Yucatán and Campeche States

We’ve compiled the best of the best in Yucatán and Campeche States - browse our top choices for the top things to see or do during your stay.

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  • 1. Casa de los Venados

    Centro

    A vintage mansion just south of Valladolid's central square contains Mexico's largest private collection of folk art. Rooms around the gracious courtyard contain some 3,000 pieces, with Día de los Muertos (Day of the Dead) figures being a specialty. The assemblage is impressive; even without it, though, the house would be worth touring. This hacienda-style building dates from the early 17th century, and restoration was engineered by the same architect who designed Mérida's ultramodern Gran Museo del Mundo Maya (don't worry—the results here preserved its colonial elegance). Casa de los Venados opens to the public each morning for a 90-minute bilingual tour. Just show up, no reservations needed. Admission is a bargain, and all proceeds help fund local health-care projects.

    Calle 40 No. 204, Valladolid, Yucatán, 97780, Mexico
    985-856–2289

    Sight Details

    Rate Includes: MX$70
  • 2. Casa de los Venados

    A historic mansion just south of Valladolid's central square contains Mexico's largest private collection of folk art. Rooms around the gracious courtyard contain some 3,000 pieces, with Día de los Muertos (Day of the Dead) figures being a specialty. The selection is impressive, but even without it, the house would be worth touring. This hacienda-style building dates from the early 17th century, and the restoration was led by the same architect who designed Mérida's ultramodern Gran Museo del Mundo Maya (don't worry—the results here preserved its colonial elegance). Casa de los Venados opens to the public each morning for a 90-minute bilingual tour. Just show up; no reservations are needed. The suggested donation of MX$100 is a bargain, and all proceeds help fund local health-care projects.

    Calle 40 204, Valladolid, Yucatán, 97780, Mexico
    985-856–2289

    Sight Details

    Rate Includes: MX$100 suggested donation
  • 3. Catedral de Mérida

    Begun in 1561, Mérida's cathedral is one of the oldest on the North American mainland (an older one can be found in the Dominican Republic). It took several hundred Maya laborers, working with stones from the pyramids of the ravaged Maya city, 37 years to complete it. Designed in the somber Renaissance style by an architect who had worked on El Escorial in Madrid, its facade is stark and unadorned, with gunnery slits instead of windows and faintly Moorish spires. Inside, the black Cristo de las Ampollas (Christ of the Blisters) occupies a side chapel to the left of the main altar. At 23 feet tall, it's the tallest Christ figure inside a Mexican church. The statue is a replica of the original, which was destroyed during the revolution in 1910 (also when the gold that once adorned the cathedral was carried off). According to one of many legends, the Christ figure burned all night and appeared the next morning unscathed—except for its namesake blisters. You can hear the pipe organ play at the 11 am Sunday Mass.

