| John Montana |
Jul 23rd, 1999 08:09 AM |
From the pine-shaded towns of Georgia they come. From the <BR> sprawling suburbs of Ohio and the cramped apartments of <BR> Manhattan. By Boeing jet, by Greyhound, by wood-paneled <BR> station wagon and Harley-Davidson. They come bearing <BR> uncomfortable walking shoes and empty suitcases yearning for <BR> souvenirs. They come with dreams of Jack Kerouac, Carol <BR> Doda, and free fog for all. <BR> <BR> They are the San Francisco tourists. <BR> <BR> And you are their tour guide. <BR> <BR> It doesn’t matter that you didn’t ask <BR> for this job. Just by living in this great <BR> city, near this great city, or even a <BR> day’s drive from this great city, you <BR> have volunteered your time, energy, <BR> and sofa bed to the vacation <BR> enjoyment of others. <BR> <BR> When faced with these obligations, <BR> it’s tempting just to steer your guests <BR> toward Pier 39 and consider your duty done. Unfortunately, <BR> these are people you know, people you love. You owe them <BR> something a little more personal. <BR> <BR> It isn’t that difficult. First, think carefully about your visitors. <BR> Consider their ages, their dispositions, their loves and hates. Do <BR> they like jazz? Are they afraid of heights? Can they order in <BR> Cantonese? Then ask yourself what little slice of San Francisco <BR> these people will want to take home and treasure. <BR> <BR> To help you find the answer, we’ve woven together these five <BR> tourist tales. So gather round and listen. You may find your own <BR> guests in these stories—stories that begin, "Once upon a time, <BR> in the kingdom of San Francisco . . ." <BR> <BR> They Like Ike At 5:23 a.m., it begins. A creak of bedsprings, a <BR> loud clearing of sinuses. By the time you stumble bleary-eyed into the <BR> living room, they’re drinking Folgers instant coffee and talking loudly <BR> over the Today show. Uncle Irv and Aunt Edna. By some bizarre twist <BR> of genetics, your relatives. <BR> <BR> After a stack of Swedish <BR> pancakes at Sears Fine Food, <BR> your first stop is the Jeremiah <BR> O’Brien. On board the World War <BR> II liberty ship, the voices of the <BR> Andrews Sisters ring through <BR> narrow hallways. Edna avoids the <BR> steep steps into the engine room, <BR> but you follow Irv down to where a <BR> bright-eyed veteran is explaining <BR> how scenes from Titanic were shot using Jeremiah’s triple-expansion <BR> steam engine. Irv couldn’t care less. He’s too busy poking around the <BR> pipes, peering into the boilers. "Look here," he beckons, pointing to a <BR> 3-foot-long box wrench. "Won two bits for putting my head through one <BR> of these." <BR> <BR> After the Jeremiah, Irv is itching to go see the World War II Pampanito <BR> sub, also docked at Pier 45. You and Edna decide to visit the nearby <BR> city museum, in the Cannery building. As you work your way through, <BR> the city’s legends spring to life: Joshua Norton, self-declared Emperor <BR> of the United States; Lillie Hitchcock Coit, spunky heiress and fire <BR> aficionado. Just as you and Edna are poring over bottles melted in the <BR> 1906 inferno, Irv reappears. "How was the Pampanito?" you ask. <BR> <BR> "Tighter than a sardine can. Let’s eat." <BR> <BR> On the western edge of Golden Gate Park, the historic Beach Chalet <BR> is crowded with couples sipping microbrews and chatting over salads. <BR> While you wait, you study the vibrant WPA murals of San Francisco. <BR> Edna stops before a panel of women in one-piece swimsuits that show <BR> their strong legs and rounded stomachs. "Now that’s what a gal <BR> should look like," she says approvingly. "Well-fed." <BR> <BR> After lunch and two stops in Golden Gate <BR> Park—the arboretum for Edna and the <BR> fly-casting pools for Irv—you cruise down <BR> the Great Highway