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Harvard Square Review
Tides of students, tourists, political-cause proponents, and bizarre street creatures are all part of the nonstop pedestrian flow at this most celebrated of Cambridge crossroads.
Harvard Square is where Mass Ave., coming from Boston, turns and widens into a triangle broad enough to accommodate a brick peninsula (above the T station). The restored 1928 kiosk in the center of the square once served as the entrance to the MBTA station (it's now Out of Town News, a fantastic newsstand). Harvard Yard, with its lecture halls, residential houses, libraries, and museums, is one long border of the square; the other three are composed of clusters of banks and a wide variety of restaurants and shops.
On an average afternoon you'll hear earnest conversations in dozens of foreign languages; see every kind of youthful uniform from Goth to impeccable prep; wander by street musicians playing Andean flutes, singing opera, and doing excellent Stevie Wonder or Edith Piaf imitations; and watch a tense outdoor game of pickup chess between a street-tough kid and an older gent wearing a beard and a beret while you slurp a cappuccino or an ice-cream cone (the two major food groups here). An afternoon in the square is people-watching raised to a high art; the parade of quirkiness never quits.
As entertaining as the locals are, the historic buildings are worth noting. Even if you're only a visitor (as opposed to a prospective student), it's still a thrill to walk though the big brick-and-wrought-iron gates to Harvard Yard, past the residence halls and statues, on up to Widener Library.
Across Garden Street, through an ornamental arch, is Cambridge Common, decreed a public pasture in 1631. It's said that under a large tree that once stood in this meadow George Washington took command of the Continental Army on July 3, 1775. A stone memorial now marks the site of the "Washington Elm." Also on the Common is the Irish Famine Memorial by Derry artist Maurice Herron, unveiled in 1997 to coincide with the 150th anniversary of "Black '47," the deadliest year of the potato famine. It depicts a desperate Irish mother sending her child off to America. At the center of the Common a large memorial commemorates the Union soldiers and sailors who lost their lives in the Civil War. On the far side of the Common (on Waterhouse St. between Garden St. and Massachusetts Ave.) is a fantastic park.
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