historical center is most interesting if you visit with a local guide. There is no danger, but as the distinction between what is a private courtyard and a public thoroughfare is blurred, it is far more comfortable, as a stranger, to be accompanied by a local (in addition, you will probably get to meet a few of the 4,000-strong Tunisian community who live here). Throughout the Kasbah (and indeed scattered all over the historic center) are a series of ceramic statues, some commissioned from local artists, others by schoolchildren, as an appealing initiative by the local administration. On Via Porta Palermo, students from the local art school were given free rein to decorate the metal doors of abandoned lock-ups. Tours are at their most evocative just before sunset, when men gather after a day’s work in little social clubs, children play in the street or go to the community play center, and the sound of a recorded muezzin calls the faithful to prayer.

    Mazara del Vallo, Sicily, 91026, Italy
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  • 26. La Martorana

    Quattro Canti

    One piazza over from the dancing nymphs of Fontana Pretoria, this church, with its elegant Norman campanile, was erected in 1143 but had its interior altered considerably during the Baroque period. High along the western wall, however, is some of the oldest and best-preserved mosaic artwork of the Norman period. Near the entrance is an interesting mosaic of King Roger II being crowned by Christ. In it Roger is dressed in a bejeweled Byzantine stole, reflecting the Norman court's penchant for all things Byzantine. Archangels along the ceiling wear the same stole wrapped around their shoulders and arms. The much plainer San Cataldo is next door.

    Piazza Bellini 3, Palermo, Sicily, 90133, Italy
    345-8288231-mobile

    Sight Details

    Rate Includes: €2
  • 27. Lago di Pergusa, Cozzo Matrice, and the Grotta di Ade

    According to legend, it was at the huge natural lake of Pergusa that the Greek goddess Persephone was abducted by Hades and taken to live with him in hell. Ringed these days by a motor-racing track and overlooked by modern villas, a less evocative setting for the myth would be hard to imagine. Far more inspiring is the nearby hilltop known as Cozzo Matrice, riddled with caves that have niches carved into their walls for tombs, votive objects, and candles, with 360-degree views stretching as far as Mount Etna and the coast. One of the caves is known as the Grotta di Ade, or Cave of Hades, and would indeed be a far more resonant spot for his abduction of Persephone to the Underworld than the over-exploited lake.

    Str. Vicinale Monte Salerno 289, Enna, Sicily, 94100, Italy
  • 28. Le Grotte Bizantine di Sperlinga

    Thought to be originally from the Byzantine period (although their exact history is still unknown), these caves carved out of stone can be found in and around town. They were originally used as burial sites, but then eventually became homes, although how or why is still a mystery. They were actually still inhabited up until the 1960s. Today the curious tiny houses are open to the public, and those closest to town have been turned into a museum by the local government. 

    Via Principe Amedeo 51, Sicily, 94010, Italy
    0935-643221

    Sight Details

    Rate Includes: Free
  • 29. Marsala Salt Pans

    Driving along the flat and winding coast road north of Marsala, you'll soon come across the extraordinary series of salt pans glistening in the shallows of Sicily's largest lagoon, the Stagnone di Marsala. The shallow depth of the lagoon, ranging from 2 to 6 feet, has made it perfect for the production of salt, and it has been put to this purpose since Phoenician times. The sheer flatness of the scene is varied only by the conical heaps of salt and a scattering of the disused windmills once used to supply power. The scene is still and quiet most of the time, but you'll sometimes see pockets of activity, with full wheelbarrows of salt being hauled to the conveyor belts that create the mounds. The stacks of earthenware tiles you'll see everywhere are used to weigh down the salt to prevent it being from blown away by gusts of wind. It's an extremely photogenic tableau, with the light changing through the day and Mozia and the Egadi archipelago looming through the haze. The narrow coastal road is one-way for much of its length, and the cycle track running alongside it enables the area to be comfortably toured on two wheels.