to Fort Funston. A faded <BR> wind sock sails taut to the east, beckoning <BR> to hang gliders. You pause to watch a group <BR> struggling into their pupa-like harnesses, <BR> then head to the ocean overlook. <BR> <BR> "Holy mackerel!" bellows Irv as the first <BR> glider leaps off the cliff. The three of you sit <BR> spellbound, squinting up at the silhouettes <BR> whirling on an updraft. Afterward you walk <BR> along the cliff tops, where Edna befriends <BR> every scrappy terrier that bounds past. <BR> <BR> By now you’re craving Indian food, but <BR> you’re going to play it safe: Years ago you <BR> took Irv and Edna out for Ethiopian and they <BR> still haven’t let you forget about the lack of <BR> silverware. You decide on Kuleto’s <BR> downtown, where you like the dark, stylish <BR> decor and Edna and Irv will be satisfied with <BR> the large portions of pasta. <BR> <BR> On nearby Nob Hill, hundreds of World War <BR> II servicemen downed their last martini at <BR> the Top of the Mark before shipping out. <BR> Tonight, Wally’s Swing World is re-creating <BR> the sounds of the era, and Edna pulls Irv <BR> onto the dance floor before he can finish <BR> complaining about his dress shoes. You <BR> walk to the window and gaze at the lights of the city. <BR> <BR> "May I have this dance?" It’s Irv, looking bashful. You take his rough <BR> hand and he catches you up in a graceful twirl and a cloud of Old <BR> Spice. Edna looks on, clapping and smiling. In an instant the predawn <BR> wake-up is forgiven. They are, after all, your relatives. <BR> <BR> <BR> <BR> The Young and the Restless Despite the fact that she <BR> slept until 11, Mel still looks venomously cranky this morning as she <BR> slips on her leather jacket and pins back her dark hair. You know what <BR> this face means: You have exactly 10 minutes to locate caffeine or <BR> Mel will self-destruct. <BR> <BR> There’s a line of sunglass-shrouded hipsters outside Boogaloos in the <BR> Mission, but you squeeze past the crowd and return with an orange <BR> juice for you and a Depth Charge—coffee with an extra kick of <BR> espresso—for Mel. By the time she drains the last muddy drops, her <BR> mood has brightened considerably. She points to the Bay Guardian <BR> she’s been leafing through. "Hey, get this: ‘Eco-warrior seeks <BR> Buddhist nudist for spiritual interludes.’ Who are these people?" <BR> <BR> A t the table, the conversation shifts from the personals to her latest <BR> Super 8 film project, pausing only slightly when the huevos rancheros <BR> arrive. Completely sated, the two of you stroll down sunny Valencia <BR> Street, ducking into thrift shops and record stores before turning down <BR> to the BART station on Mission. When the train reaches Powell Street <BR> you head toward the unmistakable silhouette of the Museum of <BR> Modern Art. Inside there’s a visiting black-and-white photo exhibit that <BR> Mel won’t stop talking about and a diorama show that she calls "the <BR> most bogus thing I’ve seen all year." The biggest hit is the <BR> vertigo-inducing catwalk. <BR> <BR> You while away the last hour of the afternoon in the green oasis of <BR> nearby South Park, then head to the Brain Wash Cafe for Mel’s <BR> second caffeine infusion of the day. On the way you stop for photos at <BR> the Defenestration Building art project, an abandoned building with <BR> Dali-esque furniture hanging out its open windows. <BR> <BR> "What’s defenestration?" Mel asks, peering up at a food-filled <BR> refrigerator suspended in midfall. <BR> <BR> "It means to throw something out a window," you sagely reply, <BR> thankful you looked the word up. <BR> <BR> Knowing Mel’s love of drama, you made <BR> dinner reservations weeks ago for Asia SF, <BR> home of some of the city’s finest gender <BR> illusionists. As the sleek walls shift