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In the heart of Swiss Italy lies Campione. Here, in this southernmost of regions, the police cars have Swiss license plates but the police officers inside are Italian; the inhabitants pay their taxes to Italy but do it in Swiss francs. Its narrow streets are saturated with history, and the surrounding landscape is a series of stunning views of Lago di Lugano and Monte San Salvatore.
In the 8th century the lord of Campione gave the tiny scrap of land, less than a square kilometer (½ square mile) in area, to the monastery of St. Ambrosius of Milan. Despite all the wars that passed it by, Campione remained Italian until the end of the 18th century, when it was incorporated into the Cisalpine Republic. When Italy unified in 1861, Campione became part of the new Kingdom of Italy—and remained so. There are no frontiers between Campione and Switzerland, and it benefits from the comforts of Swiss currency, customs laws, and postal and telephone services. Despite its miniature scale, it has exercised disproportionate influence on the art world: in the Middle Ages a school of stonemasons, sculptors, and architects from Campione and the surrounding region worked on the cathedrals of Milan, Verona, Cremona, Trento, and Modena—even the Hagia Sophia in Istanbul.
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