    Marsala, Sicily, Italy
  • 30. Morgantina Archeological Site

    A remote and atmospheric archaeological site, Morgantina is quite beautiful, especially in spring when carpeted with wildflowers. In addition, it attracts few tourists, despite the fact that it hit the international headlines in the 1980s when it was discovered that several priceless but illegally excavated finds from the site had ended up in the Getty Museum in California. These have now been returned to Sicily and are on permanent exhibition in the small museum in nearby Aidone. Here, Greeks and indigenous Sikels seem to have lived together in relative peace on a hill named Cittadella until 459 BC, when the Sikel leader Ducetius, determined to free Central Sicily of Greek influence, drove the Greeks out. By the following century, the Greeks had regained control of Sicily, and Syracuse, in the southeast, had become the most powerful city in the Mediterranean. Lying roughly halfway along the road that led from the east to the north coast of Sicily, Morgantina was rebuilt, this time on the hill now known as Serra Orlando. The ancient economy of Morgantina was founded on the cultivation of wheat, so it is little surprise that the dominant cults were those of Demeter, goddess of harvest and fertility, and her daughter Persephone. Even today, the site is surrounded by an ocean of wheat and cereal fields, and asphodels, the flower sacred to Persephone, are abundant. In 211 BCE, the city was sacked by the Romans and handed as a war prize to Spanish mercenaries, who seem to have paid it little attention; according to the geographer Strabo, by the end of the following century, the city was nowhere to be seen. Excavations began in 1955, led by Princeton University with funding from the King and Queen of Sweden (who became regular summer visitors to the site). Today you enter the site through what was once a well-to-do residential area where several fine mosaic floors, made with tiny tesserae, can be spotted in the foundations of large houses. Beyond, Plateia A, once the main shopping street, leads into the Agora, or official center of town, with a public fountain, several abandoned lava grain mills, an Archive office (where you can still see holes where documents were pegged to the wall), and a very ingenious system of interlocking terra-cotta water pipes, each with an inspection panel that could be easily lifted to clear blockages. Overlooking the Agora is a small but beautifully preserved theater  (where performances are still held in summer), and the stepped benches of the Ekklesiaterion, the meeting place of the town rulers. On the far side of the Agora, you can walk up through ancient kilns to the foundations of what was once the public granary—under Siracusan rule, all citizens had to surrender a quota of the grain they grew as tax. Above are the remains of two elegant private houses, each with a courtyard and mosaic floors.

    Contrada Morgantina, Piazza Armerina, Sicily, 94010, Italy
    0935-87955

    Sight Details

    Rate Includes: €6
  • 31. Mount Etna

    Affectionally called Idda (or "she" in Sicilian dialect), Etna is basically always active, and occasionally there are airspace closures due to the spewing ash. But for the locals who live in her shadow, Etna is not some ever-present doomsday reminder. She's a living part of the dynamic landscape, loved and revered. In 387 BC, Plato sailed in just to catch a glimpse of it; in the 9th century AD, the first granita of all time was shaved off its snowy slopes; in 1669, it erupted continuously for four months and lava flows reached Catania; and in the 21st century, the volcano still grabs headlines on an annual basis. Significantly notable eruptions have occurred in the modern era, such as in 1971 (when lava buried the Etna Observatory), in 1981 (when the village of Randazzo narrowly missed destruction), in 2001 (when there was a large flank eruption), in 2002 (when a column of ash spewed that could be seen from space), and in 2008 (when the eruption lasted 417 days and triggered some 200 earthquakes). In February and March 2021, she erupted 11 times in a matter of three weeks, scattering windblown ash throughout the towns below, including Catania. Traveling to the proximity of the crater depends on Mount Etna's temperament, but you can walk up and down the enormous lava dunes and wander over its moonlike surface of dead craters. The rings of vegetation change markedly as you rise, with vineyards and pine trees gradually giving way to birch forests and growths of broom and lichen.

    Parco dell'Etna, Italy
    095-821111
  • 32. Museo Archeologico Regionale Eoliano

    This vast, multibuilding museum is terrific, with an intelligently arranged collection of prehistoric finds—some dating as far back as 4000 BC—from various sites in the archipelago, as well as Greek and Roman artifacts, including an outstanding collection of Greek theatrical masks, and even interesting information on volcanoes. Basic descriptions about the exhibits are provided in English and Italian, though more comprehensive information is in Italian only. That said, there is so much to see, the museum is worth at least a few hours of your time.