    Calles 60 and 61, Mérida, Yucatán, 97000, Mexico
    999-924–7777

    Sight Details

    Rate Includes: Free
  • 4. Chichén Itzá

    One of the most dramatically beautiful ancient Maya cities, Chichén Itzá (pronounced chee-CHEN eet-ZAH) draws over one million visitors annually. Since the remains of this once-thriving kingdom were rediscovered by Europeans in the mid-1800s, many of the travelers making the pilgrimage here have been archaeologists and scholars who study the structures and glyphs and try to piece together the mysteries surrounding them. While the artifacts here give fascinating insight into Maya civilization, they also raise many unanswered questions. The name of this ancient city, which means "the mouth of the well of the Itzá," is a mystery in and of itself. Although it likely refers to the valuable water sources at the site (there are several cenotes here), experts have little information about who might have actually founded the city; some structures, likely built in the 5th century, predate the arrival of the Itzá, who occupied the city starting around the late 8th and early 9th centuries. Why the Itzá abandoned the city in the early 1200s is also unknown, as is its subsequent role. Most visitors who converge on Chichén Itzá come to marvel at its beauty. Even among laypeople, this ancient metropolis, which encompasses 6 square km (2¼ square miles), is known around the world as one of the most stunning and well-preserved Maya sites in existence. You’ve likely seen photos of the immense pyramid, El Castillo ("Kukulkán" in Maya), but they can’t capture the moment you first gaze in person upon the structure rising imposingly yet gracefully from the surrounding plain. El Castillo (the Castle) dominates the site both in size and in the symmetry of its perfect proportions. Open-jawed serpent statues adorn the corners of each of the pyramid's four stairways, honoring the legendary priest-king Kukulcán (also known as Quetzalcóatl), an incarnation of the feathered serpent god. More serpents appear at the top of the building as sculpted columns. At the spring and fall equinoxes, the afternoon light strikes the trapezoidal structure so that the shadow of the snake god appears to undulate down the side of the pyramid to bless the fertile earth. Thousands of people, from international sightseers to Maya shamans, travel to the site each year to witness this phenomenon. Make lodging reservations far in advance if you hope to join them. The question on everybody’s lips is: "May I climb the pyramid?" The answer is a resounding "No." Disappointing though that response may be, wear and tear on the staircases and numerous injuries to visitors have necessitated an end to the climbing. Archaeologists are still abuzz about the 2015 discovery of a subterranean river flowing underneath the pyramid, detected via “electrical resistance survey.” While the Maya would likely have intentionally constructed El Castillo over such a river cavern, will the eventual effect be that of a gigantic sinkhole that could threaten the structure’s foundation? Time will tell, although experts suggest probably not yet for several generations. The interior of El Castillo houses a marvelous statue of the intermediate god Chacmool. This part of the pyramid is no longer accessible to visitors, but four other Chacmool figures are scattered around Chichén Itzá. The most visible of them stands—or rather, reclines—at the Templo de los Guerreros (Temple of the Warriors), just northeast of the pyramid. A Chacmool always leans back, leaving a flat spot on the belly for receiving offerings. On the Anexo del Templo de los Jaguares (Annex to the Temple of the Jaguars), just west of El Castillo, bas-relief carvings represent more important deities. On the bottom of the columns is the rain god Tlaloc. It's no surprise that his tears represent rain—but why is the Toltec god Tlaloc honored here, instead of the Maya rain god, Chaac? That's one of many questions that archaeologists and epigraphers have been trying to answer, ever since John Lloyd Stephens and Frederick Catherwood, the first English-speaking explorers to rediscover the site, hacked their way through the surrounding forest in 1840. Scholars once thought that the symbols of foreign gods and differing architectural styles at Chichén Itzá proved it was conquered by the Toltecs of central Mexico. (As well as representations of Tlaloc, the site also has a tzompantli—a stone platform decorated with row upon row of sculpted human skulls—which is a distinctively Toltec-style structure.) Most experts now agree, however, that Chichén Itzá was only influenced—never conquered—by Toltec trading partners from the north. Just west of the jaguar annex, another puzzle presents itself: the auditory marvel of Chichén Itzá's main ball court. At 490 feet, this Juego de Pelota is the largest in Mesoamerica. Yet if you stand at one end of the playing field and whisper something to a friend at the other end, incredibly, you'll be heard. The game played on this ball court was apparently something like soccer (no hands were used), but it likely had some sort of ritualistic significance. Carvings on the low walls surrounding the field show a decapitation, with blood spurting from the victim's neck to fertilize the earth. Whether this is a historical depiction—perhaps the losers or winners of the game were sacrificed?—or a symbolic scene, we can only guess. (Back in Mérida, the city tourist office stages a popular demonstration of the ball game each Friday evening in front of the cathedral. No one is beheaded.) On the other side of El Castillo, just before a small temple dedicated to the planet Venus, a ruined sacbé, or raised white road, leads to the Cenote Sagrado (Holy Well, or Sinkhole), also probably used for ritualistic purposes. Jacques Cousteau and his companions recovered about 80 skeletons from this deep, straight-sided subsurface pond, as well as thousands of pieces of jewelry and figures of jade, obsidian, wood, bone, and turquoise. In direct alignment with Cenote Sagrado, on the other side of El Castillo, the Cenote Xtaloc was kept pristine, undoubtedly for bathing and drinking. Adjacent to this water source is a steam bath, its interior lined with benches along the wall like those you'd see in any steam room today. Outside, a tiny pool was used for cooling down during the ritual. Older Maya structures at Chichén Itzá lie south and west of Cenote Xtaloc. Archaeologists have been restoring several buildings in this area, including the Templo del Osario (Ossuary Temple), which, as its name implies, concealed several tombs with skeletons and offerings. Behind the smaller Casa Roja (Red House) and Casa del Venado (House of the Deer) are the site's oldest structures, including El Caracol (the Snail), one of the few round buildings built by the Maya, with a spiral staircase within. Clearly built as a celestial observatory, it has eight tiny windows precisely aligned with the points of the compass rose. Scholars now know that Maya priests studied the planets and the stars; in fact, they were able to accurately predict the orbits of Venus and the moon, and the appearance of comets and eclipses. To modern astronomers, this is nothing short of amazing. The Maya of Chichén Itzá were not just scholars, however. They were skilled artisans and architects as well. South of El Caracol, the Grupo de las Monjas (Nunnery Complex) has some of the site's most exquisite facades. A combination of Puuc and Chenes styles dominates here, with playful latticework, masks, and gargoylelike serpents. On the east side of the Anexo de las Monjas (Nunnery Annex), the Chenes facade celebrates the rain god, Chaac. In typical style, the doorway represents an entrance into the underworld, and figures of Chaac decorate the ornate facade above. South of the Nunnery Complex is an area where field archaeologists are still excavating (fewer than a quarter of the structures at Chichén Itzá have been fully restored). If you have more than a superficial interest in the site—and can convince the authorities ahead of time of your importance, or at least your interest in archaeology—you can explore this area, which is generally not open to the public. Otherwise, head back toward El Castillo past the ruins of a housing compound called Akab Dzib and the Templo de los Panales Cuadrados (Temple of the Square Panels). The latter shows more evidence of Toltec influence: instead of weight-bearing Maya arches, or "false arches," that traditionally supported stone roofs, this structure has stone columns but no roof. This means that the building was once roofed, Toltec-style, with biodegradable materials (most likely palm thatch or wood) that have long since disintegrated. Beyond El Caracol, Casa Roja, and El Osario, the right-hand path follows an ancient sacbé, now collapsed. A mud-and-straw hut, which the Maya called a na, has been reproduced here to show the simple implements used before and after the Spanish conquest. On one side of the room are a typical pre-Hispanic table, seat, fire pit, and reed baskets; on the other are the Christian cross and colonial-style table of the postconquest Maya. Behind the tiny oval house, several unexcavated mounds still guard their secrets. The path meanders through a small grove of oak and slender bean trees to the building known today as El Mercado. This market was likely one end of a huge outdoor market whose counterpart structure, on the other side of the grove, is the Plaza de Mil Columnas (Plaza of the Thousand Columns). In typical Toltec-Maya style, the roof once covering the parallel rows of round stone columns in this long arcade has disappeared, giving the place a strangely Greek—and distinctly non-Maya—look. But the curvy-nosed Chaacs on the corners of the adjacent Templo de los Guerreros are pure Maya. Why their noses point down (like an upside down "U") instead of up is, as usual, just another mystery to be solved. An evening sound-and-light show (8 pm Apr.--Oct., 7 pm Nov.--Mar.) is presented here, with images projected onto El Castillo pyramid—it's been described as everything from stunning to cheesy. Reservations must be booked in advance through the Noches de Kukulkán website (www.nochesdekukulkan.com). Area tour operators can also arrange tickets. The pricey admission includes a 30-minute guided walk followed by the light show, as well as use of a translation device (original narration is in Spanish only). Assorted problems occasionally plague the equipment; if the Maya gods are smiling, the show will be on during your visit. Inquire on-site, at area lodgings, or at the Yucatán tourist office in Mérida. Because of the lateness of the hour, it's easier to take in the evening show on your own if you're staying in the immediate area. Escorted tour groups do come in from as far away as Mérida or Cancún.

    Chichén-Itzá, Yucatán, 97751, Mexico
    985-851–0137

    Sight Details

    Rate Includes: MX$497, sound and light show MX$510
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  • 5. Edzná

    A major metropolis in its day, Edzná was situated at a crossroads between cities in modern-day Guatemala and the states of Chiapas and Yucatán, hence it features a mélange of Maya architectural elements. Roof combs and corbeled arches evoke those at Yaxchilán and Palenque, in Chiapas, and giant stone masks resemble the Petén-style architecture of southern Campeche and northern Guatemala. Edzná began as a humble agricultural settlement around 300 BC, reaching its pinnacle in the Late-Classic period, between AD 600 and 900, then gradually waning in importance until being all but abandoned in the early 15th century. Today, soft breezes blow through groves of slender trees where brilliant orange and black birds spring from branch to branch. Clouds scuttle across a blue backdrop, perfectly framing the mossy remains of once-great structures. One highlight is the five-story Pirámide de los Cinco Pisos, which was built on the raised platform of the Gran Acrópolis (Great Acropolis). Hieroglyphs carved into the vertical faces of the 15 steps between each level (some re-cemented in place by archaeologists, although not necessarily in the correct order), as well as into stelae throughout the site, depict the opulent attire once worn by the Maya ruling class—quetzal feathers, jade pectorals, and jaguar-skin skirts. On the pyramid's top level sit the ruins of three temples and a ritual steam bath. The Pirámide de los Cinco Pisos was constructed so that on certain dates the setting sun would illuminate the mask of the creator-god, Itzamná, inside one of the pyramid's rooms. This still happens on May 1, 2, and 3, the beginning of the Maya planting season, and on August 7, 8, and 9, the days of harvesting and giving thanks.  West of the Great Acropolis, the Puuc-style Plataforma de los Cuchillos (Platform of the Knives) was so named by the archaeological team that found a number of flint knives inside. To the south, four buildings surround a smaller structure called the Pequeña Acrópolis (Small Acropolis). Twin sun-god masks with huge protruding eyes, sharp teeth, and oversize tongues flank the Templo de los Mascarones (Temple of the Masks, or Building 414), adjacent to the acropolis. The mask at the bottom left (east) represents the rising sun; the mask to the right represents the setting sun. If you're not driving, consider taking one of the inexpensive day trips offered by tour operators in Campeche. Convenience aside, a guide can point out features often missed by the untrained eye, such as the remains of arrow-straight sacbés. These raised roads in their day connected one important ceremonial building within the city to the next, and also linked Edzná to trading partners throughout the peninsula.

    Carretera 188, Campeche, 24538, Mexico
    981-816–9111-in Campeche City

    Sight Details

    Rate Includes: MX$90
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  • 6. Reserva de la Biósfera Calakmul

    Encompassing some 1.8 million acres along the Guatemalan border, Calakmul was declared a protected biosphere reserve in 1989 and is the largest of its kind in Mexico (Sian Ka'an in Quintana Roo is second with 1.3 million acres). All kinds of flora and fauna thrive here, including wildcats, spider and howler monkeys, hundreds of exotic birds, orchid varieties, butterflies, and reptiles. There's no shortage of insects, either, so don't forget the bug repellent. The reserve's centerpiece, however, is the Maya city that shares the name Calakmul (which translates as "two adjacent towers"). Although Carretera 186 runs right through the reserve, you'll need to drive about 1½ hours from the highway along a 60-km (37-mile) authorized entry road to get to the site. Structures here are still being excavated, but fortunately the dense surrounding jungle is being left in its natural state: as you walk among the ruined palaces and tumbled stelae, you'll hear the guttural calls of howler monkeys and see massive strangler figs enveloping equally massive trees. Anthropologists estimate that in its heyday (between AD 542 and 695) the region was inhabited by more than 50,000 Maya. Archaeologists have mapped more than 6,800 structures and found 180 stelae. Perhaps the most monumental discovery thus far has been the remains of royal ruler Gran Garra de Jaguar (Great Jaguar Claw). His body was wrapped (but not embalmed) in a shroud of palm leaf, lime, and fine cloth, and locked away in a royal tomb in about AD 700. In an adjacent crypt, a young woman wearing fine jewelry and an elaborately painted wood-and-stucco headdress was entombed together with a child. Their identity remains a mystery. The artifacts and skeletal remains have been moved to the Museo de la Arqueología Maya in Campeche City. You can explore the site along a short, medium, or long path, but all three eventually lead to magnificent Templo II and Templo VII—twin pyramids separated by an immense plaza. Templo II, at 175 feet, is the peninsula's tallest Maya building. Scientists are studying a huge, intact stucco frieze deep within this structure, so it's not currently open to visitors. Arrangements for an English-speaking tour guide should be made beforehand with Servidores Turísticos Calakmul, Río Bec Dreams, or through Chicanná Ecovillage near Xpujil. Camping is permitted at Km 6 with the Servidores Turistícos Calakmul after paying caretakers at the entrance gate. You can set up camp near the second checkpoint. Even if day-tripping, though, you'll need to bring your own food and water, as the only place to buy a snack is near the second entrance inside the museum. In addition to separate fees to enter the reserve and the archaeological site, you'll also pay MX$42 per person and MX$70 per vehicle to access the first 20 km (12½ miles) of road into the reserve, which runs through private land.

    Off Carretera 186, Km 65, 24640, Mexico

    Sight Details

    Rate Includes: Reserve MX$70; archaeological site MX$90; vehicle-access fees vary based on the number of passengers

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