The village of Sarrià was originally a cluster of farms and country houses overlooking Barcelona from the hills. Once dismissively described as nothing but "winds, brooks, and convents," this quiet enclave is now a prime residential neighborhood at the upper edge of the city. Start an exploration at the square—the locus, at various times, of antique and bric-a-brac markets, book fairs, artisanal food and wine fairs, sardana dances (Sunday morning), concerts, and Christmas pageants. The 10th-century Romanesque Church of Sant Vicenç dominates the square; the bell tower, illuminated on weekend nights, is truly impressive. Across Passeig de la Reina Elisenda from the church (50 yards to the left) is the 100-year-old Moderniste Mercat de Sarriá.
From the square, cut through the Placeta del Roser to the left of the church to the elegant Town Hall (1896) in the Plaça de la Vila; note the buxom bronze sculpture of Pomona, goddess of fruit, by famed Sarrià sculptor Josep Clarà
(1878–1958). Follow the tiny Carrer dels Paletes, to the left of the Town Hall (the saint enshrined in the niche is Sant Antoni, patron saint of paletes, or bricklayers), and right on Major de Sarrià, the High Street of the village. Lunchtime? Try Casa Raphael, on the right as you walk down—in business (and virtually unchanged) since 1873. Further on, turn left into Carrer Canet. The two-story row houses on the right were first built for workers on the village estates; these, and the houses opposite at Nos. 15, 21, and 23, are among the few remaining original village homes in Sarrià. Turn right at the first corner on Carrer Cornet i Mas and walk two blocks down to Carrer Jaume Piquet.
On the left is No. 30, Barcelona's most perfect small-format Moderniste house, thought to be the work of architect Domènech i Montaner, complete with faux-medieval upper windows, wrought-iron grillwork, floral and fruited ornamentation, and organically curved and carved wooden doors either by or inspired by Gaudí himself. The next stop down Cornet i Mas is Sarrià's prettiest square, Plaça Sant Vicens, a leafy space ringed by old Sarrià houses and centered on a statue of Sarrià's patron, St. Vicenç, portrayed, as always, beside the millstone used to sink him to the bottom of the Mediterranean after he was martyred in Valencia in AD 302. Can Pau, the café on the lower corner with Carrer Mañé i Flaquer, is the local hangout, a good place for coffee and once a haven for authors Gabriel García Marquez and Mario Vargas Llosa, who lived in Sarrià in the late 1960s and early 1970s.
Other Sarrià landmarks to look for include the two Foix pastry shops, one at Plaça Sarrià 9–10 and the other at Major de Sarrià 57, above Bar Tomás. The late J. V. Foix (1893–1987), son of the shop's founder, was one of the great Catalan poets of the 20th century, a key player in keeping the Catalan language alive during the 40-year Franco regime. The shop on Major de Sarrià has a bronze plaque identifying the house as the poet's birthplace and inscribed with one of his most memorable verses, translated as, "Every love is latent in the other love / every language is the juice of a common tongue / every country touches the fatherland of all / every faith will be the lifeblood of a higher faith."