    Via Castello 2, Lipari, Sicily, 98055, Italy
    090-9880174

    Sight Details

    Rate Includes: €6, Closed Sun. afternoon
  • 33. Museo del Satiro Danzante

    In 2005, after four years of painstaking restoration in Rome (and several attempts to keep it there in the capital), the Dancing Satyr, the ancient Greek statue found by fishermen off the town's coast, found its permanent home here in the deconsecrated church of Sant’Egidio. Exquisitely lit and larger than life, it is a truly extraordinary work (despite missing both arms and a leg) caught mid-air, mid-dance in the throes of ecstasy, with the musculature and grace of movement associated nowadays with contemporary ballet. Scholars think it probably formed part of a group with other dancing Maenads, lost when the ship carrying them capsized in the Sicilian Channel. Ancient Greek bronze statues are extremely rare—only five have survived—as bronze was precious, and most were melted down. The satyr was created using the lost wax process, a technology designed to use as little bronze as possible: a clay model of the statue was made and fired, and when it cooled, it was covered with a layer of wax, followed by another layer of clay, this time with several holes. Then liquid bronze (heated to something like 1800°F) was poured through the holes. The melted wax then ran out, and the clay core turned to sand, leaving a bronze shell that would then have been polished. Other finds from under the sea are displayed in the museum, the most intriguing of which is the bronze foot of an elephant.

    Piazza Plebiscito, Mazara del Vallo, Sicily, 91026, Italy
    0923-933917

    Sight Details

    Rate Includes: Closed Mon.
  • 34. Museo di Arte Contemporanea Sotto Sale

    A natural salt deposit that was once one of the largest salt mines in Europe has been converted into the town's Museum of Contemporary Art. Aside from browsing the artwork, you can also visit the underground mining caves and see how the salt has been carved into a kind of underground cathedral filled with sculptures. The museum is currently only open one day a week, so be sure to book your tickets in advance to ensure your spot.

    Via del Salgemma, Petralia Soprana, Sicily, 90026, Italy
    366-3878751

    Sight Details

    Rate Includes: €8, Closed Sun.–Fri.
  • 35. Museo Mandralisca

    This museum comprises the private collection of Baron Enrico Pirajno di Mandralisca, a member of a local aristocratic family. Throughout his life, he collected antiques, artwork, fossils, ancient ceramics, and various other geological and natural history objects to form this extensive collection. His library and other items were eventually donated to the town and became the Museo Mandaralisca. The most significant piece of art here has to be the Portrait of an Unknown Man by Antonello da Messina. Monikered as the Sicilian Mona Lisa, the mysteriously smirking man is one of the early Renaissance artist's masterpeices.

    Via Mandralisca 13, Cefalù, Sicily, 90015, Italy
    092-421547

    Sight Details

    Rate Includes: €6
  • 36. Museo Regionale Archeologico

    Ancient Akragas (the Greek name for Agrigento) was synonymous with decadence and excess, a lifestyle perfectly summed up by the philosopher Plato who remarked that its people "built as if they are going to live forever, and eat as if they will never eat again." This museum is testimony to the fact that the people of Akragas had the means to buy the very best, from the high quality of the red-figured Greek banqueting ware to scenes on some of the magnificent kraters (used for mixing wine and water) that evoke life at an ancient dinner party in vivid detail. Look out as well for the double-walled wine jar, with space between its two walls for snow to chill the wine.

    Contrada San Nicola, Agrigento, Sicily, 92100, Italy
    0922-401565

    Sight Details

    Rate Includes: €8, €14 with Valle dei Templi
  • 37. Museo Whitaker and Mozia Archaeological Site

    Joseph Whitaker's former home now holds the Museo Whitaker, displaying a good selection of the finds excavated from Mozia Island. As you enter you'll see useful aerial photographs and models showing the island now and as it might have looked under Carthaginian rule. Most of the exhibits consist of steles, pottery, painted vases, and a scattering of spearheads and jewelry, but the centerpiece is the so-called youth of Motya, an elegantly sinuous life-size statue of a poised young man, one hand resting on his hip, exuding a powerful air of self-assurance. The statue is also known as the "charioteer,"  though there is no evidence that this was his role. Outside the museum, walk in any direction to take in the dispersed archaeological site. You can't go wrong tracing the perimeter of the island, which will bring you to the Tophet (shrine and burial ground) on the northern shore, and the Cappiddazzu sanctuary, close to where the youth of Mozia was unearthed. There is little above thigh-height until you come to such imposing structures as the north gate, the city's main entrance that stood at the end of a causeway (now submerged) that formerly linked it to the Sicilian mainland; the eastern tower; and the remains of the sturdy Carthaginian city walls. There are panels and charts throughout, providing explanations and background on what you're seeing. Allow at least three hours for a thorough exploration of the museum and island, or longer if you want to bring a picnic lunch or pick up a snack at the café. Sunhats are strongly recommended.

