Cordoba
We’ve compiled the best of the best in Cordoba - browse our top choices for the top things to see or do during your stay.
Get FREE email communications from Fodor's Travel, covering must-see travel destinations, expert trip planning advice, and travel inspiration to fuel your passion.
We’ve compiled the best of the best in Cordoba - browse our top choices for the top things to see or do during your stay.
A few yards off the northeastern corner of the mezquita, this tiny street has the prettiest patios, many with ceramics, foliage, and iron grilles. The patios are key to Córdoba's architecture, at least in the old quarter, where life is lived behind sturdy white walls—a legacy of the Moors, who honored both the sanctity of the home and the need to shut out the fierce summer sun. Between the first and second week of May—right after the early May Cruces de Mayo (Crosses of May) competition, when neighborhoods compete at setting up elaborate crosses decorated with flowers and plants—Córdoba throws a Patio Festival, during which private patios are filled with flowers, opened to the public, and judged in a municipal competition. Córdoba's tourist office publishes an itinerary of the best patios in town (downloadable from patios.cordoba.es/en); note that most are open only in the mornings on weekdays but all day on weekends.
Built in the foothills of the Sierra Morena by Abd al-Rahman III (891–961) for his favorite concubine, al-Zahra (the Flower), the construction of this once-splendid summer pleasure palace was begun in 936. Historians say it took 10,000 men, 2,600 mules, and 400 camels 25 years to erect this fantasy of 4,300 columns in dazzling pink, green, and white marble and jasper brought from Carthage. A palace, a mosque, luxurious baths, fragrant gardens, fish ponds, an aviary, and a zoo stood on three terraces here; for around 70 years the Madinat was the de facto capital of al-Andalus, until, in 1013, it was sacked and destroyed by Berber mercenaries. In 1944, the Royal Apartments were rediscovered, and the throne room carefully reconstructed. The outline of the mosque has also been excavated. The only covered part of the site is the Salon de Abd al-Rahman III (due to open in mid-2023 after a decade of restoration work); the rest is a sprawl of foundations and arches that hint at the splendor of the original city-palace. Begin at the visitor center, which provides background information and a 3D reconstruction of the city, and continue to the ruins, around 2 km (1 mile) away. You can walk, but it's uphill, so consider taking the shuttle bus (€3, or included in the €10 bus ticket from the Paseo de la Victoria in the city center). Both services run frequently. The tourist office can provide schedule details. Allow 2½ to 3 hours for your visit. You can visit the ruins at night Tuesday–Saturday between mid-June and mid-September.
Built between the 8th and 10th centuries, Córdoba's mosque is one of the earliest and most beautiful examples of Spanish Islamic architecture. The plain, crenellated exterior walls do little to prepare you for the sublime beauty of the interior. As you enter through the Puerta de las Palmas (Door of the Palms), some 850 columns rise before you in a forest of jasper, marble, granite, and onyx. The pillars are topped by ornate capitals taken from the Visigothic church that was razed to make way for the mosque. Crowning these, red-and-white-striped arches curve away into the dimness, and the ceiling is of delicately carved tinted cedar. The mezquita has served as a cathedral since 1236, but its origins as a mosque are clear. Built in four stages, it was founded in 785 by Abd al-Rahman I (756–88) on a site he bought from the Visigoth Christians. He pulled down their church and replaced it with a mosque, one-third the size of the present one, into which he incorporated marble pillars from earlier Roman and Visigothic shrines. Under Abd ar-Rahman II (822–52), the mezquita held an original copy of the Koran and a bone from the arm of the prophet Mohammed and became a Muslim pilgrimage site second only in importance to Mecca. Al-Hakam II (961–76) built the beautiful mihrab (prayer niche), the mezquita's greatest jewel. Make your way over to the qibla, the south-facing wall in which this sacred prayer niche was hollowed out. (Muslim law decrees that a mihrab face east, toward Mecca, and that worshippers do likewise when they pray. Because of an error in calculation, this one faces more south than east. Al-Hakam II spent hours agonizing over a means of correcting such a serious mistake, but he was persuaded to let it be.) In front of the mihrab is the maksoureh, a kind of anteroom for the caliph and his court; its mosaics and plasterwork make it a masterpiece of Islamic art. A last addition to the mosque as such, the maksoureh was completed around 987 by al-Mansur, who more than doubled its size. After the Reconquest, the Christians left the mezquita largely undisturbed, dedicating it to the Virgin Mary and using it as a place of Christian worship. The clerics did erect a wall closing off the mosque from its courtyard, which helped dim the interior and thus separate the house of worship from the world outside. In the 13th century, Christians had the Capilla de Villaviciosa (Villaviciosa Chapel) built by Moorish craftsmen, its Mudejar architecture blending with the lines of the mosque. But that was not so for the heavy, incongruous baroque structure of the cathedral, sanctioned in the very heart of the mosque by Carlos V in the 1520s. To the emperor's credit, he was supposedly horrified when he came to inspect the new construction, exclaiming to the architects: "To build something ordinary, you have destroyed something that was unique in the world" (not that this sentiment stopped him from tampering with the Alhambra to build his Palacio Carlos V). Rest up and reflect in the Patio de los Naranjos (Courtyard of the Oranges), perfumed in springtime by orange blossoms. The Puerta del Perdón (Gate of Forgiveness), so named because debtors were forgiven here on feast days, is on the north wall of the courtyard and is the formal entrance to the mosque. The Virgen de los Faroles (Virgin of the Lanterns), a small statue in a niche on the outside wall of the mosque along the north side on Calle Cardenal Herrero, is behind a lantern-hung grille, rather like a lady awaiting a serenade. The Torre del Alminar, the minaret once used to summon the Muslim faithful to prayer, has a baroque belfry that reopened to visitors in late 2014. Views from the top are well worth the climb, but be aware that it's the equivalent of 12 flights of stairs. Allow a good hour for your visit.
Hard to miss because of its deep-pink facade, Córdoba's Museum of Fine Arts, in a courtyard just off the Plaza del Potro, belongs to a former charity hospital. It was founded by Fernando and Isabel, who twice received Columbus here. The collection, which includes paintings by Murillo, Valdés Leal, Zurbarán, Goya, and Joaquín Sorolla y Bastida, concentrates on local artists. Highlights are altarpieces from the 14th and 15th centuries and the large collection of prints and drawings, including some by Fortuny, Goya, and Sorolla.
{{ item.review }}
Please try a broader search, or expore these popular suggestions:
There are no results for {{ strDestName }} Sights in the searched map area with the above filters. Please try a different area on the map, or broaden your search with these popular suggestions: