Fodor's Expert Review La Vieille Charité
At the top of the Panier district lies this superb ensemble of 17th- and 18th-century architecture designed as a hospice for the homeless by Marseillais artist-architects Pierre and Jean Puget. Even if you don't enter the museums, walk around the inner court, studying the retreating perspective of triple arcades and admiring the Baroque chapel with its novel egg-peaked dome. Of the complex's two museums, the larger is the Musée d'Archéologie Méditerranéenne (Museum of Mediterranean Archaeology), with a sizable collection of pottery and statuary from classical Mediterranean civilization, elementally labeled (for example, "pot"). There's also a display on the mysterious Celt-like Ligurians who first peopled the coast, cryptically presented with emphasis on the digs instead of the finds themselves. The best of the lot is the evocatively mounted Egyptian collection—the second-largest in France after the Louvre's. There are mummies, hieroglyphs, and gorgeous sarcophagi in a tomblike... READ MORE
At the top of the Panier district lies this superb ensemble of 17th- and 18th-century architecture designed as a hospice for the homeless by Marseillais artist-architects Pierre and Jean Puget. Even if you don't enter the museums, walk around the inner court, studying the retreating perspective of triple arcades and admiring the Baroque chapel with its novel egg-peaked dome. Of the complex's two museums, the larger is the Musée d'Archéologie Méditerranéenne (Museum of Mediterranean Archaeology), with a sizable collection of pottery and statuary from classical Mediterranean civilization, elementally labeled (for example, "pot"). There's also a display on the mysterious Celt-like Ligurians who first peopled the coast, cryptically presented with emphasis on the digs instead of the finds themselves. The best of the lot is the evocatively mounted Egyptian collection—the second-largest in France after the Louvre's. There are mummies, hieroglyphs, and gorgeous sarcophagi in a tomblike setting. Upstairs, the Musée d'Arts Africains, Océaniens, et Amérindiens (Museum of African, Oceanic, and American Indian Art) creates a theatrical foil for the works' intrinsic drama: the spectacular masks and sculptures are mounted along a pure black wall, lighted indirectly, with labels across the aisle.
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