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San Francisco Art Institute
San Francisco Art Institute Review
A Moorish-tile fountain in a tree-shaded courtyard draws the eye as soon as you enter the institute. The number-one reason for a visit is Mexican master Diego Rivera's The Making of a Fresco Showing the Building of a City (1931), in the student gallery to your immediate left inside the entrance. Rivera himself is in the fresco—his broad behind is to the viewer—and he's surrounded by his assistants. They in turn are surrounded by a construction scene, laborers, and city notables such as sculptor Robert Stackpole and architect Timothy Pfleuger. Making is one of three San Francisco murals painted by Rivera. The number-two reason to come here is the café, or more precisely the eye-popping, panoramic view from the café, which serves surprisingly decent food for a song.
The older portions of the Art Institute, including the lovely Mission-style bell tower, were erected in 1926. To this day, otherwise pragmatic people claim that ghostly footsteps can be heard in the tower at night. Ansel Adams created the school's fine-arts photography department in 1946, and school directors established the country's first fine-arts film program. Notable faculty and alumni have included painter Richard Diebenkorn and photographers Dorothea Lange, Edward Weston, and Annie Leibovitz.
The Walter & McBean Galleries (415/749–4563 Open Tues. 11–7, Wed.–Sat. 11–6) exhibit the often provocative works of established artists.
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