People come to La Sebastiana to marvel at the same ocean that inspired so much of Pablo Neruda's poetry. The house is named for Sebastián Collado, a Spanish architect who began to construct it as a home for himself but died before it was finished. The incomplete building stood abandoned for 10 years before Neruda finished it, revising the design (he had no need for the third-floor aviary or the helicopter landing pad) and adding curvaceous walls, narrow stairways, a tower,
and a polymorphous character. A maze of twisting stairwells leads to an upper room where a video shows Neruda enunciating the five syllables of the city's name over and again as he rides the city's ascensores. The upper berth contains his desk, books, and some original manuscripts. What makes the visit to La Sebastiana memorable, however, is Neruda's nearly obsessive delight in physical objects. The house is a shrine to his many cherished things, such as the beautiful orange-pink bird he brought back embalmed from Venezuela. His lighter spirit is here also, in the carousel horse and the pink-and-yellow barroom stuffed with kitsch.