slowly <BR> from red to purple to yellow, Mel gives her <BR> order to a Ru Paul look-alike with a pale <BR> orchid tucked behind his left ear. Ten <BR> minutes later this same waitress is towering <BR> atop the bar in 5-inch silver platforms. As he <BR> struts and strides to "I Will Survive," Mel <BR> leans over to whisper ruefully, "He’s got <BR> nicer legs than I do." <BR> <BR> It’s a tough decision what to hit next: a <BR> campy classic at the art deco Castro <BR> Theatre . . . madcap snapshots in the photo <BR> booth at Uncle Mame’s variety store . . . <BR> Then it comes to you: the Beauty Bar. <BR> When you arrive at the faux beauty parlor, <BR> the crowd is busy nursing pink <BR> cosmopolitans and admiring the 1950s <BR> kitsch. Mel grabs a spot under a hair dryer <BR> and you head to the bar to order. When you <BR> turn around Mel has moved to the <BR> manicurist’s table and is waving a still-wet <BR> set of orange nails in your direction. "It’s <BR> called ‘Dork.’ Whatcha think?" <BR> <BR> "Looks dorky." <BR> <BR> "No come on, really." <BR> <BR> After another round, Mel begs you to take her dancing, even though <BR> you haven’t updated your moves since high school. Finally you agree <BR> and catch a cab to Nikki’s. <BR> <BR> As you step inside you’re hit with a wave of sweat, sound, and energy. <BR> The whole place is pulsing to Michael Jackson’s "Don’t Stop ’Til You <BR> Get Enough," and before you can help yourself, you and Mel are <BR> grooving in the thick of things. Three songs later you’re still going. As <BR> soon as a bad song comes on, I’ll take a breather, you think. <BR> <BR> By 1:30 you still haven’t stopped dancing and your knees are officially <BR> on strike. You give Mel the signal to head out. Outside in the chilly air <BR> she grabs your arm conspiratorially: "Man I’m starving. Let’s get some <BR> grub." <BR> <BR> You stare at her incredulously but you’re too tired to argue. As the <BR> cab pulls up to take you to El Farolito for burritos, all you can think is <BR> tomorrow it’s Mel’s turn to buy you a Depth Charge. <BR> <BR> Lawyers in Love For a guy who never <BR> wore anything but jeans and a sweatshirt in <BR> college, Steve seems completely at ease this <BR> morning in his button-down and Dockers. <BR> "Lookin’ sharp, big guy," you say as you clap <BR> him on the back and kiss Victoria on the <BR> cheek. <BR> <BR> Since your VW is in the shop, you’ve agreed <BR> to take their rented Explorer to the Marina. On <BR> the way, Steve and Victoria reminisce about <BR> their last visit, when they toured Union Street. <BR> Oh yes, you recall grimly, the day you <BR> became a human pack mule for shopping bags. <BR> <BR> After picking up steaming lattes and croissants at the Grove, you <BR> continue to the Palace of Fine Arts. A remnant of the 1915 world’s fair, <BR> the Palace looks majestically anachronistic as you approach, and by <BR> the time you’ve finished your outdoor breakfast, several brides have <BR> been photographed against the classical columns. <BR> <BR> Steve and Victoria are home-hunting in Denver, so you cruise up to <BR> the moneyed neighborhood of Sea Cliff for a house tour, pointing out a <BR> white colonial here, a Mediterranean villa there. You gesture <BR> nonchalantly toward a sprawling mansion. "That’s Robin Williams’s <BR> house." <BR> <BR> "Really?" Steve rolls down his window. He sits expectantly, searching <BR> for signs of stardom. <BR> <BR> "I see him!" he yells suddenly, causing you and Victoria to press up <BR> frantically against the window. As a figure in white disappears behind <BR> the manicured shrubs, Victoria sinks back into her seat. "Honey, that <BR> was the gardener." <BR> <BR> At the end of Sea Cliff you stroll down to the tiny crescent of China <BR> Beach. Steve skips rocks as Victoria takes photos of the