New Orleans Feature
Every life has its little dramas, but how many of us can claim a life dramatic enough to inspire an opera? The Baroness Micaela Almonester de Pontalba is in that rarefied number, albeit posthumously. In 2003, on the 200th anniversary of the Louisiana Purchase, the New Orleans Opera Association commissioned an opera based on Pontalba and the mark she left on New Orleans—a legacy you can easily see even now in the Pontalba Buildings, the elegant brick apartments lining Jackson Square.
Micaela Almonester was of Spanish stock, the daughter of the wealthy entrepreneur and developer Don Andres Almonester, who was instrumental in the creation of the Cabildo and Presbytère on Jackson Square. Don Almonester died while Micaela was still young, but not before passing on to his daughter a passion for building and urban design. The rest of her life became a tale of the impact a single will can have upon an urban environment, as well as a tragedy-torn drama of international scope.
At the time of the Louisiana Purchase, in 1803, New Orleans was in cultural upheaval. Following a period under Spanish rule during the late 18th century, the French had reacquired the colony—and merrily sold it to the Americans. The often-complex blending of French and Spanish society was further complicated by the anticipated imposition of American laws and mores, so foreign to the population of New Orleans. Micaela Almonester was right in the middle of the confusion: daughter of Spanish gentry, she fell in love and married a Frenchman, who took her to Paris with his family to avoid coming under American rule in New Orleans.
The Pontalbas' marriage was particularly unhappy, and Micaela's relationship to her in-laws was poisoned by mistrust over family property. Control of her New Orleans inheritance became part of an increasingly bitter feud that included separation from her husband and, at its dramatic pinnacle, her attempted murder by her father-in-law. After the old baron inflicted four gunshot wounds on his daughter-in-law, he committed suicide, believing he had protected his son and his property. But Micaela, now Baroness de Pontalba following the old baron's death, survived her wounds. Within two years, she had recovered enough to conceive the plan for the buildings that bear her name, but a long series of delays, including a bitter divorce, halted the project. Micaela finally returned to New Orleans in the 1840s, in order to direct construction of the elegant apartment buildings that would complete the square her father had been so instrumental in developing during the previous century. The Pontalba Buildings, designed by James Gallier in the French style favored by Micaela, were dedicated in 1851 to great fanfare. Each building (one along each side of Jackson Square) contained 16 grand and lavishly detailed apartments.
Following the dedication of the buildings, Pontalba returned to France. She had been living in Paris for nearly 50 years by now, her children had grown up there, and it had become her home. Yet the pilgrimage she had made to New Orleans, in order to complete a dream in the name of her father's memory, hints that her heart had never really left her childhood home.
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