22 Best Sights in Boston, Massachusetts

This is Harvard University's oldest museum, and in late 2014, it became the combined collections of the Busch-Reisinger, Fogg, and Arthur M. Sackler Museums. All three were united under one glorious, mostly glass roof, under the umbrella name Harvard Art Museums. Housed in a facility designed by award-winning architect Renzo Piano, the 204,000-square-foot museum is spread over seven levels, allowing more of Harvard’s 250,000-piece art collection, featuring European and American art from the Middle Ages to the present day, to be seen in one place. Highlights include American and European paintings, sculptures, and decorative arts from the Fogg Museum; Asian art, Buddhist cave-temple sculptures, and Chinese bronzes from the Arthur M. Sackler collection; and works by German expressionists, materials related to the Bauhaus, and postwar contemporary art from German-speaking Europe from the Busch-Reisinger Museum.

In addition to the gallery spaces, there's a 300-seat theater, Jenny's Cafe, a museum shop, and the Calderwood Courtyard, plus conservation and research labs.

The Harvard Museum of Natural History (which exhibits specimens from the Museum of Comparative Zoology, the Harvard University Herbaria, and the Mineralogical and Geological Museum) reminds us nature is the original masterpiece. Cases are packed with zoological specimens, from tiny hummingbirds and deer mice to rare Indian rhinoceroses and one of the largest Amazon pirarucu ever caught. View fossils and skeletons alongside marvelous minerals, including a 1,600-pound amethyst geode. Harvard's world-famous Blaschka Glass Flowers collection is a creative approach to flora, with more than 4,300 hand-blown glass plant models. The museum combines historic exhibits drawn from the university's vast collections with new and changing multimedia exhibitions, such as In Search of Thoreau’s Flowers: An Exploration of Change and Loss and Lily Simonson: Painting the Deep, plus a renovated Earth & Planetary Sciences gallery.

Tides of students, tourists, and politically charged proponents are all part of the nonstop pedestrian flow at this most celebrated of Cambridge crossroads. Harvard Square is where Massachusetts Avenue, coming from Boston, turns and widens into a triangle broad enough to accommodate a brick peninsula (above the T station). The restored 1928 kiosk in the center of the square once served as the entrance to the MBTA station, and is now home to lively street musicians and artists selling their paintings and photos on blankets. Harvard Yard, with its lecture halls, residential houses, libraries, and museums, is one long border of the square; the other three are composed of clusters of banks, retailers, and restaurants.

Time in the Square raises people-watching to a high art form. On an average afternoon you'll hear earnest conversations in dozens of foreign languages; see every kind of youthful uniform from slouchy sweats to impeccable prep; wander by street musicians playing guitars and flutes; and wonder at how students reading textbooks out in the sunshine can get any work done among the commotion.

The historic buildings are worth noting. It's a thrill to walk though the big brick-and-wrought-iron gates to Harvard Yard on up to Widener Library, the University's flagship library. More than 50 miles of bookshelves snake around this imposing neoclassical structure, designed by one of the nation's first major African American architects, Julian Abele. It holds more than 3.5 million volumes in 450 languages, but is unfortunately not open to the public.

Across Garden Street, through an ornamental arch, is Cambridge Common, decreed a public pasture in 1631. It's said that under a large tree that once stood in this meadow George Washington took command of the Continental Army on July 3, 1775. A stone memorial now marks the site of the "Washington Elm." Also on the Common is the Irish Famine Memorial by Derry artist Maurice Harron, unveiled in 1997 to coincide with the 150th anniversary of "Black ’47," the deadliest year of the potato famine. At the center of the Common a large memorial commemorates the Union soldiers who lost their lives in the Civil War. On the far side of the Common is a fantastic park and newly renovated playground.

This charming yellow 18th-century, gambrel-roof Colonial once belonged to the Loyalist William Brattle. He moved to Boston in 1774 to escape the patriots' anger, then left in 1776 with the British troops. From 1831 to 1833 the house was the residence of Margaret Fuller, feminist author and editor of The Dial. Today it's the office of the Cambridge Center for Adult Education, and is listed on the National Register of Historic Places.

This gravity-defying mass of concrete and glass, built in 1963, is the only building in North America designed by the French architect Le Corbusier. It hosts Harvard's Department of Art, Film, and Visual Studies, exhibition spaces, and the Harvard Film Archive (currently closed until further notice), and is dedicated to artist-centered programming. The open floor plan provides students with five stories of flexible workspace, and the large, outward-facing windows ensure that the creative process is always visible and public. The center regularly holds free lectures, workshops, and receptions with artists.

At the top of the ramp, the Sert Gallery plays host to changing exhibits of contemporary works and has a café. The Main Gallery on the ground floor often showcases work by students and faculty. The Carpenter Center Bookshop, a collaboration with Berlin-based Motto Books, is one of the only local places to carry small-press contemporary art books, magazines, and journals, with an emphasis on international publications and limited-edition projects.

This modest yet beautiful gray clapboard structure was designed in 1761 by Peter Harrison, the first architect of note in the colonies (he designed King's Chapel). During the Revolution, members of its mostly Tory congregation fled for their lives. The organ was melted down for bullets and the building was used as a barracks during the Siege of Boston. (Step into the vestibule to look for the bullet hole left during the skirmish.) Today, the organ facade takes inspiration from the original 1762 gallery organ.

Martha Washington requested that the church reopen for services on New Year's Eve in 1775. The church's historical significance extends to the 20th century: Teddy Roosevelt was a Sunday-school teacher here (and famously fired because he remained Dutch Reformed rather than becoming an Episcopalian), and Martin Luther King Jr. spoke from the pulpit to announce his opposition to the Vietnam War.

Also known as the "Blacksmith House," this yellow Colonial is now owned by the Cambridge Center for Adult Education. The tree itself is long gone, but this spot inspired Longfellow's lines: "Under a spreading chestnut tree, the village smithy stands." The blacksmith's shop, today commemorated by a granite marker, was next door, at the corner of Story Street. If you're lucky, you might be able to catch the celebrated Blacksmith House Poetry Series, which runs periodically throughout the year on Monday night. Tickets are $3.

Shortly after its construction in 1767, this three-story Georgian house was abandoned by its owner, colonial governor Thomas Oliver. Also known as the Oliver-Gerry-Lowell House, it was home to the accomplished Lowell family for two centuries. Elmwood is now the Harvard University president's residence, ever since student riots in 1969 drove president Nathan Pusey from his house in Harvard Yard.

Next to the imposing church on the corner of Church Street and Mass Ave. lies the spooky-looking colonial Old Burying Ground. Known as the most historic cemetery in Cambridge, it was established around 1635 and houses 17th- and 18th-century tombstones of ministers, Continental Congressmen, authors, early Harvard presidents, and Revolutionary War soldiers. The wooden Gothic Revival church, known locally as "First Church" or "First Parish," was built in 1833 by Isaiah Rogers. The congregation dates to two centuries earlier, and has been linked to Harvard since the founding of the college.

Formerly known as the Semitic Museum, this Harvard institution is an almost unknown gem, serving as an exhibit space for Egyptian, Mesopotamian, and ancient Near East artifacts and as a center for archaeological exploration. The museum's extensive temporary collections rotate, while more permanent exhibits include life-size casts of famous Mesopotamian monuments, authentic mummy coffins, and tablets containing the earliest forms of writing. Free lectures are held weekly, and the building also houses the Department of Near Eastern Languages and Civilizations.

The tree-studded, shady, and redbrick expanse of Harvard Yard—the very center of Harvard University—has weathered the footsteps of Harvard students for hundreds of years. In 1636 the Great and General Court of the Massachusetts Bay Colony voted funds to establish the colony's first college, and a year later chose Cambridge as the site. Named in 1639 for John Harvard, a young Charlestown clergyman who died in 1638 and left the college his entire library and half his estate, Harvard remained the only college in the New World until 1693, by which time it was firmly established as a respected center of learning. Local wags refer to Harvard as WGU—World's Greatest University—and it's certainly the oldest and most famous American university.

Although the college dates from the 17th century, the oldest buildings in Harvard Yard are from the 18th century (though you'll sometimes see archaeologists digging here for evidence of older structures). Together the buildings chronicle American architecture from the Colonial era to the present. Holden Chapel, completed in 1744, is a Georgian gem. The graceful University Hall was designed in 1815 by Charles Bulfinch. An 1884 statue of John Harvard by Daniel Chester French stands outside; ironically for a school with the motto of "Veritas" ("Truth"), the model for the statue was a member of the class of 1882 and not Harvard himself. Sever Hall, completed in 1880 and designed by Henry Hobson Richardson, represents the Romanesque revival that was followed by the neoclassical (note the pillared facade of Widener Library) and the neo-Georgian, represented by the sumptuous brick houses along the Charles River, many of which are now undergraduate residences. Memorial Church, a graceful steepled edifice of modified Colonial Revival design, was dedicated in 1932. Just north of the Yard is Memorial Hall, completed in 1878 as a memorial to Harvard men who died for the Union cause; it's High Victorian both inside and out. It also contains the 1,166-seat Sanders Theatre, which serves as the university's largest lecture hall, site of year-round concerts by students and professionals, and the venue for the festive Christmas Revels.

Many of Harvard's cultural and scholarly facilities are important sights in themselves, but most campus buildings, other than museums and concert halls, are off-limits to the general public.

The Harvard Information Center, in the Smith Campus Center, has a small exhibit space, distributes maps of the university area, and offers free student-led tours of Harvard Yard. The tour doesn't include visits to museums, and it doesn't take you into campus buildings, but it provides a fine orientation. The information center is open year-round (except during spring recess and other semester breaks). From the end of June through August, guides offer tours every half hour; however, it's best to call ahead to confirm times. You can also download a mobile tour on your smart phone.

Brattle Street's seven houses known as "Tory Row" were once occupied by wealthy families linked by friendship, if not blood. Portions of this house may have been built as early as 1636. In 1737 it was purchased by John Vassall Sr.; four years later he sold it to his younger brother Henry and his wife Penelope. It was used as a hospital during the Revolution, and the traitor Dr. Benjamin Church was held here as a prisoner. The house was remodeled during the 19th century. It's now a private residence, but from the street you can view the Colonial home with its black-shuttered windows and multiple dormers.

Now headquarters of the History Cambridge historical society, this is one of two Tory-era homes on Brattle Street fully open to the public; it's one of the older houses in Cambridge. The Emerson family gave it to the society in 1957. Built between 1685 and 1690, the house has been remodeled at least six times, but has maintained much of the original structure. The downstairs is elegantly, although sparsely, appointed with period books, portraits, and wallpaper. An upstairs bedroom has been furnished with period antiques, some belonging to the original residents. Tours are offered by appointment only. Check the website for special events including public art installations, and to see a virtual tour of the house.

Henry Wadsworth Longfellow, the poet whose stirring tales of the village blacksmith, Evangeline, Hiawatha, and Paul Revere's midnight ride thrilled 19th-century America, once lived in this elegant Georgian mansion. One of several original Tory Row homes on Brattle Street, the house was built in 1759 by John Vassall Jr., and George Washington lived (and slept!) here during the Siege of Boston from July 1775 to April 1776. Longfellow first boarded here in 1837 and later received the house as a gift from his father-in-law on his marriage to Frances Appleton, who burned to death here in an accident in 1861. For 45 years Longfellow wrote his famous verses here and filled the house with the exuberant spirit of his literary circle, which included Ralph Waldo Emerson, Nathaniel Hawthorne, and Charles Sumner, an abolitionist senator. Longfellow died in 1882, but his presence in the house lives on—from the Longfellow family furniture to the wallpaper to the books on the shelves (many the poet's own).

The home is preserved and run by the National Park Service; guided tours are offered Memorial Day through October. The formal garden is the perfect place to relax; the grounds are open year-round. Longfellow Park, across the street, is the place to stand to take photos of the house. The park was created to preserve the view immortalized in the poet's "To the River Charles."

Founded in 1861, MIT moved to Cambridge from Copley Square in the Back Bay in 1916. Once dissed as "the factory," particularly by its Ivy League neighbor, Harvard University, MIT mints graduates that are the sharp blades on the edge of the information revolution. It's perennially in the top five of U.S. News and World Report's college rankings. It has long since fulfilled the predictions of its founder, the geologist William Barton Rogers, that it would surpass "the universities of the land in the accuracy and the extent of its teachings in all branches of positive science." Its emphasis shifted in the 1930s from practical engineering and mechanics to the outer limits of scientific fields.

Architecture is important at MIT. Although the original buildings were obviously designed by and for scientists, many represent pioneering designs of their times. Kresge Auditorium, designed by Eero Saarinen, with a curving roof and unusual thrust, rests on three, instead of four, points. The nondenominational MIT Chapel, a circular Saarinen design, is lighted primarily by a roof oculus that focuses natural light on the altar and by reflections from the water in a small surrounding moat; it's topped by an aluminum sculpture by Theodore Roszak. The serpentine Baker House, now a dormitory, was designed in 1947 by the Finnish architect Alvar Aalto in such a way as to provide every room with a view of the Charles River. Sculptures by Henry Moore and other notable artists dot the campus. The latest addition is the Green Center, punctuated by the splash of color that is Sol LeWitt's 5,500-square-foot mosaic floor.