Golden Gate <BR> with her digital camera. Off the rocky point, a lone surfer bobs like a <BR> shivering seal. <BR> <BR> After the wind and fog it feels good to reach the sun- filled interior of <BR> Zuni Café, where you slurp up salty oysters and people-watch out the <BR> windows. As you head down to the next highlight—the ornate <BR> stone-and-plaster interior of City Hall—you realize you’ll have to <BR> traverse shop-lined Hayes Street to reach your final destination, the <BR> Victorian Painted Ladies. Stay calm, you think. The Hayes boutiques <BR> may be upscale, but they’ve got a little too much attitude to appeal to <BR> these two. <BR> <BR> After only a block you are proven wrong. First there’s the Hayes & <BR> Vine Wine Bar, where Steve and Victoria each sample a handful of <BR> vintages. Then two shoe stores, a watch shop, a home furnishings <BR> store, two galleries. Before you know it, you’re lumbering behind, <BR> laden with bags. Next visit, you swear darkly, you’ll insist on an <BR> Anchor Steam Brewery tour and a Giants game. <BR> <BR> Finally you reach the row of pastel <BR> Victorians that slants against the cityscape. <BR> "Wow, is that the Mrs. Doubtfire house?" <BR> Victoria asks, pointing to the corner home. <BR> <BR> "No," you say wearily, "that’s further down, <BR> on Broadway." You’ve been upstaged by <BR> Robin Williams again. <BR> <BR> Two of the city’s sleekest <BR> restaurants—Absinthe and Jardinière—are <BR> nearby, but you’ve got something even more <BR> dramatic in mind. When you descend into <BR> Loongbar’s dragon-themed dining room and <BR> hear the gasps, you’re glad you broke your <BR> rule about eating at Fisherman’s Wharf. <BR> <BR> Just as the black pepper ribs arrive, Steve’s <BR> cell phone rings and he heads outside to <BR> take the call. By the time he returns, the <BR> ribs are in your stomach and their spot <BR> taken by sweet-and-sour snapper. As you <BR> take a bite, you hear the waitress telling <BR> Victoria that Don Johnson has just bought <BR> the restaurant. "It’ll be reopening as <BR> something Vietnamese," she whispers. "He <BR> may even feature it on ‘Nash Bridges.’ " You sigh. Don Johnson. <BR> Robin Williams. Maybe you should just move to Hollywood. <BR> <BR> After dessert, you stand to leave, patting your pocket. Tickets to Rent <BR> still there. Stomach satisfied. You’re feeling good. "Hey guys, why <BR> don’t we take the cable car downtown and grab a cab back? It’ll be <BR> fun." <BR> <BR> Steve and Victoria turn and look at each other in bewilderment. <BR> "What? And leave the Explorer?" <BR> <BR> You’ve Got to be Kidding World’s Coolest Grown-up. <BR> These are the words shining in Natalie’s and Derek’s young eyes <BR> when you tell them you’re taking them for a doughnut picnic at the <BR> Wave Organ. Martha and Bill’s concerned looks seem to suggest <BR> "World’s Highest Dental Bills," but you know they’ll come around once <BR> they bite into a chocolate éclair. <BR> <BR> After procuring the candy-pink box from All Star’s, the five of you walk <BR> down the Marina breakwater, pointing out Angel Island and Alcatraz. <BR> At the end of the path, a Dr. Seussian series of pipes gurgles and <BR> sighs to the incoming slosh of the sea. Nine-year-old Derek presses <BR> his ear to one. "Sounds like Dad’s stomach." Bill grins and pats his <BR> belly. <BR> <BR> By the time the box is empty the kids are frothing to be set loose in <BR> the Exploratorium’s cavernous hall of science. Derek practically trips <BR> in his eagerness to experience centrifugal force on the spinning <BR> machine; Natalie is slightly more dignified as she hurries toward the <BR> giant bubbles shimmering up from the center of the room. <BR> <BR> You catch up with them at the <BR> large shadow box, where Natalie <BR> performs a shaky handstand <BR> against the wall and Derek leaps <BR> into the air. Flash! An upside-down <BR> Natalie is captured in shadow, her <BR> younger brother two feet off the <BR> ground beside her. Before long, <BR> you, Martha, and Bill are elbowing <BR> kids aside, twisting sideways against the wall in pharaoh profile as Bill <BR> hums "Walk Like an Egyptian." Suddenly, you see Natalie standing in <BR> front of you, arms folded. "You guys are so embarrassing." <BR> <BR> So much for World’s Coolest Grown-up. <BR> <BR> Cheeseburgers and malteds at Mel’s Diner soon smooth over the <BR> Shadowgate incident, and Natalie even joins in when "The Chipmunk <BR> Song" comes on the jukebox. With preteen scorn defused, it’s time to <BR> rent skates and head for Golden Gate Park. <BR> <BR> Since it’s Sunday, the park’s main drive is <BR> blocked off, and a legion of in-line skaters <BR> weave expertly through orange cones, <BR> leaping over obstacles. It looks effortless. A <BR> hundred yards later you’re cursing what <BR> seem to be ball bearings strapped to your <BR> feet. Just as you hit the ground for the <BR> second time, Martha whizzes by. "Looking <BR> good, Martha!" you shout in admiration. <BR> <BR> "Where are the brakes?" she shrieks. <BR> <BR> By the time you reach the Japanese Tea <BR> Garden you’re happy to settle into the <BR> shady teahouse with a plate of almond <BR> cookies. The kids won’t stop clambering <BR> over the bridge that arches across the koi <BR> pond, and you eventually convince the whole <BR> family to perch on its perfect half-circle. <BR> "Say ‘bonsai trees!’ " you call out and snap <BR> the photo. <BR> <BR> The long second stretch of skating goes <BR> smoother, and when you finally reach <BR> Ocean Beach you’ve stopped clutching your <BR> chest in fear. Martha doles out street shoes <BR> from her backpack and you head up to the <BR> Cliff House and the Musée Mécanique, <BR> home of the old arcade games from the Playland-by-the-Sea <BR> amusement park. You’ve brought a roll of quarters so everyone can <BR> watch the dancing marionettes, hear the player pianos, and peer <BR> through the aging stereoscopes, but most of the roll goes to feeding <BR> Laughing Sal, the mechanical redhead whose maniacal cackle elicits <BR> peals of laughter. <BR> <BR> If you didn’t have to return the skates, you’d take the kids down to the <BR> Sutro Baths to poke around the ruined foundations and salty tide <BR> pools. Happily, the cab ride back to the Haight carries its own <BR> entertainment value for two suburban kids. <BR> <BR> You’re hoping Isobune’s circular sushi bar will be a similarly <BR> successful novelty, though it’s a stretch for children raised on grilled <BR> cheese and fries. As wooden boats piled with mackerel and spicy <BR> tuna float by, Natalie decides she’s sticking to California rolls. Derek, <BR> on the other hand, is delighted with the idea of raw fish. "Hey, Nat! <BR> Nat!" he yells, wiggling a pale strip of halibut at his sister. "This one <BR> isn’t dead yet!" <BR> <BR> So much for cultural enrichment. <BR> <BR> Feelin’ Groovy At 8:30 in the morning, Lydia is waiting <BR> outside the Red Victorian B&B as promised. She jumps into the car <BR> with a jangle of jewelry and you head toward Fort Mason and Greens <BR> restaurant. They won’t have table service for several hours, but you <BR> pick up buttermilk scones at the to-go counter and take a seat <BR> overlooking the harbor. There’s a calm hush in the dining room that <BR> befits a place owned by the Zen Center. <BR> <BR> Although you have a few suggestions for today—the Asian Art <BR> Museum, a walk along the coast to Land’s End—you decide to ask <BR> Lydia what she wants to do. "Well," she muses, "we could pick up <BR> some herbs." <BR> <BR> Chinatown. A car-parker’s purgatory. <BR> <BR> Just as the thought of narrow