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Fodor's Spain 2014
Mezquita (Mosque) Review
Built between the 8th and 10th centuries, Córdoba's mosque is one of the earliest and most transportingly beautiful examples of Spanish Islamic architecture. The plain, crenellated exterior walls do little to prepare you for the sublime beauty of the interior. As you enter through the Puerta de las Palmas (Door of the Palms), some 850 columns rise before you in a forest of jasper, marble, granite, and onyx. The pillars are topped by ornate capitals taken from the Visigothic church that was razed to make way for the mosque. Crowning these, red-and-white-stripe arches curve away into the dimness, and the ceiling is carved of delicately tinted cedar. The Mezquita has served as a cathedral since 1236, but its origins as a mosque are clear. Built in four stages, it was founded in 785 by Abd ar-Rahman I (756–88) on a site he bought from the Visigoth Christians. He pulled down their church and replaced it with a mosque, one-third the size of the present one, into which he incorporated marble pillars from earlier Roman and Visigothic shrines. Under Abd ar-Rahman II (822–52), the Mezquita held an original copy of the Koran and a bone from the arm of the prophet Mohammed and became a Muslim pilgrimage site second only in importance to Mecca.
Al Hakam II (961–76) built the beautiful mihrab (prayer niche), the Mezquita's greatest jewel. Make your way over to the qiblah, the south-facing wall in which this sacred prayer niche was hollowed out. (Muslim law decrees that a mihrab face east, toward Mecca, and that worshippers do likewise when they pray. Because of an error in calculation, this one faces more south than east. Al Hakam II spent hours agonizing over a means of correcting such a serious mistake, but he was persuaded to let it be.) In front of the mihrab is the maksoureh, a kind of anteroom for the caliph and his court; its mosaics and plasterwork make it a masterpiece of Islamic art. A last addition to the mosque as such, the maksoureh was completed around 987 by Al Mansur, who more than doubled its size.
After the Reconquest, the Christians left the Mezquita largely undisturbed, dedicating it to the Virgin Mary and using it as a place of Christian worship. The clerics did erect a wall closing off the mosque from its courtyard, which helped dim the interior and thus separate the house of worship from the world outside. In the 13th century, Christians had the Capilla de Villaviciosa built by Moorish craftsmen, its Mudejar architecture blending with the lines of the mosque. Not so the heavy, incongruous baroque structure of the cathedral, sanctioned in the very heart of the mosque by Carlos V in the 1520s. To the emperor's credit, he was supposedly horrified when he came to inspect the new construction, exclaiming to the architects, "To build something ordinary, you have destroyed something that was unique in the world" (not that this sentiment stopped him from tampering with the Alhambra to build his Palacio Carlos V). Rest up and reflect in the Patio de los Naranjos (Orange Court), perfumed in springtime by orange blossoms. The Puerta del Perdón (Gate of Forgiveness), so named because debtors were forgiven here on feast days, is on the north wall of the Orange Court and is the formal entrance to the mosque. The Virgen de los Faroles (Virgin of the Lanterns), a small statue in a niche on the outside wall of the mosque along the north side on Cardenal Herrero, is behind a lantern-hung grille, rather like a lady awaiting a serenade. The Torre del Alminar, the minaret once used to summon the Muslim faithful to prayer, has a baroque belfry.
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