    Mozia Island, Sicily, Italy
    349-6256508

    Sight Details

    Rate Includes: €6
  • 38. Necropoli di Pantalica

    It's best to hire a guide to explore the over 5,000 tombs covering limestone cliffs that make up this Iron and Bronze Age burial site. Located on a huge plateau over the Anapo River, the necropolis dates back to between the 13th and 8th centuries BC. If you decide not to hire a guide, be prepared to drive to get here. There are two main entrances: one near the town of Sortino, and the other from the town of Ferla. The entrance by Sortino involves a good walk down the sides of the gorge while the Ferla entrance is more of a gentle stroll along a well-beaten path. Set aside a minimum of two hours for your visit, but it is better to allocate at least half a day; be sure to wear a good pair of walking shoes and bring plenty of water.

    Necropoli di Pantalica, Sicily, 96010, Italy
    0931-67450

    Sight Details

    Rate Includes: Free
  • 39. Palazzo Butera

    Kalsa

    Dating from the 18th century but closed for most of the last four decades, the Palazzo Butera has been transformed by its gallerista owners, Massimo and Francesca Valsecchi, into one of Sicily’s (and Italy’s) most imaginative museum collections. Its labyrinthine rooms now display a heady mixture of old and new art. The collection’s strength lies in its bold juxtapositions, with works by an international roster of experimental modern artists of the likes of Gilbert and George, and David Tremlett, exhibited alongside classical landscapes and graceful Sicilian furniture from the 19th century. Painted ceilings remain from the palace's Baroque beginnings, some of them artfully peeled back to reveal the wooden construction behind them. Diverse temporary exhibitions displayed on the ground floor add to the mix. There’s a lot to take in, but if you need a break from all the hectic creativity, head for the terrace, accessed from the second floor, which provides benches and a walk around one of the two courtyards as well as views over the harbor. You can get even better views from the viewing platform reached from the roof, while further up, steps lead to a lofty view of the harbor, Monte Pellegrino, and, inland, the whole of the Conca d’Oro bowl in which the city sits.

    Via Butera 18, Palermo, Sicily, 90133, Italy
    091-7521754

    Sight Details

    Rate Includes: €9, Closed Mon.
  • 40. Palazzo Reale

    Near Palazzo Reale

    This historic palace, also called Palazzo dei Normanni (Norman Palace), was the seat of Sicily's semiautonomous rulers for centuries; the building is a fascinating mesh of 10th-century Norman and 17th-century Spanish structures. Because it now houses the Sicilian Parliament, parts of the palace are closed to the public from Tuesday to Thursday when the regional assembly is in session. The must-see Cappella Palatina (Palatine Chapel) remains open. Built by Roger II in 1132, it's a dazzling example of the harmony of artistic elements produced under the Normans and the interweaving of cultures in the court. Here the skill of French and Sicilian masons was brought to bear on the decorative purity of Arab ornamentation and the splendor of 11th-century Greek Byzantine mosaics. The interior is covered with glittering mosaics and capped by a splendid 10th-century Arab honeycomb stalactite wooden ceiling. Biblical stories blend happily with scenes of Arab life—look for one showing a picnic in a harem—and Norman court pageantry. Upstairs are the royal apartments, including the Sala di Re Ruggero (King Roger's Hall), decorated with ornate medieval mosaics of hunting scenes—an earlier (1120) secular counterpoint to the religious themes seen elsewhere. During the time of its construction, French, Latin, and Arabic were spoken here, and Arab astronomers and poets exchanged ideas with Latin and Greek scholars in one of the most interesting marriages of culture in the Western world. From Friday to Monday, the Sala is included with entry to the palace or chapel; it sometimes hosts special art exhibits.

    Piazza del Parlamento, Palermo, Sicily, 90129, Italy
    091-7055611

    Sight Details

    Royal Apartments closed Tues.–Thurs. Rate Includes: €14.50 Fri.–Mon.; €10 Tues.–Thurs.

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