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Strategically located on the north bank of the Guadalquivir River, Córdoba was the Roman and Moorish capital of Spain, and its old quarter, clustered around its famous Mezquita, remains one of the country's grandest and yet most intimate examples of its Moorish heritage. Once a medieval city famed for the peaceful and prosperous coexistence of its three religious cultures—Islamic, Jewish, and Christian—Córdoba is also a perfect analogue for the cultural history of the Iberian Peninsula.
The Romans invaded in 206 BC, later making it the capital of Rome's section of Spain. Nearly 800 years later, the Visigoth king Leovigildus took control. The tribe was soon supplanted by the Moors, whose emirs and caliphs held court here from the 8th century to the early 11th century. At that point Córdoba was one of the greatest centers of art, culture, and learning in the Western world; one of its libraries had a staggering 400,000 volumes. Moors, Christians, and Jews lived together in harmony within Córdoba's walls. In that era, it was considered second in importance only to Constantinople; but in 1009, Prince Muhammad II and Omeyan led a rebellion that broke up the caliphate, leading to power flowing to separate Moorish kingdoms.
Córdoba remained in Moorish hands until it was conquered by King Ferdinand in 1236 and repopulated from the north of Spain. Later, the Catholic Monarchs used the city as a base from which to plan the conquest of Granada. In Columbus's time, the Guadalquivir was navigable as far upstream as Córdoba, and great galleons sailed its waters. Today, the river's muddy water and marshy banks evoke little of Córdoba's glorious past, but an old Arab waterfall and the city's bridge—of Roman origin, though much restored by the Arabs and successive generations, the most recent in 2012—recall a far grander era.
Córdoba today, with its modest population of a little more than 300,000, offers a cultural depth and intensity—a direct legacy from the great emirs, caliphs, philosophers, physicians, poets, and engineers of the days of the caliphate—that far outstrips the city's current commercial and political power. Its artistic and historical treasures begin with the Mezquita-Catedral (mosque-cathedral), as it is ever-more-frequently called, and continue through the winding, whitewashed streets of the Judería (the medieval Jewish quarter); the jasmine-, geranium-, and orange blossom–filled patios; the Renaissance palaces; and the two dozen churches, convents, and hermitages, built by Moorish artisans directly over former mosques.
Córdoba at a Glance
- Alcázar de los Reyes Cristianos (Fortress of the Christian Monarchs)
- Calleja de las Flores
- Casa de Sefarad
- Iglesia de San Miguel
- Madinat Al-Zahra (Medina Azahara)
- Mezquita (Mosque)
- Museo Arqueológico
- Museo de Bellas Artes
- Museo Diocesano
- Museo Julio Romero de Torres
Elsewhere in Andalusia
- Alcalá la Real
- The Alpujarras
- Arcos de la Frontera
- Doñana National Park
- Fuente Vaqueros
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