The East Campus, which has grown around the university's original neoclassical buildings of 1916, also has outstanding modern architecture and sculpture, including the stark high-rise Green Building by I. M. Pei, housing the Department of Earth, Atmospheric, and Planetary Sciences. Just outside is Alexander Calder's giant stabile (a stationary mobile) The Big Sail. Another Pei work on the East Campus is the Wiesner Building, designed in 1985, which houses the List Visual Arts Center. Architect Frank Gehry made his mark on the campus with the cockeyed, improbable Ray and Maria Stata Center, a complex of buildings on Vassar Street. The center houses computer, artificial intelligence, and information systems laboratories, and is reputedly as confusing to navigate on the inside as it is to follow on the outside. East Campus's Great Dome, which looms over neoclassical Killian Court, has often been the target of student "hacks" and has at various times supported a telephone booth with a ringing phone, a life-size statue of a cow, and a campus police cruiser. Nearby, the domed Rogers Building has earned unusual notoriety as the center of a series of hallways and tunnels dubbed "the infinite corridor." Twice each winter the sun's path lines up perfectly with the corridor's axis, and at dusk students line the third-floor hallway to watch the sun set through the westernmost window. The phenomenon is known as "MIT-henge."

MIT maintains a welcome center located at 292 Main Street in Kendall Square, where you can pick up campus maps, grab some water, and charge your phone weekdays 9 to 6.

Founded by Albert and Vera List, pioneer collectors of modern art, this MIT center has three galleries showcasing exhibitions of cutting-edge art and mixed media. Works from the center's collection of contemporary art, such as Thomas Hart Benton's painting Fluid Catalytic Crackers and Harry Bertoia's altarpiece for the MIT Chapel, are on view here and around campus. The center's website includes a map indicating the locations of more than 20 of these public works of art.

A place where art, science, and technology meet, the MIT Museum boasts the world's largest collection of holograms, though young kids may prefer the moving gestural sculptures of Arthur Ganson. The robot room shows off inventions of MIT's renowned robotics lab and an extensive exhibit on artificial intelligence. Allow an hour or two for a visit and check the schedule for special programs and demonstrations by MIT researchers and inventors.

A cemetery might not strike you as a first choice for a visit, but this one is an absolute pleasure, filled with artwork and gorgeous landscaping. Opened in 1831, it was the country's first garden cemetery, and its bucolic landscape boasts peaceful ponds, statues (including a giant sphinx), breathtaking mausoleums, and a panorama of Boston and Cambridge from Washington Tower. More than 90,000 people have been buried here—among them Henry Wadsworth Longfellow, Mary Baker Eddy, Winslow Homer, Amy Lowell, Isabella Stewart Gardner, and architect Charles Bulfinch. The grave of engineer Buckminster Fuller bears an engraved geodesic dome.

In spring, local nature lovers and bird-watchers come out of the woodwork to see the warbler migrations, the glorious blossoms, and blooming trees, while later in the year nature shows off its autumnal range of glorious color. Brochures, maps, and audio tours are at the entrance, and the cemetery is a five-minute drive from the heart of Harvard Square.

With one of the world's outstanding anthropological collections, the Peabody Museum is among the oldest anthropology museums in the world. Its collections focus on Native American and Central and South American cultures and are comprised of more than 1.2 million objects. The Hall of the North American Indian is particularly outstanding, with art, textiles, and models of traditional dwellings from across the continent. The Mesoamerican room juxtaposes ancient relief carvings and weavings with contemporary works from the Maya and other peoples. Of special note is the museum's only surviving collection of objects acquired from Native American people during the Lewis and Clark expedition.

About a mile northwest of Harvard Square lies Porter Square, an area that consists of several blocks along Mass Ave. that boast shopping centers and eateries. As you walk north (away from Harvard) past the heart of Porter Square, you'll find pretty much every ethnic eatery imaginable, many of them excellent and far cheaper than Harvard Square restaurants. There are also quite a few unique shops along the way, including thrift shops and music stores.

For the last half century, The Brattle has served as the square's independent movie house, screening indie, foreign, obscure, and classic films, from nouveau to noir. Occupying a squat, barnlike building from 1890, it is set improbably between a modern shopping center and a colonial mansion. The resident repertory company gained notoriety in the 1950s when it made a practice of hiring actors blacklisted as Communists by the U.S. government. Check the website for current offerings and events.

On the Harvard University side of Harvard Square stands the Wadsworth House, a yellow clapboard structure built in 1726 as a home for Harvard presidents. It served as the first Massachusetts headquarters for George Washington, who arrived on July 2, 1775, just a day before he took command of the Continental Army. The building traded presidents in for students (such as Ralph Waldo Emerson) and visiting preachers as its boarders, and today, it houses Harvard's general offices.