alleyways and <BR> double-parked delivery trucks begins to <BR> incite a migraine, you remember your <BR> salvation: the Sutter Stockton Garage. <BR> <BR> Along Stockton Street the herb stores are <BR> cluttered with bins of bright red wolfberries <BR> and dusty ginseng. Lydia decides on a bag <BR> of yucca roots that look like chalky tongue <BR> depressors. As you continue eastward, the <BR> two of you duck into Waverly Place alley <BR> and climb up to the Tin How Temple to light <BR> incense at the gilded shrine of Tien Hua, <BR> Protector of Travelers. You wonder where <BR> they keep the Protector of Hosts. <BR> <BR> Chinatown bleeds into North Beach as you <BR> reach Columbus Avenue and the legendary <BR> City Lights Bookstore. Lydia crosses herself <BR> as she steps through the doorway and <BR> clomps downstairs to find the Eastern <BR> philosophy section. You wander up to the <BR> Beat area and are soon lost in the pages of <BR> The Dharma Bums. When you return to the <BR> main level, Lydia is chatting up the cashier <BR> and stuffing two books on meditation into a canvas backpack already <BR> bulging with the harmony balls and Buddha charms from Chinatown. <BR> <BR> On the grass of Washington Square you bite into hearty focaccia <BR> sandwiches from Molinari’s deli, watching the wizened Italian men <BR> doze in the shadow of the church. From the square, it’s a steep and <BR> breathless walk up to Coit Tower, where cuddling couples peer out at <BR> the bayscape below. After peeking in at the Depression-era frescoes, <BR> you descend to the east along the garden-lined Greenwich Steps. <BR> Light laces down through giant ferns as a gray tabby slinks up and <BR> winds himself between Lydia’s ankles. A young man carrying a <BR> cherubic baby passes you and disappears into a shingled cottage <BR> framed in orange trumpet vine. "Can you imagine living here?" asks <BR> Lydia. "Paradise on earth." <BR> <BR> You smile and nod. You were actually just thinking how miserable it <BR> would be to haul groceries up these stairs. <BR> <BR> By the time you and Lydia return to the car there’s a throbbing blister <BR> on your baby toe and still an hour and a half until your appointment at <BR> the Kabuki Springs in Japantown. In the meantime, you’ll have to <BR> de-stress at Mad Magda’s Tea Room. <BR> <BR> The fortune-teller’s table is empty when you arrive, and Lydia takes a <BR> seat beneath the colorful onion dome of St. Basil’s Cathedral. You <BR> order a pot of smoky Russian tea and head for the garden to sip and <BR> wait. After 15 minutes, Lydia returns, beaming. "What’d she say?" <BR> you ask. <BR> <BR> "She told me I’m ripe." <BR> <BR> "Ripe?" <BR> <BR> "Open to new experiences, filled with <BR> possibility, blooming with potential," Lydia <BR> gushes. <BR> <BR> When it’s your turn at the tarot table, your <BR> first card reveals a dark tower being struck <BR> by lightning. "Does this mean I’m ripe?" <BR> you ask hopefully. <BR> <BR> When you arrive at the Kabuki, soothing <BR> Japanese music is drifting softly over the <BR> communal bathing pools. You’ve booked a one-hour shiatsu massage; <BR> Lydia has signed up for something called a Javanese lulur, involving <BR> yogurt. You don’t dare ask. When you emerge from the room, you’re <BR> almost too relaxed to drive to dinner at Angkor Wat. Inside the dining <BR> room, a young Cambodian girl in pancake makeup and a traditional <BR> gold headdress is onstage, dancing sinuously to atonal music. Lydia <BR> is mesmerized. "Do you think they offer lessons? I used to belly <BR> dance you know." <BR> <BR> After finishing off her lemongrass salmon she leans over again. "Hey, <BR> did you see the ad for a nudist Buddhist in the Bay Guardian? I think I <BR> might call." <BR> <BR> <BR>
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